Cardio - A Display Font : Cardio is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs. It supports 91 Languages: Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Spectron - A Display Font : Spectron is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs. It supports 91 Languages: Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Scendero - A Display Font : Scendero is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs. It supports 98 Languages. Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu and more.

Hello! Inspiration for this beautiful script font I found in “A Source of Solace in Illness” (Trost Bronn der Kranchhen) book, published in the middle of 17th century. There was an entire on the back of the top cover: Joannes Auanger Parochus Sinchingae 1808”. That's why I named my font family Parochus. In the Catholic Church, a parish is a community of the faithful within a particular church, whose pastoral care has been entrusted to a parish priest (Latin: parochus). There are original and regular style fonts. Also, I’ve added some modern symbols. With this set, you can precisely imitate medieval style text. I designed a full uppercase and lowercase set with Multilingual support and ligatures. You'll found ß, &, Š, ę and many other beautiful glyphs. Best, Roman.

Hinauf - A Display Font : Hinauf is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs. It supports 91 Languages: Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Incidentia - A Display Font : Incidentia is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It is created for poster, web, brand and social media designs. It supports 91 Languages: Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

The Joanna® Sans Nova family is the only typeface in the Eric Gill Series that was not initially designed by Gill. Created by Monotype Studio designer Terrance Weinzierl over a three-year period with digital applications at the forefront of the design criteria, Joanna Sans Nova is a humanist sans serif based primarily on Gill’s original Joanna. The design comprises 16 fonts, from thin to black, each with a complementary italic. Joanna Sans Nova has a larger x-height to ensure high levels of legibility – even on small digital screens. Due to its inherent humanist proportions, Joanna Sans Nova is surprisingly comfortable for longer form reading. Its low contrast in character stroke weights also improves imaging in a variety of environments. In addition, the calligraphic and fluid details enable the roman and italic designs to shine in headlines and other display uses. Joanna Sans features a robust range of OpenType features for fine typography, including small caps, old style figures, proportional figures, ligatures, superscript and subscript figures and support for fractions. With over 1000 glyphs per font, Joanna Sans supports more than 50 languages – in Latin, Greek and Cyrillic scripts. “I've always been a fan of Gill’s work, explains Weinzierl, and found the simple, humanist qualities of Joanna really fitting for a sans serif design. I wanted to make something with Gill flavor, but with more harmony in the extreme weights than Gill Sans – and with my twist on it. I went through six or seven different italic designs before landing on the current direction.” “The original Joanna had a very distinct italic, Weinzierl continues. “It’s very condensed, and has a very shallow angle. I wanted to have an italic that stood out, but in a different way. I took a cursive direction for the italic details, which are wider and slanted more, both improving character legibility.” The Joanna Sans Nova typeface family is part of the new Eric Gill series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact page." One of Goudy's best text faces, Kennerley is considered an original American classic as it is not based on historical type designs.

Kelso is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. This technique seems somehow to bring out the individual characteristics of each letter, resulting in a harmonious typeface that’s both easy to read and easy on the eye.

Saintecy is an equally relaxed and timeless handwritten font. It features an incredibly classic style, while still keeping a friendly feel. Saintecy is the perfect font for making original and outstanding designs, whether for formal or informal projects. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Full Support Dita Type

Gotico™, meaning Gothic, is a Blackletter script (sometimes referred to as Old English). The original Gotico design was first brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain. The designer of Gotico is unknown and for many years the font was formerly sold only in Europe.

Even the original founder, Barnhart Bros. & Spindler, thought this was a freaky font, and indeed they called it "Freak" when they introduced it in 1889. It was reintroduced in 1925 under the somewhat more elegant name of "Bamboo," and is one of the prizes that the collectors of antique metal types seek.

Flimsy is 100% handmade, but digitally remastered. I removed some blobs here and there, but kept enough of the original handmade line in order to make the Flimsy stand out as an organic and powerful ALL CAPS font! I've also added 5 slightly different versions of each letter, along with multilingual support!

Homeplate Rough is a classic serif display font. The font is designed for use in vintage themes and works particularly well in bar, steakhouse, rodeo and country music themes. The font was originally developed for use in branding in baseball teams. The font is an all capitals font and includes 128 characters.

Transcribed from letters designed by Jan van Krimpen for The Curwen Press at Plaistow, London, in 1925; printed on pages 49, 51 & 53 of A Specimen Book of Types and Ornaments in Use at The Curwen Press (1928). A setting at 120 pt is recommended to match the size of the original.

Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward's trademark quirkiness but reamins highly legible and readable on screen as well as in print. The family includes Light, Regular, Bold and Black.

Public Notice JNL is based on a wood type alphabet originally shown in George Nesbitt’s 1838 catalog as “Gothic.” The image sample used for a model had only the basic A-Z characters, an ampersand and an exclamation point, so numbers and additional characters were designed and added to the digital version.

Futura Display was designed by Paul Renner in 1932. Its original German name was Futura Schlagzeile, which means “headline”, alluding to its suitability for display use. Its forcefulness and robustness have made it a widely used typeface in film posters, advertising, logos, and music covers. Futura is a Trademark of BauerTypes SL

26 Mythical or mysterious Creatures. A highly decorative font where each creature form the letters A to Z. The upper case letters have detailed creatures/letters while the lower case hold silhouettes of the same creatures. The creatures were originally drawn 2016 during the 36 days of type project (http://www.36daysoftype.com/)

DonJulio is a handwritten most-of-the-time connecting script, that dates back to the 1930s in Germany. We tried to keep it as true to the original as possible, conserving the shaky and uneven appearance of those days. DonJulio can be mixed together with its very embellished sister font Donna Julia.

This disarming beauty is based on a typeface named "Archer" from the 1905 specimen book from Barnhart Brothers & Spindler. The original was a rather light face; this beefed-up version highlights the face’s charming quirks quite nicely. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Amador. Designed in 2004 by Jim Parkinson. Originally released as a Type 1 font, Amador was refreshed (version2) and re-released as simple Open Type in 2012. A blackletter designed in the spirit of the Arts and Crafts movement. The works of Frederic Goudy and Rudolf Koch are also reflected in this design.

The exciting new typewriter font, Coronette, combines old-fashioned charm with modern typographic sensibilities. Originally commissioned as a custom font for Magnetic Poetry, this clean, medium-weight typewriter font is now available to the general font-lovin' public. Enjoy a new, multi-purpose workhorse font for all your labeling and page layout needs.

As a stand-alone version of our original Sablon, Sablon B delivers a bold expression without any distracting moments. The completely redesigned letters and numerals are available in four weights and are complemented by a vintage stylistic set based on lower horizontal lines. Wide language support including a complete set of Cyrillic characters.

Totebag JNL continues the stencil font series from Jeff Levine originally inspired by classic lettering stencils of the 1940s and 1950s. This particular design is common amongst "painting stencils", the individual letters used for marking and identification. Some characters are solid shapes while others have the more traditional "breaks" in the letters.

Harpsichord (as I have named it) is from the late 1940s and was designed at Lucian Bernhard Studios in New York for Bernhard's Magnetype Collection. It was originally published as 'Community Low' along with 'Community Condensed'. Many of his Magnetype Fonts have been dormant which I hope to revive in the near future.

Introducing by Timur type Proudly Present, Barriton Paradise Barriton Paradise A Handwritten Script Font Barriton Paradise is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Barriton Paradise also multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!

Delight Script is a fresh and original Angel Koziupa design that takes its cue from post-WWII advertising scripts. Casual, bouncy and playful, this upright script is built and engineered by Alejandro Paul with tons of alternates that can make every word look like real hand lettering. It covers all Latin-based languages.

Choc font is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light font was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

Bellucci is the redesign of Ramiro Espinoza's first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is a constructivist, modular, compressed family intended for headlines and posters. The name is an homage to Mabel Bellucci, an Argentinian feminist activist.

This “Anglican” style typeface is based on an 1880s release from St. Louis’ Central Type Foundry originally named Euclid. It’s amazingly versatile, easily at home in both formal and fun settings. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Morning Paper JNL is part of a small series of fonts re-drawn from screen captures of original vintage newspaper headlines. The typefaces are classic wood and metal faces that were popular in all forms of print of the time. This sans is a companion to Final Edition JNL and Evening Paper JNL.

Gans Antigua Manuscrito is a revival font by Intellecta Design. researched at the rare catalogue from the extinct Fundicion Richard Gans, from Madrid. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Fulgor and Gans Radio Lumina .

Hexide JNL was modeled and modified from an original design created by the late sign artist Alf R. Becker for Signs of the Times® Magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum of Cincinnati, Ohio for providing the reference material used to make this font.

Galexica is a geometric, modernistic, sans-serif typeface. The original family had five members, but an upgrade in 2019 expanded that to ten, with five weights and italics for each of those weights. The eccentric letter forms have a techno or futuristic look. There is also a monospaced version of this design,

Angular Old Style by Viktor Kharyk is usable as display font, for non-formal texts, especially poetry, for children books and virtual games about adventures, history, and pirates and includes some original ornament set. By stylistic it connects with Italian Renaissance, Czechian types of the first half of 20th century and cut technology.