Check out these Lazy Dance moves - fits perfect to any dancefloor! A tall and thin font made with a brush - it has slightly rugged lines, and a kind of jumpy x-line. All in all it is a font that deserves a design with a handmade look. There are 4 different versions of each letter, and thanks to Contextual Alternates, these automatically cycle as you type. Making your text look really authentic and handmade! There is also multilingual support!

French type designer Albert Boton created this display and sans FontFont in 2004. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing, logo, branding and creative industries as well as software and gaming. FF District provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures.

All the nine weights of Bogart, as well the matching true italics forms, feature an extended charset of over 1600 glyphs, covering 219 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features. To add flexibility for editorial usage, a text-oriented Bogart Alternate set of nine weights was added to the family keeping the design more similar to its modern old style model and allowing for a heavy readable mid-weight range.

Dutch type designer Just van Rossum created this sans FontFont in 1991. The family has 6 weights, ranging from Regular to Bold and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as logo, branding and creative industries. FF Schulbuch provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures.

German type designer Critzla created this display FontFont in 1999. The family has 6 weights, ranging from Light to Fat (including italics) and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, sports as well as web and screen design. FF TradeMarker provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures.

Most folks might picture wood type lettering as the fancy styles of the 1880s which so perfectly evoked images of the Old West. Occasionally there is an exception to that rule, as an online image of some vintage wood letters with an Art Deco influence inspired a revival as a digital type face. Wood Lined JNL features a bold alphabet with an engraved line throughout the characters, and is available in both regular and oblique versions.

Menco was inspired by the lettering of engineering, found on blueprints, mechanical drawings, stencils and templates. The family has 5 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as small text. Menco provides advanced typographical support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It also comes with tabular lining and proportional lining figures.

Quenbach is a classy and geometric font family that includes 36 weights. Especially, this Font family has elaborated the Kerning Process to be useful in Editorial Design. It also supports Cyrillic Basic Charset and OpenType Features including Small Caps. Basically, the glyphs were geometrically designed, and some glyphs were customized to improve readability. Of these fonts, the thin weight font is designed to be thinner than the other products. This thinnest stroke can be useful in editorial design. And Qunbach Condensed Font Family will be used more accurately for editorial and web designer's needs.

Rollbox Rollbox is a font inspired by the development of technological modernization in the world of the digital visual industry, By adopting a modern style and a little combined with the beauty of the monospace style that can be found in small letters, Rollbox with 20 font weights & the addition of several alternative letters, this will be more enriching & more extensive exploration. Not only that rollbox letters can also be used in logo characters, writing short paragraphs will all work well with beautiful combination portions. Let's start design. With love & be happy.

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.

Features: • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Gravitica is a modern sans serif with a geometric touch. It comes in 8 weights, 16 uprights and its matching italics, patterns, so you can use them to your heart’s content. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, tabular figures, arrows, ligatures, icons and patterned. Gravitica family consists of 13 styles (12 weights, 12 Italics and 1 patterns), in each of which there are more than 940+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.) Behance (You can give feedback if you find a problem.)

This is a large group of typefaces inspired by those borders and patterns you see going across documents from the Middle Ages and Medieval times, eventually becoming this collection of fonts where you can scroll various repeating patterns across a page, for example. You can get a repeating pattern that scrolls seamlessly by repeating the same letter. The default text displaying on the web-page is bbbbbbbb, for example. There's over 2 dozen basic styles, and each style has 52 designs within it, using the characters Upper Case A - Z and lower case a - z, with the lower case being the negative/reverse colour of the Upper Case version, it will be the corresponding design just reverse coloured and with an edging strip. There's also a space - but nothing else. The styles in these fonts usually have groups of six characters (A to F, G to L, M to R, S to X), and where the second group is a variation on the first - usually thicker lines - and the third grouping is another variation on that, usually thicker lines again, making the first 24 letters. (Sometimes there's three groups of eight characters). The pattern within a group normally starts off plain then gets busier as it progresses - such as there'd be a more complex pattern of circles and diamonds as you go through the letters. Then the letters Y & Z are somewhat different to the rest. There's four versions starting with Z, and they're a little bit different, and they're grouped in fives - getting bolder as you progress through the letters, but with similar patterns within each group of 5, and that makes the first 25 characters. The letter Z character is extra busy. Again, lower case is the reverse colour of the Upper Case. Mostly you can get patterns and borders that combine seamlessly by using letters within the same group of 6 or 8 (like maybe abdcedcb). There are a few occasions when that doesn't work out, because there may be circles or diamonds at the sides of the letters that don't match up with another letter that has a different pattern at the side. But you can create a pattern with the exact level of complexity you want perfectly easily. You can see examples of this in the poster images. Neighbouring letters without embellishments at the sides of the letters will usually fit together. Have fun with it, that's what it's there for. aah yes fonts

Biortec was designed to look as though it could be used in a futuristic graphical user interface. It could be equally useful as a logotype for a biotech company or some other application.

Caroni is a cute handmade typeface, which was originally created in 2018 as a free font. It has a simple and clean look, and works great for longer texts. Caroni has already been used in numerous children's books, so now it was time to extend Caroni's look, and add more styles. The Caroni Family at a glance If you like Caroni, you will love the Caroni font family! Caroni now comes in bold and italic, and it has nine awesome siblings: Avenue (all dressed up with stylish serif strokes) Lime (the skinny version of Caroni) Avenue Lime (the skinny version of Caroni Avenue) Tabanca (dark and heavy, this is Caroni's brush version) Doubles (enhanced with fine lines) Fete (with fun little dots) Coconut (Caroni's outline style) Soursop (Outline with dots, a great display font) Carnival (a quirky and fun all-caps version) Caroni was created while staying with a friend in Trinidad, hence the names :) Languages supported: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Reverberation JNL and its slanted counterpart are a throwback to the 1970s and 1980s when fonts featuring horizontal white lines of varying widths implied movement or activity.

Fun, illustrations of guy stuff. This font is another of the many doodle fonts from Outside the Line. Goes well with Diva Doodles and Diva Doodles Too.

Fun, little illustrations in line and reverse of what one finds in an office-- or at least my office. See Food Doodles for more matching little drawings.

Super head Club is a font made with line. The shape of the letters is a sans-serif style round and bold. Works perfectly for vintage artworks.

Gauntly is a stunningly sweet and delicious single line handwritten font with a cool vibe. It will turn any design idea into a true piece of art.

Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.

A fun font to create pop and young graphics, with a non-obvious font created starting from a handcrafted line. For an urban, snappy and fresh result.

A nice legible, slanted handwritten font with occasional rough lines. That is exactly what Ankertill Brewer is! Use this font to copycat real handwriting with big success!

Asvet Mono is a playful monospaced stencil that is bold and curvy. This cheerful TrueType Font has over 370 characters and it is legible in fine print.

Kalexa, a name inspired by the fusion of kaleidoscope and hexagon, is a modern typeface created from geometric lines based on the hexagon's shape. It draws inspiration from low poly and heavy industrial typefaces, reflecting modernity, simplicity, and power. With its sleek and minimalist design, Kalexa emerges as a disruptive force. Thanks to its 6 font weights, it is highly versatile, making it suitable for a myriad of projects across various themes, ranging from sports designs and industrial brands to technology projects. It adheres to the trend of bold and unconventional shapes while maintaining excellent readability. Available in a variable version for precise control over font weights, Kalexa unlocks endless possibilities for designers to craft captivating visual experiences. Each line becomes a brush of creativity, walking the line to new frontiers of design expression.

TradaSans is a new addition in the range of Univers and Helvetica. It represents a fresh face in this ongoing strong category of sans serif typefaces. TradaSans slightly squarish tendency, and its technical and neutral look create an objective and factual appearance. TradaSans is an ideal typeface for universal use. It offers high reading qualities with longer text applications and its sophisticated design details make it a distinctive headline typeface. TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

The font is inspired by the history of the native land - a city that blossoms on a high mountain, surrounded by the blue ribbon of the Unava River. The swift rapidity of the river, the important slow flow of its reservoirs, golden beaches and steep banks of which remember the glorious times of Cossack glory. Times when bright flags flew over the Cossack army, which swiftly swept the green meadows with lightning cavalry, and dusty paths under the scorching sun. To go out to defend their homes, to cross the cold steel of ringing sabers with the enemy, and, bravely going into battle, to fight back the invaders. The font combines the straight lines of sharp steel sweeps, the broken lines of jousting blows, and the refinement of the accent of undulating flag lines.

BLUEROCKS is a rough brush font, created by hand, sketched on paper. This font is designed to make your designs or handwriting look louder and bold with ease. Perfect & Ideal for Logos, Quotes, Packaging, Flyers, Posters, Book Covers, Social Media Banners and Event Merchandise Types. The BLUEROCKS feature comes with Uppercase & Lowercase, Numeral, Punctuation, Swash lines, and also Multi Language Support. Multi Language English, French, Portuguese, Italian, Spanish, Turkish, Dutch, Finnish, Norwegian, Swedish, Danish, Icelandic, Hungarian, Romanian, etc. The BLUEROCKS typeface also comes with a Webfont Kit __________________________________________________________________ If you press a_a (a + underscore + a) (a_a / a_b / a_c / a_d / a_e / a_f / a_g / a_h / a_i / a_j then the line swash will come out. I've included 10 different line swash types. _________________________________________________________________ Feel free to message me if you have any questions. Don't forget the ♥ Like button guys! :)

EquipExtended is the next complement for the Equip family and with its 16 fonts together with EquipCondensed, it extends the family to 48 styles. While developed from the same basic shape as the rest of the Equip family, it has its own particular friendly and warm appearance. With its wide and open proportions, EquipExtended makes a grand entrance for your headlines, subheads and even for the body of text. Try it out, the light style is free. EquipExtended is very well suited for ambitious typography. The EquipExtended family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

will be great for any projects including : branding, logo, stationery, business card, signage, flyer, brochure etc. Almost all industries will be match for this typeface: wedding, events, rmakeup artist, travel, hotel, musician etc, food

Ela Swashes are not meant to and cannot be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights.

Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, g, r and y has their alternative glyphs that can be available with OpenType salt feature and tabular figures can be available with tnum feature. Be sure to check out the sans serif style of this Dharma series named Dharma Gothic.

Neue Haas Unica by Toshi Omagari: The original purpose behind the creation of the typeface Haas Unica was to provide a sympathetic update of Helvetica. But now the font designer Toshi Omagari has decided to make this typeface his own and has thus significantly supplemented and extended it. In the late 1970s, at the same time at which hot metal typesetting was being replaced by phototypesetting, the Haas Type Foundry commissioned a group of specialists known as "Team '77" consists of Andre Gurtler, Christian Mengelt and Erich Gschwind to adapt Max Miedinger's font The characters of Haas Unica are somewhat narrower than those of Helvetica so that the larger bowls, such as those of the "b" and "d", appear more delicate and have a slightly more pleasing effect. In general, the spacing of Haas Unica was increased to provide for improved kerning and thus enhance the legibility of the typeface in smaller point sizes. Major changes were made to the lowercase "a", in that the curve of the upper bowl became rounder and its spur was eliminated. The form of the "k" was additionally modified to remove the offset leg so that both diagonals originate from the main stem. The outstroke of the uppercase "J" was also significantly curtailed. In addition to many minor alterations, such as to the length of the horizontal bars of the "E", "F" and "G" and to the angle of the tail of the "Q", the leg of the "R" was extended and made more diagonal. In the case of the numerals, the upper curve of the "2" was reduced and the lower loops of the "5" and "6" were correspondingly adapted. The sweep of the diagonal of the "7" was also reduced. Several decades later, Toshi Omagari returned to the original sketches with the objective of reinvigorating this almost totally forgotten typeface. First, however, he needed to revise the drafts prepared by Team '77 to adapt them for digital typesetting. So Omagari carefully adjusted the proportions of the glyphs, achieving a more uniform overall effect across all line weights and removed details that had become redundant for contemporary typefaces. It was also apparent from the old drafts that it had been the case that the original plan was to create more than the four weights that were published. Omagari has added five additional styles, giving his Neue Haas Unica? a total of nine weights, from Ultra Light to Extra Black. He has also greatly extended the range of glyphs. Providing as it does typographic support for Central and European languages, Greek and Cyrillic texts, Neue Haas Unica is now ready to be used for major international projects. In addition, it has been supplied with small caps and various sets of numerals. With its resolute clarity and excellent typographic support, Neue Haas Unica is suitable for use in a wide range of new contexts. The light and elegant characters can be employed in the large point sizes to create, for example, titling and logos while the very bold styles come into their own where the typography needs to be powerful and expressive. The medium weights can be used anywhere, for setting block text and headlines.