Novel Display is the humanist sans serif typeface family for headlines and display sizes and the latest addition to the largely extended, award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 10 weights in combination with 4 widths enable designers to create fine display typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Display [788 glyphs] comes in 50 styles and contains an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Energia Pro is yet another new, charming and whimsical profonts script typeface designed by Ralph M. Unger. Its design is based on Arno Drescher’s Energos from 1932, but Unger completely redesigned the typeface, extended and completed the character set and digitally remastered the font. Energia Pro is a joining handwritten-like script well suited for comics, book titles, and the like. Standard at profonts, Energia Pro contains a large set of manually created ligatures and glyph variants to make it a perfect OpenType Pro connecting script.

Soin Sans is a geometric sans-serif typeface inspired by the design of Futura. (All packages including OTF & TTF file format) Soin Sans Pro Version : http://www.myfonts.com/fonts/stawix/soin-sans-pro

Laramie Pro is a new profonts script typeface family supplied in the OpenType Pro font format. The character set covers about 1,500 glyphs for the complete Latin character set (West, East, Baltic, Turkish, Romanian), and a huge number of handmade ligatures and stylistic alternates to make it a perfect OpenType Pro script. Laramie is a very distinguished, modern and versatile script font.

Pescadero Pro is named for the valley in California's rugged central coast. Early Spanish settlers called the area Pescadero (fishing place) as they observed it was a favorite fishing spot for the local natives. Designed by Steve Matteson, Pescadero is delicate and detailed for attractive documents but robust enough for serious reports and titles. The design is based heavily on calligraphic inscriptional lettering. Pescadero Pro's OpenType features include proportional figures, tabular figures, old style figures and initial swash caps.

Kate Slab Pro is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro is its biggest asset in world of uniformity. Ranging from "100 Thin" all the way to "900 Black" makes Kate Slab Pro such an amazing and versatile font family that stands out. Kate Slab Pro doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer's needs, Kate Slab Pro comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro.

As a follow-up to his popular Chocolate font, Angel Koziupa softens his brush again to produce Felipe, a font made in the memory of his brother. As packaging-friendly and versatile as any Koziupa font, Felipe contains fresh perspectives on old characters. Some of the majuscules and figures show characteristics normally reserved for minuscules. The overall color of the font is somewhat bittersweet, which adds to its ability to capture the attention in display settings. Felipe is ideal for packaging, signs, culinary-related designs, and posters.

Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility. Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script. Crafted Koziupa and digitized by Ale Paul.

Kozmetica is new original elegance from the dynamic team of Koziupa and Paul. Soft, warm forms made of pensively fluid strokes make for comfortable and classy delivery with just enough ornamentation to evoke the rich days of art deco. Kozemtica comes with plenty of alternates, focusing in particular on the degree of lowercase ornamentation. The setting can be simple and straightforward, or swashed with hairlines seamlessly emanating and swirling from beginning or ending forms. Designed by Koziupa and digitized by Ale Paul, Kozmetica’s ideal use is in packaging design.

Royalist Pro is an expanded OpenType font based on "Secretary Hand" from the time of the English Civil War, circa 1632. This Pro version includes over 500 glyphs with alternate characters, ligatures and full Western and Central European Characters sets.

Angel Koziupa was drawing letters for labels since forty years ago, now he meets SudTipos and his beautiful works could be used around the world. Murga is a dance, it’s Latin, it’s carnival....

Adagio Pro, that sounds like music, elegance and classic quality. That's exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio.Adagio Pro comes with more than 1.100 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Additionally, there is a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.Adagio Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

The Miramonte™ Pro Family was designed by Steve Matteson in 2006 as a friendly sans serif design suitable for user-interface design, corporate branding and publishing. The name means 'behold the mountains' in Spanish, suggesting the rustic, unrefined type design. Miramonte™ Pro Family is based on Stanislav Marso's humanist sans serif released by Graphotechna in 1960. This revival includes a cursive style italic rather than a sloped roman. Miramonte Pro Family includes an extensive character set for publishing Central and Eastern European languages. Its OpenType features include the euro symbol, alternates, old style figures, proprtional lining figures, diagonal fractions, stacked fractions, superscript/subscript and scientific inferiors. Character Set: Latin-1, CE, OpenType Pro features. View Miramonte Pro Type Specimen (PDF)NOTE: An OpenType-savvy application such as Adobe Creative Suite, Mellel or QuarkXPress is required to access the OpenType typographic features.

Symphony Pro… sounds like music, elegance and classic quality. That's exactly how Symphony Pro carries the message to the reader. Symphony Pro is a rather formal script with very beautiful, generous and swashy upper case that was redesigned, digitized, completed and expanded as OpenType in the profonts type studio. Symphony Pro comes with more than 800 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Addionally, there is a large selection of ligatures, character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7. Symphony Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

Ballerina Pro... sounds like music, ballet, elegance and classic quality. That's exactly how Ballerina Pro carries the message to the reader. Ballerina Pro is a more of a formal script, light-weighted and quite beautiful, redesigned, digitized, completed and expanded as OpenType in the profonts type studio.Ballerina Pro comes with round about 600 characters covering the complete Latin glyph set for West and East including Baltic and Turkish. Additionally, there is a large selection of manually designed character combinations and alternates to make this beautiful script design a perfect font for OTF-savvy applications like e.g. InDesign or Quark Xpress 7.Ballerina Pro is a very distinguished, elegant and versatile script font well-suited for anything in the area of ballet, classical music, art, ballet etc. Also, it is good for certificates, reports, documents and alike.

The original Graphique Pro was designed by the famous Swiss designer Hermann Eidenbenz in 1945 and included one outline shadow style. His idea of a very narrow, very economic headline font became increasingly more popular over the last decades and since the recent trend of layered fonts his idea is more up-to-date than ever. profonts studio now took the idea of the Graphique Pro to its next level: Graphique Pro Next. This layered type family consists of 8 styles which can be combined in plenty of ways to create unique designs. The fonts thereby preserve the outstanding and timeless drawings of the original Graphique Pro font and will add an aesthetic and fresh look to every project. Please have a look at the Graphique Pro Next Type Specimen for more details about the language support and font layer combinations.

Alio™– Let Your Creativity Flow. Inspired by sleek sans serifs and flowing cursives, Alio™ features the best of both worlds. The hybrid modular design of this display type gives you tons of alternates and options to play. Just let your creativity flow and enjoy creating a broad range of styles from minimalistic modern to decorative flourish. *Alio Pro* comes loaded with extensive ligatures and alternates. When combined this display type with Alio Decor, you can let your creativity flow to the max. Together, you can create stunning flourish designs and unique type treatment to your projects. The Pro also supports most Latin-based languages. Heck, it even covers Chinese PinYin. Perfect for the logo, branding, poster, book cover, store sign, and packaging. [6 weights/12 font styles. 750+ glyphs each] *Alio Decor* is more than just an Alio Pro’s sidekick. You can enjoy creating flourish designs exclusively with Alio Decor. [6 weights/12 font styles, 300+ glyphs each] *Alio Std* features selected glyphs from Alio Pro (fewer ligatures and alternates). Perfect for web headlines and subheads, and minimalistic, modern print designs. [6 weights/12 font style, 400+ glyphs each]

Bispo is a script typeface family made based on italic chancery calligraphy. After one year of it first launch, Bispo family now has another variant, a Bispo Pro version. The Pro version now contains more than 450 glyphs and new OpenType features, enjoy!

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Pericles Pro is an attractive typeface for headlines and short passages of text which recall inscriptional lettering and playful, art deco design. There are two weights of Pericles Pro, Light and Regular, containing OpenType-enabled typographic features with alternative characters for creating eye-popping effects in headlines, book titles, banners, and greeting cards. Each Pericles Pro font includes 433 glyphs. This includes 12 stylistic alternates and 17 ligatures to mix and match with a full set of capitals, small capitals, superscript, subscript and petite small capital letters. Pericles Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, as well as Windows Presentation Foundation (WPF) and the forthcoming QuarkXPress 7.

A drop cap ornamental font. Pro version includes the Basic one.

Weggio is a brimming mucho handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Hearts, and wings are both powerful symbols.The heart represents the seat of the emotions, and Wings represent movement upward, even spiritually, in the case of angel wings. These images have been drawn with a brush, some of them on rough paper, and are available as a black or white version.

Calcite Pro is a contemporary sans serif italic typeface designed by Japanese type designer Akira Kobayashi. Although it derives its basic character from the italic scripts of the Italian Renaissance, Kobayashi has utilized a highly stylized and rational approach to create an inspired modern Adobe Originals adaptation. Calcite Pro's geometric form and almost crystalline texture evoke images of its mineral namesake. The dynamic appearance of this retro chancery script adds a strong graphic presence to modern typesetting, whether it is used on its own or in conjunction with more traditional typefaces.

It is a new style of Konga Pro, now more rough and ornaments.

Lindsey Pro is a new handwriting style font with advanced OpenType features including alternative characters and ligatures. Lindsey Pro was created by Steve Matteson based on a teenager’s handwriting. It is a casual typeface design with irregular alignments and occasional connections. Lindsey is a fun font to use in a wide range of documents, from Valentine’s Day cards to invitations, memos, greeting cards, signs and correspondence. Lindsey Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, QuarkXPress 7, and Microsoft Expression.

Edda Pro is another art nouveau revival by German type designer Ralph M. Unger. Edda Pro is based on Edda, designed in 1900 by Heinrich Heinz Heune for Schelter & Giesecke, Leipzig, Germany. Unger redesigned the beautiful forms, completed and expanded this outline caps-only typeface for the profonts library. Also, he added a nice collection of very useful frames and ornaments in EPS format supplied with the OTF version of Edda Pro.Edda Pro can be used for anything in advertising, signmaking, posters, restaurants, hairdressing, paint, wallpaper and so on.

Romy is a fresh take on casual handwriting. It combines aspects of comedy, graffiti, greeting cards, and refrigerator notes. The unmistakable lettering expertise of Angel Koziupa and smooth, crisp digitization of Alejandro Paul provide a humorous, friendly and lively typeface.