Best Kids is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Ben Kidoz is a sweet and friendly display font, created with an incredible playful touch, with Regular, Bold, Italic and hollow feel. Add this font to your favorite creative ideas and notice how it makes them come alive!

Funcy Kids is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Venarotta is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Thank you.

Milk is a bouncy and quirky display font. It will add a fresh and contemporary touch to your designs. Add this unique display font to each of your creative ideas and notice how it makes them stand out!

Happy Dinosaur is a sweet and chunky lettered display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Spooky Green is an incredibly unique and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Creamy Delight is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Whassup y’all! Me and my bros got this li’l gang together: we is Ringo, and we got da bling, yo! We is da typeface family for ya all! We got some real sweet stuff for ya, some nice characters. We got all ’em OpenType features like fractions and proportional figgers, we even got da cubic root, man! And check out da question mark, man, is real sweet. And the ampersand, yeah! I luv ’em ampersands. Now my brothers over here got some light action for ya, and they got some real bold action for ya. We got some nice foxy curves goin’ on, some nice tension, and some nice relaxation. My bro Light over here is kind of like the subtle guy, ya know. He’s in for the female fans, ya know. Heh! Hell, yeah! And man, we speak like 84 languages: we speak the German, and the French, and the Spanish, and we speak the Polish, and the Czech, and the Hungarian, and we even speak Shambala and Swahili and Rundi, and we got some Esperanto thing as well for ya. And check out my bro Black right over here, he’s like the action superhero, man! He’s got impact, man! Yeah yeah, but you know, my bros Regular and Bold are the real deal. Them is like da word of da street, man! Like da word of you, and you. And we got a message for y’all: life is hard, life is real, but you should work your mojo, be smooth, be nice, chill. We got all them kerning pairs, and all them weights, and we got ’em alternate letters. So check us out, yo!

“For those who regret what keyboards and touch screens have done to their penmanship, typographer Harald Geisler has an answer: Sigmund Freud.” — The Wall Street Journal Sigmund Freud was a neurologist who lived from 1856 to 1939. His research and studies led to the foundation of ‘Psychoanalysis’. When I first saw Freud’s century old letters, I was fascinated by the beauty of these historic manuscripts. It made me smile to imagine a person writing his or her shrink a letter set in Freud’s handwriting. I started to plan creating a font based on his manuscripts. I contacted the Sigmund Freud Museum Vienna and Freud Museum London. To start the creation I selected eight handwritten documents from the archive in Vienna – This selection of specimen was my orientation during the design process. The Samples were created between 1883 to 1938 and are of various character such as handwritten scientific papers, personal letters, notes and a telegram. A successful Kickstarter Campaign "The Sigmund Freud Typeface - A Letter to your Shrink" with over 1400 Backers enabled me to visit the archive in Vienna and study the original manuscripts of Sigmund Freud. After a year of preparation and design work, I finished four alphabets based on Freud’s handwriting. What are the different Versions PRO, Kurrent, #1, #2, #3 and #4 about? “This project gives people the convenience afforded by the computer while maintaining the romantic nostalgia, beauty, and character of letter writing with real handwriting.” — Daniel Vahab, The Huffington Post When you write with your hand, every letter looks a little different. When you write a text on your computer every letter looks exactly the same. In order to make type look like handwriting, I chose four different variations of each letter from Freud’s manuscripts, drew and stored them in the font. The font is then programmed to exchange letters while you are typing. This makes the rendered result on your screen or print look like unique handwriting. PRO While you are typing… the PRO Version actively combines all four alphabets and exchanges them automatically. Through this mechanism never the same two o’s will stand next to each other. With every touch a unique look is generated. This works in certain applications i.e. Word 2010(or newer), Pages, TextEdit, Editor(Pre-installed on Windows 7 or newer), InDesign, Illustrator… →Here you can see an animation of what this effect looks like in action. (Please Note: some applications like LibreOffice, OpenOffice do currently not support this feature. Date: December 2013) #1 #2 #3 and #4 The Sigmund Freud Typeface #1, #2, #3 and #4 each hold one individual lowercase alphabet based on Freud’s handwriting. Kurrent Most of Freud’s correspondence was written in German. Until the 1950′s a different handwriting was taught throughout German speaking countries (Switzerland, Austria, Germany). This style is called Kurrent. The name Kurrent and Cursive derive from the Latin word currere - to run, hurry - both styles were designed to write fast. As you can see in the samples above, Freud practiced both Kurrent and when writing english Cursive (Latin script or Joined-up). Kurrent has three significantly different letters (s,h,e). Use Kurrent to render the authentic look of an historic Sigmund Freud letter in German. Bundle On the Top of this page you can get all six fonts of the Sigmund Freud Typeface Family in a bundle. International Typeface All styles of the Sigmund Freud Typeface feature a wide range of accented letters so you can write to all your friends in Sweden (Bjørn) France (Chloé & Zoë), Ireland (Dáirine), Poland (Łucja), Germany (Jörg) and almost everywhere around the globe (Find a complete list in the tech specs). Usage recommendations I hope that this design will be valuable to you and most of all that you have fun with this typeface! 1. Point Size — To reproduce the size of Sigmund Freud’s handwriting adjust the type size between 18-24 point in your word processor. If you are using an imaging software like Photoshop set the resolution to 300dpi and adjust the point size between 18-24. 2. Line Spacing — Narrow the line hight until swashes of capital letters touch the baseline above. This also happens when you write a letter and gives the document a unique handwritten look. 3. Right Aligned — Freud had the habit to write towards the right edge of the page and start loosely on the left. Set your text alignment to ‘right’ to incorporate this dramatic expression also to your documents. What do other People say about the Sigmund Freud Typeface? “Wouldn’t you love to write a letter to your shrink using the Sigmund Freud typeface?” — Dorothy Tan, Design TAXI ''“JUST DON’T WRITE A LETTER TO YOUR MOTHER WITH IT… …until the reader looks a bit closer, and they see 70+ years of modern science weighing in on turn-of-the-century pop psychology."'' — Mark Willson, Fast Company “Doctor, what does it mean if you dream of creating a font of Freud’s handwriting?” — Ayun Halliday, Open Culture “…geekily romantic, at once artistic and scientific” — Edie Jarolim, Freud’s Butcher “…sympathisch” — Jürgen Siebert, Fontblog !WOW! Thank you for reading the complete font description! You are awesome! If you still have a question please contact me through MyFonts or my website haraldgeisler.com. Credits This project was made possible by the help of 1481 Backers on Kickstarter and the kind support of the Sigmund Freud Museum Vienna and the Freud Museum London. Thank you. All of Freud’s Manuscripts shown are © Sigmund Freud Museum Vienna. Poster Image: IN17 - Sigmund Freud, Germany 1932. © Freud Museum London. Flag Image: IN19 - Sigmund Freud 1930’s. © Freud Museum London.

Happy Summer is a cute display font, featuring well rounded characters. It will add an incredibly joyful touch to your designs. Add this beautiful font to each of your creative ideas and notice how it makes them stand out!

Ranch Hand JNL is a tall, condensed wood type with slab serifs. The font is somewhat bolder in weight than Nostrand JNL, but like its counterpart, fully captures the spirit and flavor of Nineteenth Century advertising, fliers and notices.

Sekek is a cute display font. It embodies playfulness and authenticity and is the perfect choice for any children’s activity or school project. Add this chunky lettered font to your designs and notice how it makes them come alive.

Sreilack is a cute, flowing and thick lettered display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Behila is a classic serif font. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Ausion is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Caps only fonts.

While viewing a video posted to YouTube of a 1952 drive through Los Angeles, a building was passed for King Bros. Productions, Inc. The lettering on the signage was designed in a stylized Art Deco sans serif, and thus inspired Production Company JNL – available in both regular and oblique versions.

Pointing hands, floral embellishments, a World War II "Victory" emblem and an old telephone are but a few of the classic images redrawn from vintage source material for Print Shop Relics JNL. Lovers of pre-digital clip art from the letterpress era will find these embellishments useful, charming and helpful.

In the June 18, 1929 issue of “The Film Daily”, the curvy and casual hand lettering found within the ad for the movie “Such Men are Dangerous” belies that this was actually a pre-code drama. Digitally redrawn as Movie Arts JNL, it is available in both regular and oblique versions.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Brigade is a heavy, but cute font. The contrast of bold and thin stroke left a strong impression.

Carbonara. Nope, it's not the pasta sauce, but a nice, grungy typewriter font, made using a pre-war typewriter, some oil and a stack of old-fashioned carbon paper sheets. You can use it to give your designs some oomph. Comes with a whole bunch of contextual and stylistic alternates.

Scissorgirl by Julia Friese and Clare Keogh OpenType, 1 style Scsissorgirl is the crafty work of Ms. Julia Friese and Clare Keogh with the unselfish help of Josema Urós. Following Cortada path, this is a new fresh cut-out typeface, made not with vectors but real scsissor strokes on cardboard.

Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

Cartoon Town is a cute comic display font featuring well-shaped characters. It will add an incredibly joyful touch to your designs. Add this beautiful font to each of your creative ideas, and notice how it makes them stand out!

FT Thyson is a powerful and elegant display typeface. can be used to present your ideas in sports/fitness or editorials, Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Blankers is a stylish and elegant font duo. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Features: Multilingual Ligatures Alternates PUA encoded

Luthon Southard is a spectacular duo font (Stylish Serif and Monoline Script). Perfect for product packaging, branding project, magazine, social media, and much more. Add this font to your favorite creative ideas and notice how it makes them come alive!

Dashing Unicorn is a sweet and colorful handwritten font. It has beautiful and neat characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive!

Kidy Smile is a cute handwritten font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project. Add this chunky lettered font to your designs and notice how it makes them come alive!

Sellfresh is a playful display font. It will add a very relaxed and childish touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out! Caps Only Fonts.

About the Product Blade is a bold and authentic display font. It celebrates abstract shapes in all their eclectic brilliance. Add this font to any racing or speed related design idea and notice how it will make them stand out!

Degila is a cool and trendy serif font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it to your most creative ideas and notice how it makes them come alive.

Colabero is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Only Upper case characters.

This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.