Parfait Script Pro takes its inspiration from Spencerian script and pointed brush lettering. Technical Parfait Script has more than 850 glyphs. It’s up to you to choose, it’s up to you to have fun. Parfait would love to play. The font has lots of alternates. They'll certainly either embellish your words or provide more legibility. The alternates are: Standard Ligatures; Contextual Alternates; Discretionary Ligatures; Swashes; Stylistic Alternates; Titling Alternates; Terminal Forms; Historical Alternates * ; Stylistic Ligatures; Stylistic Set 1 and 2 * ; Ornaments. (* These Alternates are only included in Parfait Script Pro). Parfait Script Pro contains everything. Advice: Use designing programs that support the OpenType features named above, so you can easily alternate glyphs. However, for those who don't have this kind of program, or for those who don't want the entire font, we offer Parfait Script Pro as several separate fonts: Parfait Script Standard (the best for text); Parfait Script Contextual (decorative); Parfait Script Stylistic (decorative); Parfait Script Swashes (for giving the last letter a nice touch); Parfait Script Titling (both decorative and more Roman); Parfait Script Endings (for giving the word the look of a signature); and Parfait Script Ornaments (a set of swirls). These versions of Parfait Script Pro are Open-Type programmed too, in order to include the Standard, Discretional and Stylistic Ligatures. Pssst!... Take a look at Parfait Script Pro’s Guide in the gallery section in order to discover this beauty!

Gundrada ML was inspired by the lettering on the tomb of Gundrada de Warenne. She was buried at Southover Church at Lewes, Sussex, in the south of England in 1085. The Latin inscription on her tomb, STIRPS GUNDRADA DUCUM, meaning “Gundrada, descendant of the Duke” may have led to the speculation that she was the daughter of William, Duke of Normandy and bastard son of Robert the Devil of Normandy and Arletta, daughter of a tanner in Falaise. In 1066 William defeated Harold at the Battle of Hastings and was crowned William I of England. More commonly known as William the Conquerer, he commissioned a string of forts around the kingdom and charged trusted Norman Barons to control the contentious Anglo-Saxon population. William de Warenne, husband of Gundrada, was one of these Barons. There has also been the suggestion that Gundrada may have been the daughter of William’s wife, Matilda of Flanders, by a previous marriage. According to the Dictionary of National Biography (Oxford University Press, Oxford, England 1921-22), both of these contentions are in dispute. Searching the past of a thousand years ago is like wandering in a heavy fog: facts are only dimly in view. Regardless, I know that I found these letterforms immediately engaging in their simplicity. Unadorned and unsophisticated, they have a direct honesty that rests well in the company of humanistic sans serifs like Franklin Gothic or Gill Sans, appealing to a contemporary sensibility. The lettering on the tomb is in upper case only. Although Gundrada does not sound Norman French to me, her husband certainly and her father probably were Norman French. Nonetheless, the man that carved her tombstone was probably Anglo-Saxon, like most of the people. For that reason, we are quite comfortable with a fairly generic lower case from an Anglo-Saxon document of the time. The time was a time of transition, of contending language influences. This font reflects some of that tension. Features 1. Multi-Lingual Font with 389 glyphs and 698 Kerning Pairs. 2. OpenType GSUB layout features: onum, dlig, liga, salt & hist. 3. Tabular Figures and Alternate Old-Style Figures. 4. Alternate Ruled Caps (line above and below, matching to brackets). 5. Central Europe, Western Europe, Turkish and Baltic Code Pages. 6. Additional accents for Cornish and Old Gaelic. 7. Stylistic alternates A, E, y and #. 8. Ligatures ST, Th, fi and fl. 9. Historic alternate longs. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Introducing Bilgres, a hippie-themed font that combines strong and gentle shapes with rounded edges, giving it a unique and playful style. This bold and wide font is perfect for creating eye-catching designs that stand out, whether you're designing posters, album covers, logos, or social media graphics. With extensive multilingual character support, including Latin Pro, Bilgres is versatile and adaptable to all your design needs. If you're looking to create designs that are both hippie and modern, Bilgres is the font for you. Its distinct and playful style will elevate your designs to the next level, making them pop and catch the eye. Don't wait to try out Bilgres – purchase now and start creating stunning, hippie and groovy designs that will leave a lasting impression.

Many sport publications missed typefaces designed especially for sport communication conditions. We usually see only mechanically slanted or other synthetically destroyed standard typefaces. I want to fill in this space and create a system of fonts, that will be used primarily in sport. It is usable for many prints - logotypes, magazines, catalogues, posters etc. Elasticity of glyphs reflected an adrenalinous shapes of latest bikeframes, skies or sportcars. Maximum open arches guaranteed good readability in very small sizes and prevented interchanges of glyphs „o, c, e“ per poor reading conditions. Softness of lowercase is at uppercase balanced in bottom arches, that are subtly kicked-up. Numerals are an important component of sport communication, so this font offers expressive design, different from numerals of book typefaces. Every font has 9 kinds of numerals. Character case contains over 1000 glyphs, sport icons and othes signs creating the sport feeling. The font name, Akceler, represents acceleration, which is characteristic attribute of this typeface. It’s suitable for display and text usage, too. To see more please visit the PDF specimen. ■24 styles (2 alternatives, 3 grades of dynamics, 4 weights) ■over 1 000 glyphs per font ■9 kinds of numerals ■icons of sport equipment ■8 stylistic sets ■8 kinds of arrows ■23 OT features ■support of latin languages

Alio™ Text is the workhorse of the Alio family . It works beautifully as display type, body copy and anything in between. We redesigned Alio Text with taller x-height, more pronounced accents, and wider letter spacing than its siblings, Alio Pro. We also cut down from 6 weights/12 styles to 4 weights/8 styles. All of these is to ensure the legibility and readability and to maximize the weight contrast at small sizes. Whether your designs call for all caps, title case, sentence case or all lowercase, Alio Text has got you covered with the case-sensitive punctuations. No more baseline shift all your punctuations. Alio Text supports most Latin-based languages and even the Chinese Pin-Yin. This typeface also packs with Open-Type features similar to Alio Pro. For examples, both recognize fractions vs. dates; Both features several alternate positions for the legal symbols (3 in Alio Text; 5 in Alio Pro). If you’re looking for a go-to, versatile typeface for most occasions, Alio Text is for you. (4 weights/8 font styles, 500+ glyphs each).

Add a touch of whimsy and charm to your designs with Masche, the ultimate fun handwritten font. With its quirky and playful style, this font is bursting with a personality that will instantly bring your designs to life. Whether you're crafting eye-catching quotes, captivating posters, or eye-popping headlines, Masche has got you covered. Its versatility knows no bounds - perfect for product packaging that needs that extra pop or any design project that calls for a dose of creativity. With Masche, unleashing your inner artist has never been so effortless! Masche features : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

I bought a new coffee machine - the piston variety. It is shiny, made in Italy and I can make a killer espresso or latte with it. I usually start off the day with a pour over coffee and save my milky coffee for later. I also have two grinders: one for a coarse grind (pour over) and one for a finer grind (espresso and latte). Yes, you will probably say that it’s quite extravagant to have two grinders, but I do like my coffee! Anyways, this is what I thought of when I worked on Coarse Grind. Coarse Grind is a well balanced all caps display font. It comes with extensive language support and a set of alternates for the lower case letters.

P22 Brass Script is a new font from an old source. This script font was discovered in a booklet from Dornemann & Co. of Magdeburg Germany, circa 1910. The book was titled Messingschriften fur Handvergoldung, which roughly translates to “Brass types for hand foil stamping.” The mini catalog called this type simply “Script.” It has not been previously digitized or seen in standard metal type form. The antique specimen book featured most of the characters needed for a full alphabet, but a number of letters were not shown. Since no other examples of this style could be found, P22 enlisted the assistance of master calligrapher Michael Clark to draw the missing characters in the same style as the original. The style is very loosely based on the secretarial hands and reminiscent of “French Hand” with a very early 20th century, pre-modern feel. It has an unusual flow that is neither too casual nor too formal. The font would be useful for wedding invitations or packaging and advertising. P22 Brass Script Pro features include: automatic ligatures for common pairs such as ll, tt, qu and a variety of f ligatures, full CE language support including Turkish and Romanian and a variety of swash underscores for different length words that can be added manually in OpenType ready applications with the glyph palette or with the contextual alternates. The length of the word will automatically select the best length of swash for the work.

Locke is a stylish slab serif with a modern twist. Currently, it has 6 weights, ranging from ExtraLight to Bold. The presence of ball terminals on certain glyphs and its unusually high x-height give it a unique look, perfect for large titles or body copy. Locke has extensive multi-language support, counting over 390 glyphs per weight. Try out Locke Regular for free!

Mulberry is a beautiful handwritten calligraphy script that comes with lovely alternates, ligatures, extras and ornaments. Choose between Mulberry Script or Mulberry Script Pro and two font weights (Regular/Bold). Mulberry Script comes with a basic set of alternates. Mulberry Script Pro comes with four sets of alternates including ligatures. This typeface can be used for fashion, apparel, stationery, magazines, letterpress, film, books and marketing.

If you are looking for a font with very good readability, even with its square appearance and condensed design, Grandheron is for you. You should find attractive the design of some glyphs like those one: a,f,k,l,v,y and also AJKMNVXY to name a few. Grandheron could be use as well in small size as in huge size. You will certainly like its Thin or Light font which give an awsome effect for titles, subtitles, caption for magazines related to fashion, architecture or even cultural in general. You could easily mix Grandheron with serif typeface as Harfang Pro. There is no limit to create great designs with this large typeface family, so enjoy!

Introducing "Anger Style": Unleash the Power of Emotion Are you ready to harness the raw energy of emotions and bring them to life in your designs? Look no further than "Anger Style," an electrifying and dynamic font that will leave a lasting impact on your audience. Designed by our team of expert font designers, "Anger Style" is a captivating blend of intensity, power, and expressiveness. Possible Design Uses: "Anger Style" is a font that excels in making a bold statement. Its commanding presence and fiery nature make it perfect for various design applications, including: Headlines and Titles: Grab your audience's attention and make a lasting impression with powerful headlines that demand to be noticed. Logos and Branding: Infuse your brand identity with passion and intensity, creating a memorable and distinct visual presence. Posters and Flyers: Advertise events, concerts, or special promotions with eye-catching designs that embody rebelliousness and energy. Book Covers: Create striking covers that captivate readers and convey the emotional depth of your story or message. Apparel and Merchandise: Add an edgy touch to your clothing designs, making a statement that resonates with your target audience. Unique Qualities: What sets "Anger Style" apart from other fonts is its ability to evoke a wide range of emotions, not just anger. It transcends its name, allowing you to express passion, determination, and rebellion through your designs. Its versatility lies in its bold strokes and sharp edges, which convey a sense of intensity and power. By choosing "Anger Style," you gain access to a font that embodies the very essence of raw human emotion. Font Pairing: "Anger Style" pairs exceptionally well with other fonts that complement its intensity and create harmonious combinations. Consider combining it with: "Bold Sans Serifs": The clean lines and strong presence of a bold sans serif font can enhance the impact of "Anger Style," creating a balanced and eye-catching composition. "Elegant Script Fonts": To add a touch of contrast and sophistication, pairing "Anger Style" with an elegant script font can create a visually engaging and dynamic design. Functional Aspects: "Anger Style" offers a range of functional aspects designed to enhance your creative possibilities: Styles: "Anger Style" is available in bold and regular styles, allowing you to emphasize different levels of intensity within your designs. Character Sets: The font includes an extensive character set, covering uppercase and lowercase letters, numbers, punctuation marks, and special characters. This ensures versatility and legibility across various design projects. Special Features: "Anger Style" includes stylistic alternates and ligatures, providing you with additional design options and allowing you to create a truly customized and unique look.

Introducing Baguede, a post modern grotesque typeface with Fancy and catchy touch to maintain a sophisticated feel for the purpose of display. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, poster, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with this typeface!

Kate Slab Pro is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro is its biggest asset in world of uniformity. Ranging from "100 Thin" all the way to "900 Black" makes Kate Slab Pro such an amazing and versatile font family that stands out. Kate Slab Pro doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer's needs, Kate Slab Pro comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro.

While researching the history of Onitsuka Tiger's branding and graphic design, I came across an odd, yet highly appealing piece of custom lettering on the company's ONICK ski boots from the 1970s. Reminiscent of aspects of the typeface Black-Out by Eli Carrico (released by my type foundry Wordshape), yet vertically compressed with razor-sliced counters and odd stencil element that makes up one of the legs of the "K", the ONICK lettering is a potential source for an intriguing modular font. I immediately thought of Ryoichi Tsunekawa as a potential collaborator to bring this piece of lettering to full-fledged life in the contemporary context. Based in Nagoya, Tsunekawa runs an independent type foundry called Dharma Type, including three specialized foundry sub-labels: Flat-It, devoted to display lettering; Prop-A-Ganda, a series of fonts inspired by and based on retro propaganda posters, movie posters, retail sign lettering & advertisements in the early 20th century; and Holiday Type, a series of decorative and retro scripts for holiday use. The past year has seen a flurry of notice of his work abroad, having been featured in both MyFonts' "Creative Characters" and YouWorkForThem's newsletter. As the work of most Japanese type designers is almost wholly unnoticed abroad, for Tsunekawa to be interviewed by two of the most popular type distribution companies in the world is definitely something beyond the norm. Perhaps it is because he works independently, or perhaps it is due to the charm and friendliness with which his typefaces are infused. Either way, this attention is both welcome and appreciated. Beyond mere charm, Tsunekawa's work is nuanced, detailed, and accessible due to its high level of finish. His fonts stand apart from his contemporaries in Latin typeface design in Japan due to his fascination with pop, vernacular and historical lettering from "non-pure" sources- whereas type designers like Kunihiko Okano and Akira Kobayashi have spent years analyzing the essence of Western letterform construction and unlocking the essence of Latin forms, Tsunekawa views surface and the awkward nature of his sources as being of value, as well. His irreverence for the formal doctrines of history imbue his typeface designs with a rugged inventiveness that would be missed by most- glyphs without source designs are guessed at and approximated, often in a manner wildly divergent from what Western eyes would assume. It is in these moments that I find sheer delight in Tsunekawa’s work and what make me most pleased to invite him aboard Neojaponisme and Onitsuka Tiger’s type development project. His assorted typefaces show an eclecticism in finish and as holistic systems- Tsunekawa's return email to me about the proposed type project showed a digital sketch of how a completed typeface family from the source lettering might look, rendered with an effortlessness and dedication to detail that belies a skilled craftsperson. Further development showed Tsunekawa’s rigor- the typeface in development rapidly featured glyphs ignored by many: a full set of fractions, Eastern European diacritics and accents, superior and inferior numerals, alternate characters, and custom ligatures - all designed with regulated, detailed spacing. ONICK is a typeface Tsunekawa should be proud of- an homage to a moment in history rendered in the absolute best fashion. We are proud to present it to the world! --Ian Lynam

AZ Tiki font was inspired from Polynesian pop art Ephemera of the 1950's. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Pyke is a versatile serif typeface inspired by the Didone style of Giambattista Bodoni. After a detailed legibility study, Sofie Beier produced the typeface in three optical sizes; Micro, Text, and Display. The work goes beyond historic revival creating the complexities and subtleties of this classic style fit for users in the modern era. Details include six weights with true italics, specific sizes; Micro for small point sizes of 8 or less, Text for 9–14 points, and Display for larger print sizes, over 530 characters per style with 14 opentype features, and language support for Western, South, and Central Europe. Check out Karlo which is a great pair for Pyke.

The Miramonte™ Pro Family was designed by Steve Matteson in 2006 as a friendly sans serif design suitable for user-interface design, corporate branding and publishing. The name means 'behold the mountains' in Spanish, suggesting the rustic, unrefined type design. Miramonte™ Pro Family is based on Stanislav Marso's humanist sans serif released by Graphotechna in 1960. This revival includes a cursive style italic rather than a sloped roman. Miramonte Pro Family includes an extensive character set for publishing Central and Eastern European languages. Its OpenType features include the euro symbol, alternates, old style figures, proprtional lining figures, diagonal fractions, stacked fractions, superscript/subscript and scientific inferiors. Character Set: Latin-1, CE, OpenType Pro features. View Miramonte Pro Type Specimen (PDF)NOTE: An OpenType-savvy application such as Adobe Creative Suite, Mellel or QuarkXPress is required to access the OpenType typographic features.

Introducing, Partita. A reverse contrast bold font suitable for display especially. Perfect for your daily project like for headline poster, packaging, social media, branding, or anything about pop and fun design. Features : numbers and punctuation ligatures multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to lettercornerstudio@gmail.com if you need something! Happy Designing!

The Comic Sans® typeface, one of Microsoft's most popular designs, has received a makeover courtesy of Monotype Imaging. The company has introduced the four-font Comic Sans Pro family of typefaces. Featuring elements such as speech bubbles and cartoon dingbats, Comic Sans Pro extends the versatility of the original Comic Sans, designed by Vincent Connare for Microsoft in 1994. Hats off to Monotype Imaging for enlivening Comic Sans and getting it back to its roots as a comic book lettering face. Now everyone can write with more panache - and look even more like a pro using swashes, small caps and other typographic embellishments," said Connare. "Every day, millions of people rely on Comic Sans for countless applications ranging from scrapbooking to school projects," said Allan Haley, director of words and letters at Monotype Imaging. "Comic Sans is also a favorite in professional environments, used in medical information, instructions, ambulance signage, college exams, corporate mission statements and executive reprimands - even public letters from sports team owners to their fans. Breaking up with your spouse? Why not write a letter in Comic Sans Pro, embellished with a typographic whack!, pow! or bam! Comic Sans is everywhere, and now it's even better." The Comic Sans Pro family includes regular and bold fonts, in addition to two new italic and bold italic fonts drawn by Monotype Imaging's Terrance Weinzierl. "Our aim is to put the 'fun' back in 'functional.' We can't wait to see Comic Sans Pro used in everything from second wedding announcements to warning labels," said Weinzierl. "Long live Comic Sans!" Comic Sans Pro contains a versatile range of typographic features including swashes, small caps, ornaments, old style figures and stylistic alternates - all supported by the OpenType® font format. OpenType-savvy applications, such as Adobe® Creative Suite®, QuarkXPress® or Mellel™ software are required to access these features. Comic Sans Pro can also be used in new versions of Microsoft® Office including Microsoft Word 2010 and Microsoft Publisher 2010. In addition, Comic Sans Pro includes a set of ornaments and symbols, including speech bubbles, onomatopoeia and dingbats, pre-sized to work well as bullets."

“Hand Stamp Play Rough Serif” is a rough and dirty serif Font with authentic & real stamp look. Original Hand Stamped. A–Z, a–z, and 0–9 are each 3× different forms (every letter/glyph has two additional alternate characters) and is intended to show the hand-made nature and the vibrancy of the display font. The different pressure (velocity) of the stamp on paper creates a liveliness in the typeface. Ligatures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffj, ffi, and additional logotypes like and, the, by, tel fax, web, www … and a Versal Eszett (Capital Letter Double S) give the Font more life and shows that despite their retro-looks works with modern OpenType technology (from ❤ love is, from luck will ✤ … ). Replacing the glyphs “E” instead of “3” to convey that typeface invites you to play. It is the desire to experiment and promote uninhibited experimentation. A variety of alternative letters and a few glyphs follow her own head @, &, ₤, £, “,”, * … The typeface has its quirks and downright human characteristics to “just love.” Have fun with this font – Just Stamp It. Application Area The serif font works best for head­line size. Logo, Poster, Edi­to­rial Design (Maga­zine or Fan­zine) or Web­de­sign (Head­line Web­font for your web­site), Web­ban­ner, party flyer, movie pos­ter, music pos­ter, music covers … How To Use – awesome magic OpenType-Features in your layout application ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the glyphs panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. ■ For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may process a little bit slowly in some applications, because the font has a lot of lovely rough details (anchor points). Technical Specifications ■ Font Name: Hand Stamp Play Rough Serif ■ Font Weights: Regular, Bold ■ Fonts Category: Display for Headline Size ■ Desktop-Font: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph coverage: 617 ■ Language Support: Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Chichewa (Nyanja), Cimbrian, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Friulian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Guarani, Haitian Creole, Hawaiian, Hiligaynon, Hmong, Hopi, Hungarian, Ibanag, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Islandic, Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgian, Malagasy, Maltese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Rhaeto-Romance, Romanian, Romansh (Rumantsch), Rotokas, Sami (Inari), Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tahitian, Tausug, Tetum (Tetun), Tok Pisin, Tongan (Faka-Tonga), Tswana, Turkish, Turkmen, Turkmen (Latinized), Tuvaluan, Uyghur (Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Welsh, Xhosa, Yapese, Zulu ■ Specials: Alter­na­tive let­ters, Ver­sal Eszett (Ger­man Capi­tal Sharp S), symbols, dingbats, digits, accents & €, incl. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Nume­ra­tors (numr), Ordi­nals (ordn), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Super­script (sups), Slashed Zero (zero) ■ Design Date: 2014 ■ Type Designer: Manuel Viergutz

Introducing Rough Sketch fonts duo. This font has character like the name "rough" but yet elegant. Rough Sketch is suitable use for stand out and contradiction themes. This font also elegant for logo, web titles, poster, quote, book or magazine cover, poster and more. Benefit of Rough Sketch Packages Perfect collaboration of Rough Sketch and Roug Duo. You can get two fonts that always well-suited to collaborate in your design or project so this font complete each other. Multilingual Support and ligature set. This font is already for multilingual support for Italian, French, Spain, Danish, Czech, Portuguese, Hungarian, Irish, English, Finnish, Norwegian, Polish etc or contact me if you need to add your language. Ligatures is two or more of letters are joined as a single font like or, sr, pr, and etc. I hope you enjoy using Rough Sketch - fonts duo, if you have anything question about this font please let me know with your comments. Thanks for reading and have a nice day:)

This elegant and luxury font is can be perfect used for logos or branding and can be support your designs project to give more aesthetic and exclusife preview. This Mossion typeface is perfect for logotype, branding, packaging, posters, social media, and many more! ——— Features : A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Feature ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac).

Ghost Childs this is a light and thick brush font that looks very charming, and bold, this design can make you more confident, for you to pour it into your design that smells of horror or something else, very suitable for all types of designs, brochures, invitations, billboards, books, magazines and much more include : Ghost Childs otf Ghost Childs otf Bold punctuation numeric latin Thank You Very Much

Based on ancient scribal texts, useful for Jewish education. Useful at text sizes and large scale applications. Bold, high contrast typeface. Pro version- Excellent support for Niqqud (Vowels). All marks are programmed to fit each letter's shape and width. Best used with apps that support right to left Hebrew text, like Adobe InDesign CC or MS Word. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

AltraTwo is a complete redraw of a family based on a tracing of a clip art font from an old printed book. The AltraTwo family adds italic, black, and black italic. I liked the gentle calligraphic look. Consider it a sans serif with style. This is a typical NuevoDeco OpenType pro font with caps, lowercase, small caps, lining, oldstyle, and small cap figures, numerators, denominators, fractions, swashes, and so on. There aren't many unusal ligatures for this one, though. It does have the Latin 2 character set or what Adobe calls CE, Central European characters. Altra has been my preferred header face for sevral years. it also works very well for body copy. I usually use it for my contrasting tip and quote paragraphs with Bergsland Pro as my normal body copy.

Introducing a new retro pop script called Doskyball Inspired by '70s script letters. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Centuria is a sanserif humanistic family. Unlike many sanserif fonts, Centuria has modulated strokes and a moderate x-height. Centuria has a contemporary design with a soul of early grotesque fonts. Its slightly condensed letterforms and its short descenders allow a considerable amount of text per column. Centuria is very readable at small sizes! It is suitable for use in: newsletters, magazines, newspapers or just for any simple editorial application. Works very well in continuous text, short paragraphs or headlines. Provides a balanced and friendly texture. Match very well with Century.