Compass TRF Stencil is an addition to the Compass TRF family and consists of three styles - Regular, Bold and Alternative. It is recommended for use as a display typeface in large sizes.

WTF Strange Crispy - is a playful bounced display font that inspired by retro typeface, I make it with 100% hand drawn to get the artistic look. Perfectly suited for quotes, branding, logos, and social media posts, “WTF Strange Crispy” has a unique touch to every design, ensuring it stands out and makes a lasting impact. Illuminate your content with the enchanting allure of “WTF Strange Crispy” font, and let your creativity shine in every project.

Baker’s Dozen is a lovely display font that’s sure to put a smile on your face. It is a delightful handwritten font that complements anything nicely. Slightly minimalistic and very tidy, this typeface is sure to please! Its charming, playful design features soft curves and whimsical details that evoke a sense of innocence and sweetness.

Gummy Candies is a playful and childish display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! Having no Caps letters.

American Spirit STF is a glorious collection of contemporary patriotic symbols: US Flags (traditional and contemporary), a variety of stars, eagles, torches, and combinations of them all. Designed for print and web, this collection is useful for embellishing your designs with a subtle (or not-so-subtle) patriotic touch. The flags have been designed for easy ungrouping in a drawing program, in order to colorize the union and stripes. And as a special feature, American Spirit™ splits the flags into two characters (the union and the stripes) that can be separately colored and will kern together based on the character chosen. Suggestions for doing this are included in every package. This versatile collection also contains a special contemporary version of the US Flag, with rounded corners on the union and stripes, and a five-pointed asterisk-like shape as the stars. (This allows the stars to appear as stars at smaller sizes.) Show your American Spirit! Sign up today for this contemporary collection of patriotic symbols!

Sunny Days is a fun, cartoon-like display font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc.

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

Groovy Giggles is a playful and fun display font that adds a touch of whimsy to any design. With its lively shapes and quirky details, this typeface is perfect for creating a lighthearted feel in your designs. Use it for children’s books, invitations, and other applications that call for a touch of playfulness and creativity.

Goodness Gracious, it’s another font by Miss Tiina! This font is extra special with its cute handwritten characters and ligatures. It's perfect for adding a personal touch to your designs, it has a bouncy, playful feel that’s sure to bring a smile to your audience. Have fun mixing & matching upper and lowercase letters for a unique design.

The Dro family is an all uppercase handmade font that resembles cut-out construction paper; Both fonts have 6 glyphs for each letter & 2 per number which are accessed by uppercase, lowercase, small caps & Contextual Alternates. Each font has 550+ glyphs total. When using Opentype applications Dro and Dro Fill take the handmade look further by cycling through Contextual Alternates, Small Caps & Double Letter Ligatures for a unique and authentic look to your creative. When not using the Contextual Alternates feature, you can still alternate between uppercase and lowercase letters and using Stylistic Sets to switch up the flow. The Dro family has an extended character set for multilingual support.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

Gros is a handwritten font with a raw texture and consisting of all uppercase letters. If you want the writing to stand out, bold, very bold, giving your design a very strong impression and attract attention, Gros is perfect for your design needs. Highlight your designs with Gros!

Pero is a condensed rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to ExtraBold.The range of styles provides flexibility for title, headline and body text. And the large x-heights add to legibility. The basic skeleton of the letterform was designed modularly and minimalized by removing unnecessary stems and ends were rounded out. The minimalized modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. This rounded feature will also accentuate your design work moderately. Pero supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Progs Font is a messy, disorganized handwriting font equipped with several unique special alternates in the uppercase “O” and lowercase “o” letters, looks natural and realistic, suitable for social media, branding, quotes, packaging labels and other designs.

New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares, and some of the round characters possess an interesting and distinctive asymmetry. The character set supports Central Europe, and there are three figure sets, extended fractions, superior and inferior numbers, and a few alternates, all accessible via OpenType features. Back in 1965, Thomas Lincoln had an idea for a new sanserif typeface, a homage of sorts, to ancient Roman artisans. The Trajan Column in Rome, erected in 113 AD, has an inscription that is considered to be the basis for western European lettering. Lincoln admired these beautiful letterforms and so, being inspired, he set out to design a new sanserif typeface based on the proportions and subtleties of the letters found in the Trajan Inscription. Lincoln accomplished what he set out to do by creating Lincoln Gothic. The typeface consisted only of capital letters. Lincoln intentionally omitted a lowercase to keep true his reference to the Trajan Inscription, which contains only magiscule specimens. The design won him the first Visual Graphics Corporation (VGC) National Typeface Competition in 1965. The legendary Herb Lubalin even used it to design a promotional poster! All this was back in the day when typositor film strips and photo type were all the rage in setting headlines. Fast forward now to the next millennium. Thomas Lincoln has had a long, illustrious career as a graphic designer. Still, he has one project that feels incomplete; Lincoln Gothic does not have a lowercase. It is the need to finish the design that drives Lincoln to resurrect his prize winning design and create its digital incarnation. Thus, New Lincoln Gothic was born. Lacking the original drawings, Lincoln had to locate some old typositor strips in order to get started. He had them scanned and imported the data into Freehand where he refined the shapes and sketched out a lowercase. He then imported that data into Fontographer, where he worked the glyphs again and refined the spacing, and started generating additional weights and italics. His enthusiasm went unchecked and he created 14 weights! It was about that time that Lincoln contacted Bitstream about publishing the family. Lincoln worked with Bitstream to narrow down the family (only to twelve weights), interpolate the various weights using three masters, and extend the character set to support CE and some alternate figure sets. Bitstream handled the hinting and all production details and built the final CFF OpenType fonts using FontLab Studio 5.

“Hand Stamp Gothic Rough” is based on real vintage rubber stamp letters from Germany. A classic american gothic face mixed with a modern condensed sans serif type. Rough & dirty with a authen­tic hand stamped look for a warm analogue vintage charm. It star­ted ana­lo­gous with only a few rubber stamps and finally it was digi­tal 776 gly­phs. With 4 × A–Z, 4 × 0–9, 4 × a–z and many other alternative glyphs like @. Plus modern OpenType Features like contextual alternates (automatic generated loop for letter variation). The different variations from the dynamic pressure by hand inten­ded to show the hand-made nature and crea­tes a live­li­ness in the display font. The font has 80 decorative extras in the form of symbols & dingbats like arrows, hearts, smileys, stars, further numbers, lines & shapes. A range of figure set options like oldstyle figures, lining figures, superiors & inferiors. Additionally stan­dard liga­tures, deco­ra­tive liga­tures (type the word “show” for ☛ and “love” for ❤ … ), Ver­sal Eszett (German Capital Sharp S) and many emojis & symbols. Example of use It’s your turn … for example everywhere where it makes sense. The hand stamped font would look good at head­lines. Advertising (big headlines), Corporate Design (type for logos & branding), Edi­to­rial Design (maga­zine or fan­zine headlines), Product Design (typographical packaging) or Web­de­sign (head­line web­font for your web­site), flyer, pos­ter, music covers or web banner … How To Use – awesome magic OpenType-Features in your layout application: ■ In Adobe Photoshop and Adobe InDesign, font feature controls are within the Character panel sub-menu → OpenType → Discretionary Ligatures … Checked features are applied/on. Unchecked features are off. ■ In Adobe Illustrator, font feature controls are within the OpenType panel. Icons at the bottom of the panel are button controls. Darker ‘pressed’ buttons are applied/on. ■ Additionally in Adobe InDesign and Adobe Illustrator, alternate glyphs can manually be inserted into a text frame by using the Glyph panel. The panel can be opened by selecting Window from the menu bar → Type → Glyphs. Or use sign-overview of your operating system. For a overview of OpenType-Feature compatibility for common applications, follow the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may process a little bit slowly in some applications, because the font has a lot of lovely rough details (anchor points). Tech­ni­cal Spe­ci­fi­ca­ti­ons ■ Font Name Hand Stamp Gothic Rough ■ Font Weights Regu­lar & Dirty (Bold) ■ Font Cate­gory Dis­play for head­line size ■ Font For­mat.otf (Open­Type Font for Mac + Win) ■ Glyph Set 776 glyphs ■ Lan­guage Sup­port Basic Latin/English let­ters, Cen­tral Europe, West European diacritics, Turkish, Bal­tic, Roma­nian, OpenType Features, Dingbats & Symbols ■ Spe­cials Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (4× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 80 extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & shapes. ■ Design Date 2016 ■ Type Desi­gner Manuel Vier­gutz ■ License Desktop license, Web license, App license, eBook license, Ser­ver license

Sonny Gothic Vol 2 is an extension of our popular font Sonny Gothic. All corners have been softened to get a friendlier and fluffy visual language. As Sonny Gothic, this typeface has ligatures inspired by the incredible work of Herb Lubalin, chiefly Avant Garde. We designed carefully Sonny’s Vol 2 ligatures, and we also created new ones to control the whites formed between softened characters such as FL, FB, FD, FE, FF, FH, FI, FK, FN, and FR. Developed with powerful OpenType features in mind. Each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support, small caps, and many more. Perfectly suited for graphic design advertising.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the narrow, italic version, completing the Gothic Special family of 5 fonts in total, sans serif.

Century Gothic™ is based on Monotype 20th Century, which was drawn by Sol Hess between 1936 and 1947. Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising. Century Gothic family has been extended to 14 weights in a Pan-European character set from Thin to Black and their corresponding Italics. The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. For international communication, the W1G versions offer the appropriate character set. They contain Latin, Greek and Cyrillic characters and thus support all languages and writing systems that are in official use in Western, Eastern and Central Europe. Century Gothic Variable is features two axes: Weight and Italic. The Weight axis has preset instances from Light to Black. The Italic axis is a switch between upright and italic. Looking for the perfect way to complete your project? Check out Aptifer™ Slab, ITC Berkeley Old Style®, FF Franziska™, Frutiger®, ITC Legacy® Square Serif or Plantin®.

Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the narrow, italic version, completing the family of 6 fonts in total, sans serif.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

ITC Avant Garde Gothic is a font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin’s design firm, worked together to transform the idea into a full-fledged typeface. The condensed fonts were drawn by Ed Benguiat in 1974, and the obliques were designed by André Gürtler, Erich Gschwind and Christian Mengelt in 1977. The original designs include one version for setting headlines and one for text copy. However, in the initial digitization, only the text design was chosen, and the ligatures and alternate characters were not included. The font family consists of 5 weights (4 for condensed), with complementary obliques for widest width fonts. When ITC released the OpenType version of the font, the original 33 alternate characters and ligatures, plus extra characters were included. ITC Avant Garde Gothic® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites, Best Fonts for PowerPoints

ITC Handel Gothic Arabic is a modern Kufi design by Nadine Chahine, created especially for headlines and display purposes. It comes in 5 different weights ranging from Light to Heavy which extends its usage capabilities considerably. The design is mono-linear and with the typical geometric construction associated with the Kufi style. Its usage can vary from headlines to logos to packaging. Given its large counters, it can function quite well in very small sizes too. Its pattern is quite homogenous, so it is not recommended to use this for whole paragraphs. The character set supports Arabic, Persian, and Urdu and also includes Basic Latin.

a gothic drop caps font

Trade Gothic Next is Akira Kobayashi's 2008 revision of Jackson Burke's 1948 design. Developed over many years, the original Trade Gothic was filled with many inconsistencies. Under the direction of Akira Kobayashi, Linotype's Type Director, the american type designer Tom Grace, a graduate of the MA Typeface Design in Reading, was commissioned to redesign, revise, and expand the Trade Gothic family. Kobayashi and Grace refined many details such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. The Regular weight has been beefed up making it stronger and more robust in text settings. Trade Gothic is a staple of the advertising and newspaper industries, and now Trade Gothic Next brings more features and better quality for today's astute typographers. In addition several weights are available as soft rounded versions.

Italian type designer Albert Pinggera created this sans FontFont in 1998. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as software and gaming. FF Letter Gothic Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Slang and FF Letter Gothic Text.

Cheddar Gothic Sans Two is a hand-drawn, multi-weight display family. An all-caps, sans serif typeface with condensed proportions that works great for a variety of display uses. The uppercase characters add distinction with extended crossbars and chiseled terminals, while the lowercase provides a more classic sans serif appearance. This family is an expanded version of the original Cheddar Gothic Sans, with more weights and even broader language support.

News Gothic No. 2 is an enhanced version of News Gothic produced by the D. Stempel AG type foundry in 1984. It added more weights to the News Gothic family than were available in other versions, increasing its use in contemporary design and communication. The lighter weights of the original News Gothic were designed by Morris Fuller Benton in 1908 for American Typefounders (ATF). News Gothic typeface is quite similar to Benton's other sans serifs from the early twentieth century, including Franklin Gothic and Lightline Gothic. The bold weights were added to the News Gothic scheme in 1958. The capital letters in News Gothic No. 2, just like those found in News Gothic, have a similar visual width to each other. The lowercase is compact and powerful. These design attributes contributed to Benton's strong handle on the sans serif genre, and for years his types have been popular for newspaper headlines and many other uses. Still a popular presence on the font charts, News Gothic has proven its ability to get the job done right.

This typeface takes its inspiration from Lightline Gothic, designed by Morris Fuller Benton for ATF in 1908. This version is even lighter, making it suitable for headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Italian type designer Albert Pinggera created this sans FontFont between 1996 and 1998. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Letter Gothic Text provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Mono and FF Letter Gothic Slang.

Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and magazines for headlines and in advertisements.

Inspired by Hamilton Gothic.

M Gothic Gold HK is a modulated style Traditional Chinese typeface. Modulated font designs have apparent thick-thin contrast at the strokes, and often include special design characteristics at entry, finial and transitional points of the strokes. Modulated Traditional Chinese font design category includes traditional Song, Ming or Fang Song style typefaces which are popular for continuous reading.

Like a bright star shimmering on a still and quiet summer night, Arched Gothic Condensed is a glowing example of Victorian type. Thin in the middle with clumpy wedges on top and bottom, it truly bears the spirit of a bygone era. Originally known as Concave Extra Condensed, this typeface has shed its waist-high spur notches and gained new figures and lowercase letters. Developed around 1885 by the James Conners & Son Foundry (New York), Arched Gothic Condensed is a marvel of sparkle and glitter in nineteenth century typeface design. Arched Gothic Condensed is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.