ATTENTION COSTUMERS! A new version of this font was released in 2019. Take a look: Breathe Neue Reaching a total of more than 1000 glyphs, Breathe Pro is Maximiliano R. Sproviero’s gift of the year. The aim of the designer was once more to give the user the chance to play and travel from very formal and conservative letterforms to the amazing world of swashes and flourishes. Possibilities of alternating and ligating characters in this font are absolutely fantastic. After his last creation, Parfait Script, Lián wanted to make a more universal font. Delighted by typographic works of Didot and his followers of the beginnings of 1800, Maximiliano R. Sproviero started what became another obsessive project, which is now named Breathe, “cuando las letras respiran...” what could be translated as “when letters breathe”, due to the feeling that you are reading letters that are alive. Breathe comes in two styles which have a significant difference as regards to the quantity of glyphs available inside. If you want to get the most complete style, with over 1000 glyphs, (including contextual alternates, stylistic alternates, swashes, terminal forms, titling alternates, historical forms, stylistic sets, standard ligatures, stylistic ligatures, decorative ligatures and frames) then your choice should be Breathe Pro. On the other hand, if you are interested in having a less decorative font with the nice touch of Lián’s style, then your choice should be Breathe Standard, a more limited version of Breathe, including terminal forms (leaves) and frames. With Breathe Pro you will surely have fun at the same time you are designing and that is not an unimportant thing. The world of type-designers is growing each year, and the features of Open-Type are letting them think their creations as if they were truly pieces of art. At least, Breathe Pro is inspired in the Art of our predecessors, those who with a pen loaded of ink would decorate each letter, each page in such a lovely way. Yes, -lovely- is the word. We would not have the amazing lettering artists, calligraphers, typographers of nowadays if that -love for letters- had not traveled from generation to generation. Breathe Pro is an example of this love. An example of what Maximiliano R. Sproviero feels about typography and letters. Pssst... Look for more images and the User’s Guide at the gallery section to see it in use! http://origin.myfonts.com/s/aw/original/89/0/46067.pdf

Hallo alle! Magensburg is an ethnic arches inspired display font. This font was carefully crafted and inspired ethnic arches in the world. In general, it creates a luxurious and mysterious look in design. Coming to you with 160+ stunning alternate to create a perfectly mystical, beautiful, classy, elegant design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easly call alternates character using special combination like A.2 R.4 h.8 etc so you dont need special software. To get results like the preview just type M.8ag.3en.3sb.6urg Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Prolexia is designed to make the font friendly towards those with dyslexia. All the characters are unique with no rotation or mirroring, this makes it harder for the mind to mix up similar glyphs. The characters are made with the illusion of perspective: this helps orient characters in the correct direction to make mental reorientation harder. Finally the o shape is somewhat flattened, this also helps to counteract mental rotation of characters.

If you like a bold and powerful all-caps sans-serif font to make your message stand out, Toner can be the choice to maximize your goals.иThis type family furthers the angular design by styling characters like O, R, P, etc. to be rectangular. To make it more attractive, Toner also provides opentypes features such as stylistic alternates and a stylistic set. Best for expressive headlines, posters, billboards and of course brand identities.

Kroppen Round is a geometric, stencil-style font based on Talbot Type Kaleko Round, and is available in four weights. Kroppen is not strictly a stencil font given that several characters, notably the O, are not stencilled. The design has more to do with achieving each character from a single stroke, or series of single strokes. Kroppen Round features an extended character set to include accented characters for additional Central European languages.

It’s said that what goes around, comes around, and there’s no better proof of the saying than this typeface. Originally released as Latin Antique by the Stephenson Blake foundry in the 1880s, this face achieved renewed popularity in the 1950s, and it’s back again as, like, Coolsville, Daddy-o. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

Funkboy looks like something that was made 20 years ago. You know, when Grandmaster Flash was scratching to the beat and graffiti was totally underground. Funkboy was made to look 100% oldschool, and now you can make your own bad-boy oldschool graffiti, using your computer! Comes with two hard knock alternate letters: the peace 'o' + the heart dotted 'i' You will need to use OpenType supporting applications to use the autoligatures.

A blackletter font by William Caslon (1692-1766), with Dutch influences, which appeared for the first time in a font sample book of William Caslon & Son, London, 1763. To access all ligatures in this font, it is recommended to activate both OT features Standard and Discretionary Ligatures. The round s occupies the number sign key, and typing N - o - period and activating this combination with the OT feature Ordinals gives you the numero sign.

Hand drawn narrow enigmatic grotesque for headlines, preamble and shorter or longer texts. Paradox X contain upper- and lowercase letters (A-Z + swedish characters Å Ä Ö), numbers and many many special characters and glyphs. Common ligatures fi, fl, AE, OE, ae and oe. (open type version of the font and open type compatible layout application required). Paradox X goes perfect with the font Paradox Runa (hand drawn elder norse “futhark” runes)!

Hollow Mummy is a bold and authentic display font. Add this font to your creative and spooky ideas and notice how it will make them stand out! Hollow Mummy is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - hollow mummy (.otf) - hollow mummy display (.otf) - Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu)

Minah - Handwriting Script Font Minah is the latest modern handwriting Script font made as naturally as possible, minah modern script font is perfectly made to be applied in logo brands, invitations, labels, magazines title, books, greeting cards, wedding cards, packaging, fashion, makeup, stationery, novels, labels or any type of advertising purpose. Minah Handwriting Script font was simple and casual that contained Open Type features such as Stylistic Sets, Stylistic Alternates, Contextual Alternate, and ligatures. This modern script font also contains begin, middle, and ending swash which makes it very easy to use, it will help you to create your own customized design. Just rely on your creativity! Features; - Uppercase, Lowercase, Number, and Punctuation - Special alternates and ligatures - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word - Fully accessible without additional design software. - Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy our font and this font is a useful font for your projects!

Maker, the font, pays homage to the Maker constructivist culture. Especially the sparked community interaction, and exchange of ideas through social meetings in shared spaces. With Maker you have hints of a Gothic minuscule heritage and pixel components that is carefully constructed into a discreet stencil font. The result is a fresh, contemporary and well grounded font that will shine in any technology, or arts related environment.

Futurette is a large weight family, covering all your needs for futuristic or sport projects, logos and others. Each style comes with 409 glyphes and can be used for Display titling, but in text also well. It was inspired by a bunch of 70's and 80's types like Handel Gothic or the ITC Bolt, and more recent faces like Typodermic's Conthrax and Good Times...

Arkham - a font that was created from the title of the cover of the comic book "Batman Absolution". The font conveys the Gothic and darkness that is inherent in this comic. The font is perfect for headlines, texts, posters, covers, merch, prints and more. Great language support. If you find an error in the font or kerning, write to: bunineugene@gmail.com, for a quick fix!

Fette Gotisch font is an interpretation of Gothic scripts in the style of the 19th century. During this time, the individualistics handwritings of the past were used to create and define new broken letter forms. This style has heavily influenced the designs of the majority of today's broken letter fonts. The strong appearance of Fette Gotisch made it popular as a typeface for emphasizing text.

Simeon's Handwritten Blackletter is the result of my desire to have my handwritten old English style writing available for my computer. It is a basic Gothic style font with my own touch to the lettering. Simeon's Handwritten Blackletter comes with full punctuation, a character set for most Western European based Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

Codex was designed by Georg Trump and introduced by the font foundry C.E. Weber in 1954. Based on the German Gothic script of the 13th century, this font has the character of handwriting. Its capital letters are extremely big in comparison with the lower case, hence good for contrast in short text, however, this characteristic makes the font better suited to languages which use fewer capital letters.

Two typefaces from the 1923 Barnhart Brothers & Spindler specimen book have been combined to produce this gem. Swagger Capitals, designed by Carl S. Junge, for the uppercase and Gothic Novelty Title for the lowercase. Named for a lively dance from the nineteenth century. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Inspired by the iconic Fenoglio-Lafleur Liberty building in the city of Turin, in an area with significant Stile Liberty buildings and New Gothic architecture. Lafleur is a decorative face with a remarkable art nouveau flair from 19th century. Perfect for creative contemporary uses in print and on screen. We recommend it for book covers, packaging, branding, editorial, web, advertising, apparel, purposes are endless.

Beckinslade is a lovely elaborate blackletter face, released just in time for Christmas, but useable at any time of the year. It is in the best traditions of Victorian Gothic revival, drawing inspiration from a range of sources and marrying them into one homogenous whole. The emphasis is on aesthetics rather than historical accuracy. Great fun though for anywhere ‘ye olde’ look is desired.

TG Praktikal is new modern geometrics sans with 8 styles & 1 variable font. Inspired by geometrics and gothic typefaces like Bell Centinel, Whitney and Metric, with an additional touch of monospace characters. That makes that TG Praktikal has a unique character set and fit perfectly for body text. Coupled with 3 flavors that can provide different impressions, including approximately 90 multilingual with various OpenType features.

Zenga is a contemporary typeface that fuses precise geometry with subtle hints of blackletter forms. The concept was to adapt core values from the gothic style and develop a design suitable for grid and pixel based platforms. Details include five distinctive weights with italics, over 500 characters, five variations of numerals with stylistic zero's, ten alternative characters, extended symbols including chess pieces and OpenType features.

The letterforms for this typeface are pretty much standard block gothic, but its prismatic treatment features a twist: the letters appear to be lit from below rather than above, which is usually the norm. The result is a perfect choice for dramatic headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’s elephantine Grotesques, lending to both British and American series their monumental qualities. Shrinking the center strokes and counters to emphasize a massive periphery, David Berlow has used this curious similarity to suspend a complete family of sanserifs between the two forms, a manly series of great dignity and presence; FB 1997

The Vtg Stencil series of fonts from astype are based on real world stencils. The UK No. 76 design was derived from authentic stencil plates from Great Britain. UK No.76 comes in four flavours – the Regular style and the Alt style with alternate and shorter forms of the letters M, W and the figure eight. Since summer 2015 both styles are now available in a Rough version with an extended glyph randomizer. PDF Specimen

The Poisoned Heart is a beautiful retro script. It's made with a naturally handwritten style. This font will make your design more beautiful and powerful, and is suitable for any design such as branding, quotes, wedding invitations, lettering projects and more. Features: - 76 Alternates - Accents (Multilingual Characters) - 10 Ligatures - PUA encoded - Numerals and Punctuation (OpenType Standard) I hope you enjoy it! Thanks for visiting and purchasing my font! Regards Donis M Din Studio

March is a modern and clean display (Serif) font create from our talented font designer. The design of March will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo and etc. The font also available in a rough version. Features: Accents (Multilingual characters) 66 Alternates PUA encoded Numerals and Punctuation (OpenType Standard) Thanks for visiting and purchasing my font! Donis M Din Studio

Graffix is best described as a modern classic. A crisp geometric sans serif with just a hint of Art Deco in the roll of the capital A, D & R, and the curvaceous lines of the capital M, V & W. The distinctive tear shaped counters of the lower case a, b, d, p & q give it its essential character, together with such quirky features as the angular descenders of the lower case g and j.

Fractul is a geometric sans with architectural qualities. Built from the Konnect family, this typeface introduces even more unique and display oriented design details, which you'll see in characters like a, f, g, t, y, etc. where certain strokes have been straightened for an angular and modern appearance. Also included is Fractul that takes the angular design further by styling characters like m, n, u, etc. to be rectangular and avant garde.

Johanna Whimsy is a fun light-hearted script font that is named after a friend of the designer who is a well known folk artist. The design was inspired by a hand lettered sample from the 1960s and has an engaging mid-century feminine style. The font features alternate versions of the h, i, n and m for some typographic variety. The typeface exudes delight and happiness and is perfect for a variety of designs.

Two handlettered typefaces from J. M. Bergling’s 1914 classic, Art Alphabets and Lettering collided to produce this lively and unusual combination. The caps were originally called "Morocco", and the lowercase are taken from his Keramic Text. The result suggested more of an Egyptian flair, in an offbeat kind of way, and so it got its name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Most of the lettering on a piece of sheet music for a song from the 1921 George M. Cohan musical comedy entitled “The O’Brien Girl” was hand lettered in a playful, casual Art Nouveau design with rounded ends. The characters on that page took on a look reminiscent of cartoon or comic strip wording, and the result is a digital typeface named Cartoon Nouveau JNL, which is available in both regular and oblique versions.

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

Ricksta is a charming gothic serif font, with a unique sharp touch. If you are looking for an eye-catching and truly powerful look in your various visual branding design projects, then Ricksta is the answer. This font has been created with detail and precision to meet the needs of your branding projects. With families that include regular, shadow, slant, and distort, you have a variety of options to create a look that matches your brand identity. Ricksta also features alternate ligatures and characters, giving you the ability to create truly unique and captivating letter designs. Ricksta also supports multiple languages. That way, you can reach a global audience without limitations. This is your chance to make your brand stand out with a strong character. So, prepare yourself to turn your branding projects into stunning works of typographic art. Get Ricksta now and see how this unique gothic serif look will add a special appeal to your brand and your projects.

Diabolus - Serif Font Family - Multilingual - 3 Style On the basis of Diabolus, it is a mix of the old-fashioned Gothic serif family. The old-style serif combination combines modern aesthetics with fantasy and Gothic serif fonts, making Diabolus a versatile family that can be used in many different design projects. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to big headlines, from classic to modern and bold styles. Well suited for books and magazines, magazine and album covers, editorial, headlines, websites, logos, invitations, branding, advertising, and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letterlike symbols, Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Grace was designed by Elisabeth Megnet and appeared with Linotype in 1992. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. The basic style of Grace is based on the Gothic miniscule of the 13th century. It represents a modern philosophy held by Andre Guertler, Professor of Typography in Basel with whom Megnet once studied. With this philosophy, calligraphy is not to be seen as a decorative art, and fonts created according to this tenet have far fewer ornamental strokes. They are eccentric, drawn out and almost bulky. Like Gothic forms, one of the predecessors of this font, Grace gives vertical lines a particular emphasis. This font is not meant for long texts but makes a distinctive impression in shorter texts or headlines.

Originally commissioned in 1979 as a new corporate typeface for Volkswagen AG, the VAG Rounded™ family’s geometric sans letterforms feature distinct rounded terminals, imparting the design with a friendly, approachable demeanor. With its design led by Gerry Barney, the VAG Rounded family remained in use for Volkswagen AG’s unified, worldwide automobile marketing for over a decade. The design was released for public use in 1989, and was bundled with many desktop publishing software titles available at the time. This opened the door for millions of computer users to work with the VAG Rounded type family. Available in four weights—from thin to black the VAG Rounded family is an apt choice for logo design, identity systems, or any application where a typographic warmth is desired. For contrast in voice, consider pairing the design with a more reserved serif typeface, or a sans serif with narrow styles, such as those found in the Alternate Gothic, Trade Gothic, or FF DIN type families.

Enamela (rhymes with Pamela) is a monoline square sans that is available in normal width and condensed versions. Although rooted in the early years of sans serif type, the Enamela fonts have a timeless quality that is practical and unpretentious. The letterforms derive from vitreous enamel signage dating from the Victorian era and widely used in Britain for street nameplates, Post Office signs, the plates on James Ludlow wall postboxes, railway signs and direction signs, as well as for circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. The quirky terminals, stemming from the compression of geometric type, invite comparison with the Charles Wright fonts used for UK vehicle registration plates. Enamela and Enamela Condensed are both available in three weights – regular, medium and bold – and as italics (optically corrected obliques). A commonly used alternative M with a vertex that touches the baseline is provided at the Alt-M (µ) keystroke on a Mac, or Alt-0181 on Windows. A commonly used G with a plain vertical throat, no crosspiece, is assigned Unicode FF27 (full width capital G).

UltraGotica is a heavy companion to the Gotica Lumina typeface.