LD Funky Chunky is a lighthearted, chunky font that's casual and perfect for some visual fun. They'd make a great team on your next project!

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

FG Rakel is a small old looking handwriting connected script font. I have found it useful on greeting cards and scrapbook journaling among other things.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more

Stoan is a rough, textured grunge font, based on the popular Spaza. Its characters are irregular and funky, with edges that disappear into the distance.

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. In this collection assembled typical wavy shape secession.

English Script is the classic Spencerian English script. I always wanted to do one of these; now finally I did. Your classical designer Gert Wiescher

I finally managed to create a font from the characters I wrote on my Etch A Sketch board. A bit grungy, but definitely something else.

Borba Sans is based on Borba . It is really readable sans serif typeface which may be used whenever you need a stylish and modern typography.

JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

The shield, a form in heraldry, has infinite design subdivision possibilities. Shield Ornaments contains a selection of 98 geometric designs on rounded and pointed shields.

HeartMatrixed is based on a matrix of dots in the shape of little hearts. It uses the same design pattern for placing dots as Dottie.

The rounded hand lettering for the circa-1920s sheet music title "I'm On My Way Back Home" inspired the font design for Lettering Pen JNL.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short ascenders and descenders, serifs triangular.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

Stencil Machine JNL replicates the lettering of a stencil cutting machine. The stencils produced on such machines were primarily used for carton identification and shipping.

The PL Fiorello Condensed font has a Latin influence and has been used to set headings on novels and posters relating to suspense and crime.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

Cross Stitch Classic is based on upper case characters 12 stitches tall and contains uppercase characters A-Z, lowercase characters a-z, numbers and punctuation.

A very unusual type based on wooden type designs of the 19th century, lacking lower case which may not have been designed for this font.

Today's digital font technology allowed the world-renowned typeface designer/calligrapher Hermann Zapf to finally realize a vision he first had more than fifty years ago: creating a typeface that could capture the freedom and liveliness of beautiful handwriting. The basic Zapfino™ font family, released in 1998, consists of four alphabets with many additional stylistic alternates that can be freely mixed together to emulate the variations in handwritten text. In 2003, Herman Zapf completely reworked the Zapfino design, creating Zapfino™ Extra. This large expansion of the Zapfino family was designed in close collaboration with Akira Kobayashi. Zapfino™ Extra includes a cornucopia of new characters. It features exuberant hyper-flourishes, elegant small caps, dozens of ornaments, more alternates and ligatures, index characters, and a very useful bold version, named Zapfino™ Forte. A version of the 1998 Zapfino typeface ships as one of the pre-installed fonts included with Mac OSX. The Mac OSX version's letters are four times larger than the Linotype standard. In order to minimize compatibility problems for Macintosh users, Linotype has created OSX versions of its Zapfino Extra Pro typefaces, which have been enlarged to correlate visually with the Mac OS Zapfino system font. These special Linotype fonts can be distinguished by the letter X" in their name. Zapfino Extra is an OpenType format font, which is available in two versions. Which version you purchase should depend on which software applications you use the most and what features they support! The Contextual version of Zapfino Extra Pro contains a treasure-trove of extra contextual features. When created in 2004, this was the most advanced OpenType font released to date. By purchasing this version, users of OpenType-supporting applications, such as Adobe InDesign, may access all of the features available in the entire Zapfino family through just two fonts, Zapfino Extra LT Pro (Contextual) and Zapfino Forte LT Pro! Unfortunately, most non-Adobe applications currently do not support the contextual features made possible by recent OpenType developments. Users of Quark XPress and Microsoft Office should instead purchase all of the non-contextual fonts of Zapfino Extra Pro family, in order to access all of the Zapfino Extra family's 1676 glyphs. The Zapfino Extra family's character set supports 48 western and central European languages. Use Zapfino Extra to produce unusual and graceful advertisements, packaging, and invitations. Zapfino Extra is so joyously abundant that it's tempting to over-indulge, so be sure to check out the tips for working well with the possibilities."