Blop11 is a geometric sans-serif type family, consisting of 3 weights. Blop11 Bold is inspired by 1800s-style wood, poster typeface. Owing to its rounded terminals, Blop preserves natural organic quality of wood typeface. The Regular and Light versions are contemporary original projects. Blop11 is well-suited to headlines and short text. See also Blop77

Cajito is a font family with a medium contrast, developed for numerous uses, ranging from app to website and catalogue to corporate design especially for logo design, Cajito has ten alternative capitals and his terminal looks like the fins of a fish. Cajito font family consists of five weights from extra light to extra bold with matching italics.

FunLine is a modern script font, crafted with monoline strokes characterized by curved lines and seamless connections, presenting a classic font with a modern touch. The font family comprises three weights; Light, Regular, and Bold. Suitable for your design needs. The Arabic version will be released, accompanied by the addition of Arabic, Urdu, Pegon, Persian, and Kurdish languages.

Bonega is a display font inspired by classic typography on ancient stone inscriptions. Consist of 4 weight (light, regular, bold, black) with each matching italics. With sharp and manly characteristics, Bonega family is suitable for powerful headlines, logotypes, beautiful signs, posters and more. Contains more than 400 glyphs including stylistic sets that make your typographic design more attractive.

The Caronta typeface is a modern, clean and easy-to-read sans serif typeface. It has been used for texts and documents where you want to show a minimalist appearance. The contrast between the light and bold fonts makes for a visual game that is pleasing to the eye. It has ten styles, and five weights.

British type designer Peter G. Warren created this display FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Amoeba provides advanced typographical support with features such as alternate characters and case-sensitive forms. It comes with proportional lining figures.

Ponte is a high-contrast display typeface with smooth serifs, designed for impactful headlines. The ten-style typeface features over 80 decorative ligatures, with roman and italics available in five weights, ranging from extra light to bold. This offers a variety of options for sophisticated design applications. Elevate your compositions with Ponte's timeless elegance and aesthetic precision.

Cyclic Sans is a legible and highly distinctive type family in four weights, running from Light to Heavy. A stoic sans, imbued with strength and charm, the fonts can be paired with their Cyclic Serif counterparts to stunning effect. Cyclic Sans is a stylish modern face and a versatile all-rounder, ideal for both text and headline use.

Regio Mono is a monospaced typeface designed with industrial-strength, sturdy columns and tidy layouts. contrasting geometric shapes and sharp terminals. Whether used in design or in a code editor, Design proposal, Ads, Packaging and more. Regio Mono comes in six weights, from Ultra Light to Bold, and with a character set that covers over 200 Latin languages.

The type family “Curlaight” has whimsical curly shapes but has some level of uniformity with straight lines and angles. These modern retro feel fonts look great for children’s books, posters, book covers, packaging labels, or even logos like TV and movie titles. Seven weights - thin, light, regular, medium, semibold, bold, and black - are available for your creative projects.

Wrought is a bold geometric display font by Jon Cartagena. It's purpose is to give a rugged, heavy feeling to your designs. Wrought is available in four weights: Thin, Light, Regular, and Bold. Each character is carefully designed to be vertically aligned at the center. This gives Wrought a unique flair, while promoting a harmonious look through each word.

British type designer Jonathan Hitchen created this display FontFont in 2002. The family has 5 weights, ranging from Light to Regular and is ideally suited for film and tv, poster and billboards, software and gaming as well as sports. FF Snafu provides advanced typographical support with features such as ligatures. It comes with tabular lining and proportional lining figures.

Oblogram JNL was built on the structure of Yorso Square JNL, but takes on the appearance Of a "techno" design as if drawn by a child's imagination. Unbalanced stroke weights give the appearance of a makeshift design, and can even double as "Modern Grunge" in its own right because of its willingness to break all typographic rules.

Ladylove is a beautiful handwritten font. It has an elegant style and it will add a sophisticated look to your designs. It will perfect for wedding invitations, bussiness card, logos, and quotes. Featuring a light weight it looks fantastically elegant. With lowercase Swashes can make your design looks beautiful, also Ligatures make your design more smooth and looks natural.

Raglen is an elegant serif font with a unique binding style, high contrast and light weight font, perfect for feminine logo signs, fashion & editorial design heads, branding projects, Apparel Branding, packaging, magazine titles, advertisements, T-shirts, cards. post, and more. many. Raglen also includes a full set: Uppercase and lowercase Auto fastener Multilingual characters Number punctuation

There are Rum doings in the harbor tonight, me hearties! Black-hearted buccaneers are gatherin' in the tavern and there's talk of gunpowder, treason and plot. Even if there are ladies in the room, we advise that you Pass the Port, put away your pieces of eight and weigh anchor until the Pirates have Caribbean and gone.

This contrast serif typeface is good for display use. Bandera Display has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with Bandera (slab serif), Osnova (sans serif) and Bandera Text (serif) fonts. Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Fuglesans is a homage to the first Swede in space. The sans serif font is inspired by Scandinavian aesthetics, Sci-fi movies and space. Use it for visionary brands or designs that aspire to be high-tech, modern and futuristic. The font is currently available in 3 weights, Light, Regular and Bold, and comes with over 200 glyphs.

Egon Condensed is a geometric sans serif typeface family built in nine styles - light, regular, bold weights in roman and italic respectably, plus three alternatives in roman. Egon Sans Condensed is an extension of Egon family - Egon Slab Serif (2008) and Egon Sans Serif (2010). Egon Sans is released as OpenType single master with a Western CP1252 character set.

Mirsal Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scripts it's suitable for branding, editorial, packaging, and advertising. Mirsal Arabic Features five weights from Light to Black.

Layla Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with a Classic Arabic scripts it’s suitable for branding, editorial, packaging, and advertising. Layla Arabic Features five weights from Light to Bold,

Kite Script: my another hand-lettering that comes to font. A script typeface that combined thick-thin lines, inconsistent height, loose-tight kerning and unique baseline combinations for natural hand-writing feels. Easy and super playful to customize, suits best for almost all of your designing project; wedding invitations, t-shirt designs, fancy logotype, quote writings, etc.

Designed with high contrast. The stems are not completely straight, slightly narrow in the middle, combining rounded and right angle at the terminals and serif ends. Gibralt consists of 8 styles from Extra light to Black, each matching with italics version. Suitable for Headlines, paragraph, text, printing and more.

Époque Seria is that kind of person who looks really cute when angry. This font was derived from the Époque family. She is the little sister to Époque - a little shorter with her smaller x-height and — how do you say it in the typographic circle — your eyes are also smaller (and you know you squint when things get serious, isn't it?). The genealogy of these font face is undeniable, but Époque Seria has a ‘personality’ very different from her older sister. The reduction of the x-height also shakes somewhat with the cap that had crossbar. To accompany the package of standardization, the letters that don't have their straight axes were changed, which brought to the set more Cs and Gs contemporaries. In addition, other measures were taken as a greater softness in the variation of the weights and the abandonment of the black weight, being considered too heavy for this version.

Aromo was initially conceived for editorial purposes. This typeface mixes the versatility of a simple and modern sans-serif, with the sensibility of the humanist feeling: thus making it useful in a wide range of purposes when a balanced and friendly font, with elegant proportions and high readability is required. The functional nature of its design is complemented by a family of 14 variants (7 weights, plus their matching true italics) interpolated optically for application as a hierarchical resource, where the middle weights (Light, Regular) have been optimized for use in small bodies, while the extremes (Ultra Light, Black) where designed for display environments._ Aromo also offers a wide range of historical and discretionary ligatures, small caps, eleven different types of numerals and a set of more than 700 characters covering about two hundred languages of Latin script._

As with any attempt at a new typeface, you want to create something different. A difficult task as most legible fonts are based on something previous. Somatype isn't actually based on any particular font but it has unavoidable similarities to others. The important difference here being the distinctive quirk of the connection points going opposite to the norm; exemplified best by the lower case d & e. Once devised, the unique characteristic was applied wherever possible, keeping the rest of the characters in a sympathetic, rounded style. I first designed this in the light weight version, seeing it working best as a large open display font for magazines etc. but realized it would be too light for body copy at small scale, so, medium and bold weights were created to resolve that issue. Incidentally, the word ‘somatype’ literally means body-type.

The different fonts in the Why Square family are an extension of the designs begun in Zoran Kostic's Just Square family. Why Square's lowercase letters are all more condensed versions of Just Square's letters, and in some of the fonts, the uppercase letters are wider. The first five fonts are the different weights of Why Square (UltraThin, UltraLight, Thin, Light, and Regular). Here, all of the characters--both upper and lowercase--are more condensed versions of the geometric letters from the Just Square family. The next five fonts (UltraThin, UltraLight, Thin, Light, and Regular weights) include identical lowercase letters to those from the first five fonts in the family, but their capitals are considerably wider. These may be used as initials, either with the other fonts in the Why Square family, or with the Just Square family.

Aromo was initially conceived for editorial purposes. This typeface mixes the versatility of a simple and modern sans-serif, with the sensibility of the humanist feeling: thus making it useful in a wide range of purposes when a balanced and friendly font, with elegant proportions and high readability is required. The functional nature of its design is complemented by a family of 14 variants (7 weights, plus their matching true italics) interpolated optically for application as a hierarchical resource, where the middle weights (Light, Regular) have been optimized for use in small bodies, while the extremes (Ultra Light, Black) where designed for display environments. Aromo also offers a wide range of historical and discretionary ligatures, small caps, eleven different types of numerals and a set of more than 700 characters covering about two hundred languages of Latin script.

Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

If you were a grotesque in mid-20th-century Switzerland, you were expected to be serious and proper, if a little dull. Unlike its dogmatic Modernist predecessors, Formular is a hip Swiss sans serif of the new generation. Inspired by the utilitarian 19th-century grotesques, its precision and and versatility are combined with a slightly eccentric character. A child of its time, it scoffs at the ideology of ‟ideal” forms, yet it is every bit as functional for all its idiosyncrasies, as any self-respecting Swiss sans. Formular comes in five weights with corresponding italics and a monospace companion to the regular weight. Each weight includes special extra-light punctuation, lining tabular and old style figures, case-sensitive punctuation, and stylistic alternates.

Welland is a modern and elegant serif font family. The combination of modern and vintage elements renders an elegant design. The variety of weights provide a range of choices that will help you find the best typographic colour for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic Ligature and Alternate offer a number of different characters that give your project design or logo a unique look. 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

A triple threat, Letteria Pro is a typographic trio designed for branding and packaging. With the soul of a broad nib pen and the grace of a brush, it has five weights and a lot of style. In order to achieve a pragmatic contrast between a composition’s communication levels, we have created a mechanical typeface with only capital letters in sans and slab versions that elude to a De Stijl style. Ligatures and swashes provide a plethora of options, including Thin, Light, Regular, Bold and Black weights, while its companions offer a single weight. Together, this Latinotype original covers more than 200 languages within the Latin alphabet. Yet another powerful tool for your arsenal of fonts that command consumer attention.

Cream is a retro soft serif typeface comprising 12 fonts. It can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional ligatures and alternates that are built into this type family. You’ll soon be creating distinctive typographic compositions that are pleasing to the eye. There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages. Key features: 6 weights in Roman and Italic 75 Alternates 37 Ligatures Full European character set (Latin only) 730 glyphs per font.

Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF. See also Ciutadella and Ciutadella Slab.

House Sans is a 100 style super-family made up of 5 widths, 10 weights plus matching italics in two design approaches through stylistic alternates to the E, F, L and e characters. The weights range from compressed to expanded, from thin to heavy creating a plethora of styles to create with. House Sans has a unique visual structure to key glyphs such as the A, M & Y that give the font a stand out feel while the contrasting horizontal bars provide a nice balance. The compressed weights are great for fitting in tight spaces whilst the Heavy styles are perfect for standing out from the crowd. The font features extensive support for European and Cyrillic languages, stylistic and discretionary ligatures, plus superiors, inferiors and fractions.

Ginkgo is Modern Classy Serif Font Family Created to answer for any person who needs Classy Modern Serif to leverage designer or product owner that need solutions to make their design look more classy and elegance. And specially for Ginkgo, We just released 4 weights, any ligatures, and any alternate characters to help you create unlimited variations for creative needs. Ginkgo font family ready with: 4 weights: Light, Regular, Bold, Black Hundred options to get creative variations (combination of Alternate, Ligature, Weight) Preview as a sample what can you do with Ginkgo font-family Ready with Lowercase and Uppercase characters Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Gardner Sans is a humanist sans serif with a range of weights, italics, small caps stylistics alternates and a set of decorative ornaments. The light and regular faces work at smaller sizes and the heavier weights are good for display lettering. It is inspired by a few historical sources including Stephenson Blakes' Granby, Gill Sans, as well as some old hand-done lettering for sales tickets. The name (and the basis for the small caps) derives in-particular from the Roy Gardner collection of sales tickets from early 20th century that can be found on spitalfieldslife.com The heavier weights were particularly influenced by a later cut of Gill Sans, Extra Bold 321. The italic is more of a contemporary mix of humanist styles.

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.

Ryo is a Japanese kana typeface design composed of hiragana, katakana and some punctuation marks. Available in four weights--extra light, light, regular and medium, Ryo Text has been specifically designed for use when producing text settings. Supplied in the cross-platform OpenType format, this special kana font can be used to supplement or replace the existing kana designs in existing Japanese fonts that contain full character sets. Creative professionals using the Japanese version of Adobe InDesign may use that program's Composite Font tool to easily combine Ryo Text with other typefaces.

Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.