REALLY fat faces seem to be popular these days, so here's my take on one. The strokes have been expanded to the brink of illegibility, but the letters remain distinguishable, especially in context. Also included are alternate versions of the letter A—suitable for use as first and last letters in a word— in the ASII circumflex and ASCII tilde positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

On the very northern edge of South Tucson lies an Old Pueblo institution, Le Caves Bakery, Home of the Vegetable Donut. That’s what they were called when Le Caves opened; now you’d say Vegan Donut, or No Animal Products Used. Radical concept in the Brave New World of 1935. I started with the letters from their sign and extrapolated the rest of the font from those. Deco Donut Fat is extrapolated from Deco Donut. If you want a donut, type a 0 (zero).

Directa Serif is a text type family designed to save space with the maximum readability. Because of its general forms and proportions (a little bit condensed, big x-height, low contrast) it can be used in smaller sizes than usual for body text. It is highly recommended for newspapers, magazines, corporate communication and so on. Directa Serif Family is composed by 14 fonts (7 weights and its italics) with a large set of characters, including Western, Central European, Baltic, Scandinavian, Icelandic, Romanian and Turkish unicode ranges. Each font also includes several ligatures, a complete set of Small Caps, sets of lining, old style and tabular figures, as well as fractions, superior and inferior numbers. These features can be easily accessed using any OpenType-compatible software.

Speedy Space Goat Oddity is the font with really interesting mood. My purpose was to transfer freedom, immediacy, and a bit of insanity with it. I've painted it with self-made paint and brush in a trippy environment. You can use Speedy Space Goat Oddity almost everywhere (not for body text). It's great for posters, clothes design, package design, music album covers. Also, with the right approach, you can use it as horror font. Speedy Space Goat Oddity Features: Pant texture 2 ligatures for tt and ff 14 contextual alternates for most common double letters Carefully tuned kerning (preview above doesn't show it for some reason) If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Speedy Space Goat Oddity!

Introducing Desmo Reversed Contrast Slab Serif Font Unique Design Meet Desmo Reversed Contrast Slab Serif Font. Its reversed contrast sets it apart. Thick horizontal lines and thin verticals create a striking look. This design choice grabs attention, perfect for impactful displays Versatile Display Font Desmo shines in display settings. Whether for headlines, posters, or advertising, it stands out. Its bold features ensure readability from a distance. Moreover, its unique style makes every design engaging. Engaging Typography Desmo’s typography is designed to captivate. Its slab serifs add a touch of elegance. The font’s balanced spacing ensures clarity in every word. Therefore, it’s ideal for brands aiming to make a statement. Accessibility and Ease of Use This font is accessible to a wide range of users. Its simplicity avoids complex vocabulary. Easy to install and use, Desmo suits various design projects. Additionally, its compatibility with multiple software enhances its versatility.

Diogenes Decorative is the swashy sister of Diogenes, an elegant and crisp text typeface. It comes in 5 weights, each containing 7 different fonts with lots of swash characters, alternates and separate swashes which fit on different characters. Diogenes Decorative can be used independently or in combination with Diogenes, e.g. for initials or headlines.

Empty Inside is a kids playful font. It comes with uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, an alternative set of characters and numbers, ligatures and multilingual support. Ideal for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

Skunkling was born out of a contest, where its initial design won first place. It was inspired by a real-life encounter between a spraying skunk and a defenseless designer. Skunkling is carefully designed to be playful and even awkward. Unique letter forms and ligatures allow the letters to fit snugly together. The two "weights" can be used individually or they have the unique capability to be overlaid to create a two-color font.

Heath Notted is suitable for display like poster, halloween, witch theme. We created it inpired by the night, because some times night is not always just dark, but sometimes it's beautiful. Heath Notted is includes: - full set uppercase and lowercase letter; - numerals; - large number of punctuations; - ligatures, and swash. Please add this font as your favorit, hit like button, or follow me. I'll very happy for that and aprreciated it. Thank you!

Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due to the rounded edges it has a very soft / warm look and feel. It comes along with varius OpenType features such as table and old style figures. Oblivian Grotesque as an extended character set that support Central and Eastern European as well as Western European.

This is the Latin+Cyrillic+Greek version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Albanian, Azerbaijani, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Ossetic, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Ukrainian, Uzbek, Vietnamese, Zulu. The International Phonetic Alphabet (IPA) makes it fit for a wider range of purposes.

Altis combines geometric regularity and soulfulness into one font family. It resembles the traditional sanserif from the early 20th century, which communicates friendly and reads extremely well. Bring out its optimistic airiness with light styles or exploit the masculine strength of the bolds. Altis has been developed to fit present-day editorial conditions and publishing models. There are ten optically-balanced weights and practical OpenType features, which make the family versatile and operationally spot-on.

Shaped by constraint to accommodate a large character count, Pratt Nova has massive form: semi-condensed, large x-height, short descenders and capitals. And yet it transcends its restrictive origins in abundance, expressing a spirit of visual and semantic opulence, equipping the typographer with a comprehensive array of harmonized fonts, all rigorously drawn, superbly fitted iterations of a single, profoundly original design. The set of Text styles contain additional glyphs and OpenType features.

Elevate your design game with Siga Mono, the ultimate font family for all your creative needs. Transform your digital and print projects into masterpieces with its remarkable monospace layout and distinctive style. The multiweight options of Siga Mono allow you to experiment with various typographic hierarchies, ensuring that your design stands out from the competition. Don't miss the opportunity to try Siga Mono's extraordinary capabilities – download our variable demo and witness its magic firsthand!

Octo is square bold/display font with italics. Letterform is bit quirky and square shaped, it can fill all kind of spaces. Octo has nice form that relate to industrial, machines and italics helps denoting speed. Octo is good for branding in fields of sports, automobile. It has full glyph set of numerals and signs. Octo is an excellent choice for headline-typesetting and logo design. Octo is developed by Gunjan Panchal based in India.

The idea behind the creation of the Funyärd font is that there is an increasing need for fonts that are simple, funny and can be used in children's learning books, storytelling book, especially for pre-school children, kindergartens or toddlers, who due to this pandemic have not been able to enjoy the atmosphere of school learning, but must still feel a cheerful atmosphere while studying at home. Funyärd can be used as display text or as body text, so that for a story book or textbook for children, this one font family can complete all the typeface needs in it. Funyärd can also be created in typography works, merchandise or any product intended for children. What you will get is Funyärd Regular Funyärd Bold Funyärd Thin Funyärd College Funyärd Shadow

This set of letters and ornaments is loosely based on on a typeface that was offered by the DeVinne Press at the turn of the century. We can speculate from its name that this type was used as a display font to try to equate the look of letters on 15th and ­16th century heraldic cartouches, seals, stamps, medals and other inscriptional lettering. The sample was digitized with an “antiqued” outline to further enhance this ancient inscriptional theme. The letters were then grouped in the font with the more traditional Roman letters as the capitals and the Lombardic forms as the miniscules. The original type sample contained some unusual 15th century inscriptional numbers which have been included as extras in the font so the user the has the option to create an authentic looking design.

Aisyah is a modern hand-based typography, This font is made up of irregularly flowing letters, both between top-down and with subsequent letters,which makes it suitable for Logotype, posters, businness cards, merchandise, wedding invitations, greeting cards, banners blogs, clothing, water-based paint designs / prints, correspondence, quotes and more!. Aisyah has given PUA encoded (fonts with special code). This Font Equipped: -Uppercase -Lowercase -Figures & Punctuation -Stylistic Alternatives -Ligatures -Language Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as, Adobe Indesign,Adobe Illustrator CS & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Files include: Aisyah otf. -If you have any questions, please contact me at. malindocreative@gmail.com. -Thanks for support -Feel free to contact me if you have any questions, I am happy to help you

The name African Gold is associated with Johannesburg, the "City of Gold"; (the Zulu name for Johannesburg is eGoli). The font was so named for two reasons: the intricate African patterns within the characters of the font suggest the shafts and tunnels of a gold mine, and, as with a gold mine, the richness lies within. African Gold is a display font that is best used at larger sizes, however, it contains a full character set with all accents, special characters, diacritical marks and all the characters are carefully spaced and kerned. The numerals are mono-spaced so that they will line up correctly in columns of figures. The letters of the alphabet are spaced according to their width and are carefully kerned to create an attractive appearance.

Tiqqun appeared as a font for a monumental, but at the same time futuristic design. During the creation process, many variations for each glyph came to mind. Therefore, it was decided to create an entire system of alternative options. As a result, we have more than 130 alternative characters and as many as two full-fledged alternative sets. The font contains monumentality, brutality, futurism, rigor and uniqueness of some forms. As a result, Tiqqun has become a font system that can cover a large range of your design needs: Prints on clothes, logo, packaging, banner, title, text, poster, merchandising, identity, branding or product design. - 360+ Glyphs - 130+ Alternative Glyphs - Supports 80+ Languages - Special Symbols and Features - 2 Full Alternative Set - OT Features: aalt, case, kern, ordn, salt, sups, ss01-09

Bakeapple is an elegant, handmade kids’ font.

Boldest Enough, modern and mystical bold display typeface. Inspired by the mystical vibe from animation horror movie for kids. It gives you fear, curiosity, and amazement at the same time. Coming with 160+ stunning and super easy to use alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.3 h.5 etc so you don't need special software. To get results like the preview just type B.4ol.9d.2es.2t.2 E.4n.5ough.7

Goodchild Pro is a pragmatic text face, equipped for sophisticated academic typography. The face has a large x-height, as there is little point in adding to the stock of rangy “book” Jensons. Despite this departure from the archetype, in other respects Goodchild is true to the original letter forms in its tight fit, modulation of stroke contrast, and manipulation of x-height and serif size. Jenson’s tiny tittles and diamond-shaped periods have, however, been relinquished. The finish is not the antiquing that one often finds in Renaissance revivals. 
Here clean, decisive details provide a freshly minted, contemporary appearance, providing a smart impression should one wish to use the face at display size.

East is a simple and confident typeface. It is timeless and current, but with a subtle nostalgia of vintage Jazz albums, film credits, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. Its condensed width allows a lot of text in little space. East is versatile, but would be a good choice for film titles, labels + packages, posters, publications or any design where space is limited. It has six weights between Light and Extra Bold. A variable font with weight and slant axes is available and included in a full family purchase. The OpenType features include; stylistic sets, a one story ‘a’, hooked letters, seriffed uppercase I and 1, a slashed zero, raised colon and punctuation (Spanish), several German eszetts, ligatures, diverse bullets, and vertically stacked pre-built fractions. It will support western and central European languages as well as other Latin-based written languages. Read on if you are not familiar with variable fonts. What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, which benefit both web and software performance. Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

Unpack is a soft and inviting face. It is available in two cuts, upright and slanted, both all-caps with 2 options for each letter for a nice uneven organic look. The family counts also with a picture font, loaded with some handy extras like banners, stars and ornaments. This versatile family fits greatly many usages. Type some food name and you'll get hungry, type a toy and you'll want to play. Don't believe it? You don't even need to unpack it to try!

Introduction Meet Norsen – Classic Serif, where the vintage aura intertwines seamlessly with modern sophistication. Initially, its presence elevates designs with a unique classical elegance. Embodying Versatility Notably, Norsen is versatile, suiting various design necessities effortlessly. Also, it easily molds itself, fitting perfectly into different creative realms, ensuring each design shines uniquely. Classical Elegance Immersed in a classical charm, every letter in this font tells a story. Additionally, its serif details bring stories and messages to life with grace and depth, enhancing readability and visual appeal.

Epica is a contemporary interpretation of the Venetian Renaissance types. A humanist type family with a contemporary design. This family encompasses different typographic scenarios with emphasis in style and functional equilibrium. Its letterforms show the visual richness of Epica that includes some calligraphic reminiscences perfectly legible in small and display sizes. Its strong personality makes it distinguish, because it perfectly combines the elegance of antique typographies and the forcefulness of contemporary ones. This family has been designed in two different moments. Epica Serif, which have a more classical design, was finished 5 years ago in its first version. The first sketches were drew 8 years ago during the Master of Type Design at the University of Buenos Aires. Through the years was re design in several times to the point of reaching its current version. On the other hand, Epica Sans was completed in 2020 and is the counterpart of Epica Serif. A complementary system designed to enrich the serif version and give new options for hierarchy and composition. This is a versatile type family perfectly fit for books, editorial, and usage in print and on screens. It possesses great legibility in body texts, which makes it ideal for extended reading and supports a variety of languages.

Éric de Berranger likes to multitask, and often works on two typeface families at once. Such was the case with Mosquito, a jaunty sans that was developed at the same time he was creating the more traditional Maxime. Mosquito represented a sort of recreation," says de Berranger. "When I grew tired of working on one design I could work on the other and then come back to the first, full of courage and desire!" Mosquito is built from simple, straightforward shapes, but its distinctive stroke terminals and slight oblique weight stress distinguish the design from more conventional sans serif faces. The relatively large x-height and open counters add to the legibility of the design. The capitals are straightforward (with just a hint of Peignot), while the lowercase has a softer, more inviting demeanor. "I drew Mosquito with the hope that it would be pleasant to look at and to read," says de Berranger. "I think the end result is almost feminine." Mosquito comes in three weights, with complementary italic designs and a suite of small caps, old style figures and alternate characters."

Introducing, Tahnia Modern Script, a lovely modern font that bring you natural handwritten feel with lots of alternates. This font is suitable for you who needs a typeface for headline, logotype, quotes, apparel, invitation, branding, packaging, advertising, etc. to access the underline just type _ + (number 1-3) for example _1 _2 _3 We hope you enjoy the font, if you have any other questions feel free to email me at rillatype@gmail.com

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

Sagordi is a font that displays a strong and modern style. With clean lines and bold shapes, Sagordi is perfect for use in various applications, ranging from logo design to marketing materials, digital publications, and more. This font is designed with careful details to ensure excellent readability at various sizes and resolutions. Sagordi is a great choice for designers who are looking for a flexible and adaptable font that can match various design styles.

ABsunDO PROJECT is a playful font for your fun and happy design projects. The main idea of this font is a quirky replacement of uppercase and lowercase symbols. Uppercase is heavy and bold, at the same time lowercase is light and narrow. You'll get a playful font for fun advertising, fashion stickers, summer posters, wedding logos, retro sale themes, and much more. Please feel free to request to add characters you need: kaer.pro@gmail.com

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

A Luxury Love Font that we created special for elegant branding needs, with unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Andara font, We prepared any characters to help you create unlimited variations for your creative needs. Andara Luxury Classy Love Font ready with: Unique Luxury Love Characters wit swash as alternates inside Preview as a inspirations that you can do with Andara font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

BUKAMA font is a faux Japanese font with a distinctive and unusual shape. If you use this font in a special project, it will look straight away and fit into the composition of the visual display that has an Asian design theme. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Introducing My first sans font. Carrol, a classic sans with alternates! Carrol is a classic and modern sans with alternates in each alphabets! Every alphabet have alternates up to 3 kinds! This font fits in any project. You can use it for a tittle, logo, quotes, or become a pairing in any script font. This font also support multi language! You can get 6 style with italic in every style. This font included: Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Heavy Heavy Italic Thank You!

Garet is a modern geometric sans serif. It is characterised by high x-height, clean and soft letterforms with a smooth masculine tone. Garet derives its distinctive oval shapes from the optically perfect circle and has closed counters to further emphasise that form. The Garet type family consists of 11 weights ranging from quite thin to extremely fat and their corresponding Italics to make a total of 22 fonts. And all of them are combined into one variable font that will give you unlimited opportunities to explore and express without the restrictions of the predefined weights. We understand the need for more extensive language support. That’s why the typeface includes Extended Latin and Cyrillic and covers more than 200 languages. Garet also comes with several alternative stylistic sets that will change the overall look of a paragraph, giving it a slightly different appearance. In addition to that, the type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case-sensitive punctuation, and more. Тhe wide variety of weights, characters, and additional features allow Garet to be implemented equally well both in print and on-screen media.

After my son was born, I found myself reading him a lot of books. A LOT of books. Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make. In short, I realized my son needed to be indoctrinated—I mean, introduced into the wonderfully wild world of fonts. So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here. I’ve made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart. And, as an added bonus, this children’s book has a custom designed font. I’m always looking for an excuse to design a new font, and this book created the perfect alibi. Drum roll, please. I now give you … Cabrito (“little goat” en Español). This new serif typeface incorporates the latest research on typographic legibility for children, features to make it—well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for children’s books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to children’s toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.

Modern Neon is an audacious display font that combines the allure of neon lights with an array of captivating lines. With its uppercase letterforms, this typeface commands attention, creating a visually stunning experience that leaves a lasting impression. The defining feature of Modern Neon lies in its bold and adventurous lines that adorn each letter. These radiant lines flow dynamically throughout the characters, adding an element of complexity and intrigue. The interplay of these luminous lines creates a visual spectacle, captivating the viewer's gaze and drawing them into a world of electrifying typography. Inspired by the vibrant glow of neon signs, Modern Neon exudes a futuristic energy. The font's luminosity casts a vivid hue, evoking a sense of innovation and modernity. Each letter pulsates with an otherworldly glow, creating a striking visual impact that cannot be ignored. Each letter of this font has been meticulously crafted to strike a balance between legibility and decorative intricacy. The interconnected lines add depth and movement to the characters, enhancing the overall composition without compromising readability. The result is a font that exudes creativity and boldness while ensuring your message remains clear and impactful. You can also enjoy the various features available in this font. Enjoy the various features available in this font. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations The strong and bold strokes demand attention, making this font perfect for headlines, titles, and impactful statements. Whether you're creating posters, branding materials, digital artwork, or anything in between, this font will add a daring and captivating element. It particularly shines in applications related to technology, gaming, fashion, and futuristic themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.