Clochard is a handmade, Bodoni-like font. It is a little loose, a little rough in places and a little uneven, but it all adds to Clochard's charm. Comes with plenty of diacritics!

Hopeless Heart isn't really all that hopeless! With its jumpy baseline and the different sized serifs, it’s a font full of fun and games, suitable for your next wedding invitation or love letter.

Better Black is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Market JNL is based on lettering found on a circa 1940s office supply product. There is a distinct Art Deco feel to this font, and it lends itself perfectly to all retro projects.

Thunder is a new modern brush font, incredibly adaptable to all sorts of designs. It is suitable for any branding, product packaging, quote, t-shirt, label, poster, logo that you wish to create.

Love Baby is a cute and flowing handwritten font. Use it to create gorgeous designs! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Big Display Sans JNL is an all-caps version of Ludlow’s metal type “Samson”, originally designed by Robert Hunter Middleton in 1940. This digital version is available in both regular and oblique versions.

Good Vision is an adaptable and casual handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.

Qundeasy is a sloppy and cute handwritten font. First of all, it is suitable for handmade style design. Сan create interesting logos, posters, banners, social media creatives, postcards and greetings with this font.

Wake Up Now is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a realistic feel to your designs.

If you need some authentic, organic and lively scribbled letters, you've come to the right place! Snacky Prank is all that! Comes with 8 different versions of each lowercase letter, and multilingual support!

The Magistica Bright is a magical script font carefully created with a touch of elegance. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Cubissimo is a geometric font inspired by a 1929 poster advertising a museum exhibition. It is an all-caps cubist typeface designed to look good on posters. It comes with extensive language support.

Introducing, Monstorm!! very suitable for logos, clothing, branding and others. very easy to use without the hassle of drawing, just by purchasing this font you can immediately use it for all your needs.

Quillain is a casual, fun handwritten font, created by using a marker. Clean and stylish, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Mono-weight extra condensed display face. Lowercase sits on a floating baseline. Downtown was designed for all media and works best at 24 point and above. Downtown requires subjective display kerning and compensation.

great for any projects including : branding, logo, stationery, business card, signage, flyer, brochure etc. Almost all industries will be match for this typeface: comic, events, florist, gardening, makeup artist, travel, cartoon, musician etc

Stallman Round is a Display font family containing 98 Fonts (Regular, Oblique). It's a perfect font for titles There are also 6 OpenType features (Numerator; Denominator; Fraction; Case Sensitive; Ordinals; Access All Alternates)

Strong Stencil JNL derives its name from its visual appeal. Strong, rugged, all-purpose; this type design (modeled from a set of brass stencils) can take on the toughest type chores and deliver.

A classic and antique font design remastered by the type foundry Intellecta Design. Great display face for headers and antique-like projects. Contains a limited amount of letter designs, all uppercase letter designs.

Mad Cash is punked, grunged and shattered - all at the same time! When viewed at a small scale, the font seems grungy - but the larger you view it, the more shattered details appears!

Very Loose is a new alphabetic font. A casual display face with a design personality providing great versatility of association. Thoroughly pair-kerned, including all accented characters for use in western European languages.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. A number of years ago I decided to see how many of the 28 Heesch types of tessellations I could use to make birds standing on the backs of other birds. I found standing bird patterns for all 17 of the types that had either translated or glided edges. The TessieStandingBirds typefaces contain the standing-bird shapes that I discovered. At first glance they seem to be quite similar, but small differences matter in how they fit together. Most of the patterns require more than one character. The sample file here shows how pieces fit together to give tessellating patterns. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns.)

Amherst is a family of blackletter-inspired typefaces. This family, created by British designer Richard Yeend in 2002, is unique in that it mains the feel of blackletter/medieval type without relying directly on historical forms. Amherst is split into two different sub-families, Amherst and Amherst Gothic. Amherst is very geometric interpretation of Fraktur. Fraktur was a style of German type very popular in central Europe from 1517 until the early 20th Century. Its letters appear "broken" at certain angles and joints. Still, we recommend using it primarily for display purposes. Amherst is available in three weights: Regular, Bold, and Heavy. Amherst Gothic is very loosely inspired by late medieval letterforms, often called Texturas or Gothics. However, the letterforms of Amherst Gothic seem just as inspired by the Art Deco movements of the 1920s and by contemporary sans serif type design as anything else. Nevertheless, certain letters in this typeface do appear more "gothic" than others, especially A, D, M, Y, d, r, and x. Amherst Gothic is made up of three fonts, Amherst Gothic Split, Amherst Gothic Split Alternate, and Amherst Gothic Italic. Amherst Gothic Split has in-lined characters, and appears very ornamented. The alternate characters in Amherst Gothic Split Alternate are quite medieval in their appearance. Amherst Gothic Italic is the least medieval-looking of the set; its characters are very round, and more geometric. All six styles of the Amherst Family are OpenType format fonts, and include old style figures.

Cloister Open Face was designed in 1929 by Morris Fuller Benton as one weight of the Cloister Old Style family. Cloister itself appeared from 1897 with American Type Founders, and later for the typesetting machines of the Linotype, Intertype and Monotype companies. At that time, it was the truest modern industrial revival of the Jensonian Roman. Benton stayed close to the style of his model in both design and spacing. Cloister Open Face has an old-world elegance, and it works well for titling in books and magazines. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e.""

A tessellation is a shape that can be used to completely fill the plane. Simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains Escher-like tessellations of birds. Quite a few of them resemble swimming birds, but there are also some that resemble flying birds or birds in other positions. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

Jazz Gothic is a digitization and expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. This type became an instant titling classic with jazz and soul album designers; then it caught on wildly with film and television designers. Blue Note and Motown would not have been the same without this face. Jazz Gothic is a simple geometric idea, quite likely originally inspired by the heavier display weights of Futura. The resulting product is a versatile message-driver that stands quite strong and cherishes the limelight, yet shows a playful and artistic side within its curvy thick swashes and rebellious unicase forms. In the hands of a good designer, Jazz Gothic eliminates any doubt about the delivery of the message or the attractive purposeful way it is delivered. It is the kind of typeface that loves a design program's bells and whistles. Knock it out of dark or light backgrounds, shade it, mask-alize it, roughen it, stretch it, squeeze it, and the message will still stand larger than life. Jazz Gothic comes in two fonts, a main one with a full character set to accommodate the majority of Latin-based languages, and a second one that contains about 50 alternates and swashed forms. The OpenType version is a single font that has all the alternates and swashes at the disposal of the buttons of OT-savvy program palettes.

The characteristic ‘French face’ was originally made in 1899 under the supervision of Joseph Pinel. Thus, what was originally French 10 pt. Nº 2, got its present name. The Frenchman Joseph Pinel called himself a "typographical engineer", but was at the time employed as a type draughtsman at the Linotype Works in Altrincham. It appears that this and some other faces that he supervised, were, except for use on the Linotype, also meant for manufacturing matrices for the Dyotype. This composing machine was an invention of Pinel. The Dyotype was a rather complicated machine and consisted, like the Monotype, of two separate contraptions, a keyboard which produced a perforated paper ribbon and a casting machine which produced justified lines of movable type. Unlike the Monotype which has a square matrix carrier, the Dyotype had the matrices on a drum (in fact two drums, hence the name of the machine). A Pinel Diotype company was founded in Paris and a machine was built with the help of the printing press manufacturer Jules Derriey. As is often the case, a lack of sufficient capital prevented the commercializing of this ingenious composing machine. Coen Hofmann digitized the font from a batch of very incomplete, damaged and musty drawings, which he dug up in Altrincham. He redrew all characters, bringing up the hairstrokes somewhat in the process. The result is a roman and italic, while the roman font also includes Small Caps

Break Age is an awesome display font with a graffiti style and break characters with bandages to make your design look awesome! It will elevate a wide range of design projects to the highest levels, be it branding, headings, wedding designs, invitations, signatures, logotypes, wall art illustrations, apparel, labels, and more!

Spiky Frog is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Blue Monsta is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Amarylli Blossom is a sweet, soft hand-lettered handwritten font. The playful rounded characters make it the perfect font for creating stunning designs. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

ZT Grafton is a neo-grotesque typeface based on geometric shapes with contemporary, friendly, and strong emotion. ZT Grafton was built from scratch to be calm, smooth, and clean, while subtle humanist influences add warmth to this typeface. It's available in 8 weights and includes the exciting variable font format.

Christmas Neighborhood is your perfect stylish Christmas font. You can use it for anything ranging from t-shirts, kids’ book designs, and greeting cards to stickers and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Betty Finty is a friendly and modern script font with a unique style. It will add a romantic touch to any crafting project! Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .