Glamour Brains is a contrast serif display style with unique anatomy every letter. Provide variant ligatures make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging and much more. Font Features : Character set A-Z in uppercase and lowercase Ligatures in Uppercase Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Haksen

Introducing Quilin Serif - latin and cyrullic Quilin is luxury, vintage typeface loaded with alternate glyphs, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Quilin is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Alternate glyphs Ligatures Multilingual support Cyrillic support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Starline Script is a sweet monoline font, with a casual and dynamic baseline, This font can be used easily and simply, perfect for branding, logos, greeting cards, wedding stationery, quotes and more. It comes with a handy set of OpenType Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. These coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn

Thimble Village – Modern Serif Font Is a modern serif font it's a cool modern take on a retro classic, and it's ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements and much more. It's packed with plenty of alternates and ligatures to really bring it to life, and give you a wide range of customisation options. Features: · 2 Weights font (Regular,Italic) · Lowercase and Uppercase · Beautiful Alternates & Ligatures · Numerals & Punctuation · Accented characters · Multilingual HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Window - Type – glyphs I really hope you'll get pleasure using Thimble Village font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you and enjoy!

Billy The Gang is a stylish handmade font. Inspired by my logotype project I made this font to be suitable for various design projects. Billy The Gang has 582 glyphs include a lot of alternates and swashes, also has 27 languages support. Features: - Uppercase & Lowercase - Numerals & Punctuation - Ligatures - Stylistic alternates for all uppercase and lowercase - Swashes for all uppercase and lowercase - Contextual Alternates for all lowercase - Stylistic sets (SS01 and SS02) for all lowercase - PUA Encoded Characters : If you don't have programs that support OpenType Features, don't worry you can access the alternate glyph via Font Book (Mac user) or Windows Character Map (Windows user) - Multilingual Support Supported Languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Slovak, Slovenian, Spanish, Swedish, Turkish, Zulu.

HS Alwafa is an Arabic display typeface. It is useful for book titles and creative graphic projects where a contemporary, streamlined look is desired for digital purposes. The font is based on the simple lines of sequre Kufi calligraphy, that support Arabic, Persian, Urdu and Kurdish. This font was created in the beginning as a digital weight in 2012 for use by an engineering digital company. The company tends to follow the geometrical united and equal shape in both vertical and horizontal dimensions and with a tendency for digital strokes showing digital numbers under the name of base. I followed that with three styles: first, the digital with a solid base, second is a stencil and the third is the regular solid font. By producing this font, we provided the Arabic fonts library with various styles which grant many design purposes.

Kavala – Modern Serif Font Is a modern serif font it's a cool modern take on a retro classic, and it's ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements and much more. It's packed with plenty of alternates and ligatures to really bring it to life, and give you a wide range of customisation options. Features: · 4 Weights font (Regular,Italic,Bold,Outline) · Lowercase and Uppercase · Beautiful Alternates & Ligatures · Numerals & Punctuation · Accented characters · Multilingual HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Window - Type – glyphs I really hope you'll get pleasure using Kavala font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you and enjoy!

Home Alone is the horror display typeface with high contrast all caps style looks and feel nice balanced. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more, related Halloween. Font Features : Character set A-Z in All Caps Style Ligatures Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Introducing Inertia - Logo Typeface - 5 weights Inertia is futuristic, logo typeface loaded with alternate glyphs, ligatures, 5 weights and multilingual support. It's a very versatile font that works great in large and small sizes. Inertia is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Hairline Light Regular Bold Black Alternate glyphs Ligatures Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

To be independent or to be dependent? The formula “one plus one is one” is here essential for this to work. The different cases, upper and lower is dependent on one another. To give us clarity they have to work together, to be like one the upper and lower cases must work together. Expedition One works best in InDesign or equivalent software. How to use it: write your text in lower case, copy the text frame and ”Paste in Place”, change your lower case text to upper case (you do that under top menu->type->change case). Change colour if you want to and maybe change the blending mode in the effects window to “multiply” makes it even more sparkling. On numbers and ampersand for example, you have to use the glyph window in InDesign to find their second half.

Introducing Sorcha Display font + Swashes Sorcha is bold, vintage font loaded with ligature glyphs, alternates, swashes and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Sorcha is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol ligature glyphs alternates swashes Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing Hypothalamus - Sans Liquify Serif by Look Minus Today. Hypothalamus is inspired by the flow of water that flows so beautifully. This versatile font is perfect for all design needs, from print materials to digital media. With the right balance of thickness and spacing to get the beauty of how nature can create such beautiful shapes. Its elegant lines and smooth curves make it a great choice for a variety of design applications, including branding, advertising, packaging, and editorial design. Our font is a versatile and stylish choice for any design project. ------------------------------------------------ Features: - Uppercase - Lowercase - Alternates & Ligatures - Numerals & Punctuation - Multilingual & Symbol - HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Illustrator go to Window - Type – glyphs In Adobe Photoshop go to Window – glyphs For any further questions or assistance, please feel free to contact us. Thank you and have a nice day !

Sneak a peak Eighty Starlight, a font with a futuristic and experimental concept created with a strong and charismatic character. following the current trend design style. Eighty Starlight is made experimentally following a futuristic style recipe with alternate characters made with inktrap and display that makes this font more stylish and varied. Eighty Starlight is a variable font that has 9 weights from thin to black. also includes alternates that are more varied with variables. Eighty Starlight is a versatile font system, designed primarily for display uses with a need of visual impact. Variable : Thin & Italic Light & Italic ExtraLight & Italic Regular & Italic Medium & Italic SemiBold & Italic Bold & Italic ExtraBold & Italic Black & Italic Feature : Alternate Character Ligature Discretionary Ligature Multilingual Support Numeral & Puctuation etc Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help.

Anna Clara can be dressed up or down, as fancy as you wanna be. On its own, it’s an organic script, with the fine hairlines, thick swells, and slightly undulating baseline found in modern casual calligraphy. Add swashes, and Anna Clara becomes a bit more playful and festive. Each capital letter has a flourished alternate—great for displays or headings, or to add emphasis to a particular section of text. For OpenType-aware software users, Anna Clara also features ten pairs of swashes that can be added to the beginning or end of any lowercase letter, for a custom flourished look. Illustrator and InDesign users can access extra swashes and banners by using the glyph panel. Photoshop users: These characters can be accessed via the “Ornaments” feature in your OpenType panel - try non-numeric punctuation marks and accents for swashes. For banners, type catchwords followed by an asterisk. “Asterisk asterisk” will produce a blank banner that you can use to create your own. Included catchwords are “and”, “at”, “by”, “for”, “from”, “of”, “the”, “to”, “with”, "l'", “le”, “la”, “el”, “et”, and “y”. Roman numerals can be used in the “Ornaments” feature by typing their respective keyboard characters “I”, “II”, “III”, etc. - followed by an asterisk. An ampersand (&) followed by one or two asterisks produces two special “and” characters.

Roller Poster is named after Alfred Roller. In 1902, Roller created a poster to advertise the 16th exhibit of Austrian Artists and Sculptures Association, representing the Vienna Secession movement. The exhibit was to take place in Vienna during January & February 1903. The location is not mentioned because everyone in Vienna knew it would be held at the exhibit hall in the Secession Building at Friedrichstraþe 12, a few blocks south of the Opernring, near the Naschmarkt. Designed by Joseph Maria Olbrich in 1897, the buiilding has been restored and stands today as one finest of the many fine examples of Art Nouveau architecture in Vienna (see vienna_secession_bldg.jpg). Because of its dome, it is called “the golden cabbage.” The poster itself is unique. The word “secession” is in one type style and takes up two-thirds of the elongated poster. At the bottom of the poster are the details in a different lettering style. It is this second style at the bottom that is the basis for the font Roller Poster. In keeping with our regular naming conventions, we were going to call it Roller Gezeichnete (hand-drawn), but the wonderful play on both words and the shape of the three S’s in secession was too compelling. In November 1965 there was an exhibit of Jugendstil and Expressionist art at the University of California. Alfred Roller’s Secession Poster was part of that exhibit. Wes Wilson was designing promotional material at Contact Printing in San Francisco. Among their clients was a rock promoter named Bill Graham, staging dance-concerts at Fillmore Auditorium. Wilson saw the catalog from the UC exhibit and Roller’s lettering. Wilson adapted Roller’s letter forms to his own fluid style. The result was the poster for the August 12-13, 1966 Jefferson Airplane/Grateful Dead concert at Fillmore put on by Graham (BG23-1). Wilson continued to use Roller’s letter forms on most of the posters he did for Graham through May 1967, when he stopped working for Graham. The posters were extremely successful and the lettering style along with Roller’s letter forms were picked up by other artists, including Bonnie MacLean, Clifford Charles Seeley, James Gardner, and others. The Secession poster and the Fillmore posters have inspired a number of fonts in addition to ours. Among them are JONAH BLACK (& WHITE) by Rececca Alaccari, LOVE SOLID by Leslie Carbarga and MOJO by Jim Parkinson. Each is different and yet each clearly shows its bloodlines. Our font differs in two ways: 1) the general differences in the interpretation of the letter forms and 2) the modification of the basic letter form to incorporate the diacriticals within the implied frame of the letter, after the manner of the original design by Roller. We borrowed Carbarga’s solution to the slashed O and used it, in a modified form, for other characters as well to accomplish the same purpose. We recommend that you buy ours and at least one of the other three. According to Alaccari, a version called URBAN was released by Franklin Lettering in the 70’s (and is shown on page 51 of The Solotype Catalog). For comparison of our font to original design, see image files roller_poster_2s.jpg of original poster and roller_poster_2sx.jpg showing reconstruction using our font for the lower portion (recontructed area indicated by blue bar). Please note the consistency of character width. In the lower case, 23 of the basic 26 letters are 1/2 EM Square wide. The ‘i’ is an eighth narrower, while the ‘m’& ‘w’ are one quarter wider. All the Upper Case letters are 1/8 EM wider than the lower case. This is to make it easier to fill a geometrical shape like a rectangle, allowing you to capture a little of the flavor of Wes Wilson’s Fillmore West poster using only a word processor. We have also included a number of shapes for use as spacers and endcaps. If you have a drawing program that allows you to edit an ‘envelope’ around the letters to distort their shape, you can really get creative. I used Corel Draw for the gallary images, but there are other programs that can accomplish the same thing. The image file “roller_poster_keys.jpg” shows the complete character set with the keystrokes required for each character (see “HiH_Font_readme.txt” for instruction on inserting the non-keyboard characters). The file “roller_poster_widths.jpg” shows the exact width of each character in EM units (based on 1000 units per EM square). You will notice that the font is set wide for readability. However, most programs will allow you to tighten up on the character spacing after the manner of Roller & Wilson. In MS Word, for example, go to the FORMAT menu > FONT > CHARACTER SPACING. Go to the second Drop-Down Menu, labeled ‘Spacing’ and select "condensed' and then set the amount that you want to condense ‘by’ (key on the little arrows); two points (2.0) is a godd place to start. Let your motto be EXPLORE & EXPERIMENT. Art Nouveau has always been one of my favorite movements in art -- I grew up in a home with a couple of Mucha prints hanging on the living room wall. Perhaps because of that and because I lived through the sixties, I have enjoyed researching and designing this font more than any other I have worked on. Let’s face it (pardon the pun), Roller Poster is a FUN font. You owe it to yourself to have fun using it.

Looking for a typeface that perfectly captures the essence of industrial precision and futuristic design? Look no further than Zrnic. With its unique blend of boxy, plastic letterforms and strategically placed gaps, Zrnic delivers a stark, high-tech look that’s perfect for conveying your message with clarity and impact. Zrnic’s six weights and italics give you a range of options to choose from, allowing you to fine-tune the look and feel of your designs to perfectly match your needs. Whether you’re creating technical documentation, product manuals, or other materials that require a precise, professional look, Zrnic has got you covered. With Zrnic, you don’t have to worry about your message getting lost in the noise. Our unique design allows your text to stand out with crystal-clear precision, ensuring that your audience can quickly and easily understand your message. Zrnic’s gaps are strategically placed to reduce overall weight, giving you a clean, minimalistic look that’s perfect for modern designs. These gaps also provide increased impact, allowing your text to stand out and capture your audience’s attention. Zrnic is the ultimate tool for designers who want to convey the notion of technological precision with their designs. With its high-tech, industrial look and range of weights and italics, Zrnic is the perfect choice for technical documentation, product manuals, and other materials that demand a precise, professional look. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Say hello, to Sallomae! A playful display font. Inspired by jungle cartoon, and children's book. Sallomae designed with a cheerful monoline concept and adjusted well to keep the legibility. Sallomae is a flexible typeface that you can use for many kinds of stuff and themes. You can combine the uppercase and lowercase to get the more unique and cute design, equipped with stylistic alternates, ligatures, Sallomae is perfect for kids' merchandise, quotes, t-shirts, posters, social media, pillow, packaging, storybook, food menu, cafe decoration, logos, and much more! Mix and cheer up your day with Sallomae!

Magehand an excellent font for modern hand lettering logo or headline/display designs. Suitable for any design needs : logo, branding, modern advertising design, logos, poster quote, book / cover Title, editorial design, card, custom mug, pillow, t-shirts, and any hand-lettered needs. WHAT YOU GET - Magehand (.ttf + .otf) comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Discretionary Ligatures, Stylistic Alternate and Stylistic Set (ss01 - ss18). - PUA Encode Characters, fully accessible without additional design software. - Includes a range of multilingual characters. Typia Nesia Std

PF DIN Mono is the latest addition to the ever-growing set of DIN super-families by Parachute. It was based on its proportional counterpart DIN Text Pro but was completely redesigned to reflect its new identity. DIN Mono is a monospace typeface which is comprised of characters with fixed width. Traditionally, monospaced fonts have been used to create forms, tables and documents that require exact text line lengths and precise character alignment. DIN Mono, on the other hand, can prove to be more than a useful typeface for technical applications. In the world of proportionality, DIN Mono stands out as a fresh new alternative to the popular standard, particularly for publishing and branding applications. Additional care was given to the aesthetic form and its pleasing characteristics. The spacing attributes of the glyphs were redefined and legibility was further improved by revising or changing the shape of the letterforms. Furthermore, kerning was not included in order to preserve the monospace nature of this typeface. The family consists of 12 weights including true-italics. Currently, it supports Latin, Eastern European, Turkish and Baltic.

Nagel is a contemporary uniwidth display sans serif for headlines and short texts. It’s a closed low-contrast typeface with an emphasis on stroke joints. The length of the line set in Nagel remains the same in all weights. Nagel has all the advantages of monospaced typeface graphics, but none of their functional disadvantages. Characters in Nagel are made monospace-like wide, as opposed to traditionally narrow characters of proportional fonts, and often have slab serifs. Letters of monospaced fonts that have to be narrowed down considerably, have the usual width here. The scope of Nagel is branding and identity of IT companies, infographics, scientific and technical documentation — any areas where a technical, modern typeface with distinctive graphics may be required. The typeface includes three upright styles — Regular, Medium, Bold; two sets of 11 and 18 slanting degrees and a variable version with two axes: Weight and Slant. The character set includes extended Cyrillic and Latin alphabets, arrows, triangular bullets, index numbers and fractions. Designed by Alexander Lubovenko.

The Mule is a very special mix – it has a donkey father and horse mother, and they often inherit the best qualities of both. "The mule is an example of hybrid vigor, Charles Darwin wrote: The mule always appears to me a most surprising animal. That a hybrid should possess more reason, memory, obstinacy, social affection, powers of muscular endurance, and length of life, than either of its parents, seems to indicate that art has here outdone nature." They are typically very strong for their size compared to horses and are able to cope with bad weather better than donkeys. Mules rarely become ill and their behavior is Intelligent and sensitive. In the right home, they can make great companions for other equines, and wonderful pets. However, if they are unhandled or not correctly trained, mules have the potential to be dangerous. The inner shapes of Mule Cargo are almost identical between the Regular and the Heavy weight. This shared genom make them very powerful pair and a useful design tool for display purposes.

Linotype Mega is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The fun schrift of German designer Till F. Teenck is available in three weights whose names are word plays in themselves. Mega in (which we hope the font will be) contains relatively light, somewhat irregularly-drawn characters which look as though they were printed by hand and the characters are set rather far apart from each other. This weight is good for short and middle length texts in point sizes of 10 and larger. Mega normal is anything but. The characters are the outline forms of Mega in and their larger width reduces the distance between them. This weight is generally a headline font. Mega out is a very heavy weight and is the filled-in version of Mega normal. The characters flow into each other and look almost like silhouettes. The reduced legibility makes this font suitable exclusively for headlines in larger point sizes.

Internacional, inspired by the International Style, is a Latin American-flavored neo-grotesque sans serif typeface made with organic ingredients and sweetened with organic sugar and chocolate. Internacional is well-suited for corporate identity, branding, publishing projects, logotypes, magazines and advertising. Its large x-height and small difference between x-height and cap-height make it a high-impact font, ideal for powerful headings, while providing legibility. Internacional was designed for use with short and mid-length paragraphs that require a balanced type color. Internacional is an extended width font with rounded forms and angled terminal ends, in characters such as “c” or “a”, which make it suitable for use in advertising and branding. The proportional relation in height between uppercase and lowercase letters may be useful when composing text in German language. The Internacional font family comes in 7 weights with matching italics and includes an alternative version, with the same number of styles, yet it tastes differently. Special thanks to everyone in the Latinotype Team (especially to Rodrigo Fuenzalida) for their support, help with corrections and digital editing.

Monarque is an elegant typeface. It is crafted with fine details that would make your typography stand out. Large x-height, high stroke contrast, rounded curves & long sharp serifs create together a dramatic look that would succeed in delivering a strong message with elegance. The true italic’s are designed to work harmoniously with the roman for a striking contrast within a line. Originally created to be an all-caps only, the font includes a lot of uppercase ligatures that are thought to flow in naturally and achieve a legible composition. OpenType features include a stylistic set of alternates, contextual alternates, discretionary and standard ligatures, old style figures, small caps and case-sensitive forms. The type family is available in 5 weights for a total of 10 fonts and supports over 200 Latin-based languages, making Monarque a solid powerful typeface ready for any kind of project from editorial design, branding, magazines, logos and more. As Monarque is only available as a display (for now) its full potential operates at its best with headlines or short to medium-length texts.

Entendre is a stately, commanding and handsome sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre pairs well with our rounded sans serif family Elpy, sharing similar proportions and spacing.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

Amelia is a geometric sans, but it keeps the softness of humanistic strokes. The contrast and the different styles allow Amelia to work as a text or display font. Also it incorporates an Up version, calligraphic features that add a touch of informality.

Linotype Pegathlon is an unusual, eye-catching typeface, perfect for headlines and short texts. The bold strokes have a mystical, Asian touch and allow a large range of applications. Whether a text should look exotic or esoteric, Linotype Pegathlon is an excellent choice.

We're excited to unveil our newest font. Relaxed and unpretentious, "The Secret Things" script gives any design an instant dose of natural flair. 45 ligatures allow you to make writing that seems completely handwritten, not like it was made using a font.

De Gozaru, is a classic calligraphy font with a beautiful arch. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. This font also has several alternatives that can allow you to improvise your writing.

ABTS Gunsmoke is a typeface inspired by the wild west of American History. It is a narrow typeface with a nice rhythm and balance, allowing for easy typesetting. Gunsmoke includes 447 characters, including all of the symbols seen in the gallery images.

Say Hi to Ovetta, a beauty and natural handwritten script. It has a classy style and allows you to create stunning and easy hand-lettering in an instant. Highly recommended for logos, quotes, product label/packaging, fashion, advertising, posters, merchandise, apparel, and more.

Kame has a unique character and comes with 2 styles, allowing you to play with combinations to create a stunning display. This font is suitable for many design formats, such as posters, cover art, logos, magazines and anything with a futuristic theme.

Around the rugged rock the ragged rascal ran, Foregoing fancy fonts, the Fontographer fawned and fell! Alliteratively allowing for assonant aspects as well, He spoke of several sentences that some should never spell! This classic title font will deliver tall tales that tell!

Say hello to Montgova! a lovely elegant calligraphy with adorable ornaments. more than 120 included Opentype Stylish Alternate letters and ligatures, allow you to mould your type design any way you like:) It also includes a fancy little bonus ornaments font. A delicate modern calligraphy script ideal for weddings, elegant branding like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, aheadings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and adding a lovely feel to your projects What's new ? This font is equipped with Latin pro. which covers various languages in the world with a wider range and can be used easily. For Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Montgova also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. Thanks

About the Product Hilston signature is a type of font that resembles elegant and beautiful handwriting, often used to give a personal and luxurious impression to graphic designs or documents. These fonts typically have smooth, squiggly accents, with rounded, curved edges, much like handwriting written with a pen or brush. The letters look stylish and flow, showing a distinctive luxury and elegance. Hilston is supported with additional characters that have Alternates, Ligatures and swashes that will help you achieve beautiful styles with your own creations. This font is often used in logo designs, wedding invitations, greeting cards, digital signatures, and other designs that want to give off a luxurious and elegant impression. FEATURES; -Uppercase, Lowercase, Foreign Support, Numbers and Punctuation -Alternative, Ligatures & Swash -Works on PC -Simple installation -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, even works in Microsoft Word - Fully accessible without additional design software. Hilston is encoded with Unicode PUA, which allows full access to all additional characters without having to design special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. Thank you for visiting:)

Patrilya Script A New Romantic Script Calligraphy made with a touch of lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, label, news, posters, badges and more Patrilya Script has a script typeface and extra letters and included floral ornaments that allows you to be more fancy and more extraordinary in designing. Patrilya Script requires no special software to use or access the alternate letters. You can even use Patrilya Script in basic writing apps like Word For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Patrilya Script also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. Thanks

Kometa Sans is a contemporary grotesk with a certain personality. She has a steady geometric skeleton, but its appearance is rather humanistic. The precise details of the artwork, the carefully drawn true italics, the six types of numerals, the variety of alternates, the broad range of open-type features and the extensive glyph set can meet most of the contemporary typographer’s demands for a neutral, but not boring type family for both long text and display use. Among the distinctive qualities of Kometa are also the forms of ligatures (both default and discretionary). They follow the natural constructive transitions between oval parts and stems, which is an advantage to mark, at least for designers who respect the beauty of clean forms. Note the specially designed Kometa Unicase sub-family, substantially enough to exist as a separate typeface. Its elegant and expressive letterforms are boosting further the power to create outstanding design work. Kometa Unicase has original and playful, yet reasonable approach to letterforms variety. Kometa has a very broad usability range – from logotypes and poster designs to corporate identities and complex editorial projects. The contemporary Cyrillics of Kometa allows easily completion of graphically consistent multilingual corporate and artistic design projects. Designed by Kiril Zlatkov and Vassil Kateliev.

Neacademia is a Latin and Cyrillic type family inspired by the types cut by 15th century punchcutter Francesco Griffo for Venetian printer Aldus Manutius. Beyond the letterforms themselves, however, the digital fonts themselves are based on the techniques and methods Griffo employed. The family comprises four distinct variants optimised for specific point sizes, as was traditional in metal type. While the display sizes maintain a visual link to calligraphic roots, text sizes exhibit more typographic qualities, following the hand of the carver. Likewise, Neacademia maintains its even colour on the page by carefully employing alternative letterforms, rather than leaning on a multitude of kerning pairs. A geeky little detail you’ll likely need to point out with a magnifying glass to your type friends, but creating a neat texture that works in readers favour nonetheless. Neacademia’s historically sensitive eye is put to work for modern typographers’ needs. It incorporates Griffo’s italic capitals and harmonizes them with the lowercase and the romans — where the original Aldine italics had no capitals of their own and simply re-used the uprights. It was designed with specific allowances for letterpress photopolymer printing. Printed digitally, it can tolerate – and even benefit from – low resolution, rough paper, and low-grade presswork. In many ways, it feels like using metal type again!

The font "Lugo" is a heavy typeface designed for use in headlines and caption text. Their design has a strong visual impact, a persuasive and seductive personality throughout its organic shapes. This is a versatile and expressive font. Lugo can create an appealing atmosphere, conveying a gamut of message and emotions. It is well suited in the jobbing areas like packaging, logotypes, magazines, web pages and advertising, etc. Lugo has all the advantages of OpenType features that allow a variety of combinations: You may choose to set types in connected or unconnected ways, being used as body text or headlines for its good legibility, visual impact and accurate kerning. It has more than thousand glyphs: swashes, standard and discretional ligatures, stylistics and contextual alternates, old style numerals, word ending and tails. It has also an extended character set to support Central and Eastern European as well as Western European languages. Lugo is a city in northwestern Spain in the autonomous community of Galicia. The Celtic name Lug suggests that it may have been a sacred site. Augustus founded the Roman town of Lucus Augusti in 15-13 BCE following the pacification of this region. It is the only city in the world to be surrounded by completely intact Roman walls.