Quendel has been expanded to become Quendel Happy Family. Apart from the new Bold weight for easy distinction and emphasis, there are now four other very exciting variants, rendering different writing tools and writing materials. The basic form of Quendel was written with a Japanese bamboo tip and therefore embodies a form letter of natural flow. The new versions show other features that provide the feel of written scripts. While the styles Wood and Crayon include some alternate characters, Q Marking Pen and Q Fingertip, due to their apparently more complex enacted forms, do not need additional alternates without looking stiff or boring. The wood relief of Quendel Wood was created by a freehand wood relief drawn with oiled chalk. Quendel Marking Pen seems to be written with a felt-tip pen soon depleted. At the same time it is also reminiscent of the blooming effect, which we know from photography. The name of Quendel Fingertip suggests what can be seen - someone seems to have written with the finger in a grainy material. One would like to try it himself. The effect of broken lines which can be gained by writing with chalk as reflected in Quendel Crayon. Almost like parched sandy soil, the writing material seems to crumble.

Font Etruria is based on a real Etruscan inscriptions and realistic accurately simulates the writing of the Etruscans. The idea of the font Etruria is to give an opportunity for anyone to touch the past of mankind! The character of the Etruscan alphabet involves the creation of a font with only uppercase letters. However, I did not limit this font by that. Etruria has not only a lowercase is different from uppercase, but an additional sets of alternative characters. In General, the main characteristic of Etruscan writing is randomness and diversity of characters. Differs from lowercase to uppercase is only the first step on the road to make randomness effect. Next to the aid of the OT features. To recreate the randomness effect, in Etruria there are several OT features (Contextual Alternates, Stylistic Alternates and Stylistic Sets), which built a script to simulate randomness. Additionally, another script creates the effect of random positioning. Together they create incredibly realistic Etruscan inscription. Thus, any of these features can be disabled at will. I also used a small line spacing, because it is characteristic of the Etruscan writing. Actually the Etruscan writings is a mirror of the writings compared with the current European alphabets. I didn't use this feature all the letters, because this would make the font difficult to perceive, but to make the font characteristic of the Etruscan style, Etruria has a few letters in mirror image. However, if for someone it may seem unusual, mirrored letters can be disabled instead of them will appear more familiar to them. Another feature of Etruscan writing is the use instead of a space dotacentered. Font Etruria has this feature, there is a OT feature Stylistic set ss03. Naturally, it also can optionally be disabled. All these features can be used together, separately, or turn it off. The main goal achieved! The text typed in Etruria, creates full impression of these Etruscan inscriptions.

This slighty messy handwritten font was inspired by the scrawl of a teenager given a marker. Meaning it was inspired by my own quick writing at the time. Right down to the stars.

Hello Mellinda is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Show Card Sans JNL (available in both regular and oblique versions) is based on a chart showing the basic construction of sans serif lettering in the 1922 instruction book “Modern Show Card Writing”.

Hola! This is our new handwritten font. It's casual, young and pretty, perfect for logotypes, magazines, writing notes and comments. Thanks to many ligatures and alternate characters it is varied handwriting font. Enjoy!

Positive Attitude is a simple and thin lettered font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Introducing Something! A stylish signature font. designed to display luxury and shopisticated writing. With this font, you can built an amazing work. Such as stylish branding & logos, packaging, handwritten quotes, merchandising, advertising, etc.

Introducing, Willynta, a beauty handwritten script with a twist of fun! The natural hand writing script is suitable for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc.

Roanoke Script is a hand-written script inspired by 18th century forms. The visual effect is of a steel nib pen writing on uncalendered paper. Ideal for a few words in display sizes.

Easy Stencil JNL is a simple sans serif stencil design [based on a hand lettered example] from the 1922 publication “Modern Show Card Writing” and is available in both regular and oblique versions.

Landscape is a modern hand writing script. It's great for logotype, Branding Design, Logo Design, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, wedding invitation and any hand lettered needs.

Odeon is the kind of font you would have seen on theatre or concert posters around the turn of the twentieth century. It is based on Art Nouveau sign lettering and has a heavy, playful look that's hard to miss.

This is a Halloween-themed font. Its style will make your creativity stands out in your designs. Feel free to use it on any kind of creative design, and cherish your Halloween with this font to make it more festive.

Wapstina Love is a modern duo font that combines stylish calligraphy with a classic serif font. It comes with one-of-a-kind ligature, making it an ideal font for your blog, logo, social media, branding, poster, quotes, wedding cards etc.

Mahaputra is a vintage display font that is classic, elegant, and unique. Mahaputra is great for any kind of display purpose from logos, t-shirt, apparel, quotes, product packaging, tittle headers, posters, merchandise, social media, labels, branding and greeting cards.

Space Captain is a modern all caps font with uniquely sharp and geometric shapes. Alternative wing shapes in the left and right in alphabet included in stylistic alternates. This font perfect for logotype such as technology, construction, automotive, heavyweight, etc.

This font definitely reflects the name: Tenderfoot sort of gives that Home Sweet Home feeling. No, the little cowpoke on the pony isn't me, a close friend was kind enough to let me use his childhood photo for this font.

Prologue was designed to look like a postmodern typewriter. With plain and simple upper cases and trickier lower cases. Three weights give a good variety for all kinds of designs and seem especially well made for headlines and short teasers.

Antartida Rounded Essential is a sans serif with rounded terminals. Its simple, kind of neutral feeling is functional, clean and minimal; its rounded terminals make it friendly and warm. It is a family of 4 fonts: 2 weights and their italics.

Nosy Notes is originally handdrawn, but I digitally traced my sketches and the result is this font - a smooth, super steady and legible comic font. I've added multilingual support, in order for you to be nosy in all kinds of languages! :)

The Eisha is a modern, handwritten calligraphic font with a sophisticated flow. It’s perfect for branding, wedding invitations, diaries, cups, mugs and greeting cards. Eisha has a smooth texture, so it will be perfect for all kinds of printing techniques.

Fallery Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Fallery Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because of its many fancy letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes.

Cotorra is a birdie font with a full character set ideal to write feathered messages. Part of the official selection of Tipos Latinos 2016, Latin American Biennale of type design. Published by Letter INC.

Easy Speech is a hand drawn font inspired by my own writing, suitable for texts made in a hurry on sticky notes, letters, postcards... Most glyphs collide to give a real badly written feeling.

Flatpen is a font that was written with a pen we used to call "Redis-Pen". It had a flat, round tip that enabled you to write letters, with the same width of stroke.

Ruly is my newest font creation. My roommate in college always had the coolest writing. I thought that it deserved to be a font. The font is a great choice for newsletters, cards, etc.

Hasan Ghada is an Arabic display typeface. It is useful for titles and graphic projects. The font is based on the simple lines of Modern Kufi calligraphy with new ideas for square shapes and geometric feel. It supports Arabic, Persian and Urdu. This font was designed in 2002 and the first version was released under name KactTitle in the typefaces group of King Abdulaziz City for Science and Technology (KACST), which supported the Linux operation system. In 2007, I developed this font and created five weights of it.

It seems only fitting that Pleasant Valley Sundae JNL, a typeface re-drawn from hand lettering on a piece of vintage sheet music, should take its name as a pun on another song's title from a different era. "Pleasant Valley Sunday" was a 1967 hit for the Monkees and was written by the legendary songwriting team of Carole King and the late Gerry Goffin; inspired in turn by a street they'd lived on named Pleasant Valley Way, in West Orange, New Jersey. The record made it to #3 on the pop charts.

The Armanen runes (or Armanen Futharkh) are a series of 18 runes, closely based on the historical Younger Futhark, introduced by Austrian mysticist and Germanic revivalist Guido von List in his Das Geheimnis der Runen (English: "The Secret of the Runes"), published as a periodical article in 1906, and as a standalone publication in 1908. The name Armanen runes associates the runes with the postulated Armanen, whom von List saw as ancient Aryan priest-kings. The Armanen runes continue in use today in esotericism and in currents of Germanic neopaganism.

Linotype Gavotte was designed by Rudo Spemann in 1940. His style was unmistakable, marked by original ideas and completely new forms. His tendency toward the unusual and adventurous resulted in unique, decorative characters. When he wrote, the tip of his pen flew across the page, leaving behind rows of letters which displayed an almost unbelievable regularity of form and flow. Gavotte is a perfect example of the best of Spemann’s calligraphy.

Taking its name from the arabic word for "king", Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k. Malik also means "owner", and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes. Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!

In HU Ketchup KR, the consonant and vowel strokes are naturally connected to add writing power to the thick headline, and the vowels are shaped like 'ㅅ', adding personality and cuteness at the same time.

Introducing Alvairo Brilliante This font was created to look as close to a natural handwritten signature as possible by including lowercase swash, ligature and underlines. Perfect for any awesome projects that need hand writing taste.

Celsius was handwritten with a scratchy nylon marker creating a rougher than normal effect - almost like trying to write in the cold with a pen that doesn't cooperate very well. Dedicated to all snowboarders everywhere!

Carmitta Modern Calligraphy font is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch.

In predator, a fantastic sci-fi movie. My version of the fantastic script used to write the alien language, adapted into Old Hungarian runic script. Other versions are Anglo-Saxon Runic and Old Turkic Runic.

«Envelove» is the brand new typographic challenge handwritten by Yani Arabena and designed along with Guille Vizzari and Ale Paul, for Sudtipos. It all started as a game for Yani. A carefree and spontaneous calligraphy, making use of the pointed nib with black ink, exploring its expressive possibilities pressing against paper. With time that nib turned into her dearest tool to flow through her writing, breeding this particular style of hers that let her trespass the barrier that kept personal and professional passions apart. All that inspiration is present in «Envelove», a play on words that reflects the love of letters. An expressive free-and-easy typeface that follows no formal calligraphic model and lets itself go with the meaning of words, rhythm and sensations. «Envelove» successfully joins three different fonts, «Envelove Script»—free, spontaneous and unique of its kind—going together with «Envelove Caps»—an uppercase style that builds controlled but dynamic words thanks to its alternates and ligatures, and to its own true Small Caps set as well—and «Envelove Icons», ideal to decorate and bring to life any written message. «Envelove» encourages you to write as if you have a nib, ink and an envelope. It invites you to take part in other worlds like a magic cocktail, a summer night, a long-awaited reunion, a first dance, a dish cooked with your own hands. The fashion world, gourmet, stationery, scrapbooking and everyone where a Handmade or Handcrafted feel is craved for, save a special place for «Envelove». (The illustration series that are shown with «Envelove» were made by the incredible Argentine illustrator Eugenia Mello.)