A geometric design, published in Rick Poynor’s Typography Now 1 (Booth-Clibborn Editions, London UK,1991). Discussing these kinds of angular styles, the critic Rick Poynor noted that "fate has overtaken the angular post-constructivist type design of Neville Brody, Zuzana Licko and Max Kisman". Poynor described a process by which typefaces, once “fresh, unexpected, precisely attuned to the moment”, get used increasingly often in less and less appropriate contexts and end up looking "irredeemably passé". (Poynor, Rick, ‘American Gothic’ in Eye Magazine, 6/1992)

The Serif Hand is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. We wanted to create the most generic, readable and balanced serif handwritten font, to work well in every kind of design. It’s an all-caps font with 5 finely balanced weights with alternates: all the uppercase letters are a bit different from the lowercase letters. We also designed a playful dotted weight, to add a fancy touch if needed. We hope you will enjoy our work. Merci beaucoup!

Outedis is a unique, cute, and charming handwritten font. you can use it for designs with various kinds of creations that require a touch of beauty, this font is the right choice for your elegant project. This font is designed with a natural touch of handwriting refined to create portions and compositions that suit your needs. So this font is perfect for crafts, kids writing, adventure posters, banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner titles, book covers, and more.

Banchero is inspired by charming vintage designs, bringing a relaxed and elegant feel to contemporary typography. The strong sans base features graceful discretionary ligatures between sensitive letters, so this font family is useful for all kinds of design needs from headlines to body, from posters to editorials, Banchero will stand out. Its power and versatility also comes from its 9 complete weights and each weight contains over 520 glyphs. These weights are carefully crafted and cut to achieve the best desired result for your next design.

Approach is a modern approximation to the early grotesques. An utilitarian low contrast font, a bit mechanic but plenty of character. One of its characteristic elements is a kind of ‘elbow pipe’ shape that is present in many letters like the tail of the a, f, j, t, R, Q or 1 among others. Besides, the synthetic punctuation and quotes give it a more contemporary appearance. Approach tries to feel fresh against all odds, being familiar but different. For more details see the PDF.

Introducing Serif-style Dotine Display It's a beautiful font that will engage your audience and make your promotions and projects stand out. It comes with different ligature characters. Bring your brand to life and add a touch of modernity and style with the Dotine font. customize it for your title, logo, business card, printed quote, all kinds of invitations, cards, packaging and your website or social media branding. Please contact us if you have any questions, we are happy to help you! Thank You!

Our condensed to extended font is perfect for multiple uses, from branding to packaging designs. Its extendable and variable design makes it great for all kinds of projects. Its tubular shapes, ink traps and juicy curves make it both aesthetic and functional. Its condensation also allows a great flexibility, allowing you to adapt it to any project's need. Its versatility also makes it great for both print and digital projects. With this font's easy to use features, your designs will look good on any project or medium.

Coche is a different kind of work from Koziupa and Paul. It is a connected script with a strong corporate feeling that aims to fill a gap in modern product branding. Coche means automobile, and one can easily envision a car's logo set with this font. Coche comes loaded with alternates and a complete set of small caps that nicely complement the caps and lowercase. This is the font for the modern designer-as-jockey who loves mix-and-play typography. Coche covers all Latin-based languages.

Albus is bold and friendly. It is your wizard when you're lost in communication. Perfect for the not so serious statements, or maybe for the very serious ones? Maybe it fits on your next children’s book, or maybe on your webshop? The Albus Friends (ornaments) includes speech bubbles, clouds and other fluffy stuff. You can also buy the whole family for an extra friendly price. Let Albus be your wand and let it help you create the kind of message you want. Let’s create some magic!

Metalizer sketched with calligraphy flat pen, then vectorized with Ai & generated with font creator. Inspired by the amazing style from Raghuveer G. Some Metalizer character is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy. Metalizer contains some interesting alternates and ligatures that make this type more real. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!

Pokerface is an industrious mixed-case display font devised on the theme of playing cards, designed by Jim Ford. Most letterforms in the font have 'four of a kind' while some are only available in pairs. It features Clarendon-style slab serif and grotesque sans serif forms. Furthermore, the letterforms are 'shuffled' to give a random appearance in standard text. It fuses a utilitarian sturdiness with a soft and friendly feel, and adds a bold flare to headlines, logos and posters. Character Set - Latin 1, OpenType extras.

A pleasant Art Nouveau hand lettered title is featured on the sheet music cover for "You Brought A New Kind of Love to Me". The song is from the 1930 Paramount film "The Big Pond" featuring Maurice Chevalier and Claudette Colbert. The original lettering was done with a round point pen nib, and showed a lot of small inconsistencies. For the digital version it has been "tightened up" a bit and is now available as Nouveau Fashion JNL, in both regular and oblique versions.

Say hello, to Burgery! A playful display font. Inspired by kids' games and snacks typography. Burgery designed in monoline concept and adjusted well to keep the legibility. Burgery is a flexible typeface that you can use for many kinds of stuff and themes. Burgery is an all-caps font, equipped with stylistic alternates, ligatures, Burgery is perfect for kids' merchandise, quotes, t-shirts, posters, social media, pillow, packaging, storybook, food menu, cafe decoration, logos, and much more! Mix and play your words with Burgery!

Euphoria Party is a psychedelic style font. This font is inspired by vintage albums and posters from 1960s music bands. The classic, fun and groovy impression is very visible. But in this font I combine several variations such as the ligature. It makes this font even more unique and different. Euphoria Party is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. This font is also support multi language.

There's a cemetery in Castine, Maine, a lovely coastal town perhaps best known for Maine Maritime Academy and a surviving crop of stately old American elms, with headstones dating back into the 18th century -- the standard old headstone shape, often topped by winged skulls. Thanks to a local historical society volunteer, I got my hands on a couple rubbings; these show a particular style of stonecarving that proved captivating to the point of typeface design. Castine has a full character set in both roman and italic styles.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Karogs is geometric, art-deco font that had been used for a match box. The bowls of this font is based on a positive circle. The contrast of a circle and straight line effective in producing brisk structural rhythms. This is great for branding, packaging and posters or any other kind of display use.

Hi! Introducing a vintage layered typeface set named "Pirates Rum". This is an experiment of combining pirate motives with a touch of Gothic. It is a multi-layered decorative font containing a base layer, a layer with internal decorative elements, a layer with a shadow, and a separate aged font. It contains basic uppercase and lowercase glyphs, punctuation, numbers as well as multilingual characters for all kinds of layers. Pirates font, great for labels, logos, headers, and illustrations. Thank you & have a great day!

Dubbel Zout in Dutch means ‘Double Salt’. I admit, it sounds better in Dutch… Dubbel Zout is a kind of licorice which we (in Holland) love! Not many people actually like it, but I know of one addict in Denmark, who eats it by the bagful. Dubbel Zout is a ‘crayon-ish’ font - all caps, different upper and lower glyphs that you can mix and a royal assortment of diacritics. It may be an acquired taste, but once you get used to it, you’re hooked!

Blackthorn draws on the tradition of Art Nouveau font design with some elements of western or circus style fonts, but an overall effect which may have more in common with the psychedelic era than anything else. It has a feel somewhat akin to some of the lettering of Alphons Mucha particularly the Abaddon and Gehenna fonts. It's very stylized and kind of wicked looking. You can see where the name comes from if you note the thorn-like spurs on the upper part of each character.

Primus has been designed to express the feelings of future, science and innovativeness while being simple and clean. It’s a geometric typeface with rounded edges, carefully designed and kerned to achieve a high visual quality that would make it a perfect typeface for any kind of use. While providing a clean and enjoyable reading when it’s used for text purposes, Primus is primarily effective as a display typeface that can be used for logotypes, brand identities, advertisements and so on, to fully reflect our era and beyond.

LOLO Dingcats are here! Need some cats? Find just about any kind of cat you can imagine here. Not just a A-Z & 0-9 font, LOLO Dingcats has many extra characters. Check it out! There's a mother cat nursing kittens, a cat curled up sleeping, running cats and sleeping cats.There are black cats, white cats and striped cats. Even cats you might not expect: a pirate cat, a cat with an afro, even a robot cat -- and MORE! A must-have for any serious cat lover!

Relove typeface is a all caps typeface decorative-serif font embodying vintage and elegant curves with functional structure with a extra ornaments.it was inspired by natural forms and structures and the curved lines. with strong and sleek letters, which create a brilliant foundation for the flourished alternatives to rest. The result is beautiful interlocking and totally unique designs. Relove Typeface is great for any kind of display purpose from branding, emblem, advertising , t-shirt , etc you name it. Features : Uppercase Numbers & Punctuation Alternate 1 Alternate 2

A beautiful geometric font for writing titles and sentences that are comfortable to see while reading, unique, simple, and elegant, making this font suitable for you to use in various needs of your design projects. flexible in its use, there are 3 options according to your needs This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

I love cheese snacks in all kinds of variations. As a kid I even loved having chessy fingers, but as an adult I prefer to wash my hands (instead of licking and sucking each finger "clean") So, as a loving memory of an all time favourite snack, I made this all caps organic looking sans. Obviously handmade, and cleaned up digitally...just a little bit. Furthermore I have made 5 different versions of each letter and made sure that there is plenty of multilingual support!

Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy - a result of its calligraphic detailing combined with a very slight slope in the roman. Sekhmet is essentially a display face; still, it's as carefully crafted as any of the designer's text fonts and so also works well in reasonably large text blocks, especially at larger point sizes. Comes with a book-weight roman and calligraphic italic.

Amira Script with a modern calligraphy type font, I hope you are interested in this font, if you want to use it for your work, this font can be used easily and simply because there are many features in it containing a complete set of uppercase and lowercase letters, various kinds of punctuation. , numbers, and multilingual support. This font also contains several ligatures and alternative Style Stylistic Sets for those of you who have software capable of running OpenType (Photoshop / Illustrator / InDesign). what is included:

Cowboy Junk is my loose handmade impression of what would happen if the wild west crashed into grafitti! The letters are loose and jumpy and the terminals are kind of exaggerated to give that firce impression of handcraft! So, better get up early and leave this town, 'cos there’s only room for one sheriff in this here town, and that is Cowboy Junk! Comes with contextual alternates, which means that the font will automatically cycle through the 5 different versions AS YOU TYPE! Yieeehaaar!

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Sans Pro is a quite narrow rigid sans-serif typeface with extra-large x-height and rounded corners. It is perfect for any kind of short copy with lots of attention guaranteed. Be sure to check other two typefaces of Vin superfamily: Vin Slab Pro and Vin Mono Pro .

Lithium is a set of symbols coming from different communicative context but designed to be used together. It's like turning on 5 radios trying to understand the mixture of sounds. Lithium was created, above all, to present this kind of sensation using images. Obviously, the result is chaos in lowercase text. Lithium represents the overload of images we are subjected to. With advertising no longer working like in past years, we end up seeing nothing but noise. FF Mode 01 is created with similar concept.

Dosky is a groovy, retro, bubble font. It have a big and bubbly anatomy. Inspired by 70s vibe and culture. The font is perfect to create a project that have a retro feeling but have a little bit modern and modest on it. Dosky support multilingual language also came with 6 font style : Reguler, Condensed, Expanded and Oblique styles. Dosky can be used as a fun or a formal kind of project. It can easily be matched to your projects, and good for communicating your brands.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Sans is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Sans, Fino Sans, and Fino Sans Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Sans to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Sans family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino Sans perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Stencil is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Stencil, Fino Stencil, and Fino Stencil Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Stencil to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Stencil family, along with our entire catalogue, has been optimized for today’s varied screen uses. All these talents let Fino Stencil perform a range of roles far broader than your typical Bodoni or Didot.

The inspiration behind Amarga comes from the bitter taste of coffee. Amarga is a serif typeface with high contrast and pointed terminals, composed of 9 weights that range from a very heavy black version to a thin version plus italics, with a total of 18 fonts. Amarga has a great visual impact and is perfect for display uses in editorial design, web, branding, posters and many others.

Gosent is a Modern Sans serif typeface that has larger x-height size, it will give great performance in small text sizes. Features moderate contrast and lots of special details like the unusual ink trap, giving a modern feel. Gosent is great your various design, both serious and fun projects. Consists of 9 Weight variants from Thin to Black and comes with Oblique version

1920s-era sheet music for "Tangos Pour Manon" from Brussels, Belgium had the title hand lettered in an unusual style. The alphabet was square, had serifs and the thick-and-thin stroke weights that were more popular in the upcoming Art Deco years of the 1930s and 1940s. This became the working model for Torrid Tango JNL, which is available in both regular and oblique versions.

Jaella is a modern retro serif family. It has unique characters, such as capital A, R and B, making your design unique and stand out. Designed for editorial use, display or fashion-related branding concepts, She can be elegant or play with alternatives for a cheerful retro look. This versatile family has seven weights, from thin to black, and a variable format that can generate more weights.

Popten is a modern minimalist design typeface with semi condensed conture and include alternative character also some ligature. It is inspired by hype and urban design, freestyle and brutalism. Popten typeface suited for anything lifestyle project with trend design. It was designed to be versatile, to blend in your design with light or dark through thin to black weights can add a lot of touch of personality.

Mymoon is geometric modern sans serif family that comes in 22 weights. Aimed for universal use, in any size and in any media. It has slight retro characteristics and mostly neutral overall impression. With wide range of thickness, from Thin to Heavy, all weights are well synchronized to match ideally. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.

Abdo Line is a simple Naskh font for books and magazines. Accurate design and clarity of reading and writing space-saving, it comes in sixth weights: Thin, Light, Regular, Bold, Heavy and Black. This is an OpenType Font supporting Arabic, Persian, Urdu Languages and compatible with the various operation systems and modern software. This font also contains many of Stylistic Sets, Ligatures and Justification Alternatives.