Private Sans is a three styles family of humanistic sans serif based on broad pen calligraphy. Its noticeable distinctions -- a vivid irregular nature which is not typical for usual Cyrillic text faces. Characters of the font have visible “inthasis”, soft terminals and slanted axis in internal ovals. The name of the font reflects an intention to design a typeface for personal messages. It can be used in blogs, e-mails, personal Web pages -- the places where author wants to show his personal attitude and invite visitors to enter his intimate space. It also usable for memoirs, autobiographies, interviews, and for those kind of literature that deals with feelings and emotional experience. The font family was designed by Olga Karpushina on the base of her graduate work of Type and Typography course in British Higher School of Art and Design. Released by ParaType in 2010.

Mongilon is a very Beautiful, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs and strokes! Mongilon appeals because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Gothiks Round is the rounded version of Gothiks. It is a narrow 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. The intermediate weights can be used for short texts while extreme weights are excellent for big sizes. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Yes, some hero combos may get along better than others, but they are always more powerful together. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering HERO SANDWICH! Prepared with plastic gloves on by those awfully nice chaps at the Comicraft deli. If you're an avenging hero on the go, have no fear, we've pre-assembled these eight classic Hero Sandwich Combos! Because choosing your fillings shouldn't get in the way of knocking out a supervillain’s fillings. See these families related to Hero Sandwich Combos: Hero Sandwich Ingredients Hero Sandwich Pro

Mind Explorer - Psychedelic Font. Mind Explorer is a psychedelic style font. This font is inspired by vintage albums and posters from 1960s music bands. The classic, fun and groovy impression is very visible. But in this font I combine several variations such as the ligature. It makes this font even more unique and different. Euphoria Party is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. This font is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Salty - not fat just big boned. Salty is a hearty brush family that’s great for any kind of display use from packaging to poster & logos to headlines. Salty has bold and clear basic letterforms and lots of alternates for more customised look. Salty family consists of Script, Caps and Extras and two weights of each. Salty script is equipped with plenty of OpenType features: Keep Automatic Ligatures on to keep the flow and click Swash, Stylistic or Titling Alternates for extra goodies or manually select from even more alternates from Glyph Palette. Salty Caps is a vivid set of casual caps that play well with the script but can also be used on their own. Salty Extras is a set of ornaments and swashes designed to support the script. Some of the Extras are designed so that they can be used to customise the letters - to create your own Alternates.

Forte e gentile, “strong and kind” is the motto of Abruzzo region located in central Italy on the Adriatic coast. As the region it’s named after, Abruzzo typeface is strong yet inviting with its sharp angular serifs and smooth transitions. Abruzzo is a display typeface with high contrast, large x-height and plenty of character. Abruzzo is equipped several OpenType features: Standard ligatures that take care of the collisions between f and other tall lowercase characters, and for more fun there is over 40 Discretionary ligatures including st, ch and plenty of more unconventional character combinations, such as fy, fr, rw, vi, and so on. See the full range in the specimen poster. On top of that Abruzzo has over 70 variants for the standard characters set in Swash, Stylistic and Titling Alternates. Abruzzo best used in stylish headlines, advertising, packages or as a logotype.

Hilender Rhapsody is a modern script font that has a cute and elegant touch. Hilender Rhapsody is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many luxurious lettering connections. I also offer a number of decent stylistic alternatives for some of the letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . . . Files include: • Hilender Rhapsody Regular • Hilender Rhapsody Bold • Hilender Rhapsody Slant • Hilender Rhapsody Bold Sant Contains full set: -Has 4 font models: Regular, Bold, Slant and Bold Slant -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design!

Josephani Script's newest style with modern types of calligraphy fonts, I hope you are interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it it contains the full set of lowercase and uppercase letters, various kinds of punctuation marks, numbers, and multilingual support. The font also contains several alternatives, ligatures and Stylistic Sets for those of you who have software which can work OpenType (Photoshop / Illustrator / InDesign). Josephani Script is appropriate use for market designs developed at this time. This font has a model trendy, natural and soft, with this font you can use a chance at every moment from one extraordinary way to highlight the celebration from your best party, because this font will be a supporter for the goal such as wedding invitations, parties, graduations, birthdays, meetings, etc.

Siera Leone - Display Font. Siera Leone is a super unique modern display typeface. The classic, fun and trendy impression is very visible. But in Siera Leone font I combine several variations such as the ligature. It makes this font even more unique and different. Siera Leone font inspired by elegant typeface and posters with display themes. Siera Leone is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. Siera Leone is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. Siera Leone is also support multi language.

Abongia is a very cute, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! This font is PUA encoded which means you can access all the glyphs and sweeps easily! Abongia is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many fancy letter connections. I also offer a decent number of style alternatives for all letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help.

Underpaid? Overworked? If you like Fritos, Jolt and Mountain Dew in your cubicle, your big warm fuzzy Donkey Kong heart is going to like these fonts a lot. Developed in conjunction with actual Code Monkeys*, this user-defined type IS defined -- it's loud and proud, and available in functional monospace for screen or elegant proportional spacing for print. When your pet project needs a soft, pretty face that's visible from across the office, sit down and pretend to work with CodeMonkeyVariable. Released from the captivity of monospacing, these lovely letters can convey even your wildest story ideas. When your syntax needs to line up on screen, get monospaced out with CodeMonkeyConstant. Copy from other sources and your screen captures will look so sweet you'll no longer have to pray your code complies to specs, because even your login page will look like dynamic rock star programming.

Warm and inviting— DeSoto is a titling face sure to add a touch of grace to many projects. Its name and inspiration come from a few letters in a 1958 DeSoto magazine advertisement. Many automobile ads back then used wide faces to create a feeling of luxury and elegance. DeSoto gives you that same feeling, but in a more contemporary fashion. DeSoto’s extended width characters show a hint of old school aesthetics. It comes in four styles all featuring a balance of caps and smallcaps. As a titling face, DeSoto will work in all kinds of setting; well… maybe not death metal flyers, but who knows? Taking advantage of OpenType programming, DeSoto features include alternate characters, fractions, oldstyle figures, ligatures, case-sensitive punctuation, ornaments and swashes, and Central European language support. All features, including ornaments, are included with each weight, taking full advantage of the OpenType format.

This is our Valentine's Day-themed font that weaves the romantic melodies of love songs into your designs. This unique typeface infuses the spirit of Valentine's Day with the heartfelt emotions of music. Valentine's Day Cards: Create heartfelt and visually stunning Valentine's Day cards that sing with romance, making your loved ones feel cherished and special. Love Letters: Craft beautiful love letters that showcase the beauty of Valentines Notes, making your declarations of love even more touching and memorable. Event Invitations: Design enchanting invitations for romantic dinners, engagement parties, or weddings, setting the tone for a truly memorable celebration of love. Digital Expressions: Elevate your digital expressions of love with Valentine's Day-themed social media posts, e-cards, and website elements that capture the essence of love in a unique and musical way. Functional As far as we know, this font includes everything you would need to write a music sheet.

"Welcome to the vibrant and bold world of typography!" Aprek Febux is a display typeface that adds sharpness, aggressiveness, and excitement to your projects. Aprek Febux, with its unequaled capacity to generate spectacular displays, is the ideal answer for your diverse variety of visual creations. Aprek Febux offers more than simply lovely letters. This font enables maximum versatility and creativity in every step of your design with excellent features such as ligature and alternate. You may quickly construct one-of-a-kind letter combinations to add a personal touch to your projects. We also recognize the significance of engaging with a worldwide audience. As a result, Aprek Febux supports numerous languages, guaranteeing that your communications are clearly received by everyone on the planet. Enhance your projects with the powerful visual appeal of Aprek Febux. Get this font right away and see how your every design becomes more impressive and stylish!

The 1928 logotype for Sertal Toiletries consisted of a stylized woman's head, a very snaky S, and five fine, fat deco caps spelling out the rest of the brand name. From these five clues, designer Nick Curtis divined the rules" of the typeface and drew a complete alphabet, including a lower case. The result: ITC Scram Gravy. The finished product could be described as Bodoni on steroids. Tight curls in characters like the 'm,' 'r' and 'y' soften the lower case and give the design a light-hearted flavor. ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip "Smokey Stover," which had folks alternately splitting their sides and scratching their heads from 1935 to 1973. Those familiar with Bill Holman's strip will recall Smokey's car, the Foomobile, and one of his famous nonsense declarations: "No foo-ling, that scram gravy ain't wavy.""

Eksperiment is danish for experiment. Without much guessing or knowledge to danish, you probably already knew that! I like those danish words containing a "k" - is it because my name is spelled with a "k"? I don't know - maybe it's because it kind of represents the danish language, which is full of words with "k"s. Anyway, the reason for the name is that I wanted a font looking like it had gone through tough times, a bad copy machine and perhaps even crumpled paper...but the experiment is that the font is 100% made using digital media. I used my MacBook and my iPad creating this font. I find it quite amusing, that something 100% digital looks like something organic. I've added 5 different versions of each letter, which is really helpful when working with grunge fonts. It looks more natural, when the same letter rarely repeats itself.

Abodin is a modern and fresh futuristic font. This font gives off a clean, minimalist, and futuristic feel. This font is equipped with upper and lower case. This font also contains Alternate and is equipped with 4 different styles, so it can give the impression of unlimited designs and is perfect for all kinds of your projects. Use this modern san serif font to have a high impact on your design, giving it a futuristic feel. This font is the right choice for websites or designs that need to be presented with a futuristic character. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Poruka is slanted script typeface with connected letters with gently condensed look. Letters are designed as monoline forms with decent dose of elegancy and stylistic uniformity. Poruka is imagined mainly as typeface for shorter texts or headlines, where text needs to stand out from other elements of content. It can be used successfully both as webfont and on printed materials – all kinds of invitations, labels, packages, posters and editorial use. Poruka comes with two Stylistic Sets – 01 which activates uppercase letters with full font height (from the top of ascender to the bottom of descender) and 02 – which activates handwritten forms on "b", "d", "h" and "l" letters. Also, Poruka is equipped with Swashes and Discretionary Ligatures which doesn't really represent classical pack of expected ligatures, but more as graphical version of a couple of words like "yes", "no", "wait", "ciao" and a few more.

First off, Slivowitz is written with a v (SlivoVitz), rather than a w, but I liked it better with a w. Slivowitz is a plum brandy from Eastern Europe. My father used to be an international truck driver and he often had to go to Eastern Europe. He took all kinds of ‘western’ goods with him to give away (plastic bags, beer, cigarettes - remember, Eastern Europe at the time was still communist!). He always came back with bottles of Slivowitz. I never tasted it, as I was too young, but I liked the name and I decided to name this font after a fond memory! Slivowitz is an easy-going handwritten script font - it looks good on fashion items, book covers and fancy magazines, but greeting cards will look just as great. Comes with a bunch of ligatures, alternates and a whole lotta diacritics!

Cornelius is a playful hand-drawn font family designed by Daniel Bak (Artcity). It is available in three handy weights: regular, bold and screaming. It contains international language accent marks and diacriticals, including Greek and Cyrillic in both OTF and TTF formats. Font family name is inspired by the main male ape character from the 1968 science fiction film Planet of the Apes and Pierre Boulle novel of the same name. Boulle published his La Planète des singes in 1963, which was originally translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued as Planet of the Apes . Dr. Cornelius is a chimpanzee archaeologist and historian who appears in the original novel, and also the first three installments of the classic movie series, from the 1960s and 1970s. He was portrayed mainly by actor Roddy McDowall, but also by David Watson.

The main inspiration is from Art Nouveau which flourished in Europe at the end of the 19th and beginning of the 20th centuries. This design included furniture (Majorelle, Lalique) and architecture (Victor Horta, Henry Van de Velde, Gaudi, Alfons Mucha). But Hector Guimard remains the favorite for all aspects of its art and, of course, its typefaces used on the Parisian Metropolitan posters. In particular, the various kerning of the various letters he used to make the poster a whole design from singular designs, leading to numerous variations. As a designer, I initially worked a first version, called Metro New One, which is more geometric and traditional. This design "Two" has more flexible shapes and long vertical hooks. It can be used to enhance specific parts in letters and books in the context of Art, specially Art Nouveau and Art Deco of course, posters of any kind.

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose. Anyway, Zapf finished his designs and URW produced both families. Zapf’s intention for the two typefaces was to design two highly legible, open and classical fonts that could be used for any kind of typography, especially books, newspapers, magazines, etc. However, we realized later on, that URW Grotesk is very well suited for multi media applications on screen.

URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose. Anyway, Zapf finished his designs and URW produced both families. Zapf's intention for the two typefaces was to design two highly legible, open and classical fonts that could be used for any kind of typography, especially books, newspapers, magazines, etc. However, we realized later on, that URW Grotesk is very well suited for multi media applications on screen.

Fans of Comicraft have made a lot of noise (HELP!) about the availability of ready-to-wear, factory surplus sound effects, not unlike those made available over a decade ago in our extremely popular and raucous ZAP PACK. It may sound impossible (WHA--?!), but Comicraft's Sonic Specialist, John JG Roshell, locked himself away (CLIK) in our top-secret SFX lab forming Onomatopoeia at high speeds (FWOOSH) and extreme temperatures (BBRRR), and sounded out over One Hundred (GASP) of the loudest (BTOOM), most intense (UNNGHH), squawkiest (KRAKK), discordant (SPLANGG), dissonant (SQUTCH) -- as well as dulcet and restrained (THWIPP) -- sound effects ever conceived (WOO HOO!) Helpfully arranged in alphabetical order (YIPPEE!), this Library of Onomatopeia -- the ONOMATOPEDIA, if you will (DING) -- is now available for use by the general public. WARNING: Comicraft Sound Effects may explode on contact with skin (AAAH!); please use protective clothing and eyewear when handling the Onomatopedia.

Soundboy is an ode to Elvis Presley and his music. The font was drawn by hand from a number of images from the Blue Hawaii film and finished to perfection. The digitization was done with great care and the font was also provided with a number of extras such as ligatures. Soundboy is a playful and translatable font that at first sight has already caught everyone with a spontaneous and broad smile. Logos, house styles, magazines, covers, vinyl records, book covers, t-shirts, house styles and all kinds of other graphic expressions will look a lot happier. This font is more than welcome in this sour society. The packaging makes the consumer buy and Soundboy certainly contributes to that. Don't wait for someone else to get it in your area, the best designs deserve the most beautiful fonts. Enjoy the "Soundboy font", it will never let you down.

Bergidan is a very Beautiful, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! This font is PUA encoded which means you can access all the glyphs and sweeps easily! Bergidan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many luxurious letter connections. I also offer a decent number of style alternatives for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. for your purposes. . . . . . 4 Type Font Regular Slant Bold Bold Slant need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design.

Blue Plaque is a distressed font that simulates the low relief, white-painted lettering on English Heritage plaques attached to buildings where famous people have lived. For creating mock plaques, a blank disk, with the English Heritage title at the top and the logo at the bottom, is included at the brace left { keystroke, and also at the section § keystroke. A blank plaque without the English Heritage title and logo is included at the bar | keystroke. A distressed English Heritage logo is included at the asterisk * keystroke. he outer ring of the blue plaques, which is glazed in dark grey, is included at the brace right } keystroke, and also at the plusminus ± keystroke. Photoshop's Outer Bevel Layer Style is perfect for adding a relief appearance to the letters. Buyers are welcome to request a 1000px jpeg image of a blank blue plaque by emailing K-Type directly https://www.k-type.com/contact/

Childa Script with the kind of modern calligraphy font, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic Sets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Childa Script is suitable use for market design developed at this time, this font has a model Trendy, natural and gentle, with this font you can take advantage of the opportunity in every moment of one wonderful way to highlight the celebration of the feast of your best, because this font will be advocates for purposes such as wedding invitations, party, graduation, birthday, gathering, etc.

Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on the original letters, adding biform shapes, small caps, italics across the board, and support for many Latin-based languages. Archie's eye-catching forms are meant for clear, seamless and strong message delivery. In its upright styles, strong vertical strokes emphasize the sense of confidence and importance, and in its italics, that emphasis is further affirmed by a natural sense of urgency. This kind of alphabet is perfect for display typography aiming at the glance-and-go crowd. When used properly and placed prominently, no eye can escape it. The basic Archie family is comprised of six basic fonts, while the Pro set combines all three uprights in one font and all three italics in another.

Introducing Narcis, the delightful retro bold script font that's bound to add a touch of nostalgia and flair to any project! This charming typeface boasts a unique blend of boldness and elegance, making it perfect for various design purposes. With its alternate and ligature glyphs, Narcis offers a wonderful range of creative possibilities. These additional characters add extra variety to your text, giving it a truly personalized and artistic feel. Whether you're designing a logo, poster, invitation, or any other project, Narcis' alternates and ligatures will help you achieve a distinct and eye-catching look. But that's not all! Narcis is also impressively versatile when it comes to language support, accommodating up to 87 languages. This means you can confidently express yourself in multiple languages without compromising on the font's aesthetics or legibility. Narcis comes in both regular and italic styles, allowing you to emphasize specific parts of your text or create a dynamic interplay between the two styles. The regular style offers a bold and confident appearance, while the italic style adds a touch of sophistication and movement to your design. Whether you're a seasoned designer or just starting on your creative journey, Narcis is sure to become your go-to font for adding that retro touch with a modern twist. Its warm and friendly demeanor will instantly win you over, making every project a joyful and visually captivating experience. So go ahead and give Narcis a try – you won't be disappointed! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!

Looking for a typeface that brings retro flair to your designs? Look no further than Pricedown! This typeface is a modern interpretation of Pinto Flare, a display typeface from the early 1970s. Pricedown has a boxy, retro design that’s perfect for adding a touch of nostalgia to your work. It’s been used in a variety of applications over the years, including as the logotype for the US game show, The Price is Right, and Technos Japan’s Tag Team Wrestling video game in 1986. In addition to its eye-catching design, Pricedown also features some fun interlocking character combinations when used in OpenType savvy applications. For example, when the letter “H” is followed by the letter “I”, a swash tail will tuck under the “I”, adding an extra flourish to your text. And if you prefer a more streamlined look, you can easily turn off this feature in your application. With nine different weights to choose from, Pricedown is a versatile typeface that allows you to skillfully attenuate its impact, making it perfect for a wide range of graphic design projects. So whether you’re designing a logo, a poster, or anything in between, Pricedown is sure to add a touch of retro style to your work. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Zeitung is a sans serif family which works equally well on print and web. First of all: Zeitung is a sans serif made according to contemporary standards: 8 weights, romans and italics, all equipped with small caps. Lots of OpenType features, like uppercase punctuation or 5 figure styles to make sure any of your mathematical or financial charts, tables and diagrams look cool. Zeitung’s typographic palette focuses on utility and legibility, but in the farthest corners you’ll discover a rich array of flavours: punchy black weights, fashionable thin styles, carefully hand crafted true italics, distinct small caps. But Zeitung has more to offer. Its optical sizes offer the best style for each size of your text. Zeitung fonts are devided to two optical families: Zeitung Standard and Zeitung Micro. Zeitung Standard works great in most sizes, while Zeitung Micro fonts are specially made for very small sizes in print and web. Zeitung Micro fonts are perfectly legible in web, where the same technical font styles have to survive in many environments, from older browsers to most up to date mobile screens. Next to that: the lightest weights also function as grades, because they share the same metrics. This can be very handy for selecting the optimal weight for your specific situation, especially on screens or when type is printed by a newspaper press. Letters are rendered in many various ways on different screens. Maybe the interface of your next app requires a different grade than your latest website? Zeitung allows you to change the weight of your text without any further consequence for the design. That is a welcome relief during the design process. Zeitung will help to bring your message across in many different circumstances, from large text in print to small type on screens.

Ready for the designs of today, the Sancoale superfamily takes a softer turn with a rounded slab serif. Crafted from Sancoale’s simple geometry, new softened slab serifs provide a lively typeface that conveniently enhances its cousins: Sancoale Softened--a sans with blunted terminals; Sancoale Slab; and, certainly, the first Sancoale. The weights of each and every member are balanced diligently to be compatible with one another. When used alongside one another, the combination makes for robust and tight design. With weights starting with the slender thin ranging to the juicy black, Slab Soft opens the doorway to the vary of uses. Its design is legible and neutral enough for bodies of copy--both in print and on your website. The web font also stands out perfectly as a headline or a display face. Slab Soft carefully places a foot ahead, and doesn't overpower like many slabs. This font’s the choice to seize the day and get the job done. All insigne™ fonts are absolutely loaded with OpenType options. Sancoale Slab is geared up for pro typography, together with alternates with stems, compact caps and lots of alts, together with “normalized” capitals and lowercase letters. The font features many numeral sets, with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Bundled are compact caps, fractions, old-style and lining quantities, scientific superior/inferior figures, entire ordinal and inferior alphabet. The Sancoale superfamily also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Sancoale Slab supports around forty languages that utilize the Latin script, earning Sancoale the pick for for multi-lingual publications and packaging.

Throughout time, history’s architects have incorporated some of the finest illustrations of type into their great works--cuneiform on Mesopotamian ziggurats; Greek etched into the temples of the gods; inscriptions marking the monuments of mighty Rome. From these Roman inscriptions specifically, we take our capital letters of today; and while we've lost the need for serifs over time, our current characters maintain the classical foundations, even after being distilled to their simplistic forms. Here’s where we have the basis for Le Havre Titling. This updated face is a carefully optimized version of Le Havre that uses purely capital lettering. Originally inspired by the golden period of the passenger ship and the French port that bid a rich bon voyage to so many famed, luxurious ocean liners of the Roaring Twenties and Thirties, the typeface includes an exciting array of ligatures that brings it into the present day and gives designers a tremendous amount of versatility in their work. With its seven weights, Titling looks equally at home on the side of a building as it does in a finely crafted invitation. With over five hundred glyphs, Le Havre Titling offers a multiplicity of options for your projects. Combine ligatures, play around with two sets of art deco forms, use original caps, and more; every one of these is obtainable with the OpenType functionality. The new design also shares five weights with the original Le Havre, allowing you to maximize your potential through its interchangeability. Titling’s Thin weights are delicate but not too fragile, and its geometric forms give each individual composition you create an exquisite and beautiful sense of emotion. Without a doubt, this fresh, fashionable take on the classical forms offers your reader refined, yet unanticipated approach as he or she travels through your text.

Plumage is somewhat unusual in that it has elements of calligraphy as well as script in a semi-loose form that gives it a pleasing appearance for both large and small sizes, and interesting flare finish strokes add to its unique character. As I read a dictionary description of "plumage", I realized that in many ways there is a parallel between a bird's plumage and how it is utilized in the context of writing: Plumage varies in pattern and arrangement for different purposes; what it expresses can of course be even more interesting. Plumage is disposable after a season, as new ones become available... imagine, a self-sustaining quill! - I guess that's equivalent to a refill or disposable pen. Historically, quill pens were made from feathers of a variety of birds, each chosen for its special characteristics. The sturdiest and most reliable feathers, however, come from turkeys, swans and geese. Feathers used to make pens are the stiff-spined flight feathers on the leading edge of the bird's wing. Pens for right-handed writers come from the left wing, and pens for left-handers, from the right! Each bird yields 10-12 good quills, and sometimes only 2 or 3 - so small a yield that the geese reared in England could not furnish nearly enough for local demand, and quills were imported from the Continent in large quantities. At one point St Petersburg in Russia was sending 27 million quills a year to the UK. It is said that geese were specially bred by US President Thomas Jefferson (1743-1826) to supply his own vast need for quills - in his lifetime he wrote almost 20,000 letters. The name "Plumage" was selected to pay homage to the noble birds that supplied countless quills for centuries of literary works. Plumage is recommended for any formal or informal invitation, decorations, awards, poetry, plaques, etc. We hope you will have the pleasure of using Plumage.

Introducing "Power of Dragon" Typeface - Unleash Your Inner Hero! Unleash the extraordinary with our "Power of Dragon" Typeface, a bold and dynamic serif display font designed for those who aspire to be legendary. Embrace the spirit of a super hero anime with this powerful typeface that combines strength, elegance, and a touch of fantasy. 🐉 Dragons and Wings Illustrations: Feel the might of dragons and soar high with the included intricate illustrations of majestic wings. Each character is crafted to convey the essence of mythical power, bringing an extra layer of magic to your designs. ⚔️ Swords and Pirates: Channel the bravery of a swashbuckling hero with sword illustrations that add a dash of adventure to your projects. The pirate theme brings a sense of daring and excitement, making "Power of Dragon" Typeface perfect for projects that require a touch of maritime courage. 🌟 Super Hero Anime Theme: The "Power of Dragon" Typeface is inspired by the dynamic world of super hero anime, ensuring that your designs exude strength and heroism. Whether you're working on comic books, posters, or branding projects, this typeface brings an electrifying energy to your creations. 🔠 1084 Characters: With a robust set of 1084 characters, "Power of Dragon" Typeface gives you the flexibility to express your creativity without limitations. From uppercase and lowercase letters to numerals and punctuation, every character is meticulously crafted for maximum impact. 🌐 PUA Unicode and Multilingual Support: Seamlessly incorporate "Power of Dragon" into your designs with PUA Unicode support. Additionally, enjoy the versatility of multilingual support, making it easy to communicate your message across various languages and cultures. Let "Power of Dragon" Typeface be your ally in design, helping you create captivating and unforgettable visuals. Elevate your projects to new heights with this font that embodies the spirit of heroic tales and epic adventures. Unleash the power within, and let your creativity take flight!

A. R. Bosco made Romany for ATF in 1934, when there was much demand for script types in advertising and publishing. It was the high times of Speedball lettering, and a casual script in that fashion was naturally very welcome. It became an instant hit and was used widely for a good part of the 1930s and 1940s. Apricot is not only a revival of Bosco's work, but also a major expansion of it. It contains very effective solutions to the many problems presented by the original metal type, which had to always be tracked too wide because of the forms of some of its letters. Solving these problems was not an easy task. A comprehensive set of alternates was designed to give the user the ability to replace some forms in certain uses, and a large set of two-, three-, and even four-letter ligatures was added to solve the awkwardness of some of the more common letter pairings. The resulting work is quite delightful, especially for those who like to take advantage of OpenType technology. Apricot is the rarest kind of script in digital type these days, the kind that is upright, round, bold, feminine, and distinctly young in appearance. A birthday cake for a teenage girl can certainly benefit from these letters. So can greeting cards, family show posters, diary covers, party invitations, women's shirts, toy packaging, celebration literature, and almost anything that needs that special touch of shiny happy youth. Apricot is available in all common font formats. The Postscript and True Type versions come in 4 fonts, which include one for alternates and two for ligatures alongside the main font. The OpenType version is one font that contains more than 380 glyphs and all the necessary programming for the palettes of OpenType-supporting applications. If you liked Canada Type's hugely popular font Dominique, you will love Apricot.

Right now! FS Emeric reconciles a pair of seemingly opposing approaches: the systematic but chilly functionalism of early modernist typography, trapped in time, and a warmer, more emotional, more optimistic spirit. What Fontsmith created was something that marries precision with expression, geometry with movement, functionality with humanity. FS Emeric has a sharp, kinetic edge that cuts across design disciplines – graphic, fashion, product, automotive. It’s about what’s happening right now. Contemporary, optimistic, distinctive – a classic working sans serif. Appetite Discussions with some of Fontsmith’s design studio clients had revealed an appetite for a new kind of typeface that could express mid-century modernist principles in a fresh, contemporary voice. As he crafted the letterforms that would form FS Emeric, Phil Garnham was guided by two central ideas. First, there was Jan Tschichold’s contention that a good letter is “one that expresses itself, speaking with the utmost distinctiveness and clarity”. Second was a belief that a font can be personally expressive without compromising its functionality. These provided the fuel that drove the project to its conclusion. Posters To mark the launch of FS Emeric, Fontsmith asked 11 eminent design studios from around the world – the likes of Pentagram, Studio Dumbar, Bibliotheque, Non-Format and Build – to create a limited edition A1 poster. Each poster celebrated a different weight of FS Emeric, and just 50 of each were screen-printed by Dan Mather onto 175gsm Colorplan stock. “We gave away a randomly selected poster every time two or more weights of the FS Emeric were purchased,” says Phil Garnham. “They’ve now become somewhat of a collector’s item in their own right.” Superfamily In the spirit of Univers, the original font superfamily, FS Emeric now comprises 22 Roman and italic typefaces overall, making it one of the most versatile and functional modern fonts across all kinds of media, as well as one of the most distinctive.

Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much. So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss. These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.