Destructive Decisions is a font based upon the inherent flaws of human nature—presented under the guise of complete legibility. At first impression this font is very readable, but upon closer examination you'll notice the edges are fuzzy and some of the lines are off-kilter. You can read it, but it is also a bit foggy. No matter how hard it strives for perfection. This font was originally designed for a cable tv show about substance abuse, but is now available for use in your web and print designs, too.

ITC Mudville was Christopher Wolff's entry in the 1998 U&lc Type Design Competition, for which he won an Honorable Mention (Display). Mudville evolved from variations on hand-lettering that Wolff had done on a variety of projects over the years. The underlying shapes of the letters are formal roman letterforms, but the actual strokes retain the look of letters sketched casually on a layout. Mudville straddles the line between inline and outline type designs. It recalls some of the styles of popular lettering used in display advertising in the '20s.

Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font of the 1920s) through my first font in the mid-1990s, Diaconia. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy.

Pofukyso, a captivating monoline handwritten typeface, seamlessly blends simplicity with a touch of whimsy. Its uniform strokes and consistent line weight create a harmonious and contemporary aesthetic, making it ideal for a range of design applications. Pofukyso’s graceful letterforms evoke a sense of fluidity and friendliness, adding a personal and approachable charm to any project. Whether used in branding, invitations, or editorial design, this monoline typeface effortlessly bridges the gap between casual and refined, offering a versatile and delightful solution for those seeking a handwritten touch with a modern twist.

Frygia is inspired by the astonishing mythology along with a new method and approach of type design. As an example, the construction of the lowercase g; the line structure which is slightly curved helps to aid the optical illusion and the integration of Industrial San Serif style making Frygia extremely compatible and ready for every usage on the layout. Frygia Family consisted of 20 styles and 10 weights, ranging from the thinnest Hairline to the boldest Black and a Semi Rounded corner to suit the concept of the typeface.

French type designer Xavier Dupré created this sans FontFont in 2006. The family has 14 weights, ranging from Hairline to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as small text. FF Sanuk provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight rounded weights with corresponding oblique cuts and it comes in a normal version and corresponding obliques as well. Enjoy this original font, it is a real work horse!

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

German type designers Axel Bertram and Andreas Frohloff created this serif FontFont in 2012. The family contains 4 weights: Light, Regular, Medium, and Bold and is ideally suited for film and tv, editorial and publishing, small text as well as web and screen design. FF Videtur provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

The Swiss designer, Hans Eduard Meier, originally designed Barbedor for the Hell Digiset machine. Barbedor is based on handwritten humanist book scripts of the 15th century, and its chracters are typical of the style of those made by broad tipped pens. Tiny serif-like elements reveal the line of the writing utensil and emphasize the nature of this typeface. Classic and legible, Barbedor is a clear, harmonious typeface and an excellent choice for longer body texts. Its large choice of weights offers variety, which makes the typeface suitable for multiple design applications.

Reinstaedt is a fancy new display font family designed from scratch by Andreas Stötzner. The very first sketches were inspired during a holiday spent in remote Reinstädt of Thuringia (Germany). Though bearing a rather formal appearance Reinstaedt still shows its hand-drawn origin. Reinstaedt gives a magnificent breath of fresh air to everything related to food, health, wellness, holiday – to the art of fine living. Enhance your designs by creating enchanting headlines! You can design thrilling type variations by multi-colored overlaying and by combining with ornamental embellishments.

Nicomedia is a modern sans serif type family with a contemporary, technical look that reflects the high-tech industrial age that we're living in. From thin to black, it contains 18 fonts in 9 weights with their true italic counterparts. With 529 glyphs, it offers support for all the languages with Latin script. When it comes to OpenType features it has stylistic alternates (for a, g, l, 0, 1), tabular lining, ligatures, superscript, subscript, denominators, numerators and fractions. It's perfect to create engaging brands, ads, websites, apps, animations and user interfaces.

Arthury is a simple font with unique ligatures that makes you design more attractive and eye-catching. Feel free to use it on your creative projects such as quotations, decoration texts, prints, packaging, business cards, invitations, posters, labels, and any kind of design. Get this font now, have fun! This also includes multi-lingual support. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Deco Slaughter is a unique typeface that blends the elegant Art Deco style with the visceral and broken aesthetic of horror typography. Each letter is meticulously crafted to evoke a sense of intrigue and mystery. The sophisticated and geometric lines of Art Deco intertwine with shattered and bleeding details, creating a striking contrast. This typeface is perfect for projects that aim to break conventions and stand out with a provocative aesthetic. Deco Slaughter captures the essence of classic style with a dark and disturbing twist, providing your designs with a distinctive and memorable character.

German type designer Jürgen Huber created this display and sans FontFont in 2002. The family has 5 weights, ranging from Light to Regular (including italics) and is ideally suited for advertising and packaging, editorial and publishing, poster and billboards, small text as well as software and gaming. FF Ginger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Squoosh Gothic is a serious new contender in the arena of headline fonts. Upright and condensed, Squoosh’s whimsical name belies its true nature. Though, that’s not to say it’s totally devoid of a sense of merriment – it just values a more orderly, regulated kind of tomfoolery. Mad-libs for instance, or The Times cryptic crossword. Its mature but unmistakably witty attitude can go a great distance to lending a sense of culture and an air of scintillation to your designs. Don’t miss out on this sanguine new font, Squoosh Gothic from Thinkdust, available now.

Grosen Typeface Family is designed by Oğuzhan Cengiz in the years 2017-2019. It has a grotesque structure that contains humanistic effect. Although it is designed upon the basic geometric structure, it shows own style with expansion that makes a reference to serif at start and finish of round letters. Grosen Typeface Family has fourteen styles with seven weights and theirs real italics. These have advanced OpenType features; like small capitals, case sensitive signs and math symbols, alternative characters (a, g, M, J, &), automated fractions, oldstyle figures, tabular linings, proportional numbers...

AggressIan is the release of the first font I ever drew. It was done by hand with triangle and parallel rule back in the mid-1980s. I originally called it Aggressor, but I never liked it. My local type designer friend, Ian Roberts, really likes this type of drawing and told me I had to release it. So I named it after him. The small caps should work well if you need a bolder version. It has oldstyle and lining figures, plus the small cap figures. I hope you like it.

Linotype BioPlasm is a display face created by Italian design Mauro Carichini in 2002. It distorts and deletes parts of letters, creating the appearance of a living, typographic organism in pages of text. Lines set in Linotype BioPlasm seems bubble to the surface, and always hints at some sort of unrevealed secret. Although only parts of most letterforms are visible, the high x-heights of Linotype BioPlasm's letters make its text surprisingly legible for such a concept-font. For usage in products ranging from Sonic to Science, Linotype BioPlasm may be the font for you!

During the years of physically doing camera-ready paste-up work before the advent of the digital age, clip art books dominated the way stock art was added to a print project. Clip art books were eventually replaced by clip art CDs, DVDs and online download sites, just as the books themselves had replaced the stock photo engravings of the letterpress era. With the kind permission of Graphic Products Corporation, Jeff Levine Fonts offers up a sampling of images found within the pages of Graphic Source clip art books; aptly entitled Classic Clips JNL.

Charmini is an exquisite font with a soft and at the same time confident serifs, modern and with a touch of retro. Font lines are strict with smooth, perfect transitions. Charmini family includes 2 types of uppercase letters and has 9 font thickness options - from the lightest weights, suitable for large amounts of text to the heaviest weights, intended for headlines. Tech Specs: 36 fonts in family UPPERCASE and 2 versions of lowercase letters ligature fi ff fl Numbers & basic Punctuation Serif Typeface 9 variants of width + italic OTF font format ld.luxfont@gmail.com

Monera is a new elegant stencil & modern serif font featuring a regular,outline & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Monera includes all standard glyphs plus a few essential ligatures as well as multilingual characters. Unique, playful and versatile serif family with 69 ligatures and 94alternates to beautify the design you like. This font is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Thank you, Skypia

After long time no script, finally we released our new Chuck Noon Script. A clean and bold script fonts that offers you a natural hand-lettering experience. Handcrafted and digitally checked with high attention to the details, we're a sucker for clean lines and crispy edges too, just like you. Available in two styles; Script and Brush, their dynamic letterforms work like magic, whether you go all caps or using it normally as a script. Suits best for logotype, poster/t-shirt designs, food/beverage labels, hipster quotes, greeting cards, wedding invitations, and many more.

This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design is based on geometric shapes and combines straight lines with rounded corners. The whole family is composed of four 7-weight subfamilies: one normal and one alternative plus rounded versions. Each subfamily includes matching italics. This typeface is my own interpretation of those curves and shapes found in Marcello Nizzoli’s designs.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Geovano is a font family which has 4 styles; Display, Script, Serif and Sans Serif. It is heavily inspired by all kind of vintage and oldschool design. Geovano is a font that you can use to make a vintage logo for branding, typography design, magazine or book cover, website header, product packaging, t-shirt design, label poster and many more. Feature : - 4 Styles with rough version - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

This hand-crafted font was designed for architect, blueprint and drawing use. Small font sizes have good contrast and are very easy to read. Larger font sizes create distinguished-looking headings. This font is also a good choice for adding a personal hand lettered touch, as opposed to fonts with perfectly formed lines and curves or other script fonts that are less formal and often difficult to read. The font resembles a cross between comic and VAG fonts. Architect Small Block started its life as small block letters on vellum ... hence its name.

I like playing around with brushes and Chinese ink. I always have some kind of idea of what the final design should look like, but once it’s done, it never ever looks like what I had in mind. Apex Brush is one of those designs: it started off as a few brush strokes, but before I knew it, I had a really nice set of matching brush fonts! Use it for any design that needs a bit of rough, a splash of ink and a pinch of rebel.

The Ehrhardt name indicates that this typeface is derived from the roman and italic typefaces of stout Dutch character that the Ehrhardt foundry in Leipzig showed in a late-seventeenth-century specimen book. The designer is unknown, although some historians believe it was the Hungarian Nicholas Kis. Monotype recut the typeface for modern publishers in 1937 to 1938. Ehrhardt has a clean regularity and smooth finish that promote readability, as well as a slight degree of condensation, especially in the italic, that conserves space. Ehrhardt is a fine text face, especially for books.

Slovakian type designer Peter Bil'ak created this sans FontFont in 2001. The family has 20 weights, ranging from Light to Black in Condensed and Medium (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Sans.

Vitro is a rectangular sans serif with a pinch of grotesque. The solid technical appearance has been achieved through careful optical adjustment, resulting in a modern and stylish font that stands out in the crowd. Vitro is suitable for a wide range of branding purposes, including brochures, logos, packaging, posters, signage, websites etc. Details include nine weights with italics and over 450 characters per style. Opentype features consist of digital numerals, numerators, denominators, tabular, fractions and language support covering Western, South and Central Europe—remastered to version 2.0 for enhanced OpenType features and usability.

Selebor is a slab serif font. Selebor inspired by the 80s and 90s vibe font. The font is perfect for you that want to create a project that have a retro feeling but not to old. it perfect for designing stickers, t-shirt, a food logo and design that used a smiley themed or vintage cartoon on it. Selebor can be used as a fun or a formal kind of project. It support multilingual language. It can easily be matched to your projects, and good for communicating your brands.

Pandtos is a clear sans serif typeface based on geometric shapes. Precise lines and accurate curves are the main characteristics of this fresh and modern font family. While unique letterforms constitute Pandtos’ distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Pandtos is suitable for almost any type of analogue and digital application. The Pandtos font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Pandtos comes in four weights with matching italics.

Urbane is a versatile all-purpose sans-serif family of six weights plus italics. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Perfect for headlines and running text, it is clear, classic and authoritative. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound. The whole Carot system of 64 members offers a modern alternative for all types of design work.

Matthew Carter’s Miller is a seminal reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. Miller Text has always been the epitome of a reliable publication workhorse. Alongside the three-quarter-height Scotch numerals, Miller Text includes optional oldstyle and lining figures, each with appropriately aligned currency and other symbols. A complete set of fractions, with arbitrary superiors and inferiors, is also included. Miller Text features an Extended Latin character set, which covers all major languages and dialects written with the Latin alphabet.

The design idea for this condensed sans serif stencil font was inspired by a post-World War II brass stencil spotted in an online auction. The United States was assisting Europe with much-needed goods, and the text in the middle of a “stars and stripes” shield used for marking the shipping containers read “For European Recovery supplied by the United States of America”. It was the first line (“For European Recovery”) that became the working model for Supplier Stencil JNL, which is available in both regular and oblique versions.

Rogelio Script is a stylish modern calligraphy font with casual chic flair. It is perfect for branding, wedding invites and cards, signature and maybe for red wine label. Rogelio Script includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation and variation ligatures. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style. What you get, darling? In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

A modern squarish sans inspired by machine-readable typefaces of the 1950s, including OCR-A and B. Smooth curved contours with a humanist touch sit in harmony alongside pure straight lines. Contrasting shapes create a modern aesthetic pleasing to the eye and pixel perfect execution for modern-day scenarios. Details include seven weights with matching italics, six variable widths and 445 characters per style. Opentype features consist of five variations of numerals with stylistic zero’s, inferiors, superiors, fractions, case sensitive forms, ligatures, arrows and language support covering Western, South and Central Europe.