Gauntly is a stunningly sweet and delicious single line handwritten font with a cool vibe. It will turn any design idea into a true piece of art.

Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.

A fun font to create pop and young graphics, with a non-obvious font created starting from a handcrafted line. For an urban, snappy and fresh result.

A nice legible, slanted handwritten font with occasional rough lines. That is exactly what Ankertill Brewer is! Use this font to copycat real handwriting with big success!

Asvet Mono is a playful monospaced stencil that is bold and curvy. This cheerful TrueType Font has over 370 characters and it is legible in fine print.

Go beyond the basics with this cool font. Create one-of-a-kind scrapbook lettering and titles. Download it for groovy or retro flyers, announcements, and invitations.

The name ‘Linkus’ makes reference to the internet and its power to unite humanity, as well as to Linkus’ distinctive design, where the whole character is unified by a single, unbroken line – without sacrificing its elegance and readability. Linkus is based on the aesthetic decision of having a single, unsplit line forming every character, with a smooth transition of the different line directions, in order to strenghten the unity of form and create a singular fluxus throughout the glyph. Different from most other futuristic fonts (e.g. Slazer), who have an aggressive look, Linkus has a more sensible, refined aura. This display futuristic typeface is meant to be used whenever the subject is technology, cellphones, electronics, internet, computers or science in general, as Linkus creates a feeling of modernity, cleanness, efficiency and high-tech sophistication.

Kalexa, a name inspired by the fusion of kaleidoscope and hexagon, is a modern typeface created from geometric lines based on the hexagon's shape. It draws inspiration from low poly and heavy industrial typefaces, reflecting modernity, simplicity, and power. With its sleek and minimalist design, Kalexa emerges as a disruptive force. Thanks to its 6 font weights, it is highly versatile, making it suitable for a myriad of projects across various themes, ranging from sports designs and industrial brands to technology projects. It adheres to the trend of bold and unconventional shapes while maintaining excellent readability. Available in a variable version for precise control over font weights, Kalexa unlocks endless possibilities for designers to craft captivating visual experiences. Each line becomes a brush of creativity, walking the line to new frontiers of design expression.

TradaSans is a new addition in the range of Univers and Helvetica. It represents a fresh face in this ongoing strong category of sans serif typefaces. TradaSans slightly squarish tendency, and its technical and neutral look create an objective and factual appearance. TradaSans is an ideal typeface for universal use. It offers high reading qualities with longer text applications and its sophisticated design details make it a distinctive headline typeface. TradaSans consists of 20 well tuned weights and is well equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

The font is inspired by the history of the native land - a city that blossoms on a high mountain, surrounded by the blue ribbon of the Unava River. The swift rapidity of the river, the important slow flow of its reservoirs, golden beaches and steep banks of which remember the glorious times of Cossack glory. Times when bright flags flew over the Cossack army, which swiftly swept the green meadows with lightning cavalry, and dusty paths under the scorching sun. To go out to defend their homes, to cross the cold steel of ringing sabers with the enemy, and, bravely going into battle, to fight back the invaders. The font combines the straight lines of sharp steel sweeps, the broken lines of jousting blows, and the refinement of the accent of undulating flag lines.

BLUEROCKS is a rough brush font, created by hand, sketched on paper. This font is designed to make your designs or handwriting look louder and bold with ease. Perfect & Ideal for Logos, Quotes, Packaging, Flyers, Posters, Book Covers, Social Media Banners and Event Merchandise Types. The BLUEROCKS feature comes with Uppercase & Lowercase, Numeral, Punctuation, Swash lines, and also Multi Language Support. Multi Language English, French, Portuguese, Italian, Spanish, Turkish, Dutch, Finnish, Norwegian, Swedish, Danish, Icelandic, Hungarian, Romanian, etc. The BLUEROCKS typeface also comes with a Webfont Kit __________________________________________________________________ If you press a_a (a + underscore + a) (a_a / a_b / a_c / a_d / a_e / a_f / a_g / a_h / a_i / a_j then the line swash will come out. I've included 10 different line swash types. _________________________________________________________________ Feel free to message me if you have any questions. Don't forget the ♥ Like button guys! :)

EquipExtended is the next complement for the Equip family and with its 16 fonts together with EquipCondensed, it extends the family to 48 styles. While developed from the same basic shape as the rest of the Equip family, it has its own particular friendly and warm appearance. With its wide and open proportions, EquipExtended makes a grand entrance for your headlines, subheads and even for the body of text. Try it out, the light style is free. EquipExtended is very well suited for ambitious typography. The EquipExtended family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

The perfect font for coupon clippers has arrived with Sentzoff Coupon JNL by Jeff Levine. The dashed lines form letters in the same way a coupon is bordered.

German type designer Johannes Erler created this pi and symbols FontFont in 1992. The font is ideally suited for advertising and packaging. It comes with proportional lining figures.

A thoroughly fun font based on handlettering found on a travel brochure for IMM Steamship Lines, circa 1927, and named after a fictitious girl who likes kissing alot.

Bordershine Monoline is a modern calligraphy font with mono-line, hand-written and enchanting feel. It's perfect for branding, wedding invitations, photography, bloggers, logos, greeting cards and more.

Petra is a classic fantasy kingdom font that has bold and consistent lines in every letter, this font symbolizes strength and screams from the bottom of the heart.

Juggler is a medium-line font suitable for work requiring a friendly style. Ideal for packaging, also suitable for special invitations, birthday cards, posters, ads and book jackets.

Qasiru is a messy handwriting font with a theme of fun and love, it has bold and irregular lines, but fits perfectly in the whole lettering. Thank you

Querida is an elaborate, elegant, constructed script with intertwining swashes and a timeless appearance. It will serve you well for all kind of high class package design challenges.

This font is especially designed by architects for architect, urban planners, landscape architects, industrial and product designers. It is ideal for the use with line drawings. Because of it's geometric shape it blends in with your drawings. It's adjusted to fit most of the common line width types. It also contains many icons, especially for use in these professions. On top of that you can find many glyphs and icons to create legends and title blocks. More information about kloeg design.

This font is especially designed by architects for architect, urban planners, landscape architects, industrial and product designers. It is ideal for the use with line drawings. Because of it's geometric shape it blends in with your drawings. It's adjusted to fit most of the common line width types. It also contains many icons, especially for use in these professions. On top of that you can find many glyphs and icons to create legends and title blocks. More information about kloeg design.

Misguided; "to go astray". This brush font throws out the typography rulebook and breaks away from the mundane letterforms. Thick lines, thin lines, small letters, big letters - it has it all, and thrown into THREE hand-painted character sets which can be mixed up, lowercase or uppercase, giving you a massive amount of customisable layout options for each word. Misguided is guaranteed to add an eye-catching appeal to your logo designs, handwritten quotes, product packaging, merchandise & social media posts.

SF Saggar is an Arabic typeface for Print and screen. Inspired by an alphabet written by the calligrapher and artist Mohamed Said Al-Saggar 40 years ago to simplify Arabic printing. Saggar is from Naskh style and contains 3 weights: Regular, bold and black. SF Saggar is a simple and little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Designed for ParaType in 2004 by Vladimir Pavlikov. It is a new version of popular type Quadrat Grotesk by the same author. Letters of the new version in contradistinction to the old one are clean and have no traces of exploitation. Quardat Grotesk New due to its rectangular proportions is extremely readable in small sizes and can be successfully used in Web pages and in documents with long lists where critical aspect is a number of lines rather then length of a line.

Hungarian type designer György Szönyei created this display FontFont in 1999 and extended it in 2010. The family has 11 weights, and is ideally suited for advertising and packaging, logo, branding and creative industries, music and nightlife as well as sports. FF Archian provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining and tabular lining figures. As well as Latin-based languages, Archian Stencil also supports the Cyrillic writing system.

Never let it be said that a good pun and a good font name can't work well together. The vintage sheet music for a 1920s-era song called "King Tut" (not to be confused with the novelty tune by comedian Steve Martin) presented an oddly-interesting block font which is now available in digital form as Type Uncommon JNL. The pun derives from the font's name of "Type Uncommon", which is similar in sound to King Tut's full name (which is Tutankhaten).

Dress Quote is obviously a wordplay - and I did my best to be funny, coming up with that name. I also did my best to do a funny font. I'll let you be the judge of my success - but personally I am satisfied with my performance in both cases! :) The Regular version is a set of steady, yet kind of rugged letters, while the Outline version is ... well, the same kind og rugged letters in an outlined version! :) Multilingual support is included!

Circling Vultures is an old west slab serif font offered in degrees of aging; Circling Vultures BB is clean, with sharp edges and lines, Circling Vultures Decay BB has rounded corners and distressed lines, Circling Vultures Rot BB is the most worn out option in the set, with flecks of missing "ink" apparent. Each option comes with two variants; a standard upper/lowercase, and an option with smaller caps in the lowercase keys for a total of six fonts in the set.

A thin Roman typeface with slab serifs shown in various editions of the American Type Founders’ Specimen Book as either Lining Antique or Lining Central Antique was the model for Specimen Book JNL which is available in both regular and oblique versions. This is the 1700th design released by Jeff Levine Fonts since its inception in January, 2006 and was named Specimen Book JNL to celebrate the era when metal type and letterpress were the modern technology of their time.

Introducing my new Art Deco inspired typeface Sailem with line in the middle. This is a display font perfect for contemporary magazines, vintage branding, space posters, steampunk headers, and advertising. What's included? * Middle line style * Uppercase * Numbers * Symbols * Punctuation I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Edits and Credits JNL is a cheerful sans serif typeface modeled from ceramic letters in a movie titling set from the late 40s or early 1950s. In the original kit, letters would be lined up accordingly against a contrasting background and photographed for home or professional movie and slide titles. Note: The cap height is slightly smaller than normal for the respective point size. This will give the effect of wider line spacing - similar to that of home movie titles.

In October 2010 I released a font called “Zanoix” It was based upon a an old horror movie poster. I looked through and old folder, and found the font that served as a base for this the grungy font. Zonaix is opposite to Zanoix, because it is super clean, pointy and is made entirely of straight lines! With the sharp pointed serifs and whacky lines, it is a good choice for a legible seriffed font - not necessarily for anything scary!

Italian type designer Maurizio Osti and American type designer Jane Patterson created this display FontFont in 2003. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Folk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates.The font was based on the original alphabet created by Ben Shahn in 1940. It comes with proportional lining and tabular lining figures.

Foliart is thin line uppercase font with floral motives. The typeface includes Decorative and Symbol styles. To get an elegant and unique design, combine letters with symbols. Foliart is suitable for feminine business branding, eco-friendly and minimalistic art, social media design. The font works great for craft products branding and packaging (organic cosmetics and food, jewelry, floristics, handmade soap ect.) Also use individual letters and symbols to create logos and monograms. Foliart combines well with modern graphics: abstract shapes and line art.

Grafton Titling was designed for dramatic impact. It contemporizes old style proportions, bracketed serifs and a left-leaning stress angle with striking contrast and modern angular joins. The solid style has a timeless feel, while a flared through-line variation provides textural interest. Small caps, a complement of OpenType features, and support for diacritics and accented characters make it a robust and distinctive choice for headlines that demand attention. Through-line characters are accessible using the Stylistic Set or Stylistic Alternate OpenType feature.