Camelot was the first of over 100 typefaces designed by Frederic Goudy. The upper case characters were drawn in 1896 for the Dickinson Type Foundry. Goudy was so encouraged by his check for $10 (double what he asked for the drawings), that he spent the next 50 years designing type. The lower case was added by the Dickinson foundry. This Lanston digital release includes a Text version based on the smaller point sizes of the metal type and a Display version based on the larger sizes. The two appear different in size but share the exact same line weight when at the same point size.

The Gramma font family provides about 240 very basic graphic structures. Compilation of of this set has been inspired not by symblic but by graphical-morphological concerns. Therefore the three fonts (A, B, C) represent the entirety of all possible and simple graphic forms. Glyphs of this kind are likely to be found anywhere: in scripts, in signage, in branding marks – and so on. So, the Gramma font package is applicable to a great variety of usage. Whenever a free choice of elemental graphic motifs is desired – be it ideographical, pictographical or for brand design, this package provides you with nearly any graphic shape imaginable.

Okeanos Handwritten Greek Cyrillic Font is a handwritten display font. 100% handcrafted with a marker, digitized, and turned into a font. Of course, the font supports a full set of Greek characters, Cyrillics, and an extended Latin character set with diacritics. With 10 nautical icons, this typeface can be your next typeface for your graphic design needs. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so easy to use that it can cover them all. Also, it can be used on social media content, for branding, poster design, for “hand-written” quotes and any other kind of product packaging.

JetJane is a geometric sans-serif family. The family has two widths and each width has nine weights. Each of these 18 fonts comes with an accompanying italics version, giving the family a total of 36 members. JetJane, like other geometric sans faces, is plain, unadorned, and highly legible. It is derived from JetJaneMono, a monospaced sans-serif face. This development is unusual because one expects the monospaced variants to be created after the proportional variant, if a monospaced variant is even produced. This development history results in some distinctive differences between JetJane and two other geometric sans faces from IngrimayneType, AndrewAndreas and Yassitf.

Actay Font is an elegant and remarkable family with its highly legible geometric lines. Crowded family members are divided into three separate groups: Normal, Condensed, and Wide. Each group has 20 weights. Actay Font also provides Cyrillic Alphabet support, providing unlimited possibilities in many languages and will not let you down. The fluent functionality of Actay is achieved with multiple OpenType features, such as case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions. Thanks to its corporate structure, Actay can be shaped and used in accordance with many design trends.

SK Shpala is a modern geometric display typeface inspired by the aesthetics of railways. The typeface is built on a system that includes a combination of wide lines and thin gaps, which creates a unique character pattern. The name of the typeface refers to the railway tie for a reason, as the text typed in this typeface really resembles the railway tracks from above. The typeface is multilingual and supports many languages of both Latin and Cyrillic. Despite the strong decorative component, the SK Shpala typeface is a powerful tool for working with typography and design. The typeface is also perfect for poster design and large headlines.

The name Type Warmers JNL traces its lineage to small catalog booklets issued by Indianapolis' Cobb Shinn for his line of letterpress cuts; of which a few can be found included within this typeface. Presumably type could "warm up to" these stock illustrations and work hand-in-hand to deliver the message, hence the "Type Warmers" sobriquet. Originally known for illustrating many attractive and comical postcards of the early 1900s, Shinn moved into the field of purchasing stock art and redistributing them as electrotypes or "cuts", the predecessor to today's digital clip art. A number of the cartoons he sold can be found in the Shinn Kickers JNL font.

Bitner is a contemporary styled sans serif font that takes the name from the process of collecting bitcoins ‘bitcoin mining’. The simple, spur-less letterforms with no adornment are a direct influence from the crypto-currency technology and help to give the font a distinct, modern personality. These compact details combined with open apertures provide good readability across body copy. Bitner is a versatile sans serif with charm and geometric quality aimed at the convergence media markets. Details include over 800 characters with alternative lowercase a, e, g and y. 7 variations of numerals, true small caps with accents, manually edited kerning and Opentype features.

Railhead is a revival of an 1870s type style that was originally available from both the Bruce foundry in New York and James Conner's Sons type foundry. The Redux version is the original design but only the uppercase and punctuation were ever created the rest of this font design including numbers, accented characters and lowercase are of my own design. Looking at the original font the inside rails reminded me of a railroad so I created a new version by adding horizontal lines in the lower portion of each letter which resemble railroad ties and Railhead seemed to be the most logical name for this old revival.

From 1702 to 1811 the French "Royal", then "Imperial", Printers, neglected Garamond and Fournier's designs and used only the font called "Romain du Roy", carved (1693 to 1723) by Philippe Grandjean by order of the king Louis XIV. 1790 Royal Printing was inspired by various variants of Romain du Roy that were in use during this period. Our sources were mainly official and legal documents printed in the late royal period, and in the beginning of the French revolution. There was no bold style. The 1790 Royal Printing Caps fonts contain small caps, plus titling caps for headlines as 1790 Royal Printing capitals are intended to be used preferably for text.

Bósamble is a striking and contemporary Bold Display Sans Serif typeface that effortlessly commands attention with its bold, geometric letterforms. Its distinctive design features a perfect balance between thick and thin strokes, creating a sense of power and modernity. Bósamble’s uppercase characters exude a sense of confidence and boldness, making it an excellent choice for headlines, posters, and branding projects where a strong and impactful typographic statement is desired. Its clean lines and clear readability make it a versatile choice for a wide range of design applications, allowing Bósamble to stand out as a compelling choice for those seeking a bold and assertive typeface.

Selektor Slab is small font family created as logical extending of the Selektor font family. Inspired and after that designed with the charm of technical letters, it contains a few letters with specific endings that gives Selektor Slab peculiar impression. Global overview of Selektor Slab says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Available in 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as additional OpenType features.

Bornholm Tejn is named after a village »Tejn« on the only rocky island in Denmark »Bornholm« Bornholm Tejn Low is the lowercase variant of Bornholm Tejn, released in 2012, the first face in a series of rough stone cut typefaces, that shares proportions, but differs in any other aspect like different pieces of rock. It is a powerful face, but still very friendly. Good for very big sizes, but can be used for small texts, movie titles, cartoons … Bornholm Tejn Low has a large x-height which supports the heavy and black look of the typeface. It contains tabular and proportional old style and lining figures.

German type designer Siegfried Rückel created this sans FontFont in 2008. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as web and screen design. FF Nuvo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo Mono."

Codiga is perfect for titles and badges that need to show a futurist and space sensation. Its angles formed by straight lines and its san serif monolineal design allows its solid and rigid shapes stress its industrial and technology Look. Codiga consisting of 8 styles: Blanca, Gris, Negra, Super Negra, X1, X2, Stencil and Dingbats (Codiga Dingbats includes 26 illustrations characters). Codiga Blanca, Gris, Negra, Super Negra, X1, X2, Stencil include the complete character set with lower and upper case letters, numbers, accents, diacritics, puntuation and monetary symbols. All of the fonts included in this familily are available in the Open Type format and they are Mac and PC compatible.

Every face tells a story but this font is 77 stories high (1,046 feet with antenna included)! A lofty companion to Empire State Gothic , Empire State Deco is a tall, stately font containing four different styles, sometimes contradictory, united by the desire to be modern. Those familiar with the Exposition Internationale des Arts Décoratifs et Industriels Modernes will notice a post-postmodernism combined with the fine craftsmanship and rich materials for which those awfully nice chaps at Comicraft are known. During its Art Deco heyday, Comicraft represented luxury, glamour, exuberance, and faith in social and technological progress -- this new font recaptures those halcyon days in letter form.

Royce is a cute and minimalist designed font family with rounded edges on each character to make a fun and modern impression on your designs. It is very easy to combine this font with other types because it comes with 10 complete weights ranging from thin to extrablack, with a modern impression Royce has many useful features for example Alternate which is more formal in feel and Discretionary Ligature which is very eye-catching so it is ready to be used for various kinds design types such as displays, titles, body text, magazines, cover art, social media, logos, web Ui, clothing, posters, and others. Royce also has multilingual support.

Linotype Mateo is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Jürgen Ellenberger included three styles in his font, roman, bold and outline. The characters of Mateo consist exclusively of lines, giving the font an extremely angular look. However, Mateo retains a certain handwritten style somewhat reminiscent of the graffiti left on wooden grade school desks by previous classes. The bold and outline styles have emphasized stroke contrasts but keep the angular, consciously irregular look. The roman style is best for smaller texts and the bold and outlines styles for headlines.

Conceived as an exploration of geometrical type designs of the early twentieth century, Canaro was — in its first design stages — heavily rooted in that time period. During its development and the effort to give it a modern appearance, it turned into a contemporary font with a strong historical background, defined by legibility and functionality. In addition, the lack of spurs provide a unique but unobtrusive character and support the contemporary impression. Typographic features like alternative glyphs, ligatures, oldstyle numbers, arrows, fractions and other special characters, round up the family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

This highly stylish, engraved blackletter font was cut by Rudolf Koch between 1919 and 1921 for Klingspor in Offenbach on Main. It was then sold under the name Deutsche Zierschrift. I completely redraw and extended this font and called it Zierfraktur. To take full advantage of this fine headline blackletter font, please use it from, at least, 18 points upward. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and you get the numero sign by typing the combination N-o-period and activating the OT feature Ordinals.

Neogram is a modern neo-grotesque type family inspired by the early roots of Swiss design. The concept was to create a neutral typeface that would demonstrate great clarity while understated in its intended use and application. Stroke contrast is slightly increased, with a more geometric letter shape giving a warmer and more robust personality. Neogram is now available as version 2.0 (2021); the remastered letterforms meet a higher level of technical standards demanded by modern-day users. Details include nine weights with matching italics, three variable widths, 540 characters, five variations of numerals, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.

Introducing, The Vindale - a vintage script with reverse contrast and a touch of nostalgic look. The unusual reverse contrast make this typeface one of a kind. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Dream Peaches - a monoline handwritten that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

We present our new font "Twilight Font" This font was created with a touch of original handwriting using a brush pen. Has a natural and textured feel, and has a distinctive character and is different from other fonts. One more thing that is interesting is that this font is suitable for various kinds of your design needs, namely logos, brochures, posters, quotes, branding and so on. If you are interested in buying this font for your design needs, then you will get 3 types of files that will be installed on your computer. Thanks so much for checking out my shop! Happy creating! Cheers! Hanief - Hanzel Space

Once I set on the concept for this ‘Origami’ inspired font, I used an imaginary strip of folded paper as the basis for each character, the folded effect being realized fully by incorporating an incised line. Of course the folded paper aspect is just a two dimensional illusion but subconsciously, will automatically be interpreted three dimensionally. There are numerous options for creating alternative characters following this logic, as the centuries-old Origami tradition itself illustrates quite clearly, but I wanted to maintain an ordered sense of style and balance throughout the full character set, so avoided any unnecessary flourishes, staying true to the Japanese ethos and spirit.

The Brāhmī alphabet is the ancestor of most of the 40 or so modern Indian alphabets, and of a number of other alphabets, such as Khmer and Tibetan. It is thought to have been modelled on the Aramaic or Phoenician alphabets, and appeared in India sometime before 500 BC. Another theory is that Brāhmī developed from the Indus or Harappa script, which was used in the Indus valley until about 2,000 BC. The earliest known inscriptions in the Brāhmī alphabet are those of King Asoka (c.270-232 BC), third monarch of the Mauryan dynasty. Brāhmī was used to write a variety of languages, including Sanskrit and Prakrit.

"Notes from Paris" will make your letters look très chic while still maintaining its functionality with easy-to-read letterforms. Furthermore, the comforting vibe of this font brings a touch of relaxation to your typography. The words flow with ease and grace, like a gentle breeze on a summer day in the city of love. So, whether you're crafting a logo design or wedding invite, "Notes from Paris" is a font that you must have for a chic and legible typographic journey. With 59 Opentype ligatures, this font blurs the line between script and handwriting, allowing for a seamless transition between letters and creating a truly genuine sensation.

Ok, so many of you are now probably wondering if I am a teenager. Nope. But I was once, and I had alot of pent up angst like alot of other teens, and maybe this typeface is my outlet for what is left of those teenage days of mine. Take it as you will, but Young Itch is a bold, scratchy, handdrawn typestyle, with that feel of grunge and pent up anger. The typeface comes with its own persona, but I bet it would work itself well into a wide array of designs. Ventilate your current or past teen angst with Young Itch today!

Introducing Binter. A bold retro script that will take you back to the 60s. This typeface has an extrude version so you can create a retro effect font easily. This font is very suitable for application, especially on logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or all kinds of things. advertising purposes. Feature : uppercase & lowercase numbers and alternating PUA coded swash multilingual ligature punctuation We strongly recommend using programs that support OpenType features and Glyphs panels such as many Adobe and Corel Draw applications, so that you can view and access all variations of Glyphs.

Binner was designed by John F. Cumming in 1898 and is an alphabet with a strongly historic character. It takes the reader back to the early part of the 20th century, when typefaces of this kind could be found in advertisements on houses and posters. The robust figures display a marked stroke contrast. Particularly striking are the high middle strokes of the E and F as well as the wavy connecting stroke of the H. The curves of the R and P extend well into the lower third of the characters. With its robust figures, Binner is best used for headlines in middle and larger point sizes.

Danish type designer Ole Søndergaard created this display FontFont in 2011. The family contains 3 weights: Book, Bold, and Black and is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Signa Serif Stencil provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif, and FF Signa Stencil.

French designer Christophe Badani developed the Linotype Rough family in 1999. The family contains nine different typeface styles, each with a slightly different voice. The forms appear to have found a unique middle ground between hand-drawn letters and pure geometry, especially Linotype Rough Outline. Make sure to pay special notice to the true-italic forms in the three italic weights! Badani's attention to typographic detail is not to be missed. Linotype Rough is perfect for headlines and display work. The medium and bold weights can also function splendidly in text. The entire family is included in the TakeType 4 collection, available through Linotype."

Recherche means “studied refinement or elegance” and suits this typeface perfectly. Based on italic, calligraphic letterforms, its long, arking verticals and oval counters convey airy sophistication. Recherche is packed with swashy alternates, making it easy to create unique settings and wordmarks for menus, wine labels, wedding invitations, and more. It includes a full set of swash capital letters and 89 lowercase swashes. See what’s included! http://bit.ly/2bUYhqk *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D). The fonts A and B have extensive kerning, which the initials (C) don't need, they are aligned to replace the standard capital letter. The lowercase end-letters (D) are aligned to replace the standard lowercase letters, so you might need to add a blank after the swirl. For good measure I throw in an extra set of swings for 1 Dollar (E). Your Bodoni maniac, Gert Wiescher

Introducing Neon Sci-fi Futuristic Font called Stacker A unique Fonts with Futuristic Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Stacker fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, and many more that are beautiful. It is also best used for posts, logos, posters, labels and more.

Motiva Sans is the chosen typeface for Valve’s Steam OS, a 125.000.000+ users gaming platform. With 7 weights and matching italics (a total of 14 fonts), it comes with essential OpenType features such as small caps, caps to small caps, tabular, lining, oldstyle figures, fractions as well as extended language support and alternate characters in the italic weights. It performs well in printed and digital environments. The italics are more cursive than the average sans serif design and provide very good contrast to the their roman counterparts. Motiva Sans pairs beautifully with our high-contrast didone serif Tenez or with our cute vertically connected script Primot.

Danish type designer Morten Olsen created this sans FontFont between 2003 and 2004. The family has 18 weights, ranging from Extra Light to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Max provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Max super family, which also includes FF Max Demi Serif.

Jantur Type is a simple geometric sans family with charming curves and natural flow. variable font technology, and its axis weight range spreads from thin to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Okay, we admit it! Comicraft's latest offering -- wrenched heavy-handedly from the pages of CHARLEY LOVES ROBOTS – is definitely a little awkward, maybe even loose-limbed and goofy. Those (usually) awfully nice chaps in the Comicraft studio are perhaps best known for their dexterity, their lightness of touch and nimbleness of finger rather than the kind of bungling, graceless, clumsy work evident in their latest digital alphabet. So, yes, MALADROIT is probably the most inept, cack-handed, undiplomatic addition to our catalogue ever submitted by freewheelin' John Roshell (formerly GAUCHE-ell) but might just possibly be the perfectly wrong font choice for your more bungling, inept, incompetent and hamfisted characters.

Introducing our new font Kinsale Display. A bold and strong looking display font that not only heavily inspired by the vintage/classic letterforms, but also some touch of modern twists and absurdities. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its wide and blocky letterforms make Kinsale is a great spacekiller. Suits best for title/headline, logo/logotype, packaging/label designs, etc. Packed with 300+ glyphs, weaponized with standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, and ligatures. This font is a must have item for your designing arsenal. Get yourself one and start creating something cool! THANKS AND ENJOY!!!