Sandoval Script is a handmade script font with clear style and creative projects such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterhead, posters, clothing designs, labels,as you can use the illustrative qualities of the shapes to create an art piece. Sandoval Script come with uppercase letters, lowercase letters, numbers, punctuation, and so many variations on each character including alternative opentype, general binder, and a very useful set of Swash bonuses. It's fun to use because each word can be transformed to you like. Sandoval Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Azkia Script is a beautiful and lovely script font with many alternative styles, ligatures, swashes, and multilingual glyphs. Azkia is a script typeface with a noble vintage look. Created in response to current graphic design trends. Get inspiration from classic labels, vintage packaging, and vintage sign painting. This Brightina script will add a touch of worldly knowledge to your artwork. The classic nuance is perfect for those of you who need fonts, especially for logos, clothing, signage, branding, packaging, advertising, and others. I've designed a number of examples, so you can see how they're used. Azkia Script also has many alternatives for ascender, descenders, swash, and ligature. It also has several options for tails and underscores. To provide a huge number of possibilities to play with and come up with some unique designs. Azkia Script comes complete with: • Uppercase, lowercase, numbers, punctuation & symbols • Multilingual support • Alternative styles • Swash • Binder If you have any problems, questions or anything about my fonts, please send us an email.

Mogetson is a cursive script font. With bold contrasting strokes, a playful character with a bit of binder and alternatives. To give you some extra creative work.. This font is great for logo designs, Social Media, Movie Titles, Book Titles, short text even long text fonts and is great for your secondary text fonts with sans or serif. Create stunning masterpieces. mogetson fonts contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. Alternative characters are divided into several Open Type features such as ,Alternative Style. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Thank you for your purchase.

Though there are many thousands of digital typefaces available, none seem to be made exclusively of letters that tessellate, a complete tessellating alphabet. This void is now filled with not one typeface, but a group of typefaces, the Tescellations kinship group. Even though I am aware of only one use for this typeface--writing about tessellations--that does not mean there are not hundreds or perhaps thousands of other uses. These typefaces are a byproduct of two maze books I designed, Puzzling Typography and Puzzling Typography A Sequel. I found the challenge of making mazes from tessellations, including letter tessellations, intriguing and these typefaces are a byproduct that endeavor. There are seven members of this typeface kinship group. I tried to select the the glyphs that fit together best to form Tescellations; it is the most readable of the lot. The reason for an Italics version is that I needed one for the maze project. In constructing it, I tried to include as many different lower-case glyphs as I could rather than just skew the regular version. A purist might insist that the tessellation deal with the counters. My approach was to worry only about the exterior of any letter that has an interior, but for anyone who who might object to the counters, versions with filled counters are included. What did not fit into Tescellations was dumped into Tescellations Two, which is somewhat of a ransom-note type of face. It comes in two styles, a regular version and a version in which the counters are removed. TescellationPatterns shows how many of the characters in these typefaces tessellate. It has over 100 tessellation patterns, each on only one character. Simply type several lines with any character and make sure the leading is the same as the font size, and you have an instant tessellation pattern of a letter.

Monospaced become very popular among graphic designers. Nevertheless, I’ve noticed that in most cases that designers use monospaced typefaces is not because of their particular features caused by the strict rules of design — all characters share the same advanced width — rather because of it’s ‘electronic derived’ appearance. So, I decided to create a typeface that keeps the characteristics that, in my opinion attract designers to this particular sort of types, but deliberately break the main rule: characters do not share the same width — but they they look like they do! Characters are better balanced compared to truly monospaced types, giving more even typographic color while used in text setting. One weight might enough to please electronic type lovers. Designed in 2000.

Sometimes a sans serif just needs a sister. Meet Mamirolle! A geometric wedge-serif companion to Mimolette! (OR is Mimolette the sans serif companion to Mamirolle.... hmmmmm....) Mamirolle, like her sister, is great for text and display alike—she's super-readable AND super-legible, and her different weights lend themselves to creating clear contrast in your textual hierarchy! And she's got some nifty features, too! Mamirolle has a two-story a and g in the upright versions, but if you want a one-story a and g, just turn on Stylistic Set 01! Her italic is a true italic, not just an oblique. Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mamirolle was made with love, as always, by yer pals in the Ampersand Forest.

Friendly is an homage to Morris Fuller Benton's adorable Announcement typeface. It is not a strict interpretation, digital revival or reverent reproduction of the original letterforms… but I would be remiss and shady to not acknowledge the letterforms that inspired this typeface. If you are looking for a more accurate 'scanned revival' I would recommend searching "Announcement" on MyFonts. As stated earlier, it is an homage to the original letterforms of the typeface but takes a great bit of freedom tightening the construction up in order to loosen up the movement of the variant letterforms to allow a great deal of usable personality. I enjoy stating this dichotomy… "loosen up to tighten up the forms" and vice versa. It seems counterintuitive or silly but by allowing the letterforms to normalize, I felt more comfortable going back and adding rather indulgent personality. Infused with stylistic alternates, swashes, titling, many many contextual alternates, 9 stylistic sets and 2 stylistic sets with wordmarks, the typeface became far more 'friendly' for me… how could it not? With so many loops, swashes and typographic indulgences, it was bound to be fun. The more elaborate and 'overdone' Friendly got, the more I wanted to slant it. Here's where my thinking differs from MFB's original. I like slanted romans… especially ones with long ascenders, but I do not like much of a slant. It has to be the lettering person in me. It's hard for me to do a completely upright serif and not pair it with an angle, but I did not feel Announcement's 'Italic' offered much and the actual slant needed to be far less. If it's not an italic, I prefer the letters to slant with an angle equivalent to the thickness of the vertical stroke. The Slanted version of Friendly is set at 3.6 degrees, is quite subtle, and very fitting for me. You will find that most characters have a contextual, stylistic, swash and titling alternate assigned to them and some have an echoed alternate to the swash and titling options if the stylistic alt has been selected in tandem. Additionally, all of these are accessible in the glyph palette directly from the base glyph typed or through selecting options through the Stylistic Sets 1–9. Stylistic Sets 10 & 11 are a little different. They are actually configured as complex majuscule ligatures… a result of me getting carried away. Other features like a default old style numeral set and coordinating glyphs have been produced along with case support, ordinals, and more have been added to make it more relevant for contemporary use.

I’m not trying to be sarcastic or ironic. But after looking at fridge magnets, postcards, posters and stickers with clever words about love and happiness, I suddenly found them all cheesy. You may have guessed it by now: I’m not into clever words like those…but I do respect if they brighten someones’s life. This font, however, was made to brighten people’s life by being great as a soft, handmade and organic headline font! Use for your favourite quotes, or whatever needs a legible and clear presentation!

The future is square! Well, at least according to Turbo Modul! Maybe the future is square, but it is also funky - just like Turbo Modul ... and its pretty unpredictable! Turbo Modul is loaded with alternative letters with arrows pointing in all directions, all made to pimp your designs! I've also added ligatures to substitute double letters, and there's a slight difference from caps and lowercase. Wow! That's a lot of different combinations! I tell you what ... I take a look at the posters I've made, and hopefully it will make you want to try out the font. I had a lot of fun doing the font, and maybe you will have a lot of fun using it! ;)

Bubblewrap is based on a 10 x 14 dot matrix grid and is perfect for projects where a little care and attention is the order of the day.

Danu font is a font with a traditional style with a minimalist approach, this font is inspired by Javanese script with curved letters and some dots in it.

Font with hexagonal dots for names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for text on posters, t-shirts and other surfaces.

Mindful that Hiragino Sans (Kaku Gothic) would be used in conjunction with Hiragino Serif (Mincho), SCREEN developed a font that anticipated today’s world where most people do their reading on displays and yet still has an orthodox letterform that does not blur when printed on paper. In short, our goal with this font was to create a new concept that responds to the demands of today’s times. This font offers weight variations from W0 to W9 and is extremely versatile. This makes it well-suited to all visual expression media including paper, metallic textures, resins, cloth, television, movies, broadcasting, websites, and electronic displays. One of the design’s strongpoints is that it elides serif on the right side of each stroke, thus delivering more spacious counters and a comfortable appearance. Thanks to this, the typeface not only delivers a contemporary, lively impression same as Latin sans serif typefaces, but also heightens the natural continuity and readability of text whether it is set vertically or horizontally. As a result, it makes it possible to bring a strong appealing power to text. Without a doubt, this is typeface that above else embodies the role of Sans Serif.

Kostania is an elegant and unique designed font for any display use with 4 weights from Thin to Bold. Kostania is including a bunch of alternates and ligatures characters that give you a variety of typographic design results. Kostania is a versatile font for many design project such as logo design, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

Brastika is an elegant serif family with 9 weights from Thin to Black. Brastika also includes a bunch of alternate characters (PUA Encoded) and ligatures to give you a wide range for create an unique typographic design results. Brastika is suitable font for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

Introducing our unique display font that we call "Dhaks". Dhaks font has an unique shape on each character. Dhaks font comes with a bunch of alternates characters and ligatures characters that will give you a wide range to create a beautiful typographic design result for many different projects such as logo design, branding, poster, magazine, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

Sunbest Mora is a curly designed serif family font that consists of 9 weights from Thin to Black. Sunbest Mora also includes a bunch of alternate characters (PUA Encoded) and ligatures characters to give you a wide range for creating attractive typographic design results for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playful to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: ekahermawanputu@gmail.com Thank you so much...I really hope you enjoy when using it!

Kalivo is a beauty display family, this high contrast font is great for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! Kalivo also includes alternate characters (PUA Encoded) and ligatures with 9 weights to give you a wide range for create an unique typographic design results. FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support, numbers, and currency symbols. PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy when using it!

Escoffier Capitaux is named for culinary legend Auguste Escoffier (1846-35) and inspired by lettering used in vintage French advertising – including the work of commercial illustrator/fashion designer Ernst Dryden (1887-1938) WITH a hearty serving of 1960s ligatures influenced by the work of Herb Lubalin (1918-81) as well as a twist of Claude Garamond (1480ish-1561) AND featuring many alternate characters and extravagant extras, Escoffier Capitaux is enough to fill out your menu, add zest to your cook book, greeting card, resume or just the right amount of sauce to your blog. DINNER IS SERVED No substitutions, please. Minimum service per person. Warning: May taste gamey.

Shallota is stylish designed font for any display use with 9 weights from Thin to Black. Shallota also includes a bunch of alternate characters (PUA Encoded) and ligatures to give you a wide range for create an unique typographic design results. Shallota is versatile font for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: * OpenType support * Playfull to use (with ligatures and alternates options) * Multilingual support * PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much.. I really hope you enjoy when using it!

A cheerful handwritten font family composed by 8 fonts. 5 slab weights, 2 slab effects and a sans serif. Handmade, friendly and classy, this family is inspired in one of our favorite traditions in Torino, “ L'Aperitivo ”. The social event every afternoon! Before dinner friends meet in the local bar and spend the time together eating, drinking, talking, laughing and eating and drinking again. Handwritten to get a friendly and human feeling. Letterforms specially designed to take the charming mood of this event. The sans serif has been inspired in some letterings found in old local liquor labels. Check out also ‘Modern Love Slanted’ Turquoise Nautica

The name Type Warmers JNL traces its lineage to small catalog booklets issued by Indianapolis' Cobb Shinn for his line of letterpress cuts; of which a few can be found included within this typeface. Presumably type could "warm up to" these stock illustrations and work hand-in-hand to deliver the message, hence the "Type Warmers" sobriquet. Originally known for illustrating many attractive and comical postcards of the early 1900s, Shinn moved into the field of purchasing stock art and redistributing them as electrotypes or "cuts", the predecessor to today's digital clip art. A number of the cartoons he sold can be found in the Shinn Kickers JNL font.

Cynthia June is an elegant and formal copperplate style script font from Jukebox. Perfect for weddings, dinners, holidays or any design that needs classic elegance, flair and femininity, this typeface will fit the bill! It includes an alternate set of swash caps and several alternate lowercase letters to expand its use. The font is named for a dear friend of the designer. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Okay, we admit it! Comicraft's latest offering -- wrenched heavy-handedly from the pages of CHARLEY LOVES ROBOTS – is definitely a little awkward, maybe even loose-limbed and goofy. Those (usually) awfully nice chaps in the Comicraft studio are perhaps best known for their dexterity, their lightness of touch and nimbleness of finger rather than the kind of bungling, graceless, clumsy work evident in their latest digital alphabet. So, yes, MALADROIT is probably the most inept, cack-handed, undiplomatic addition to our catalogue ever submitted by freewheelin' John Roshell (formerly GAUCHE-ell) but might just possibly be the perfectly wrong font choice for your more bungling, inept, incompetent and hamfisted characters.

Is your character vibrating slightly or feeling shuddering feverishly, as if from fear or excitement? Is he or she a warm-blooded animal experiencing the early onset hypothermia? Is your protagonist experiencing a pleasurable sensation of anticipation or maybe he/she has a fragment or splinter of glass or stone in the tip of his/her finger. Any which way, Comicraft now has the font for you to effectively convey the way your characters are feeling to comic book readers everywhere... It'll be just like they're listening to a track by Coldplay while trying to shake off the flu in a haunted house. See the families related to Shiver: Shake.

Serial: a killer font takes influence from the Son of Sam letters. Depicting an unstable mind and ill motives, this font is as erratic and discomforting as its author. Containing two similar but discernible font styles, you can mix and match to create your own story. Serial Regular is neater and more thoughtful. It is controlled and has an obvious flow. Serial Alternates illustrates a very different frame of mind - it is turbulent and rushed with little to no consistency. Serial Regular contains a secondary A-Z set, and a latin character set. Serial Alternates contains over 60+ ligatures (which gives it its natural handwriting style).

Krosta is an unique display family that consists of 6 weights from ExtraLight to ExtraBold. All the alternates and ligatures characters of Krosta are specially designed to make your typography design result looks more unique and attractive. Krosta is suitable for many different projects such as logo design, wedding, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising and so much more! FEATURES: OpenType support Playful to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: ekahermawanputu@gmail.com Thank you so much...I really hope you enjoy when using it!

A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period and activating the OT feature Ordinals you get an old-style number sign.

Unitext Variable Regular is a single font file that features one axis: Weight. TFor your convenience, the Weight axis has preset instances from Hairline to Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

Enchanted is a unique contemporary font that mimics the style of handwriting and brush scripts; yet it is neither. Great for logos, captions and large bodies of text. Paragraphs set in Enchanted are easily read since the letters do not connect; aiding in its legibility. Enchanted contains seven stylistic alternates.

This font is the younger sister of HexBraille with which it may be combined to create new patterns. This also explains why their introductory text are similar. Introduction The purpose of this monospace font is to display braille in an original and "steganographic" way. The Kernig prefix means "Robust" in German, this is because of the crank shapes . The core of the glyph design is a flat hexagon which can be read as 3 rows of 2 dots (i.e. regular braille glyph grid). Even if within a glyph, braille dots ("square dots" indeed) are placed on the vertices of a flat hexagon, the difference with HexBraille is that edges connecting vertices are not straight lines but "crank shapes" instead. This can be summarized by saying that the whole glyph is a Hexcrank (a flat hexagon where vertice pairs are connected by a crank shape) NB: The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 6. A. "Kernig Lattice" In KernigBraille, glyphs are connected to each other, thus for each Hexcrank glyph there are 6 connections: 2 on left/right and 4 on top/bottom. In the final design some cranks were removed for esthetical reason (i.e. leave empty space for allowing patterns diversity). In summary, a text using this font won't display a honeycomb but a lattice instead. NB: Please notice that in order to obtain the lattice without vertical gaps, you must set the interline to 0. The lattice is made from 3 kind of shapes: a.1. Hexcrank a.2. Square a.3. Irregular cross (mostly unclosed) The design favored squares over crosses. The whole slightly resembling a PCB. B. Text Frames It's possible to frame the text with 4 sets of frame glyphs (as illustrated by poster 2) b.1. Kernig { € ° £ µ § ¥ ~ ¢ } b.2. Rectangular-High { è é ê ï î à â ä } b.3. Rectangular-Low { Â ù Ä Ê Ë Ô õ ö } b.4. Mixed Kernig+High: a mix of Kernig and Rectangular-High frame glyphs When using frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes in this font (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Linotype Punkt, from US designer Mischa Leiner, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This font, from US designer Mischa Leiner is available in three weights, light, regular and bold. The basic forms are those of a robust sans serif, however the figures are composed of evenly placed dots, hence the name Punkt, the German word for dot. This distinguishing characteristic lets this font look as though it appears on a background of light. One other unique trait of this font is the nature of the three weights. The figures of each weight have exactly the same measurements, the same width, breadth, etc. The only variable measurements are those of the individual dots making up the forms, making the bold weight much darker than the light while retaining the same outer contours. Linotype Punkt should be used in larger point sizes, as when it is too small the dots blur together and rob the font of its 'light'. The font is therefore best for headlines in large and very large point sizes.

Jazm is an Arabetic typeface design with connected glyphs. Jazm was the earliest, pre-Islamic, script style of the modern Arabic script, before branching into Kufi and Naskh styles. The initial script had a lot less, position-dependent shapes and ligatures, and was not strictly connected. It occasionally included minuscule dots to distinguish identical shapes. This font family design is a modern visualization by the designer of the historical Jazm letter shapes following the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Jazm employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Jazm typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Jazm is available in regular, bold, black, and corresponding italic (slated to the left) styles.

This is not an historically accurate font but rather one intended capture the spirit of ancient Roman manual type. It was inspired by various patterns used in documents and books created by Latin scribes between the second and fourth centuries. They used either calamus and ink on papyrus, or a pointed metal stick on wax tablets. We have created the font for contemporary use; distinguishing between U and V, I and J, which had no meaning for ancient Latin scribes, and adding thorn, Oslash, Lslash, W, Y and common accented characters that did not exist at the time. A lot of titlings and contextual alternates complete the set. Available only in TTF and OTF format.

Handpainted font with attitude! An attitude which will help you when designing posters, packaging, headline, invitations and alike, that needs that authentic brush-look! I haven't got the count of how many pieces of paper I used to make this font. It was a lot! Comes with “contextual alternates” which means that the font has 6 different version of each letter. These different versions cycle as you type, and makes the font look more realistic!

Athletic Condensed was designed to be a must have for any kind of projects. Bold and elegant at the same time, both the regular and slanted styles are super versatile and can be used to dictate a strong message, headlines or just setting casual text. Practical and simple, this font is a classic that will not let you down, as it does an excellent job either as the main character or supporting role.