Mumos is a block type font. Is a font of thirteen units of height with straight terminations in which there is complete absence of curves. Although very basic is a dynamic typography with many possibilities thanks to its three styles, including open space, which facilitates the work with fillers without having to vectorize the glyphs.

Rabona is a typeface for designers; easy to implement, clean and utilisable. A quintessentially modern geometric san-serif, filtered through a gently humanist lens.

Designed by Morris Fuller Benton in 1907; an improved version of the familiar nineteenth century blackletter as he had executed it in his Wedding Text.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D

Morris Fuller Benton’s 1910 contribution to the Art Nouveau sanserif, designed for ATF, with all descenders eliminated to encourage combinations of this typeface with other shapes.

The original Tower Condensed font design is attributed to Morris Fuller Benton (1934). PL Tower Condensed is a tall, condensed slab serif typeface; good for headlines.

Morris Fuller Benton’s ATF version of Baskerville’s design cut by William Martin for the British printer and publisher William Bulmer. ATF released the design in 1928.

Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.

Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.

Introducing Graphy, the font that fuses the energetic spirit of street art and the trendsetting vibes of y2k culture. This unique typeface offers three distinct styles: Filled, Anti Counter, and Outline, whether you're working on logos, branding, or social media graphics Graphy Main File Has 3 style: Filled, Anti Counter, and Outline Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Thank you, Dharmas Studio

Moonlight Serenade is a 1939 song composed by Glenn Miller, with lyrics by Mitchell Parish. Moonlight Serenade font is an all caps affair - very legible, very recognizable and very useful. Upper and lower case differ slightly and are quite happy to mingle. In the words of Mitchell Parish: I bring you and sing you a Moonlight Serenade! Comes with a universe of diacritics.

I drew this font staying true to the original design. The letter table in the relevant book was taken as reference. Enochian (/ɪˈnoʊkiən/ ə-NOH-kee-ən) is an occult constructed language[3] — said by its originators to have been received from angels — recorded in the private journals of John Dee and his colleague Edward Kelley in late 16th-century England.[4] Kelley was a scryer who worked with Dee in his magical investigations. The language is integral to the practice of Enochian magic.

I love blueberries. When my brother and I were young, we used to pick them in the forest by the bucket. Afterwards, we’d always look like victims of a serial killer, but it was all worth it, as nothing quite tastes likes homemade blueberry jam. I don’t know why I named this cute little font Blueberry Jam. Maybe I was craving some… Blueberry Jam is a highly legible, extremely cute and very handmade font. It would look good on just anything, but book covers, product packaging and homemade jam labels come to mind. Blueberry Jam comes with a bucketload of diacritics.

The Kairos™ family from Terrance Weinzierl is that rare form of typeface that successfully melds design distinction and ease of use. While based on 19th century Grecian wood type forms, it performs admirably in a variety of applications, both in print and on screen. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended

Peanotes is a fun cartoon display font inspired by 80s and 90s cartoon movies. Peanotes font comes in 2 versions, regular and filler version. You can use it for anything ranging from t-shirts, book designs, and greeting cards to stickers and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Slightly off-kilter to give this rigid geometric a little personality, Contraption started as a digitization of a film typeface called Intrigue by Lettergraphics. From there, this mechanical typeface was expanded into a giant family of useful widths, weights, and obliques: from spindly thin and light weights, to chunky bold and blacks. An additional Inline style has been developed to further enhance the family dynamic.

LordRat is a rugged unicase typestyle built for childish and off kilter purposes. A mix of heavy and light with quickcut appearance makes this typestyle offbeat and even festive. Put some dignified childish offbeat flavor into your designs today with LordRat. If you've been looking for a playful yet bold typestyle with papercut looks, LordRat is what you've been looking for. Get it today!

Take a classic sans serif typeface, run it through a filter for a "wind" effect then auto-trace the design. The result: a broken, jagged and rough type font called Erosion JNL.

Deco Geometric Stencil JNL was inspired by an example of a vintage Art Deco stencil type design seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Decorative hand drawn display font with drop shadow. Originally designed for embroidery application. Works well with layers, colors, gradients and filters at large point size. Pemberton requires subjective display kerning and compensation.

Goudy Handtooled was done in 1922 and is a shaded version of Goudy Bold. Some authorities credit the design to Charles A. Becker and others to Morris Fuller Benton and Wadsworth Packer.

Stripated is an informal funky font mainly for distinctive headlines and posters, or similar display work. There's still all the features you'd expect like Class Kerning and accented characters, ligatures for ffi, ffl and so on, and a few other extras. The four versions are set up as follows: Plain has all the letters and black stripes in the normal vertical alignment; Jumbled One has the lower case letters all jiggled about but the boxes still square and vertical; Jumbled Two has ALL letters, numbers, and virtually all punctuation jumbled up; and Wild has all that and the black boxes going slightly off square as well. There's 3 different Space characters and a few other character variations in Stylistic Alternates (fuller details in the zip).

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.