Boonville JNL is a slightly condensed version of Cloverdale JNL - a "Western" style typeface based on classic wood type from the 1800s.

This Contemporary style reflects a modern hand-lettered feel. Modeled from a camel hair brush, it is a very legible flowing script.

This typeface is inspired by the lettering of Archibald Knox (1864 – 1933), a designer for Liberty & Co. from the Isle of Man.

Letterpress Illustrations JNL is another collection of dingbats, cartoons, catch words, embellishments and ad helpers all re-drawn from vintage source material.

Socialite JNL takes its cue from the Art Deco style of the 1930s with its clean, angular lines and stylized letter shapes.

Here's another stencil font designed from and inspired by the lettering guides used for years by teachers, school children, merchants and others.

Scriptage is a very weathered classic English Script, also known under the name of Artists Script. From your weathered typedesigner, Gert Wiescher.

Cross a Western wood type with an experimental font from the 1990s, and the most likely result would probably resemble Roughshod JNL.

Type Toys JNL is another collection of letterpress dingbats, embellishments, stock cuts, cartoons and miscellany all re-drawn from vintage source material.

Designed from actual images of wood type, this font brings the look and charm of hand-set typography to the digital desktop.

Medallion Ornaments is a collection of 185 circular ornaments based on plants, creatures, flourishes, geometric shapes, and ornate designs from historical sources.

Investigator JNL gives a serif treatment to Cold Case JNL, which was modeled from some old lettering stencils manufactured in the 1950s.

a fanciful version of an old font by George Bruce and Sons Typefoundry, a historical USA deceased foundry from the victorian era...

Retro Qalva Inspired by magazine adverts from the 70'sand 80's, suitable for branding, logo, promotion, product packaging, and other needs.

Print Shop Stencil JNL was created from the few letters spotted on the packaging of a 1960s-era toy printing press set.

Formalized from some hand lettering by the multifaceted Jugendstil designer Bruno Mauder, perhaps better known for his work in glass and ceramics.

FG Rochelle has some special capitals like the B and R that makes it stand out from other script fonts. A beauty!

A collection of natural and organic elements from the garden. A great set of type dingbats in the genre of organic food.

Let it Snow! DoodleBat Snowflakes are all unique and different to capture that snowy feel that only comes from this winter season.

Morgy is a unique font that displays a cheerful and dynamic impression, suitable for all modern design concepts from posters to branding

Corporal JNL gets much of its inspiration from brass interlocking stencils, and a touch of the look of military or industrial markings.

Ornamental font based on examples from the book Miller & Richard "Specimens of Printing type". Collected ornaments belong to the Art Nouveau style.

CircusKS is a new, original typeface based on carnival and circus posters from the late 1800s. Extended Character set for multilanguage support.

Highly intricate ornaments inspired from the work of Johann Georg Schwandner (1716- 1791). Complete your collection with Schwandner Versalia and Schwandner Ornaments.

Rikos is an Alien-influenced unicase font family from the future. Use all the five members of the family for maximum impact!

Forum II is transcribed from the Forum II initials designed by Prof. Georg Trump and issued by C. E. Weber in 1952.

Intertitle cards from a 1942 newsreel inspired the like-named Newsreel Text JNL, which is available in both regular and oblique versions.

Printers Playthings JNL collects more cartoons, embellishments, ornaments and border pieces into one digital typeface; all re-drawn from vintage source material.

Wood Tuscan JNL is a bold, compressed serif font in the Tuscan style and was re-drawn from vintage wood type examples.

Teterboro JNL is a bold, slab serif font built (in part) on the letter shapes from Jeff Levine's stencil font Interboro JNL.

PKG Roman Capitals is one more of Posterizer KG calligraphic fonts, based on Roman Square Capitals letterforms, also called Capitalis Monumentalis, Inscriptional Capitals, Elegant Capitals and Capitalis Quadrata from (about) 2nd century A.D. All graphemes are taken from calligraphic pages written with brush on traditional calligraphic stile, inspired by epigraphic monuments from the Roman Pantheon, Trajan’s Column, and the Arch of Titus. PKG Roman Capitals font is good guides for any who want to study the beautiful proportions of Roman Capitals. In practice, it can be useful for calligraphic sketches and imitation of Roman (European) historical manuscripts. Font contains good stylistic, morphological and metrical balanced Capitals, Small Caps and all the Latin and Cyrillic glyphs.

Allotropic is a pretty decorative face with a remarkable art nouveau flair. It loosely draws inspiration from a 1914 untitled alphabet by J.M. Bergling, a then "Modern Alphabet", and from its interpretation by Photo-Lettering, from the sixties. Allotropic comes in two styles, regular and bold, both with extended language coverage, as well as stylistic alternates and a couple of ornaments. It's decidedly a fab choice not only for vintage and retro designs (ça va sans dire!), but also for creative contemporary uses in print and on screen. Play it on book covers, packaging, branding, editorial, web, advertising, apparel, uses are endless. Just give Allotropic a go, let the inspiration flow, and keep on creating!

CamingoMono is a modern monospaced typeface family of seven weights with matching italics, from ExtraLight to Black. Predominantly humanist in character, the typeface also has a technical feel thanks to the fixed proportions, while its semi-condensed width means CamingoMono is a great space saver in long passages of text. The default figures are noticeably lower than the uppercase letters, making them clearly distinguishable from one another. The typeface’s additional features include three different figure sets, slashed zeros and currency symbols, arrows and a handful of stylistic alternates. It is ideal for any technically-flavored text where an individual touch is desired, from advertising to corporate design. With CamingoMono, private and commercial correspondence alike will look neat and credible.

This font is a late 19th Century French script overview inspired by numerous French letters, from around years 1850-1860, during the second French empire, under Napoleon the third. Most of them were written with very tiny characters on light sheets of paper, as postage prices were calculated from the letter's weight. The TTF and OTF versions are enriched with more than 50 ligatures and/or alternate characters. We also offer a choice of two sorts of Capitals. Why "1859 Solferino"? It was the last battle of the Italian independence war, opposing the victorious Franco-Italian army to Austria in June 24, 1859. The Red Cross was inspired directly from the carnage remaining on the battle field.

Diploma Script was born from merging classic calligraphy and contemporary tools. The Copperplate style, which served as baseline for the development of the font, mixes harmoniously with brush pen drawing techniques that give Diploma Script a modern touch. The typeface provides elegance and legibility, while preserving characteristic shapes and strokes from the Copperplate style. Diploma Script covers a wide range of uses ranging from titles, logotypes, invitation cards, certificates and labels to small-sized texts. The family comes with initial, medial and terminal alternates that allow user to emphasize specific words. Figures, fractions and symbols are also included. Diploma Script includes a set containing more than 900 characters that support over 200 different languages.

This font was inspired by one of a standard French manual styles in use from the beginning of 1900s to the end of World War II, when people were writing most often with pen holders and metal nibs. This typeface is easily legible as it was used for the lithographic printing of university textbooks. All lower cases from a to z and numerals from 0 to 9 are doubled by a slightly different one to allow a varying manual aspect in texts. We have added a lot of diacritic characters, covering West (including Celtic) and North European, Icelandic, Baltic, Eastern European and Turkish language. A few special glyphs allows to make final loops or underlining.

Spirits design was initially based on Hermann Ihlenburg's Schoeffer Old Style from the 1912 ATF catalog. Soft is the closest version to the printed original typeface. Neutral, with more formal serifs, is ideal for editorial design, for example newspaper headlines. Sharp, more contemporary, is the best choice for meeting today's design needs. Condensed proportions and large x-height, features found in the original font, make Spirits ideally suited for headlines and branding design. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Each version includes its own alternates and comes in 4 weights, ranging from Light to Black, resulting in a total of 12 font styles.

Cover art for the 1933 sheet music of Harold Arlen and Ted Koehler's "Stormy Weather" (from the musical production "Cotton Club Parade") listed the cast of the show in a condensed hand lettered sans that typified the 1930s and the Art Deco era. This served as the inspiration for Uptown Review JNL; available in both regular and oblique versions. The Cotton Club was a whites-only night club which showcased black acts, and was originally located on 145th Street in Harlem from 1923 to 1935, then existed for a short time in the New York theater district from 1936 to 1940. After the Broadway incarnation of the club closed, its space was taken over by the Latin Quarter.

“Growing up in Iceland, I was exposed to Scandinavian modernism from an early age. My parents had Arne Jacobsen furniture around the house and I was always enticed by the fun shapes and colors...."—SK Armchair Modern is derived from the logo created for Armchair Media Group by Stefan Kjartansson. The design is unabashedly ultra-modern, reminiscent of work by Mark Newson and the aforementioned Jacobsen. Armchair Media is a consulting company, working with clients from the Web and interactive TV, so the super-elliptical letterforms are also intended to evoke a traditional TV screen or CRT display. The complete family of five weights was co-produced by PSY/OPS in 2001.

I used to be a tour guide and spent a lot of time in Asia. One thing that I really liked, was having noodles, ANY kind of noodles, for breakfast! Breakfast Noodles is a very uncomplicated headline font: I made it while seriously renovating our ‘new’ home (a fixer upper farm), which means that this particular font was made over a period of almost 3 months… It wasn’t exactly a letter at a time, but close. I will try and make the next font in, say, under two months… Hopefully! In the meantime, enjoy this one!