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  1. Cantika by RahagitaType, $14.00
    Cantika is a beautiful font suitable for wedding invitations or souvenirs. Cantika is also suitable to use for other purposes that require an attractive appearance.
  2. Grandma by HVD Fonts, $19.00
    Grandma is a lovely hand-drawn serif font. It is perfect for greeting cards, children's books and everything that should have a handmade, kind feeling.
  3. Coupon Clipper JNL by Jeff Levine, $29.00
    Coupon Clipper JNL is a fun, playful, casual sans serif font that evokes some of the lighthearted typography of the late 50s and early 60s.
  4. Phollick by Typotheticals, $8.00
    A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.
  5. Gusto by Device, $39.00
    Gusto comes in three related variants that go from hot-dog to melted chocolate, a gastronomic combination not to be passed up (or thrown up).
  6. PR Swirlies 13 by PR Fonts, $10.00
    This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.
  7. Redmoon by Krakenbox Studio, $9.00
    Redmoon is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!
  8. Piel Script by Sudtipos, $89.00
    Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked me to typeset and modify tattoos using Burgues Script or Adios. At first the whole idea was amusing to me, kind of like an inside joke. I had worked in corporate branding for a few years before becoming a type designer, and suddenly I was being asked to get involved in personal branding, as literally “personal” and “branding” as the expression can get. After a few such requests I began pondering the whole thing from a professional perspective. It was typography, after all, no matter how unusual the method or medium. A very personal kind of typography, too. The messages being typeset were commemorating friends, family, births, deaths, loves, principles, and things that influenced people in a deep and direct way, so much so that they chose to etch that influence on their bodies and wear it forever. And when you decide to wear something forever, style is of the essence. After digging into the tattooing scene, I have a whole new respect for tattoo artists. Wielding that machine is not easy, and driving pigment into people’s skin is an enormous responsibility. Not to mention that they're some of the very few who still use a crafty, hands-on process that is all but obsolete in other ornamentation methods. Some artists go the extra mile and take the time to develop their own lettering for tattooing purposes, and some are inventive enough to create letters based on the tattoo’s concept. But they are not the norm. Generally speaking, most tattoo artists use generic type designs to typeset words. Even the popular blackletter designs have become quite generic over the past few decades. I still cringe when I see something like Bank Script embedded into people’s skin, turning them into breathing, walking shareholder invitations or government bonds. There’s been quite a few attempts at making fonts out of whatever original tattoo designer typefaces can be found out there - wavy pseudo-comical letters, or rough thick brush scripts, but as far as I could tell a stylish skin script was never attempted in the digital age. And that’s why I decided to design Piel Script. Piel is Spanish for skin. In a way, Piel Script is a removed cousin of Burgues Script. Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I'm trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done. I hope you like Piel Script. If you decide it to use it on your skin, I'll be very flattered. If you decide to use it on your skateboard or book cover, I'll be just as happy. Scripts can't get any more personal than this. Piel Script received the Letter2 award, where they selected the best 53 typefaces of the last decade, organised by ATypI.
  9. FF Fago Monospaced by FontFont, $67.99
    FF Fago Thanks to his many years of involvement in major corporate type projects, Ole Schäfer had the necessary resources from which to construct his FF Fago™. The result is an extended family that provides comprehensive typographic support and whose qualities come to the fore in all relevant contexts ? from print to office through internet and wayfinding systems. FF Fago The sizable x-height together with the generous and open design of the characters ensure that the sans serif Fago remains clearly legible even in small point sizes or in potentially difficult situations, such as on wayfinding systems. A subtle contrast in line weight and letter forms that are reminiscent of those of an antiqua typeface provide the font with a restrained yet friendly and lively tone. Available in five weights, each with three different kerning widths and matching genuine italic variants, FF Fago is equipped for practically every situation. There are also small caps, oldstyle and lining figures, a selection of ligatures and geometric symbols. The range of potential applications of this universal font is almost inexhaustible ? it can be used in packaging design, on signs, posters and even for setting longer text sections. Fago is the ideal partner for those working on major corporate projects! FF Fago Correspondence Sans und Correspondence SerifThe Correspondence versions of Fago have been optimized for use in the business environment and in office communication. The carefully modified characters have a particularly robust feel, so that the clear, easily differentiated glyphs allow for straightforward communication even on screen. With these aims in mind, Schäfer has not only adjusted the x-height, but has provided certain letters in the sans variant ? such as the lowercase "i", the "r" and the uppercase "I" ? with serifs. Correspondence Serif, on the other hand, has been conceived as a slab serif throughout and in appearance has the look of the letters produced by the old office typewriting machines. An individual note has been added by providing a few unusual serif forms, as for example in the case of the "m", the "v" and the "y". Both Correspondence Sans and Serif are available in two weights with complementary italic versions and thus are ideally suited for use with standard office programs. This is all rounded off with a selection of office symbols. FF Fago Monospaced The use of a few typographic tricks is necessary to ensure that the letters of the alphabet appear to have the same width. Narrow letters such as "r" and "i" have been made to seem more expansive by using prominent serifs while the broader letters ? a good example is the "m" ? have the forms seen in a condensed font. And it is thanks to this design strategy that Fago Monospaced has the character of old typewriter text. What was once unavoidable because of the technology of the time is now a welcome alternative that can be used for the purposes of emphasis. As an additional supplement to the Fago superfamily, Fago Monospaced can be used, for example, to set short notes or draw attention to special text passages. There are three weights, in their original form without italic variants or small caps, but offering an alternative, technical form of the "0" with a crossbar.
  10. Wooden Log - Personal use only
  11. Screter by Seventh Imperium, $30.00
    Screter is a fresh Blackletter typeface with sharp edges that looks brave. Equipped with lots of ligatures and opentype features. Can be used for various purposes.
  12. Zafran Arabic by Boharat Cairo, $20.00
    Zafran is an elegant industrial display typeface, full of curves and sharp angles, the typeface has an oblique feeling and unified spaces that create neat alignments.
  13. vinceHand II by JOEBOB graphics, $19.00
    This is what my good friend and painter Vincent’s handwriting looks like. I have put in a couple of ligatures and I hope you like it.
  14. Dirchave by Rillatype, $15.00
    Introducing, Dirchave, dirchave is a vintage inspired display font that perfect for packaging, branding, headline, quotes, etc. Features: - Uppercase Font - Number - Punctuatuon - Stylistic Alternate - PUA encoded
  15. Lelet Script by aRc, $10.00
    Lelet Script is a TrueType font inspired by my mother’s exquisite handwriting. It has a graceful, smooth look that makes it very legible for any project.
  16. Tourist by Solotype, $19.95
    MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!
  17. TXT Small World by Illustration Ink, $3.00
    Get that Disney look with this downloadable "Small World" font. It's ideal for journaling and titles for theme park scrapbooking or wording for other creative publications.
  18. Phyllis by URW Type Foundry, $35.00
    Phyllis was designed by Heinrich Wieynck in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.
  19. Neographik by Monotype, $29.99
    Neographic is one of the first fototype fonts that had been designed by Robert Barbour and produced from the Monotype UK office for the Photolettering machine
  20. Cross Stitch by Outside the Line, $19.00
    A great font for crafters and scrapbookers. This font can be used to design and layout samplers, or to just create that Home Sweet Home look.
  21. Scrap Caps by Illustration Ink, $3.00
    Cap off your project with this all capital letter font. Bold and stylish with hand lettered appeal. Great for any paragraph or headline that demands attention.
  22. Jackie Sue BF by Bomparte's Fonts, $39.00
    Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.
  23. Roman Wood Type JNL by Jeff Levine, $29.00
    Roman Wood Type JNL is based on a partial set of wood type in the style of Clarendon Condensed that was seen in an online auction.
  24. Palmstar by Fauzistudio, $40.00
    Introducing vintage and classy display serif with a little touch of 3D to make your work more real so that readers are hypnotized by your work.
  25. Rongjam by Motokiwo, $15.00
    Cool hand drawn font crafted from textured dry brush, this is Rongjam. An all caps typeface that very recommended for outdoor projects, sport, hipster, and youth.
  26. Levarolls by Jehansyah, $9.00
    this is a cool sans serif font with a casual and complete with unique icons that you can make a logo or decoration on your design
  27. Nosi by Hello Wala Type Foundry, $20.00
    Nosi is a quirky serif display typeface designed for fun titles, children's books or posters that wants to capture the restless spirit of the oddball mind.
  28. Orthotopes by Megami Studios, $7.50
    Orthotopes is reminiscent of that ever-familiar 70s style sci-fi font whose name I cannot recall and probably doesn't look a thing like this anyway.
  29. Fordham JNL by Jeff Levine, $29.00
    Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.
  30. Road Racer by Creativework Studio, $12.00
    Road Racer is an esport style font that has a sporty character, very suitable for automotive design projects, sports and all products with a dynamic character.
  31. Gumblery by PizzaDude.dk, $15.00
    A futuristic stylistic font with smooth curves, and rounded corners. Comes with more than 500 different ligatures that curl and swurl the letters in funky forms.
  32. Phyllis by Monotype, $29.99
    Phyllis was designed by Heinrich Wienyk in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.
  33. Rayhue by Stringlabs Creative Studio, $25.00
    Rayhue feels playfully nostalgic and delivers an incredible vintage aesthetic. Use it to add that special retro touch to any design idea you can think of!
  34. Mixink Std by MIX.Jpg, $14.00
    Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.
  35. Quirina by Autographis, $39.50
    Quirina is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a fat twin called Quiana.
  36. Algaida by Hikhcreative, $19.00
    Algaida is a beautiful modern script font with beginning and ending swashes, All characters that add more beautiful and aesthetic fonts to perfect your extraordinary project.
  37. Oh Mabuboo by Aomam, $11.00
    Oh Mabuboo is a typeface that combines current technologies with an antique look. The designer's fascination in vintage was the source of inspiration for the design.
  38. Seriffi Morgan by Morganismi, $9.00
    Seriffi Morgan is a paper-tasting serif typeface, just what you need. It supports West and Central European languages as well as Baltic, Turkish and Romanian.
  39. Quiana by Autographis, $39.50
    Quiana is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a slim twin called Quirina.
  40. MTF Noted by Miss Tiina Fonts, $10.00
    Noted is that perfect quirky font you'll use again and again! Mix and match upper and lowercase letters to create your own unique hand-jotted look!
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