The dots forming this font are all hand positioned for maximum randomness! Great for display purposes or for logo work. Includes upper and lowercase, numbers, punctuation and Western European diacritics.

Don’t let the name fool you! My Left Foot was made by hand. Alts, ligatures and Vietnamese all included in this whimsical typeface. Go ahead and dip your toes in!

Your designs are your self expressions and should represent your personal styles. Without the right font, it will be hard to be prominent and to impress your audience. Lost Buster is here to assist you. Lost Buster is a capitalized handwritten font in brush details to produce a manual brush-looking display adding creativity values to designs with this font. It also gives more personal, natural impressions to make people feel close to the brand or design displayed. The advantages of a brush-detailed handwritten font are first, the unique display to get the brand or the design easily remembered and noticed, and second, legible, applicable for various media. You can also apply this font for various text sizes for its legibility reason and enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Lost Buster fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Back in 2011, Gelato Script was the best-selling brush script font on MyFonts, and has remained popular, appearing on everything from designer handbags to primetime TV shows; from food blogs to wedding invitations; from glossy magazines to (not so imaginatively!) ice cream shops. All these years on, and it struck me that there is much that could be improved on; there are certain glyphs that never quite felt right. So I decided to update Gelato Script, and this is the result, Gelato Luxe. What started as a simple update quickly spiralled into a total overhaul. There is not a single glyph in the new version that’s the same. The entire font has been tweaked and tinkered with and redrawn and respaced and rekerned to get it to this point. While I wanted to maintain the feel of Gelato Script, Gelato Luxe represents a massive leap in sophistication, with new alternates for smoother connections, and a totally new OpenType engine, with no fewer than seventeen stylistic sets. Gelato Luxe is a truly versatile script font. You can effortlessly change the feel by playing with the many OpenType features. Make sure contextual alternates and standard ligatures are switched on, and it will work like a charm right out of the box. See also Gelato Fresco for a further updated version, this time with extra weights!

Hierophant is a humanist serif type family that has the heritage of classic Old Style and Transitional type while having the crisp lines and functionality of contemporary fonts. Its defining features include a high-contrast combined with diagonal stress, along with pinched stems and horizontals. This gives Hierophant a distinctive hand-drawn feel which also reflects the strong influence of the work of 16th century calligrapher Giovanni Francesco Cresci upon this family. OpenType features include stylistic sets of alternate glyphs – the first of which contains ornate teardrop serifs and ball terminals (ss01). This style dramatically changes the look of your typography and is ideally suited for short runs of text, headlines and branding purposes. Swash alternates for certain glyphs are available via Stylistic Sets 2 and 3. Other useful features include Small Caps at the click of a button, and Old Style Figures are an option to the default proportional figure style. There are 14 fonts altogether over 7 weights in roman and italic, you can also avail of two variable fonts which allow you to fine tune the weight to your exact liking. Hierophant has an extensive character set (1000+ glyphs) that covers every Latin European language. Key features: 7 weights in both roman and italic 112 Alternates Small Caps Variable fonts included with full family Full European character set (Latin only) 1000+ glyphs per font.

Sometimes it is a boring, tiring process to find a proper font for your project, and what is worse is that the font type you find has no specific character preventing you from delivering messages effectively. For that reason, we have the best solution to your problems. Maffa Latte is a perfect display font for delivering your messages on every design you are working on. Such a display font generally shows you a unique, funny, fun impression for any necessities, increases the nuances of professionalism and attractiveness to the product or brand promoted. The right use of this font makes the design more interesting and fun to cheer up customers. This font, with a clipart as an extra bonus, is legible due to its simple forms and proportions along with high contrasts. You can enjoy the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Maffa Latte fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Evanston Tavern is a square typeface and the sans-serif version to Evanston Alehouse. Inspired by the years that prefaced the ratification of the American Prohibition, this typeface mimics the signage commonly seen outside of saloons, taverns and alehouses during that time. Back to the modern era, Evanston Tavern is more than just a vintage inspired typeface. It works in modern and futuristic settings with multiple styles, opentype alternatives and ornamentation. The family provides a robust 61 total fonts, within it's 3 styles of regular, stencil and inline. Each sub family includes 4 weights and 5 widths. It has special features that add depth to the typeface, with discretionary ligatures and stylistic alternatives. It also includes a complimentary set of ornaments, including a vintage graphic set from the era, as well as modern frames, borders and icons. This typeface works great at logos, packaging, and other display settings. Pair this font with Evanston Alehouse and have a great combination of serif and sans-serif square letterforms and a large array of ornaments! Here’s a snapshot of what you get with Evanston Tavern: - 3 Styles: Regular, Stencil and Inline - 4 Weights: Light, Regular, Medium and Black - 5 Widths: 1826 (condensed), 1846 ( narrow) 1858 (regular), 1893 (wide) and 1919 (expanded) - 2 capital Heights: Capitals and small caps - 2 Alternatives: Discretionary Ligatures and Stylistic Alternatives - 1 Ornaments font with over 100 graphic extras

Description This is Networkand Family. World's best graffiti and non-graffiti marker-styled font ever. Networkand marker font family, carefully selected from hundreds of letters. Signature-styled Networkand Script perfectly fits next to the Networkand Font. Besides all this, the Networkand Swashes Font is designed to customize your designs to another level. You can read Medium article here. FEATURES: Original: Networkand Fonts and swashes created for your special designs. You can turn your dreams into reality and customize them. Unique Creation: An unprecedented experience a creation that no one has ever had before and will uncover your awareness. Create your Brand: Unlike a standard font to create a new brand concept. Be different. Be different in life. Your own. Create your own mark: That’s the most special part of this font. A brand new identity for your personal signatures.

Maithe is an incredibly sweet and delicious handwritten script with a lovely feel. Whether it’s Valentine’s Day or Christmas, this the ultimate font for turning any romantic crafts idea into a stunning piece of art! Maithe works both on Mac & PC and it simple to install. This family contains Swashes , Titling, and Ligatures. Multilingual Support (ä ö ü Ä Ö Ü ß ¿ ¡). Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest releases, follow me and let’s be friends because there will be many promos.

Delona is a classy script. This typeface has a nostalgic feel because of its style, so the font is really suitable for your project with a classic/vintage theme. This font is perfectly made to be applied especially in logos, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purposes. Features : Uppercase & lowercase Numbers and punctuations Alternates & Ligatures Multilingual PUAs encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. PLEASE READ FIRST: To use alternate character/swash you have to use opentype. For accessing the opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Happy Designing

Romance Breakin Vintage Serif Font is a type of serif font with a classic design inspired by the vintage era. The font has a characteristic bold line that looks elegant and gives a classy impression to every text display. The uniqueness of this font lies in its serif style, which gives an elegant and romantic touch to every word and sentence written with this font. With its advantage in providing a vintage and romantic impression, “Romance Breakin” Vintage Serif Font is suitable for graphic design such as logos, letterheads, posters, greeting cards, or designs for social media. This font can also be used for design projects that require a classic and elegant touch, such as wedding party designs, invitations, and vintage-style related products. Multilingual Support If you have any questions please don’t hesitate to contact me Thank you

Jemrok is a stunning display font that embodies a classic modernist style. With its beefy and elegant design, this font is perfect for creating stylish and sophisticated designs. The letters are happily made with cute and adorable shapes giving it a different, unique, and professional look. Jemrok has a unique combination of classic and modern elements that makes it stand out from other display fonts. The characters are designed to be bold and impactful, making them perfect for headlines, titles, and branding. This font also comes with different characters and alternatives, allowing for even more creative possibilities. Whether you design logos create posters or design websites, Jemrok is the perfect choice for any project that requires a classic modernist style. With its timeless design and versatility, this font is sure to make your designs stand out and leave a lasting impression.

Introducing, The Bayland. A retro bold script which will bring you back to 60s feel. This typeface has the extrude version so you can create your retro effect font in ease. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Isn’t it interesting to create a design in a stylish, firm font made of mixture of style and authenticity? This is the Gray Asphalt. Gray Asphalt is a racing-themed script font to give you steady, firm, solid impressions for word or message emphases. Its thick display is suitable to apply on bigger-sized texts. The font features you can enjoy are as follows. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Gray Asphalt fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs,

Proudly present Land Of Fear - Street Type, created by ikiiko Land of Fear is a hand-drawn street brush font in an urban style that has a gritty and edgy look, conveying the roughness of city streets. The letters have bold characters and appear to be scratched quickly with a strong brush. This font has wild strokes and comes in different widths and angles, giving the letter a sense of spontaneity and vitality. This font has an overall rough and rugged look, but also evokes a style that is young, wild and free. This typeface is perfect for an extreme sport stuff, street vibes, magazine layout, poster, fashion brand, urban style, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Works on PC & Mac

"Love Heart" is a hand lettered font style that is perfect for greeting cards, branding, stationery design, social media, packaging, magazine layouts, prints, logos and more! This unique font features complete lowercase alphabets and uppercase alphabets along with a few other ligatures and stylistic alternates to create a truly handwritten look and feel. "Love Heart" has a variety of unique, coded features to create compelling, handmade outcomes. Multilingual support is included for Western European languages. OTF is included for the full, "Love Heart" font. Including Product : - Love Heart (OTF) - Love Heart Fill (OTF) - Love Heart Sans (OTF) This is the personal license font that can be used for all personal needs. If you want to use this font on items you are going to sell or on anything promoting your business, please purchase the extended license version. Happy Designing! Haksen

Introduction to Bages – Bubble Font Bages – Bubble Font is a dynamic and cheerful display font, inspired by the playful shapes of bubbles and balloons. Ideal for catchy displays, this font captures attention instantly, making it perfect for creative and fun-filled projects. Design Features Every character in Bages – Bubble Font mimics the round, buoyant nature of bubbles. The design incorporates smooth, rounded edges, giving a floating effect akin to balloons. This unique style brings a joyful and lively flair to any design, ensuring it stands out with its playful aesthetics. Versatile Applications This font’s versatility is noteworthy, suitable for a variety of design purposes. It’s excellent for party invitations, children’s books, and marketing materials, adding a fun twist to traditional text. Moreover, its engaging style is ideal for educational content, making learning more appealing to young audiences.

Larks' Tongues in Aspic is the fifth studio album (released in 1973) by the English progressive rock group King Crimson. I have always liked this name, as it reminded me of old stories in which witches threw all kinds of weird ingredients (larks’ tongues, bat wings and petrified dragon dung) into a big cauldron. When I created this font, it looked like the writing in an old book of spells, so I just had to call it Larks’ Tongues. Larks’ Tongues is a very lively headline font which would look good on (children’s) book covers, posters and product packaging. So, if you are about to write a book about witches, want to throw a halloween party or want to market your Larks’ Tongues in Aspic, then by all means, use this font! Comes with a magical amount of diacritics.

Introducing the display serif family for a variety of presentations. The Features of styles that each weight has will be an important reason for choosing a font family. The combination of dreamy grooves and sophisticated, sharp serifs will excite you. The psychedelic glyphs applied to some capital letters can be alternated with the classic stem forms. And the elegant and colorful transformation of italic styles will be the best inspirations for brand design. Be sure to try the Stylistic Alternates and Ligatures this family has to offer.

Get over the trauma of seeing that icky dog carcass in the alley this morning, you know, the one with the tire tread on the burst stomach? The city might be afraid of you, but now you can see its true typeface. Yes, when the gutters between YOUR comic book panels are full of blood, we here at ComicBookFonts.com recommend DaveGibbonsJournal for all your psychotic ramblings. Don't pose precariously on the precipice of a building without it. Artwork by Dave Gibbons from Elephantmen #25

The cover of the 1907 sheet music for "I'd Rather Twostep Than Waltz, Bill" was hand lettered in an Art Nouveau sans serif alphabet. During the hippie counter-culture movement of the 1960s, rock posters, album covers and other printed ephemera of the time embraced the styles of lettering and art made popular during the early 1900s. It seemed only fitting to name this type design Nouveau Hippie JNL as an homage to both eras. The font is available in both regular and oblique versions.

Mentone is a new general purpose typeface, an attempt at extending the line of the great sans-serifs of the previous century, Frutiger - Stone Sans - Myriad. The font has round corners and subtle chamfers, which are all but invisible at text sizes, but add an upbeat, irreverent expression at display sizes. The typeface is named after the beautiful bayside suburb of Melbourne, Australia, where the designer lives. This new version (2.01) was spaced and kerned by Igino Marini of iKern. The semibold cuts are now free!

Empire Display is a sans serif italic display face which references the styling of the 30s through to the 50s. It has a large x height and with its condensed proportions makes it ideal for headlines, posters or where large size settings are required. It has the unique feature of having the stems and cross bars slightly angled top and bottom. This also helps to create the art deco/modern feel that sets it apart from standard condensed typefaces.

The April 8, 1932 issue of The Film Daily ran an ad for a film entitled "The Sin of Lena Rivers". Hand lettered in a block style of chamfered characters, it is reminiscent of the 1920s, but still carries a touch of Art Deco influences with the thinner and extended horizontal strokes of the E, F and H. This retro sans serif design is now available digitally as Evil Ways JNL in both regular and oblique versions.

Introducing a vintage label font named Mountain Expedition. It contains capital and small characters. The small letters I created to support main design of the capital letters. Therefore the punctuation characters are designed to be used just with the capitals. Also the capital characters have a lot of ligatures. All available characters you can see on the preview. This strong typeface will be good viewed on vintage style posters, t-shirts, greeting cards, logo and more.

Antikka draws some inspiration from the style of the Art Deco movement of the 1920s and 30s. The vision behind making Antikka was to revitalize the style of this bygone era -- making it funky and relevant to our 21st century times. Antikka is a minimal font, clear and geometric, yet highly stylized. Comfortable in a business setting - or just about anywhere. Antikka arrives as the business casual of fonts - giving it a wide range of use.

Linotype Dharma is part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests of 1994 and 1997. G. Jakob and J. Meißner designed this font with an ornamental character, for example, with diagonal slashes as umlauts or dots on the i and j and the triangular serifs on the upper left of both letters and numerals. Such details make for a restless font, best used for short headlines in large point sizes.

Abdo Egypt is a geometrical style. This is an OpenType Font supporting Arabic, Persian and Urdu and is compatible with the various operation systems and modern software. The combination of modern Kufi and Geometrical styles and the variation between straight and curved parts made it a beautiful typeface appropriate to titles and text and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

ITC Korigan is a work of French designer Thierry Puyfoulhoux, an uncial typeface which he wanted to offer as an alternative to Victor Hammer's American Uncial, which remains for him the uncial character of reference." The roundness of an uncial gives it the look of pearls on a string, as Hammer said, and ITC Korigan is true to its heritage in this respect. Despite the roundness, however, the forms remain familiar and legible to the modern eye."

The LifeAfterCollege family began as a set of four fonts based on two styles of Ranger, which are slab-serif, geometric fonts with no curves. Two of the four are outlines with hollow insides, and two have-filled insides. The two fonts that are outlined have been taken apart and made into three typeface that can be layered. This allows one color for the inside, another for the middle ring, and a third for the outside outline.

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

A Western Union telegram from 1951 provided the typographic inspiration for Message by Wire JNL, which is available in both regular and oblique versions. Unlike other available type fonts which emulate the ink ribbon-struck printed characters from the teletype machines, this version was redrawn to celebrate the actual type design itself. The typeface letter spacing has been equalized so that when in use, it looks much like the printed output of an old telegram messsage.

Sheet music for the title song from the 1933 Jean Harlow-Clark Gable film "Hold Your Man" has the movie title hand lettered in a dual line sans serif with Art Deco influences. This is now available as Dual Line Deco, and is available in both regular and oblique versions. The song itself was written by Arthur Freed and Nacio Herb Brown, whose vast catalog of musical compositions was tapped for the 1952 musical classic "Singing in the Rain".

The Sekato Monoline font is a monoline script font inspired by retro scripts. The Sekato Monoline font comes with the Variable Font format available so it is easy to use to select the desired weight for the design. And supported opentype features that make it more natural and attractive for the needs of designers. Made with care and this font is suitable for digital letters, logos, t-shirts, prints, business cards, branding materials, quotes, nature photography, etc.

Soma is inspired by the Soma cube and the work of MC Escher. The font uses geometric patterns to create “impossible” glyphs. Some can be easily imagined; others bend the mind. Many alternate versions of glyphs have been provided for additional design possibilities. This is my 2nd most popular font at Dafont with over 50,000 downloads. The original set was 26 basic characters (A-Z), repeated for uppercase and lowercase. Now the set is almost 300 glyphs.

On one hand, this font serves as a calm sans-serif, while on the other, it stands alone as a graphic system. Enriched with various shapes and symbols, it goes beyond the mere conveyance of information through text. It's an emotional neo-grotesque and a versatile tool in the hands of a designer, capable of adapting to a project and guiding the flow of information in the desired direction, adding either rigor or emotion in the appropriate places.

26 Flowers is a digital revival and restoration of a beautiful collection of 26 individually unique ornamental letters from historical texts. Each of the 26 letters of the alphabet are contained in a square frame with a different flower in the background and an antique letter in the top right corner; hence, the name 26 Flowers. This highly ornamented typeface is perfect for leading off paragraphs or in any text dealing with the subject of flowers.