'Snatched' is a spontaneous handwriting. This name is taken from the slang term in the 2022 era to describe someone or something in a positive manner. This font consists of the same uppercase and lowercase, often referred to as 'all capital letterform', complete with numerals and punctuation. Composed in tends to widen form which is more like the typical handwriting of architects. This font looks like it was written with a marker or technical pen, very bold stylish and legible. For designers this is an interesting thing, the design looks very natural and rhythmic to beautify presentations and blue prints. Can be installed for CAD programs, Sekthup and other applications. This font is very suitable for various media related to handmade, craft businesses, logos, quotes, prints, social media posts, indie business, outdoor sports and other applications to strengthen the impression of handwriting and demand attention.

Scientist Castle Family Slab Serif Font Is A Great Font For any project! Available in 4 styles that you can use for various purposes, as a combination or separation according to the design style. Complete with OpenType features, which allow you to give a more calligraphic look! There are regular, Italic, Outline, and Outline Italic styles and very easy to use. Scientist Castle Family Slab Serif Font is a great choice for Projects you like branding, design, wedding, photography, Magazine, logo designs, album, covers Book, business cards, quotes, and projects other designs. What’s Included : – S-Alt – Works on Win, Mac – Simple installations – Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. – PUA Encoded Characters – Fully accessible without additional design software. Thanks for your support, please kindly send us a message for any question about our product. Hope you like it.

Delizious! A combination of retro, vintage and modern calligraphy styles to find exotic nuances in the characters. Vintage-style swashes, it's simple and still looks elegant. Consistent thickness is a characteristic of retro fonts. The position of letters that look up and down makes them look like they are dancing, a characteristic of modern calligraphy letters that are trending today. Basically this is a simple font, you can see it. Specific OpenType features include Contextual Alternates, Stylistic Alternates, Swashes, Standard Ligatures, also Multilingual accent support. With Opentype features, You can access glyphs very easily. An advantage of Opentype and I like it very much. In Adobe software, You ca turn off your “opentype” feature to accesses random/selected letters. This font support Multilingual Latin Pro accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...) Hope you all love it. Thank you!

Anamelia Srcipt is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Anamelia Srcipt, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products:https://My Fonts.net/strong Thank you for purchases.!

This "Leaf" font has been swirling in my head for years - I remember my sister and I making letter formations like these when I was young. It was exciting to see the lettering look even better on paper than it did in my mind! "Leaf" surprised me by having two distinct looks: in size 24 or smaller, the look is delicate, because your eye doesn't see any space in the letters. In size 28 or larger, the eye can discern spaces, which gives a different facet to its personality. As much as I like this font when viewed on a monitor screen, it really shines when printed. The "Leaf" font is a perfect blend of quaint hand-written style mixed with crisp letter formations. This font has a very "happy" quality to it. May using it bring a little more happiness to your day!

The Alien Argonaut typeface is an emaciated typeface made from the lettering of beings that have lived amongst us for centuries, evolving with humankind. Study your environment, all is not what it seems. Use this typeface to try and blend into their world within ours. Purchase Alien Argonaut today, for knowing the roots of others may help you learn to live in harmony with them.

Allineato was part of the Face2Face project, a fontlabel created with a couple of friend in order to stimulate new ideas and forms in the typographical landscape. Most of the Typefaces were used by Alexander Branczyk in his famous techno magazine "Frontpage". About Allineato: "Al" means "Alessio Leonardi" and Lineato "lined", but if you read it as an italian world means "conformed to a given line".

Planny is a blueprint font created for the reproduction of a technical drawing or engineering drawing. All characters were designed with construction lines. The blueprint process was characterized by white lines on a blue background, a negative of the original. What you will get: Regular style Uppercase and lowercase glyphs Multilingual support Numbers and symbols Please feel free to request to add characters you need: kaer.pro@gmail.com

British type designer Neville Brody created this display and sans FontFont in 1992. The family contains 2 weights: Regular and Condensed and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Gothic provides advanced typographical support with features such as ligatures and stylistic alternates. It comes with tabular lining and proportional lining figures.

Adalbert von Chamisso wrote that wondrous story about the man who sold his shadow to the devil. Walter Thiemann recovered that shadow when he put a thin line and a shadow line around his Tiemann Fraktur. It is an embellished and delightful typeface, this Peter Schlemihl. It is probably one of the most beautiful typefaces among the outline, shadow and striped black letter fonts. (Albert Kapr)

A vintage matchbook advertising the New York Liquor Mart – oddly enough, located in Chicago, Illinois – featured a pen and ink line drawing of the store’s exterior. The Art Deco lettering on the mansard was portrayed with a straight left shadow (as opposed to drop cast or extruded), making for an interesting multi-line typeface design. This is now digitally available as Packaged Goods JNL.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

German type designer Christoph Kalscheuer created this display FontFont in 1995. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as sports. FF Maverick provides advanced typographical support with features such as alternate characters and case-sensitive forms. It comes with tabular lining and proportional lining figures.

Taking its name from the arabic word for "king", Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k. Malik also means "owner", and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes. Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!

Etrusco Now is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk, Etrusco was, like Cairoli, an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights. When designing the new incarnation of Nebiolo's Etrusco, the Italiantype team directed by Cosimo Lorenzo Pancini and Mario de Libero decided to extend the original weight and width range to keep this "superfamily" approach. Etrusco Now has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in the Etrusco Classic subfamily. Etrusco Now new widths allowed the team to include in the design many nods and homages to other vintage classics of Nebiolo. The lighter weights of the normal width have been heavily influenced by the modernist look of Recta, while the heavy condensed and compressed widths refer to the black vertical texture of Aldo Novarese's Metropol. This infuses the typeface with a slightly vintage mood, making Etrusco at the same time warmly familiar and unexpected to eyes accustomed to the formal and cold look of late modernist grotesques like Helvetica. Contemporary but rich in slight historical quirks, Etrusco Now is perfect for any editorial and branding project that aims to be different in a subtle way. Etrusco Now's deviations from the norm are small enough to give it personality without affecting readability, while its wide range of open type features (alternates, stylistic sets, positional numbers) and language coverage make it a problem solver for any situation. Like its cousin Cairoli, Etrusco is born out of love for lost letterforms and stands like its lead ancestor from a century ago, at the crossroads between artsy craftsmanship and industrial needs.

Spiraltwists is a family of 2 fonts giving assorted spiral shapes. In each font they're grouped in fours - the same basic spiral in 4 different orientations (N S E W almost), and Spiraltwists has solid lines making up the spirals, Spiraltwists Antique has dotted lines making up the spirals, giving them an antique or rustic appearance. Spiraltwists has heavier spirals on Upper Case, lighter spirals on lower case; plus a group of spirals with a straightened outer end and connecting lines so you get two spiral scrolls joined together by a long line at the top or bottom. (inputting UVWXYZ into the text-box on this webpage will show it). The big example on the webpage shows it all more clearly than any explanation. A fuller description, plus the above example, are included in the zipfile. Please note: for the avoidance of doubt, the font does not contain any letters, the text in these 2 examples is not Spiraltwists but Luzaine.

Walter Brudi's elegant shadowed display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets.

A very clean conservative corporate look, very simple yet very dignified. Great for text and head lines, just about any application.

Type Vendor JNL gives a solid treatment to the dual-line Type Catalog JNL, and offers an oblique version as well.

Vinegar Pro is a modern, legible serif typeface. It contains a wide range of characters, sexy ligatures, lining & old style numerals.

Rough Marker is an uppercase handwritten typefaces. It comes with 2 letter-variations, swashes & lines and a variety of bonus symbols.

The origin of Quirky lay in the Duke Ellington number It don't mean a thing if it ain't got that swing. For some time I had wanted to create a font from expanded stroked lines. I wanted to produce a light-hearted font, but with some classic touches. One day, whilst doodling in Adobe Illustrator, Quirky’s letterforms just appeared on screen as if from nowhere. First I drew the test word ‘hamburgefonts’ and then just kept going, unable to stop. Character after character appeared as if by magic. From the start, Quirky had a life of its own. The letterforms are rather more sophisticated than merely outlined stroked lines. Subtle adjustments to compensate for optical effects have been been incorporated. For example, horizontal stems have thicknesses slightly less than vertical stems and where stems join together, the thickening effect has been reduced by cutting into the joint. Being almost monoline, Quirky works well reversed out of a solid background and for TV credits. The Quirky fonts are fun fonts, so set, laugh and enjoy! I hope Quirky will give you as much pleasure in using it as I got in creating it! Shortly after the roman version was born, an italic version and then a thin version were created to form a family of three fonts.

And the day in which I introduce my second typographic family has arrived. In order to do this, I borrowed several passages from this beautiful book by Maurice Maeterlinck, “Life and Flowers”. His poetic observation of Nature made me reflect about the small discoveries behind the flow of my pen on paper. About that quick, spontaneous, overwhelmed stroke, with some awkwardness as well as certainty in it. About the writing that looms line after line. About the mischievous stains of ink flooding my writing tool. Lady Dodó was born as a product of these drawings, pieces of writing and reflections. Following the steps of its ancestor and friend, Lady René, it takes advantage of the goodness of the Open Type technology to propose a systematized as well as a personalized writing font. Both friendly and challenging. Due to the large number of alternate characters (both for lower and upper case as well as for numbers) and to its precise programming, it proposes to design diverse and rich typographical sets with multiple strokes in a simple way. However, Lady Dodó is not just made of typographical signs; it also proposes a set of modules to make patterns and another one to design frames. From the combination of these modular signs, an infinite universe of possibilities for decoration arises. Here is Lady Dodó, ready to get started and write its destiny. July 2015.

FF Sizmo™ is available in two flavors. One is an honest, industrial strength, somewhat condensed, sans serif family. The other builds on the first, and is a display design with horizontally connecting baseline strokes. The five weights of basic the FF Sizmo typefaces are ideal for print and digital projects. Character spacing is generous, counters are open and apertures are wide and clear. Banners, navigational links, sub heads, and short blocks of contextual copy are natural on-screen uses for the design. Print projects from branding to way-finding also fall easily into FF Sizmo’s range of applications. The “line” versions of FF Sizmo can be arresting stand-alone typefaces – or distinctive complements to the basic roman and italic designs. In either instance, the line designs make powerful statements in headlines, subheads, posters and cover art. OpenType® fonts automatically insert beginning, middle or ending line element characters into the copy. Drawn by Verena Gerlach, both designs were inspired by the same source, a commercial signage system that enabled quick and easy copy changes. “The idea for the typeface,” explains Gerlach, “is a housing complex index board, on which movable white plastic capital letters were fixed by a thick line to the wooden board. This line is an important part of the font’s appearance.”

When Patricia Lillie was growing up, she thought the coolest thing in the world would be finding her own name listed in a library catalog. The fantasy came true in 1986 when her first children's book was published. Five more followed. The thrill of seeing her work on library shelves hasn't abated, but today, Lillie is just as likely to see one of her typefaces on the cover of a book. She has created several display faces and image fonts. My first typeface designs were based on lettering I'd done while working for a library, doing graphics work for the children's section," she explains. "I currently do a lot of web design, but type is my favorite thing." The Tickles (ITC Tickle and ITC Tickle Too) are Lillie's first ITC typeface releases. "I was playing around with a Sharpie marker one day and liked the way the letters looked," she recalls. "I started redoing the letters from scratch in Fontographer to see what developed, and liked those letters too." ITC Tickle is a bi-form font (with both cap and lowercase letters of the same size) that clearly breaks a typographic rule or two. ITC Tickle Too has the same basic lettershapes, but they've grown clusters of stipples that give a three-dimensional quality to the design. The result is a friendly, offbeat display family that's guaranteed to add a giggle to your work."

STF Eclectic One is a visual cornucopia of symbols, like the junk drawer in your kitchen. Stuff you'll need someday for a graphic element, bullet or dingbat application. Perfect for website icons! The Eclectic family is legendary, with a cult-like following among the inititated. As one of the first dingbat fonts available on the web, it gain popularity after its design in the early 1990s. With over 150 characters in the complete set, you'll find yourself using Eclectic One almost daily to add spice to your otherwise san-serif typographic existence. This font is essentially a soap opera of typographic image elements, created for projects when I couldn't find the "thingbat" I needed. Almost more of a collection of illustrations, there are many characters which connect to form patterns, and of course it's like a "small neutral European country" army knife for the creative community. EcOne features complete hour, quarter, and half-hour notations in an analog clock design glyph, recycled/recyclable symbols, a registration mark, a toaster, globes, sideways diamond arrows, spaceships, stoplights, the "running man," several atomic references, da buzz saw, target icons, the unusual smiley face floating in a ball (with a drop shadow, no less!), and the fish skeleton which complements the fallout shelter symbol, and more. Make your own juxtapositions! One reviewer proclaims "for whatever you do, Eclectic One is an excellent dingbat source." Available in Mac and PC formats. License it today!

Introducing "AZN Knuckles Varsity" font by AthayaDZN. Revolutionizing a varsity slab serif, combining sharp and rounded edges, angled serif, and a variety of weights, fitting it into the modern scene. Equipped with 3 styles ( Defined, Regular, Stencil ) Use the Defined version if you are aiming for that slab serif look, just like the name suggested, it defines the modernized slab serif on each letter, giving it that retro look yet still in the modern scene. Especially on the light weight of this version, the slab serif is really prominent. Use the Regular Version if you are aiming for any type of design that you see this font fits especially the modern scene, just like how it's advertised. Use the Stencil version if you are aiming to make a statement, my favorite one is the Bold and Italic version of the Stencil if I was to make a statement, just like the preview where it says "Anarchy", the separated shapes of the letter combined with it's bold and slanted shape is perfect to make a strong statement. Language Support : Afrikaans, Albanian, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Luxembourgish, Norwegian, Portuguese, Romansh, Scottish Gaelic, Spanish, Swedish, Swiss German, Uzbek (Latin). And that's it for this font, thank you for purchasing the product, I wish you success on your projects. Please enjoy the font and let me know if you needed any help or if you have any questions -Athaya twitter.com/Athaya_DZN behance.net/athayadzn

ABOUT FAMILY: What makes "Alaturka" elegant, friendly and contemporary is its very rounded curves with very open terminals. "Alaturka" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old-style figures to elegantly insert numbers into your sentences, and more alternative characters to give personality to your projects. FEATURE SUMMARY: - 2 style: 1From 1923 To 2023 - 8 weights: Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, and Black. - 3widths: Normal, Narrow, and Condensed. - Matching italics (12º) for all weights and widths. - Matching small caps for all weights and widths. - Lining and old-style figures (proportional and tabular). - Some alternate characters - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - Extended language support: Most Latin-based scripts - Extended currency support. You can enjoy using it.

“Blackduck” font is a typical Gothic, usually named “Blackletter” . This typeface was born with the name of “Textur” and developed from Carolingian cursive. It was used in the middle age as sacred script, became increasingly narrower, his vertical lines were emphasized and his strokes very compacted to save space. Along the time the early German print typefaces derived in others styles that were more readable such as Schwabacher and Fraktur, very popular in Germany and sometimes associated to the identity of the country. The font "Blackduck" was inspired mixing carefully the last two “Blackletters”. We try to joine some characteristics of both to reach good legibility without loosing the strong impact and powerfulness of the shapes. Some minuscules like the “o” “c” “e” “d” are rounded on both sides, while both strokes join in an angle at the top and at the bottom. Some other lower cases are formed by an angular and rounded stroke. This font contains a full set of OpenType features; swashes, stylistics alternates, old style figures (Arabic numeral were carefully shape integrated), ligatures and some extras ornaments were added to help in your design. "Blackduck" includes diacritic signs for Central European languages.

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

Meow Tails is a cute, adorable display font inspired by cat theme. All of its letters and characters are designed in flowing and round shapes to express soft and smooth nuances like a sleeping cat. Furthermore, the insertion of additional objects to the letters functions to suggest a cat’s characteristics, such as cute eyes, whiskers, and a long tail. Meow Tails, of which available features and a clipart bonus you can enjoy, will live up and charm your designs in order to attract the audience with the theme you have. In fact, it will also help you build up your brand identity to be unique and memorable, particularly brands related to cats or pets. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Meow Tails fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Arabetics Aladdin is a monoshape font family with a fixed single shape per each Arabic Unicode character. Glyphs are designed to incorporate the traditional Arabetic visual characteristics found in all four varying shapes, isolated, initial, medial, and final, for each letter. The overall design also emphasizes the line-like (khat) horizontal look and feel of the Arabetic scripts without sacrificing legibility. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and bold, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 18 years ago. The Arabetics Aladdin font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Bentron Calligraphic is a bold and beautiful brush font with a touch of speed and sophistication. Its rapid strokes and dynamic flow give it a signature-like quality that is perfect for adding a personal touch to your projects. Designed with a focus on the art of calligraphy, Bentron Calligraphic exudes elegance and grace with its smooth curves and flowing lines. This font is perfect for anything from logos and branding to social media posts and invitations. Bentron Calligraphic comes in four styles: Regular, Italic, Alternate Regular and Alternate Italic. This range of styles provides versatility and allows for dynamic and creative designs. Use underscore _ to create a swash anywhere in a word. Example: Space_jams Use multiple underscores to create different swashes. Example: Signa____tures The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Baby Angelonia is a modern, handwritten, modern calligraphy font. The shape is modern and unique and the writing style is very natural. Baby Angelonia features a varied baseline, smooth lines, gorgeous glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Baby Angelonia includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Baby Angelonia is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Introducing Bestorika Beautiful Modern serif with contrast lines and balanced curves. This font may be conservative and classic, and also may be more playful and modern. A lot of stylish alternates will give you many useful variations for use. Try to play with compositions of curves / alternates letters basic. Like all of my fonts it is inspired by lettering from the good old past, but it still has a strong modern appearance. Its wide range of stylistic alternates allows versatile design options and works perfectly for headlines, logos, posters, packaging, coffee shops, restaurants, magazine's headers, signs or gift/post cards,cafe's and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Bestorika. What's Included : Standard glyphs Ligatures Alternates Web Font International Accent Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You