This cute, fun handwriting font is fresh and youthful. It has just enough quirkiness to be sassy but is still completely legible.

Hand-drawn by my 10-year-old daughter, this font comes in 4 whimsical styles- chunky, 3D, regular, and outline.

Very neat kid-friendly handwritten lettering.

A neat upright font with a small x-height.

Cute bunting style lettering. Best when used with multiple layers to create a stacked, dimensional look. Use the parentheses to create end pieces and _ (underscore) to connect the end pieces.

A neat blocky solid font for headlines. In two weights.

This font was created out of a desire to offer a kid-friendly, playful, legible font that works for my speech language pathologist friends who work with students every day. They wanted something that worked for little kids and allowed them to use the necessary international phonetic alphabet.

Playful, whimsical unicase chunky bold lettering.

This handwriting is soft and feminine with gentle curves.

Hand sketched lettering in a chalkboard, Pinterest inspired style.

Build your own board game! This unique font contains lots of bits and pieces to put together your very own custom board game. Print the backgrounds large on cardstock and use the blank die outline to createa custom die! This is a great creativity builder for kids – let them create their own game with their own rules! Alisha Peare of The Bubbly Blonde has come up with a great free synonym/antonym game to showcase some of the ways you can use this font. Download her excellent game for free here: http://www.teacherspayteachers.com/Product/Lost-Leprechaun-AntonymSynonym-Game-Board-FREEBIE

Tall, chunky title-friendly sans serif capitals in 3 styles. Use all caps for even lettering or alternate caps and lowercase for bouncy lettering.

Fun mixed cursive and print styled lettering.

This font is based on the handwriting of an elderly gentleman who hand-copied the Bible twice in his lifetime. His neat, fluid penmanship leaves a written legacy of love for his family and God.

Chalkboard or crayon-style handwriting with great legibility.

A hand-sketched sans serif sketch font. For a solid version, pair this with KG Second Chances Solid.

Short, wide thin-stroked writing. Although handwritten, it is a very clean style.

Thin, neat handwritten letters.

A pretty, upright handwritten script that is highly legible.

Pretty handwriting in an upright, classic feminine style. Nice and neat.

Crayon-style script handwriting. Can also work as a colored pencil or chalk handwriting. Perfect for teachers!

The handwriting of a teenager- cute, quirky, and fun!

An all-caps font with blackout lettering perfect for stencils. Use alternating caps and lowercase for bouncy lettering.

A cute, markered skinny font that is tall and neat with plenty personality to spare.

KG Camden Market Script is a whimsical, hand-lettered brushstroke watercolor font.

This font was born of a desire to play with super thin and super thick lines in a script font.

Super curly letters with a playful vibe. Whimsical, fun, and cute- yet still legible enough that you can read it! Cute doesn't have to be painful to read!

A stamped, eroded font with the texture of a real rubber stamped image.

A neat, feminine handwriting with a few unique notes- the lowercase e and g, for example. This is both legible but has enough flavor to be a believable handwriting font.

Inspired by typewriter-style lettering, this font is legible and still has a bit of flair.

Adorable accents for your work including frames, labels, chevrons, mustaches, and more!

A messy, markered, painted font in pure whimsical and messy style.

A neat, upright printed handwritting font.

A happy candy cane striped font. Don't get stuck in a holiday only mode with this one- it is versatile enough for many uses.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.