Silverland is a revival of an old type font from the Bruce Type Foundry of New York, the original font from 1874 included uppercase only plus 22 end caps. This 21st. century version has been expanded to include many more decorative end caps plus new lowercase, small caps, italic, italic small caps, swash, swash small caps and gothic version. Approximately six months of painstaking work has gone into making this font family over the last 22 months. The OpenType versions of Silverland include between 230 and 370 kerning pairs each setup as auto ligature replacements, you will need an application such Adobe CS products in order to take advantage of this OpenType feature.

Silverland is a revival of an old type font from the Bruce Type Foundry of New York, the original font from 1874 included uppercase only plus 22 end caps. This 21st. century version has been expanded to include many more decorative end caps plus new lowercase, small caps, italic, italic small caps, swash, swash small caps and gothic version. Approximately six months of painstaking work has gone into making this font family over the last twenty two months. The OpenType versions of Silverland include between 230 and 370 kerning pairs each setup as auto ligature replacements, you will need an application such Adobe CS products in order to take advantage of this OpenType feature.

Nevan is a geometric display font. It features all caps, stylistic alternates feature, plus supports multilingual languages. It's perfect for logos, book covers, movie posters, games, and much more! Caps Only Fonts.

The Voyager is a sans serif display font with a retro look. With over 100 ligatures, small caps, and swashes, The Voyager is perfect for logotype design, magazine layouts, in titles and short texts. It includes: Three weights: Light, Regular and Bold & Italics 100+ ligatures for both the lowercase characters and the caps Small caps Swashes A set of frames

Imogen Agnes is a hand-made, signature-style font designed to create personal, stylish lettering quickly & easily. A bit of background; During my years as a freelance designer, I had always been a huge fan of signature-style fonts but frustratingly found them few and far between. Now don't get me wrong - some of them are visually stunning. But I found them almost too perfect, or too digitised, to make you think that someone had quickly scribbled it down on paper. So that's why I created Imogen Agnes. It works great for personal logos, but also makes for a strong standalone script font with a bit of a retro vibe to it. It comes with upper & lowercase characters, numerals, punctuation and supports international languages. It also comes with a bonus set of 15 swashes just to add that extra touch of finesse to your text. Stylistic alternates for several key lower case characters are also available, accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu.

Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the value family pack. The fonts are inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.

a gothic drop caps typeface

a gothic drop caps font

Modern small caps display font

This new OpenType pro font has 468 characters and glyphs. It is a massive redrawing of AeroScript. I have added nearly four dozen ligatures, small caps, oldstyle figures, small cap figures, and more.

Themilan is a super casual handwritten script with a detailed brush texture, and a unique all-caps sans serif font, it also has dashing strokes across all letters to add style to your designs. It can be used for various purposes. such as titles, signatures, letterheads, nameplates, labels, newsletters, posters, logos, correspondence, wedding invitations, badges, etc. Themilan Brush Font is encoded with Unicode PUA, which allows full access to all additional characters without special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any extra characters to paste into your favorite text editor/app. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternate characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all the alternate characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Thanks a lot for viewing and let me know if you have any questions.

Rotis is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.

The late-19th-century Prussian-American printer and publisher Louis Prang, the “father of the American Christmas card”, was well-known for his efforts to improve art education in the United States. He published many instructional books and even founded a training school for art teachers. One of the books he published included a series of alphabets for sign painters, lithographers, illuminators, architects and civil engineers. There was nothing truly original there — in the book’s preface, Prang says that the alphabets were “based on foreign forms and adapted for American taste”. The one alphabet that caught my attention in that book was one simply called “Italic”. It’s a high- contrast modern, a Didone really, but with an interesting little twist: the lowercase is almost entirely connected, which makes for an interesting mix of modern typography and classic calligraphy. That stuff is right up my alley now. Whenever my eyes happen on a modern, it’s easy, even almost impulsive for me to envision swashes coming out of serifs and terminals. The caps melt and the minuscules dance with them. And so I brought my vision to life. Prangs is an italic set of three weights, each containing more than 1400 glyphs with plenty of OpenType features and Latin language support. This set celebrates the convergence of three centuries of fancy display alphabets. These fonts should work wherever moderns are used to elevate and scripts are used to appeal — namely today’s branding, packaging and glossy publications.

decorative caps from america heritage typography

A grotesque style with extended caps, true short caps and a thin mono-weight drop shadow. Bitters was designed for all media in a wide point size range. Bitters requires subjective display kerning and compensation.

Unison Pro is an extended sans serif typeface. The family includes 8 fonts with stylised caps and a rounded version for each. Unison has bold and light minimal extended glyphs making it great for headers, logos, posters, titles and much more. The stylised caps included allow users creative control for creating unique typography. 8 Fonts Total 4 Font Styles Stylised Caps Multilingual Over 1700 Glyphs

Deco Banner JNL is composed of reverse lettering on a black background with Art Deco end caps. To create a banner, first type the plus sign for the left end cap, then your text. To add a space between words, use the bar on the shift position of the backslash key then continue on. To add the right end cap, type the equal sign.

It's nice when a font provides old style figures, small caps and alternate letters. But what if my typesetting program doesn't support Open Type features? The solution may be old-fashioned, but it's effective: the variants are placed in separate font families: Standard, Old Style Figures (OSF), and Small Caps (SC). Any word processor can handle it. HGB Info SC adds real Small Caps to HGB Info.

Some typefaces are staid, somber design tools. Then again, there's ITC Cinderella from Patricia Lillie: a typeface that's light-footed as a ballerina and joyful as a child at play. “There is a group of display faces that I simply love. Type that just seems to dance, type that makes me smile, designs that, when I see them, I say, "Boy, do I wish that was one of mine" says Lillie. “Although I never wanted to imitate these designs, when Cinderella started to emerge, I felt like it was the closest I've come to that quality.” ITC Cinderella projects gaiety and freedom. Capitals harmonize with a lowercase that bounces along with a lively, carefree attitude. Stroke weight stress is, well, all over the place. Curlicues abound. This delightful design is just that: brimming with delight.

The genesis of Apron font type family is inspired by soft-vertical structure of airplane window. On the other hand Apron is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly Apron serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S, 3, 6, 9), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. Now please fasten your seat belts and enjoy it.

The Fornire family of typefaces grew out of a desire to provide a font that has a bold yet simple impression. For this reason, Anwar Patihan drew designs with a high foundation as letters based on humanist shapes and proportions. The letters are kept narrow to enhance the look, and the spacing between characters is narrowed for boldness. While the opentype Fornire feature has an alternate "A B E F P R" letter that looks very striking and easy to recognize, making the Fornire family very suitable for use on Posters, Cover designs, magazines, Banners, packaging designs, design considerations that he put into the Fornire family as well allowing it to perform well in a variety of other design environments. Fornier has a variety of weights ranging from Light, Regular, Medium, Bold

Based on the popular Girltalk font, cute, cheeky Girlscript, was specially designed for the young-teen market. I felt that it was time for Girltalk to have a "big sister" script font to complete the group. Pretty & feminine, with a large dose of cheek, Girlscript is great for: -- “girl style” stationery -- diary covers -- clothing hang-tags -- party invitations -- greeting cards -- book covers -- movie posters -- CD covers -- game advertising media Girlscript is perfect for hen parties, baby showers, pamper parties and other occasions that bring out the “girl in” women. Think sugar 'n spice, think cute 'n cheeky, add a dash of Girlscript and you're on a winning streak! Girlscript is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

This family is the slab serif version of Corporative https://latinotype.com/display-weights?font=56. The thick terminals give it a strong personality and distinctive traits. Original main strokes and rounded edges have been kept untouched in order to find a balance between both versions. Corporative Slab is the perfect choice for large-scale display use and it is also suitable for use at small sizes. This font works well for logos, posters, signage, packaging, branding, etc. As you would expect from Latinotype, this typeface comes with a standard set of 350 characters that support over 200 Latin-based languages. Corporative Slab provides users with a wide range of glyphs and weights for every project—from branding and advertising to editorial designs. The family comes in 8 weights plus matching italics.

Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go. It may have felt right at home in the mid-1970s, the time of Sc-Fi, synthetics and disco, yet it unmistakably belongs to the present. Its dynamic sturdy forms and angular tapering of some horizontal forms convey movement and edgy impatience for change, with a few re-imagined details, like the reversed slant on top of the lowercase t and the atypical round counter of the lowercase a, showing a new hope for the bygone optimism. Available in five weights in Latin and Cyrillic, supporting many languages, with stylistic alternates and two sets of figures. Designed by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, 2020

Bombay is serif type family by ManVsType. It is ideal to use at larger sizes as a display font. The family comes in 5 weights in 2 styles (normal stem height and low stem height). This font is variable in its weight and "connection" heights in the letters a, b, d, h, m, n, p, q, r and u. The typeface has a number of ligature including an R+s ligature that automatically turns into the ₹ (rupee symbol) to solve a major problem in the Indian subcontinent where people don't know how to type it. Bombay is inspired by the colonial version of the city. The city being a melting pot of all kinds of people. Poets, writers, filmmakers enjoyed the city and it quickly became the cultural hub of the entire country.

First of all, Ring font has a little story. It was created as an example for Typography Exhibition in Moscow. And the font was immediately awarded! 10 years later, I decided to continue working on it and improve this font. Ring - really circular typeface. I felt inspired by Bauhaus. I've always wanted to design something similar. Ring is a cool and geometric-styled font. Expertly designed to make your creation look out of this world, this font will look gorgeous on a variety of ideas. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch. Ring font comes in 8 weights and 16 styles and this is just the beginning. The beginning of a further big font family called Ring!

Du is a self hommage to Uncertain Felttip. Uncertain, made in 2008, is a typeface which reproduced faithfully the style in which I am writing on copy paper, usually using the felt-tip pen. This time, I wrote the new family by the same method but using the tablet PC and the touch pen. Although, as for some characters, Uncertain differs in a form, it is the result of reflecting my hand writing. I wrote all the characters. If it is original, all the characters diverted and composed, for example, characters, such as Aacute and Agrave, are written. Different specification from Uncertain is family composition. Although Uncertain had only 3 weight, 7 weight were designed for Du. This way a user can choose his favorite weight because the variation of weights increased.

When Baka and Baka Too did very well commercially (Baka was named the Best Cursive Rough Script in 2005), I shied away from doing rough, handwritten scripts in fear as being seen as a one-trick-pony. A few years have passed and some early sumi-e brush ‘doodles’ kept appealing to me. I initially thought this new font would just fall under the Baka mantle and just become a new sibling, but as brush hit paper over and over again, the letters took on a different personality from Baka. This new font was turning out to be far more expressive, smooth and rough, tasty but sticky. This dichotomy demanded a new name. The rough and smooth texture suggested the name Fugu—oddly delicate while rough and functional.

The single-named, multi-talented designer Joluvian now lives in Madrid. But he grew up in the “Caribe” of Venezuela, where thick jungles meet endless beaches, and fecund trees bear juicy fruit – a tropical paradise where music and dance vibrate in the humid air. The Tropical pack, designed by Joluvian and digitized by Ale Paul, echoes the spirit of his birthplace. Its three faces are casually stylish – a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look. Like a fruit cocktail, each ingredient is tasty on its own, but they combine even more deliciously. Sprinkle the included catchwords, shapes, and bursts in your layout to complete the easygoing, Carribbean vibe. Each face includes alternates and support for multiple Latin languages.

Stigna (All Caps) is a branding font to enhance and beautify your designs. A modern factor has been applied to bring a classy and elegant look. All characters have been manually designed to bring more into your graphics. The font has been created keeping in mind the modern and trending factors for web or printing. The font can be best used with Websites, magazines, and Social Media Posts. Stigna Font Family Includes: Stinga Regular, Stigna Italic, Stigna Bold, Stigna Expanded Regular, Stigna Expanded Italic, Stigna Expanded Bold, and Stigna Expanded Bold. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

A Roman Stylized Font of War. Navarone is a display sans typestyle that was inspired by the movie titling sequence from the 1962 movie "The Guns of Navarone". It's an all capitals typeface that has alternate caps in the lowercase slots to convey all of the roman stylized lettering of the original inspiration. See the 5th graphic for a comprehensive character map preview. Navarone comes with features for customisation options: - An all capitals typeface with alternate capitals in the lowercase slots - A Basic Ligatures feature that swaps out FI and FL ligatures. Approx. 386 Character Glyph Set: Navarone comes with a glyphset that includes standard & punctuation, international language support, and basic ligatures.

A Practical Calligraphic Hand. Eagle Lake Pro is based on the calligraphic lettering style known based on the practical Running Book Hand. It has shorter capitals that create a visually taller x-height lending to high legibility and fluidity. Classic, clean, and casual, Eagle Lake Pro fits a lot of design uses. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications. See the 5th graphic for a comprehensive character map preview. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Fresh Press is a pack of handmade goodness - a visual delight in the form of a beautiful and strong script family. Fress Press consists of Regular, Bold, Caps and Ornaments that all play smoothly together. If Fresh Press feels too clean, there’s a Printed version of the whole family with a rough outline and texture. Fresh Press is equipped with Standard Ligatures and Contextual Alternates that maintain a smooth text flow. If that isn’t enough, try Swash, Stylistic or Titling Alternates in any OpenType-savvy program, or manually look for alternates from character map. Fresh Press is a clear and strong choice for any display use from branding to packaging and online to print.

FG Elias is an all caps font from handwriting which looks a bit angry I think. It has a size variation between the caps and lowercase. Works great for headers or text you want to emphasize.

With TILT CAPS and lowercase "CAPS" you can shakeup your headlines on the fly. Tilt left or right, bounce up and down to find the right mix for your message, perfect for fun active design projects.