Hello Aluyeaholics! Boulevard Signature, an exclusive handwritten signature font. Coming with 100+ stunning and super easy to use alternates and ligatures. Very suitable for your wedding invitation, packaging, apps, magazine, headline, website, ads and all type of design project you have. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 k.3 b.4 t.h c.c etc. To get results like the preview just type Boul.4evard.3 Sig.4nature

The Fuel typefaces are a modern update on the techno sans, complete with soft rounded corners as well as decorative inktraps. Stylistic Alternates included within all styles are alternates for the capital B, E, G, and R characters, as well as all of their accented siblings. The Fuel Complete package bundles all of the dynamic styles of the Fuel, Fuel Extended, Fuel Uni, Fuel Uni Extended, and Fuel Script typefaces into one powerhouse of a collection.

Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

Agnia is a formal font that combines serif and sans-serif fonts into one, Agnia has a modern minimalist style that is suitable for luxury and classy needs.

Kaila is a bold but elegant serif font. Its elegance and simplicity make this font look absolutely stunning on a variety of design ideas, both formal and informal.

The hand-drawn script Señorita was handwritten with a dry brush and will look great on branding design, posters, apparel, logotype, website header, fashion design, wedding card design, and more. Hand-drawn script font Señorita contains a full set of uppercase letters and 2 full sets of lowercase letters and 43 ligatures - which can be used to create a handwritten calligraphy look. Use alternate lowercase and double-letter ligatures to create a perfect hand-painted look in your creations. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Multilingual Support for 32 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages. (Does font support more Cyrillic languages just type a message in the text box below and see if all characters you’ll need are there.)

Bilberry Muffin playful Cyrillic Greek script font is perfect for use in all your design projects be it logos, signatures, labels, packaging design, or blog headlines. Also, it will look great in mugs, cards, gorgeous typographic designs, wedding stationery, and much more. Bilberry Muffin playful Cyrillic Greek script font includes a complete set of uppercase and lowercase letters, numerals, a large range of punctuation, and 35 ligatures, giving a realistic hand-lettered style. Bilberry Muffin Symbols is a font with 26 unique, hand-drawn illustrations and elements that can help to make your design more original. A different symbol is assigned to every uppercase and lowercase standard character so you do not need graphics software just type the letter you need. Multilingual Support for 33 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. Font also contains Greek glyphs too. And Cyrillic glyphs support Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

ACEISIDA is a font that supports over 100 languages from around the world. Basic and some Extended Cyrillic, Basic, Additional and Extended Latin, Basic Greek, and some newly added characters recently entered into use in everyday life. ACEISIDA is a font that elegantly combines the timelessness of antique design with the modernity of the grotesque. The absence of serifs results in a universally readable and sophisticated format. It was designed to focus on the main text, complementing other design fonts without disrupting them. This font is perfect for those who appreciate minimalism and refinement, and its smooth lines make it suitable for various design projects. It adds understated elegance to any design, making it the ideal choice for those who value simplicity, modernity, and sophistication. The font includes many glyphs for the Kazakh language, catering to the ongoing transition to the Latin script and accommodating various spellings. It also features a basic set of characters and glyphs with accents for the Greek language and an uppercase version of the letter “eszett” for German.

Metroline is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Sans font as your tagline and — the ideal logo! Whats include: Metroline Script - Includes OpenType features. Metroline Sans - Perfectly for create cool - typography or logo design. Includes a range of multilingual support.

A nice, ‘normal’ script font without the frills and thrills of my other work. It’s a handwritten typeface with a schoolboy kind of feel to it. Use it for your websites, your letters and product descriptions! Because of its unobtrusive nature, the font won't attract too much attention, so your work will stand out better.

The Clog font family is represented by four different outlines - Normal, Open Face, Shadowed and Engraved. Each of them could be your best choice when designing a wine label, package or magazine headline. By using Open Face and Shadowed outlines you will discover how easy it is to produce unique design of its own style.

Mic 32 New Stencil is the third variation of the popular Moretype family Mic 32 New. This stencil version provides an industrial flavour to the futuristic rounded geometry of Mic 32 New. Mic 32 New Stencil still has all the normal Opentype features including small caps, tabular, proportional and old style numerals and ligatures.

Basis is a bitmap font family which is happy being used at both small and large sizes. Designed as a 9 point bitmap face for the web, it offers different styles than most normal bitmaps. The stencil style can be used for display purposes, while the SmallCaps lowercase is great for website navigation menus.

Inspired by monospaced letters, Britonix is ​​designed with normal spacing but seems mono. Uppercase Britonix can be used for headlines or displays giving it a minimalist, professional yet modern look. Britonix also carries 20 weights including italic style, minimalistic lowercase letters can also work well for long sentences or paragraphs. happy exploring with Britonix.

MASKEY is a rough typeface with a freehand writing style, comes with 3 family styles (Normal, Overlapping, and Block) which are perfect for your designs that want a rough, modern vintage, freestyle style, and carefully crafted for all graphic design needs. Following Language Support : LATIN EXTENDED ( Western European, Central European, South Eastern European ) Thank You

From the title on the sheet music for the 1935 composition "Along Tobacco Road" comes Deco Triline JNL in both regular and oblique versions. Reminiscent of Broadway if done as a neon sign, this typeface virtually shouts about the Manhattan nightlife of the 1930s. For maximum readability, space the letters a bit wider than normal.

Snoogle is a friendly, round display typeface. Its character set contains 99 ligatures, which may be automatically implemented in OpenType-savvy applications. These give Snoogle the feeling of a script face, as opposed to normal rounded types. Snoogle's text variant is complimented by a Dingbats font, including further design elements as well as pictogram figures.

Maker, the font, pays homage to the Maker constructivist culture. Especially the sparked community interaction, and exchange of ideas through social meetings in shared spaces. With Maker you have hints of a Gothic minuscule heritage and pixel components that is carefully constructed into a discreet stencil font. The result is a fresh, contemporary and well grounded font that will shine in any technology, or arts related environment.

Futurette is a large weight family, covering all your needs for futuristic or sport projects, logos and others. Each style comes with 409 glyphes and can be used for Display titling, but in text also well. It was inspired by a bunch of 70's and 80's types like Handel Gothic or the ITC Bolt, and more recent faces like Typodermic's Conthrax and Good Times...

Arkham - a font that was created from the title of the cover of the comic book "Batman Absolution". The font conveys the Gothic and darkness that is inherent in this comic. The font is perfect for headlines, texts, posters, covers, merch, prints and more. Great language support. If you find an error in the font or kerning, write to: bunineugene@gmail.com, for a quick fix!

Fette Gotisch font is an interpretation of Gothic scripts in the style of the 19th century. During this time, the individualistics handwritings of the past were used to create and define new broken letter forms. This style has heavily influenced the designs of the majority of today's broken letter fonts. The strong appearance of Fette Gotisch made it popular as a typeface for emphasizing text.

Simeon's Handwritten Blackletter is the result of my desire to have my handwritten old English style writing available for my computer. It is a basic Gothic style font with my own touch to the lettering. Simeon's Handwritten Blackletter comes with full punctuation, a character set for most Western European based Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

Codex was designed by Georg Trump and introduced by the font foundry C.E. Weber in 1954. Based on the German Gothic script of the 13th century, this font has the character of handwriting. Its capital letters are extremely big in comparison with the lower case, hence good for contrast in short text, however, this characteristic makes the font better suited to languages which use fewer capital letters.

Inspired by the iconic Fenoglio-Lafleur Liberty building in the city of Turin, in an area with significant Stile Liberty buildings and New Gothic architecture. Lafleur is a decorative face with a remarkable art nouveau flair from 19th century. Perfect for creative contemporary uses in print and on screen. We recommend it for book covers, packaging, branding, editorial, web, advertising, apparel, purposes are endless.

Beckinslade is a lovely elaborate blackletter face, released just in time for Christmas, but useable at any time of the year. It is in the best traditions of Victorian Gothic revival, drawing inspiration from a range of sources and marrying them into one homogenous whole. The emphasis is on aesthetics rather than historical accuracy. Great fun though for anywhere ‘ye olde’ look is desired.

TG Praktikal is new modern geometrics sans with 8 styles & 1 variable font. Inspired by geometrics and gothic typefaces like Bell Centinel, Whitney and Metric, with an additional touch of monospace characters. That makes that TG Praktikal has a unique character set and fit perfectly for body text. Coupled with 3 flavors that can provide different impressions, including approximately 90 multilingual with various OpenType features.

Zenga is a contemporary typeface that fuses precise geometry with subtle hints of blackletter forms. The concept was to adapt core values from the gothic style and develop a design suitable for grid and pixel based platforms. Details include five distinctive weights with italics, over 500 characters, five variations of numerals with stylistic zero's, ten alternative characters, extended symbols including chess pieces and OpenType features.

The letterforms for this typeface are pretty much standard block gothic, but its prismatic treatment features a twist: the letters appear to be lit from below rather than above, which is usually the norm. The result is a perfect choice for dramatic headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’s elephantine Grotesques, lending to both British and American series their monumental qualities. Shrinking the center strokes and counters to emphasize a massive periphery, David Berlow has used this curious similarity to suspend a complete family of sanserifs between the two forms, a manly series of great dignity and presence; FB 1997

Almibar is a delicate and very elegant connected script font. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels and menus.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

Inspired by ancient Semitic Scripts and designed in broad nib calligraphy, this is one more great font by Dr. Ada Yardeni. A classic serif font, both formal and romantic.

A cutesy wootsy, love note-writing, school girl font. Cutesy Wootsy PW is available in OpenType, PostScript and TrueType format. The OpenType format includes a handful of ligatures and alternates.

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

Ricksta is a charming gothic serif font, with a unique sharp touch. If you are looking for an eye-catching and truly powerful look in your various visual branding design projects, then Ricksta is the answer. This font has been created with detail and precision to meet the needs of your branding projects. With families that include regular, shadow, slant, and distort, you have a variety of options to create a look that matches your brand identity. Ricksta also features alternate ligatures and characters, giving you the ability to create truly unique and captivating letter designs. Ricksta also supports multiple languages. That way, you can reach a global audience without limitations. This is your chance to make your brand stand out with a strong character. So, prepare yourself to turn your branding projects into stunning works of typographic art. Get Ricksta now and see how this unique gothic serif look will add a special appeal to your brand and your projects.

Grace was designed by Elisabeth Megnet and appeared with Linotype in 1992. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. The basic style of Grace is based on the Gothic miniscule of the 13th century. It represents a modern philosophy held by Andre Guertler, Professor of Typography in Basel with whom Megnet once studied. With this philosophy, calligraphy is not to be seen as a decorative art, and fonts created according to this tenet have far fewer ornamental strokes. They are eccentric, drawn out and almost bulky. Like Gothic forms, one of the predecessors of this font, Grace gives vertical lines a particular emphasis. This font is not meant for long texts but makes a distinctive impression in shorter texts or headlines.

Originally commissioned in 1979 as a new corporate typeface for Volkswagen AG, the VAG Rounded™ family’s geometric sans letterforms feature distinct rounded terminals, imparting the design with a friendly, approachable demeanor. With its design led by Gerry Barney, the VAG Rounded family remained in use for Volkswagen AG’s unified, worldwide automobile marketing for over a decade. The design was released for public use in 1989, and was bundled with many desktop publishing software titles available at the time. This opened the door for millions of computer users to work with the VAG Rounded type family. Available in four weights—from thin to black the VAG Rounded family is an apt choice for logo design, identity systems, or any application where a typographic warmth is desired. For contrast in voice, consider pairing the design with a more reserved serif typeface, or a sans serif with narrow styles, such as those found in the Alternate Gothic, Trade Gothic, or FF DIN type families.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.