Briosh - a hand drawn script font. Beautiful and elegant but at the same time unique thanks to its ending letters. It is stretched and not in a hurry , attracts attention and is perfect for creating logos, greeting cards, branding, book covers and many others. Alternative characters will help you create a project that is not repeatable. I decided to reflect this font in two styles, clean and rough, as you can see in the preview image. Enjoy using!

A set of over 50 ornaments, connecting borders, flourishes and decorative motifs originally designed by Frederic Goudy throughout his career. Many of these designs were used by Goudy at his Village Press and offered by his Village Foundry in the 1920s. The styles range from complex title page illustrations to simple linking borders, but all have the unique Goudy style. This set is completely different from the Goudy Ornaments found in the P22 Goudy Aries Set.

Denmark is a brush font that is modern and elegant. The imperfectionist form brings a natural impression. Denmark is handmade which is equipped with an alternative glyphs set (uppercase & lowercase), numeral, punctuation, and also multilingual supports. This font is suitable for your design needs such as product packaging, merchandise, social media design, T-shirts, Logotype, and more. Enjoy the font, feel free to comment or feedback, send me PM or email at letteralle@gmail.com. Thank You!

Designed for ParaType in 2003 by Tagir Safayev. The typeface was inspired by some of the Cyrillic letterforms of Sergey Chekhonin (1878-1936). Chekhonin belonged to the World of Art group, which is so closely associated with the flowering of Russian book and theater design at the beginning of the 20th century. For use in advertising and display typography. Serp & Molot has been adjugded Award of Excellence in Type Design of 'bukva:raz!' ATypI International Type Design Competition, 2001.

Presenting Sikat Rusak! A Dry Brush Font with a stylish alternate and extra 9 swashes. This font made with the perfect combining of each character. You can type by Mix & Match with alternate version to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project.

ITC Black Tulip was designed by Dudley Rees and inspired by the modular simplicity of the Greek fret band, an ancient repeating pattern formed by tracing a line at right angles between two horizontal rules to form an interlocking motif. Rees admired the discipline of the motif, I saw how that simple rigid rectangular network suggested an alphabet that would need little or no kerning," he says. He describes ITC Black Tulip as a "dramatic headline face"."

This innovative styled Mosaic font was created to suit various design applications within the typeface market and is aimed at people looking for a modern styled brush script typeface that doesn't fit in with the regular trends of script fonts. Designed and produced by Paul O'Connell of POCT, it is a slick and light hearted script typeface that reflects many irregularities, but still manages to retain a very balanced and modern feel with just a touch of fun too.

My father is retired from teaching after a distinguished career as a professor at the University of Texas (and other colleges). He's also retired from writing in longhand, ever since I digitized his script several years ago. Professor is a slightly modified version of my ol' dad's cursive hand -- a good, strong, helpful, friendly, personable hand, much like the man. Use Professor for all your casual handwriting needs: my father doesn't mind. Comes in a single, medium-weight style.

Soma is inspired by the Soma cube and the work of MC Escher. The font uses geometric patterns to create “impossible” glyphs. Some can be easily imagined; others bend the mind. Many alternate versions of glyphs have been provided for additional design possibilities. This is my 2nd most popular font at Dafont with over 50,000 downloads. The original set was 26 basic characters (A-Z), repeated for uppercase and lowercase. Now the set is almost 300 glyphs.

Hagen Kids is a great font for your fun design project. Supports most Latin-based languages and comes with standard and discretionary ligatures. This font is packed with alternates that you can play with. Hagen kids is suitable for long text writing, subhead, or headlines for your content. This font gives a sense of informality, friendly and personal feel to your design. You can apply this fonts onto text books aimed at children. Try it for yourself.

The Hobo font is a dynamically tapering face in which all strokes are accentuated curves, achieving a superb decorative effect. Hobo almost suggests a freely drawn alphabet with its unusual robust roundness. The Hobo font was designed to be used at large sizes. It has no descenders: the lower case g, p, q and y are incorporated into the x-height. The Hobo font imparts a friendly personality to display work such as invitations, menus, signage and packaging.

Ukrainian humanistic sans of universal purpose. Thanks to humanistic proportions and somewhat calligraphic sharpness, the typeface unobtrusively disturbs the eye, while remaining at the same time a “strong” modern grotesque. Asymmetric motive, distinctive letters and alternative glyphs give the font a Ukrainian flavor. The character set includes Slavic Cyrillic, European Latin and Monotonic Greek. Humus contains traditional and original ligatures, numeral variants, fractions, stylistic and historical alternatives in Cyrillic. The typeface was designed by Andrij Shevchenko in 2007-2022

Explore everyday is authentic display three style font. You can take advantage of these with any program that supports OTF features. These can also be accessed via the glyphs panel in some programs. NOTE: Because the nature of overlapping glyphs alternates must be selected manually in the Outlines version from the Glyphs panel. Kerning is extremely tight and best displayed at larger sizes.Use it for sport, movie, game, racing designs, or nearly anything related to speed and power

Victualia - casual, hand drawn (Wacom, illustrator) brush font. "Ligatures" have been created for some double letters to enhance the illusion of handwritten text. (TT, tt, ff, oo, OO, mm, MM, ll & LL - open type version of the font and open type compatible layout application required). Victualia was initially created in 2005 as part of a course that I attended to At Berghs , but has now been given a face lift as well as a full set of special characters.

Introducing, brand new serif, Merova - a classic serif with alternates! Merova is a classic and elegant serif with many style. Merova contains a bunch of alternates for each characters that will make your presentation or logo even more stunning and stand out! Merova also support Multi Language. and already PUA Encoded! Features All Uppercase Number & Symbol Multi language Alternates for each characters PUA Encoded Don't hesitate to send me an email at saridezra@gmail.com Happy Creating!

The three largest sizes of type made by the Caslon foundry are strangely unlike the famously consistent text faces cut by William Caslon. Perhaps they were the work of other hands—or of the master in a funky mood. Caslon’s text types have often been revived, but the display sizes, forceful and a touch eccentric, had no digital version until Matthew Carter’s Big Caslon. With striking Italics and rich design features , this typeface shines at BIG sizes.

A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility. Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters. This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.

Deconstructed JNL is another set of rubber stamp alphabet letters and numbers from a 1930s toy printing set. The original typeface of this set is Cheltenham Open. The stamps were printed out and scanned, creating this limited-character font with dual characteristics. At small point sizes it replicates inked rubber stamp impressions, but in larger format it shows angular lines and erratic character shapes as if made from cut paper or lettering that was intentionally made to look damaged.

Buzz is a loose and informal grungy font with a modern, electric, zappy quality: The font is particularly useful for the promotion of products aimed at young and trendy consumers. It can be used for the design of: CD and DVD covers; clothing advertising and swing tags; magazines and advertising; and cosmetic packaging. It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

Our Original Surfer Pro is an offbeat sans serif font bursting at the seams with lively personality. Inspired by a vintage advertisement for the "California Cliffs Caravan Park", this font exudes all of the fun of a summer vacation anytime of the year. The letterforms are clear and cleanly legible, while nothing is formal or uptight about this font. The SmallCaps and extensive figure sets offer Original Surfer Pro an even wider range of design options.

Kustomtype's "Romantico" font is a sans serif font family with a regular & oblique version. It contains all upper & lower cases. The "Romantico" family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, advertising, text, design, artwork, headtext, editoral design, magazines, etc.? "The true genius shudders at incompleteness - imperfection - and usually prefers silence to saying the something which is not everything that should be said." Edgar Allan Poe

The Classic Charles Rennie Mackintosh Font. Created in 1993, the timeless beauty of Charles Rennie Mackintosh’s letterforms is now available at MyFonts for the first time. Often imitated, but never bettered, this font has been used in various projects all over the globe, enjoying the limelight of Hollywood when it was requested for use in Sam Raimi’s second “Spider Man” adventure. A form of this font has subsequently been used for the TV series “An American Horror Story”.

AllSmiles is a sunny little face in which all the letters smile at you. It can be used in notes and cards of congratulation or in celebrating good-news announcements. In the update of 2011, emoticons were added in the appropriate unicode slots (unicode 1F601 to 1F640 slots). For the sad version, see BringInTheFrowns, and if you only want to proclaim a little joyfulness, you can temper the feelings with a plain version of the typeface, FebDrei.

Turer is a display font with a strong artistic personality. It is inspired by some works of Rudolph Koch (1876 - 1934) such as Wallau, Original Neuland or Koch Antiqua. It is characterised by its vertical strokes that thicken towards the ends, which hints at a serif without actually having it. Turer is composed of capitals; the lower case being small caps. It also has a great set of ligatures. Presented in two weight: Regular and Bold.

In 1995, David Berlow cut Moderno FB for Esquire Gentleman and Reforma from a TrueType pole of Giza. In 1996 he cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. A redesign of the Baltimore Sun, with Ionic FB as text, required further growth. The whole series was then revised for Louise Vincent, at the Montreal Gazette, with further styles added in 2005 for La Stampa. FB 1994-2008

Linotype Animalia is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by German artist Johannes Plass and is full of surprises. It is like a walk through the zoo, where the j is a shark chasing a small fish and the K is a moose gazing at the sky. Linotype Animalia is intended exclusively for use in headlines with large point sizes.

Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version, all three weights have the same metrics, making it easier to use them together. Have a look at the Terrorista Specimen.

Angustina is an elegant display typeface, it takes inspiration from classic letter styles. I chose the font name after reading the classic Italian novel “The Tartar Steppe”. I was inspired by the sickly, stoic and mysterious man who differs for his willingness to stay at Fort Bastiani. Angustina conveys distress and stinging sensation with extreme contrasts between thick and thin strokes and exasperated serifs. The alternate of hairline and bracketed serifs gives Angustina a modern and military appearance.

Cicero was the first typeface designed by Thierry Puyfoulhoux in 94. It is what could be called a semi-serif. Only the serifs which occur naturally when drawing letters with a flat nib pen have been retained. The absence of certain serifs allows for much tighter spacing. The remaining serifs still stabilize the baseline, although less effectively than a "full-serif" typeface. By borrowing features from both the sans and serif styles, Cicero truly stands at their crossroads.

Introducing, Cassandre! Cassandre is a hairline and modern signature handwritten font. Cassandre comes with ending swashes to add charming feel. Just type "-" at the end of the letters to access swashes. Or you can access it via alternates option. Cassandre is perfect for many design needs such as merch, T-shirts, logo, titles, wedding, book covers, social media posts, websites, events, and many more. What's you get : - Ending Swashes - Numeral & Punctuation. - Ligature. - Multilingual Support. Enjoy Designing! Thanks! Lunas Type

Belle Jardin is an Art Deco inspired display family of three typefaces, offered in in-line engraved regular and demi bold forms as well as a solid bold form. It offers upper and lower case solid slab-built forms that create an immediate atmosphere of the streamline era of the thirties and are also at home in post-war revival inspired design work. The letterforms are solidly legible and ideal for cover and poster inspired design work.

Inspired by apes and barrels, King Pong is a display font that's heavy, blocky, yet cheerful. Letterforms are brought to life through removal from a single square. Ascenders and descenders bring contrast and interest to the letterforms through a curved form cut at a 45 degree angle. King Pong works great for themes related to video games, technology, and music while the letterforms perform well in low-contrast environments and in very large formats – such as posters.

Manifestor is designed to be an urban culture typeface, it can effortlessly fit, blend and be in very situation at any time without taking up too much attention. It has a clean san-serif structure and proportion, kind to the eyes when set in texts while also look reliable when use in big scale. Manifestor has the simple - easy - comfortable feature, therefore it is a type appropriate for a very wide range of occasion. Manifestor also comes in Variable!

Linotype Schnitz is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by the Finnish artist Osmo Niemi, the characters seem to contain no round forms at all. Linotype Schnitz looks as though it were chiseled and has an angular, almost brittle feel. The restless and lively appearance makes Linotype Schnitz particular well-suited to headlines and shorter texts with point sizes of 12 and larger.

A dramatic contrast between thick and thin strokes, “ball” shapes at stroke terminals, and straight hairline serifs are main Evuschka characteristics. In this font, the x-height is specifically accentuated in relation to body height. In spite of its extreme geometrical shape, Evuschka exudes fairytale romance. Belonging to decorative type fonts, it is best suited for headlines, titles, and small amounts of text in large sizes. Evuschka was selected for TDC Certificate of Typographic Excellence 2017.

I designed this font a few years ago to address a direct problem. My work demanded small paragraphs of text to be screenprinted in a varsity font style. The house varsity was rather uneven and created small blobs of ink at sharp angles when printed. I designed Beau's Varsity to address both of these problems. The new font eliminated the blobbing, and I like to think my original design is a step up in evenness from the other options.

Kilburn is a no-nonsense, condensed Gothic sans-serif. For over a century the condensed sans-serif has been the 'go to' font for gravitas and authority. Kilburn continues in the fine tradition of fonts such as Franklin Gothic, News Gothic and Trade Gothic offering a contemporary interpretation of the condensed sans-serif — functionality with personality. Equally at home as both a text and display font, Kilburn is available in five weights from Thin through to Black.

Lineare Serif is an attempt at solving the difficult problem of creating readable text type, seeking new ways to provide readers with some pleasure and rest as they walk along each line, creating a space where there is harmony between man and the printed form. Asymmetric serifs both in their height and width, medium contrast in the stroke, and balanced upward and downward movements make “Lineare Serif” a typeface featuring both attitude and aptitude for editorial purposes.

A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.

Bronzier is a strong serif display family with 8 different styles. Bronzier was designed with a strong and sharp serif which gives it a more manly look. Sporty, vintage and modern taste at the same time which mean you can use this font family for many design styles. Inspired by old-school typography and modern style. Create a perfect design with Bronzier! Because Bronzier is suitable for logos, logotypes, apparel, jersey, tags, labels, posters, stickers, branding and more.