Designed by Morice Kastoun Inspired by one of my childhood heroes, Squiggle is a characterful display typeface based on a linear form. Each character has been carefully crafted for maximum legibility.

A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, lower case missing but not always designed for this type of face.

Lagoena Font was designed by Zainul Faozi from San Studio. This was inspired by road markings. This font fits on any project You make, on posters, logos, ads, banners, and more.

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Medium Roman is an engravers, all-capitals font for invitations and stationery. Particular characteristics of the Medium Roman font are the tail on Q and the spurs on J and U.

David Philpott was inspired by the flax growing on the side of the motorway out of Wellington, New Zealand, and crafted this very distinctive, natural typeface family based on the plants.

KARDELEN means,snowdrop flower in Turkish BEAUTY Kardelen font is created for expression of pure beauty GEOMETRY Every glyph on kardelen has a ratio to one another,which makes it rational

This font set is based on Frank Lloyd Wright's hand-lettering found on the Chicago Midway Gardens working drawings from 1913. This type of architectural lettering is a bit more casual than standard lettering found on most blueprints. It evokes the personality of Frank Lloyd Wright and complements the other fonts in the P22 FLW font series. Midway One and Midway Two can be used interchangeably to give a more naturalistic feeling of hand lettering. Midway Ornaments features over 100 decorative border elements that can be combined is many ways for surprising and effective decorative motifs. Midway One and Midway Two have been remastered and now contain over 400 characters including support for Western and Central European languages.

Annotate is a handwritten, monospace blockletter font complete with letters, numbers, & extended punctuation. The font is based on the handwritten annotation architects and engineer make on plans and sketches. By using a gridbased spacing and blocklettering, engineers can rely on an easily-readable and copy 'n print friendly annotations on techninical drawings to prevent any possible mistakes in the production process that are a consequence of misreading text. The clarity and uniformity allow to add a hand-written touch to any project without having to make concessions on the readability. Annotate will distinguish your text from the rest, ideal in logos, printed quotes, product packaging design, headers and many more usecases. Designer: Ignace De Keyser

Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes. Formally, my idea was to make a serif type that had a unique color, this is visible due to the light modulation. This is also complemented with the incorporation of not common, alternative signs. Some parts of the letters that are usually curb or diagonal where made horizontal (for example: a, q, p, etc.), this makes the eye of each character to be wide and unique. The serifs (wedge type) suffered diverse variations during the process. At the begining they where thicker and ended vertically, but this caused a great deal of printing errors. And so we decided to modify them by giving them an angle to avoid visible errors in medium and small sizes. The ch, and ll ligatures where rescued because they are a part of our current spanish alphabet. The historic ligatures and stylistic alternates give different options to users who want different alternatives within a text. The accentuation signs were composed in a middle line above all signs to avoid visual shock. We also gave plenty of importance to small caps numbers, mathematical signs and currency signs so that the could interact well.

Bunday Clean is a minimalist and friendly font family with different moods. It drops everything unnecessary like spurs and ears and appears crisp and contemporary with a slightly squarish touch. Like the other members of the superfamily (Bunday™ Sans and Bunday™ Slab), Bunday Clean provides uprights, a second set of styles with characters that reference handwritten cursive. These curvy styles give words a distinct look and are especially attractive for use in display applications and logotype design. Bunday™ Clean is space-saving and creates a homogenous text color with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. It ships with 9 standard, 9 upright, and the corresponding italic styles from a considerably thin hairline to a quite thick heavy. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localized forms, and much more. Feature Summary*: -4 Moods: Normal, Upright, Italic and Upright Italic -9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy -Supports at least 99 Languages incl. eastern european -Overall width: Narrow or Space-Saving -Advanced f- ligature set including fb -Discretionary s- and c- ligatures -Alternative Characters: a, e, f, g, l, t, y, A, E, F, L, and more -Capital German Eszett -Extra characters with Polish Kreska -Catalan Punt Volat -More than 570 characters per font * Some features may only be available in OpenType®-savvy applications Please, take a look at the other Bunday superfamily members: Bunday™ Sans Bunday™ Slab

Gojacky Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Agustaf Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.

German type designer Manfred Klein and Dutch type designer Just van Rossum created this pi and symbols FontFont in 1992. The family contains 4 weights and is ideally suited for wayfinding and signage. It comes with tabular lining figures.

Babylon was a civilisation that stretched from Bagdad to the Persian Gulf. There is an Old and new Babylonia, the era of Babylon civilization and the biblical Babylon. The oldest scriptures to be found since the rise of civilisation are Babylonic. The Christian, the Jewish and the Arabic culture find its origin in the Middle East. And share more or less the same history, the same roots and DNA. One people, but in reality a melting pot of close related cultures whom could not be more far apart, hostile and suspicious towards each other. An eye for an eye, tooth for a tooth. One could say this disagreement is still alive today and has deeply infected all of our systems. Beyond Babylon is sculpted after Hebrew, Arabic character style elements in a European writing. It questions what happened after the great Babylonic confusion. Did the words finally come across? Did they realize the distant and gap was maybe smaller than expected. This typeface is related to my former character Eurabia. As an artist I like to play with contradictions. Use opposite elements and mould them in to one understandable piece and in addition a thought to chew on. Otherwise the experimental ore shape lovin' typeface user could be very happy with an addition feature to the existing characters. One option more to express your selves in writing. Also this typeface is really suitable for theme writing or advertising. ----------- Babylon war eine Zivilisation die sich von Bagdad bis zum Persischen Golf erstreckte. Es gibt das alte und das neue Babylon, die Ära der Babylon Zivilisation und das biblische Babylon. Die ältesten Schriften, welche seit dem Aufstieg der Zivilisation gefunden wurden, sind babylonisch. Die Christen, die Juden und die arabische Kultur finden ihren Ursprung im Mittleren Osten. Sie teilen mehr oder weniger die gleiche Geschichte, die gleichen Wurzeln und DNA: Ein Volk. Aber in Wirklichkeit waren sie ein Schmelztiegel aus eng verwandten Kulturen, welche sich nicht ferner sein könnten: feindselig und misstrauisch zueinander. Auge um Auge, Zahn um Zahn. Man könnte behaupten, diese Unstimmigkeit bestehe noch heute und hätte all unsere Systeme stark infiziert. Beyond Babylon ist eine europäische Schrift, geformt nach hebräischen und arabischen Stilelementen der Zeichen. Sie hinterfragt die Geschehnisse nach der der Babylonischen Sprachverwirrung. Kamen die Worte endlich an? Haben sie realisiert, dass die Weite des Spalts zwischen ihnen vielleicht geringer war als erwartet. Diese Schrift ist verwandt mit meinen vorigen Zeichen der Eurabia. Als Künstlerin mag ich es mit Widersprüchen zu spielen, gegensätzliche Elemente zu einem vernehmbaren Ganzen zu verschmelzen und einen kniffligen Gedanken zu erzeugen. Andererseits könnte der experimentelle oder formenverliebte Nutzer sehr glücklich über eine zusätzliche Funktion der bestehenden Zeichen sein. Eine weite Möglichkeit sich im Schreiben auszudrücken. Diese Schrift ist auch für Werbung sehr geeignet.

April Blossom is a sweet, brush font with a playful character. This fun will look gorgeous on all your branding materials, cards, quotes, and any other lovely projects you are working on.

Bazilic is an informal decorative typeface. It would look nice in greeting cards, children’s books and magazines, on candy and food packages, holiday posters and flyers. Bazilic was based on informal lettering.

Based on some examples of a Clarendon-inspired wood type design, Clarenwood JNL is a bold and effective titling font which harkens back to old times and advertising on a grander scale.

Hand lettering on the cover of the 1932 sheet music for "Sleep, Come On and Take Me" was the basis for Overnight JNL, which is available in both regular and oblique versions.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Victorian Alphabets is a incoming family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century. The "Victorian Alphabets W" font has just W' designs, performing 52 different W's to your use. Here at MyFonts you can get more TWENTY fonts of this family, wih a very and atractive array of alphabets and letters to complete your artwork

Designed by Aulia Rahman and Hendra Maulia, Nagaiya is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /a, or the spiky spurs of the other lowercase letters. That's where the fun begins.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Hello Aluyeaholics! Introducing Milky Sundae; the sweet and chic display font. Make your designs look absolutely delicious with Milky Sundae! With more than 370+ quick access alternates and ligatures at your fingertips, you'll have endless decorative possibilities to explore. Milky Sundae is your secret ingredient for adding a touch of sweetness and uniqueness. Spice up your projects with stunning alternates and ligatures that will have everyone craving for more!

Didot LP is a very elegant rendition of the 18th-century French typeface -- Didot. This design took the earlier Italian neo-classical model (Bodoni) to a new level of refinement, with fully rationalized shapes and delicate hairlines. Didot LP accentuates these qualities, providing a classical text face with a clear and modern voice. The companion face -- Didot LP Display -- optimizes the proportions, spacing and hairlines for use at very large sizes.

Another addition to the Whiz Bang Woodtype series, this typeface is a double-wide, extrabold version of the so-called Tuscan style of lettering, popular at the end of the nineteenth century. Named after a small town in Texas, which the locals pronounce "meh-HAY-a." Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Legibility. Flexibility. Personality. No need to pick two; Novaletra Serif CF has it all. Liven up body text, captions, and headlines with Novaletra’s smooth, low-contrast design set across seven weights with italics. Versatile and easy to read at any size, Novaletra includes useful features like wide language support across Latin and Cyrillic scripts, international currency symbols, fractions, tabular numbers, and more. Includes lifetime updates, technical support and feature additions.

Addington CF is a graceful and reliable serif, useful in any application. Beautiful and practical, Addington is designed for excellence at small point sizes, while doubling as a capable, bold display typeface. Includes roman and italic sets across seven weights. Addington CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 with anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Bambina is a stylish retro font inspired by 19th century architecture and decoration. It looks amazing at display sizes and is easily readable in text size. There are two versions of this font : REGULAR and OUTLINE. Bambina Font is a display font made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design.