Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces. M Hei’s design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals. Its dots (點), ticks (剔) and downstrokes (撇、捺) are subtly curved and longer than usual; all stems (豎) and crossbars (橫) remain simple and clear; and hooks (勾) appear rounded. Together they make a harmonious form which is clean but pure, classy but contemporary.

Rougant is a unique sans-serif typeface. Drawn and created in 2021, this lettering has a distinct vintage style and a strong personality. Use it for a motorcycle logotype or any graphic with a rock'n'roll vibe. Provided in three styles: Rougant Regular/Solid, Rougant Rough and Rougant Bold. Rougant is built with advanced OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

French type designer Xavier Dupré created this serif FontFont in 2001. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text as well as festive occasions. FF Reminga provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Reminga super family, which also includes FF Reminga Titling.

Oh yeah! Gorda is a huge, bold and all-caps typeface. It's rounded style makes sure it's nice and friendly, even though it can be used in (very) large sizes. With Gorda you can produce a powerful and contemporary style. The smaller stroke width of the symbols and punctuation marks makes sure legibility is not an issue, as is often the case with fat type. Gorda is suitable for all sorts of uses, especially posters, headlines, artwork and logos. Use it to draw attention, in a quirky and distinctive way. Gorda has been designed and developed by Zeptonn.

Krong is a set of font family, modern Geometric in which there are several combinations of unique style sets, so ready to help you to make your designs look elegant. Krong Each contains nine weights ranging from Thin to ExtraBold, all with companion italics. The font includes more than 819 glyphs, covering all European languages written in Latin script. Krong OpenType features: Stylistic Alternates, Sylistic Set, Standard Ligatures, Discretionary Ligatures for lowercase and uppercase, Case Sensitive Forms, Arrows, Circled and Black Circled Figures, Proportional Old Style figures, Tabular Lining figures, Slashed Zero, Fractions, Superscript and Subscript figures.

Joyful Script comes with upper and lowercase characters, punctuation glyphs, numerals, web font, and supports international languages. Stylistic sets for several key lower case characters are also available. Perfect for logo marks, typographic quotes over photos, book covers, and packaging design. Note: To access all the alternate letters for this font you will need software with a glyphs panel - such as Adobe Photoshop CC 2015, Adobe Illustrator, Adobe Indesign, etc. The subset of Joyful Script Regular in this kit supports the following languages: Albanian, Basque, Breton, Chamorro, Dutch, English, Finnish, Frisian, Galician, German, Italian, Malagasy, Portuguese, Spanish, Swedish

Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus when reading continuous text. On the other hand, these same features get highlighted when using the font for headlines or display text. This 11-weight family includes italics and small caps, and supports 219 different languages as well as several sets of figures. Latina is the perfect choice for publishing design (books and magazines), branding and advertising.

Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make crisp, sharp and strong impact by geometric letter form but also to be legible and readable even on small size screen by their sophisticated design. Quiet Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

Frontage is a charming layered type system with endless design possibilities using different combinations of fonts and colors. Achieve a realistic 3D effect by adding the shadow font or just use the capital letters of the regular and bold cut for stark artwork. The typeface’s design is based on a simple grid, which creates the friendly, handcrafted look of facade signs. It is generously spaced for maximum impact of your message. As a display typeface Frontage loves color and is suitable for headlines and logotypes. Details include 224 characters in six styles and manually edited kerning.

Habano is an eleganty flowing bold script with some very surprising traits. Taking its roots in both the art deco style and the kind of lettering used for pop culture, its minuscules are classy yet obedient, and its majuscules and figures are playfully round and memorable. This contrast in character between cases makes for an appealing display face that can turn simple words into images that are hard to forget. Once again, the unique lettering talent of Angel Koziupa makes itself evident through an alphabet that leaves the memory of its soft touch for long after it is initially perceived.

Bitstream typeface based on Koch Antiqua by Rudolph Koch (Klingspor, 1922). Koch Antiqua, also known as Locarno and Eve, is the most popular face of one of the great lettering artists of the 20th century. This delicate display face has a small x-height, very tall ascenders, and main strokes that taper gracefully downward. Koch-Antiqua appeared extensively in advertising between the wars. A refined letterform, it is best used sparingly for a distinctive look in advertising, book, and job work. Two weights of Cyrillic version including alternative lc characters were developed by Isabella Chaeva and released in 2008 by ParaType.

Budare is a geometric font family that rebelled to find its own identity within an ocean of other typefaces of the same style. Its design is based on the shape of the wrought iron plate used in Venezuela and other countries to make arepas and other foods. Its appearance is strongly defined by basic geometric shapes such as the circle and its upright style is accompanied by rotated italics "rotalics" that complement its rebellious spirit. Because of its strong display characteristics, its best uses are focused on posters, branding, titles and anything that needs a strong graphic emphasis.

Olyford Variable font is a contemporary sans serif typeface that is derived from the Olyford font family. It features a range of weights and italics. OpenType features: Access All Alternates, Stylistic Alternates (Alternative n, m, p, q, r, u), Stylistic Set 1 (Alternative K, k), Stylistic Set 2 (Alternative W), Stylistic Set 3 (Alternative t), Stylistic Set 4 (Alternative w), Stylistic Set 5 (Alternative 5), Stylistic Set 6 (Alternative ¢, $, €, ₽, ¥), Stylistic Set 7 (Alternative Đ, Ħ, Ð, ≠, ∫), Standard Ligatures, Discretionary Ligatures, Proportional Figures, Tabular Figures, Case-Sensitive Forms, Fractions, Kerning, Denominators, Numerators, Scientific Inferiors, Subscript, Superscript, Ordinals, Localized Forms.

Michael Gills, formerly a resident designer at Letraset, created the Fling typeface in 1995. Fling's letterforms are based on the Ronde --or round--script style from France. The design includes intricate and generous capital letters, which are contrasted with a more reserved lowercase letters. This allows for a sophisticated and elegant appearance in text. Fling's letterforms are highly legible for those of a script face, and it is a typeface with many uses. Aside from short amounts of running text, Fling's capital letters serve well as initials. In the Opentype font are extra ligatures and alternative letterforms thatoffer expanded typesetting possibilities.

Grao is a modern, funny and casual script. All the glyphs have been carefully designed giving the texts a wonderful flow. A fat and thin blow in this font impresses the harmony. This font includes alternative stylistics and contextual, swsh, and ligatures for a genuine handwriting effect. It also includes a Central European language support with its corresponding alternative characters to have more options in those languages. Grao looks good in children's books, fashion, magazines, restaurant menus, book covers, wedding invitations, greeting cards, logos, business cards and is perfect for use in designs based on ink or watercolor, and more..

In 1948, Joseph Struhl pioneered an innovative do-it-yourself sign kit for retail merchants. Die-cut letters and numbers made from flexible sheets of vinyl with the ability to adhere to smooth surfaces by static electricity; his "Magic Master Interchangeable Sign Kits" became a great success. Jeff Levine has paid tribute to this innovative method of in-store advertising with Sign Maker JNL. Because of their die-cut shapes, the design style of the static cling letters have unique characteristics. Companion fonts (based on other Struhl sign kits) are Cling Vinyl JNL and Cling Vinyl Clear JNL.

SK Parnik is a modern display font inspired by the culture of vegetarianism. This font is based on the shape of a bean pod, which gives the symbols a unique playful character, perfect for working with the branding of companies that are aimed at a children's audience, as well as engaged in restaurant activities. The character composition consists of uppercase and lowercase letters and supports extended Cyrillic and Latin letters. This allows you to expand the scope of this font. Despite the pronounced decorative component, thanks to its tools, the font will fit perfectly into the collection of any designer.

Romeo is a perfect couple of Julieta , they are a condensed, unicase family full of swashy love. Inspired by romanticism, Romeo is a charming and versatile typeface. By alternating uppercase and lowercase, and mixing them with alternate characters, ligatures, swashes and endings, you obtain endless possibilities of composition, with 810 glyphs available in the Pro font. In case you don’t need all these alternatives, there is also an Essential version consisting of 247 characters. In addition, Romeo has an affordable set of ornaments, connectors and catchwords to complete this attractive display system. Photography by Damien Vignaux (www.elroy.fr)

Glancias Display is a contemporary typeface for article headings. In order to create a style that merges serif and sans serif and to attemp a minimalistic final appearance, Glancias Displas removed the serifs while remaining the high-contrast strokes which are usually found in a serif font. By removing serifs and cutting stroke ends vertically and horizontally, the font has been built in a modern, sleek, neutral and also concise look. Over 400 glyphs in total including upper and lowercase characters, figures, ligatures and signs are available. Glancias Display covers Latin based languages of North and South America and most of Western Europe.

I remember that my auntie once made a dish called ‘Macaroni and Smac’. It consisted of little ‘elbow’ macaroni, Spam (which in Holland was called Smac), cheese and ketchup. I am sure it didn’t contain on of your five a day, but it was delicious. As far as I know, I have eaten it only once, but it did make a lasting impression! Biscuits & Spam is a handmade ‘Western’ style font, which I found in my ‘unfinished fonts’ folder. It comes with multilingual support, a full set of alternates for the lower case letters and a really happy vibe.

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.

Blacken is a contemporary blackletter with some fraktur flavour and a deep dark spirit. With its 420 characters covering 219 Latin-based languages, this font is ideal for your posters, book covers, logos, tattoos, and to play with its strong and thick characters. Among its inspirations are the gothic-cholo style, Mexican sign painting (the one in tacos and tortas, of course) and some delicious Belgian beer! Besides the Regular width, Blacken comes with Condensed and Expanded versions and Mix, which combines the three widths as OpenType features. You can also get Blacken Variable to create your own ideal width!

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Mahardika is a Retro Sport sans Serif family with variable font technology, and its axis weight range spreads from Light to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Meet EXCESSA!! a new futuristic and modular typeface family directly evolved from my previous released, AREON FLUX. Comparing it to his cousin, EXCESSA inherit most of the glyphs but a certain large group of letters are designed with a more obvious curvature that creates a slightly different visual dialog. It cames also in the same 3 styles as it’s predecessor: Athletic, Medium and Heavy. His more dynamic and modular structure makes it an excellent choice for designs that needs a futuristic, technical, unusual and sci-fi touch. It also supports most of the latin based languages, kyrillic and greek as well.

Introducing, Malliandra Script - A beautiful modern calligraphy script based on manual hand writing. The natural flow with the swashes make this font looks even more prettier. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual swash and ligature alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Hello Buena - From Wood to Digital Type Buena is the first word I read on a letterpress paper, printed by my colleague and friend Wolfgang Wick. I was fascinated by the power of this fat wooden letters at first glance. So I started to create a digital version of it and »Buena Black« was born. Due to the fact that the original punches had only upper- case glyphs, I created the lowercase characters by myself. After that it was time to design the family... Buena is full of OpenType features. To get fully acces, go to www.mazefonts.de and Download the Type Specimen.

The inspiration for this font came from a wall-writing in Cuba. At first glance we thought: "There is something wrong with the wall-writing." But a closer look revealed, that it just mixed up different stroke-styles. That "feature" became the designing principle behind CA Segundo: Round characters like O, U or C are available either with a fat or a thin stroke, whereas other characters with orthogonal lines come in two different styles – uppercase characters emphasize the vertical strokes, while lower cases emphasize the horizontal strokes. This gives you the opportunity to design just while you type.

Hogar Slab, based on the Hogar typeface, is the result of combining a script and a slab serif into a single type system. The system has a monolinear style composed of a slab serif and a script slab serif version that share similar proportions, weight interpolations and details. Hogar Slab is basically a slab serif with script gestures and a script with slab serif shapes. In order to make the system more complete, I included an italic version, which represents a transition between both main styles. Additionally, I developed a set of patterns including some furniture designs by well-known architects.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Aubette is based on Theo van Doesburg’s 1928 signage lettering for the Café Aubette in Strasbourg. A collaborative project with Jean and Sophie Arp, the design and decoration of the entire restaurant and leisure complex was one of the largest projects to exemplify 1920s avant-garde, and the theories of Dutch De Stijl.

Pretty September is the perfect font for all your fun designs. The main font file is equipped with ordinary characters (A-Z, a-z, 0-9, ligature), as well as more than 300+ glyphs to support most Latin-based languages. Everything is made with the same brush, and everything is the same size as Pretty September, so you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

Hamis vol. 2 is an improved version of "Hamis" font, and provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super and subscript characters, and stylistic alternates. This is a more professional than "Hamis" font. "Hamis vol. 2" is a display font of a single weight " Regular ", ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, posters and billboards as well as web and screen design. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Burlesk Queen JNL was inspired by the hand lettered title “Gypsy” on the sheet music for "Everything's Coming Up Roses" from the movie musical based on the autobiography of famed stripper Gypsy Rose Lee. With just four basic letters to work with [G,Y,P and S], a full character set was drawn from scratch. The design features bold spur serif characters on individual ‘marquees’ bordered with lights. Burlesk Queen One JNL is the original version with white characters on black panels, while Burlesk Queen Two JNL has those panels stripped away to provide black letters on a white background.

Muctar is a bold brush signature script. It can be used for various purposes such as headings, logos, wedding invitation, t-shirt, letterhead, labels, posters, badges and more. Muctar features Contextual Alternates, Standart ligatures, Stylistic Alternates and Stylistic sets. Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all European languages that are based on latin alphabet. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Frederic W. Goudy originally designed Pabst in 1902. This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF. Goudy later licensed Pabst Oldstyle to the Lanston Type Library. Lanston Pabst Oldstyle features several differences from the more familiar ATF version. Some caps are narrower while some lower case characters are wider than the ATF version. The descenders are also shorter in the Lanston version. Logotypes of italic words and, of, and the are included as originally designed as well as ligatures including the unusual tt ligature.

Linotype Killer is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests from 1994 and 1997. Designed by German artist Andre Nossek, the font seems to describe the Technosound of the 1990s with its electronically produced sights and sounds. It represents repetition, mass production and conformity. The alphabet consists exclusively of capital letters, all based on a rectangular form, all of the same height, and, with the exception of the I’, all of the same width. The cool and distant Linotype Killer is best suited to short headlines.

Introducing "Queen Michelly" - a Serif font family that's "two-faced" with modern and vintage. If you're using Vintage Retro : Access your OpenType features to access a large selection of alternative fonts and ligatures, pick the font you like from a wide variety of variations to get the vintage look you're looking for. Vary between a light and heavy vintage look based on the number of letters you change. Due to its dual personality, Queen Michelly is a very versatile font, covering a wide variety of projects, from bold magazine images, to wedding invitations, to branding, poster design, and more. Inclouded : - Multilanguage

FF Berlage started as a research project about the typography of the prominent Dutch architect Hendrik Pieter Berlage (1856 1935). Donald Beekman based the design on a great number of sources, but mainly lettering found in two of Berlage s most quintessential buildings, the Amsterdam Commodities Exchange building (called Beurs van Berlage), and the ANDB building for the Amsterdam diamond cutters union (called De Burcht). Berlage is considered the father of modern architecture in The Netherlands due to his revolutionary theories on architecture and design, that would greatly influence many Dutch architect groups, like the Amsterdam School and De Stijl.

Zygon Regular is a shape changing, unicase display font inspired by British cultures and transcultural theory. Zygon Regular was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a multicultural event, would feature celebrations inclusive of all cultures. The typeface is based on the Panjabi syllabary alphabet (Gurmukhi script) combined with the Latin alphabet. Zygon Regular contains a set of stylistic alternates as well as a range of standard and discretionary ligatures. These are accessible in applications that support OpenType features. Zygon Regular is especially suitable as a headline font for designs seeking a cultural edge.

Bebas Neue is a free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. - Bebas Neue Pro has lowercases and Italics. - Bebas Neue SemiRounded are some derived, Semi rounded fonts from this Bebas Neue. - Bebas Neue Rounded are some derived, rounded fonts from this Bebas Neue. - Mocha Mattari is a distressed, vintage-effected font based on this Bebas Neue. When you need more impact for titling, please try our Kaneda Gothic, Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.