Introducing, Narapati is a clean Blackletter Typeface for your Design Narapati is a clean Blackletter Typeface for your Design that is fit for your next creative project such as logos, product packaging, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. This Narapati Typeface includes also support a Multilingual Characters.

Hello my name is Zalena font, our new and fun font collection. Combining hand drawn style with a modern twist. Zalena comes with a ligature alternative that you can use to give your projects more options. Perfect for logos, notes, posters, t-shirts, stickers, posters, mugs, labels, etc.

Cream Soup – Font is a display brush font. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. If you have any questions please don’t hesitate to contact me. follow my Instagram: fkryall Thank you 🙂

Darkstone is a hybrid blackletter display font which combines features of the fraktur and old english. The level of detail in the glyph drawings enables the users to exploit the pure form of the letters in big sizes. Darkstone is great for labels, mastheads, branding, advertising, posters, etc.

Hello Everyone, Introduce our new collection Dotoria is a Handwritten Brush font with comical type. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, Game project and etc.

The Monokill is modern vintage display typefaces, This font has 2 styles, namely clean - textured which will make the display look good. Choose between varying texture strength for your desired effect. Already PUA Encoded and I think this font is perfect for Logos, Advertising, Apparel Design, Labels, Signage, Etc.

Story Night – Font is a display brush font. It’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. If you have any questions please don’t hesitate to contact me. follow my Instagram: fkryall Thank you 🙂

Gallicide is a Handmade Modern Vintage Textured Display Typefaces. This fonts is combining the style of modern handwritten style and classic vintage looks. It comes with 3 Styles (Rough, Reglar and Outline). This font will look good on any retro design like poster, t-shirt, label, logo etc.

Beatrise is a new modern and stylish handwritten font. It's perfect for logos, branding, invitations, tittles, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events, magazines, web design, etc. If you have any questions please don't hesitate to contact me. :) Thank you

Sweet boho is this amazing typeface handmade script font we created in freestyle for those of you who do work and crafts. It's perfect for any type of work you're working various purposes such as logos, wedding invitations, headings, t-shirts, letterheads, signage, labels, news, posters, badges etc.

Respawn - Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This font is PUA encoded which means you can access all of ligatures.

Ultra Heavy Weight Font Champion – that's Kotto Slab. Bold curves and catchy endings. You can always count on Kotto – quirky posters, creative projects or long texts. That doesn't matter. Easy to use and easy to pair with other typefaces. Matching italics and opentype features will make your work faster. Try it with sans and serif fonts, especially with Praho Pro – you won't regret it.

Constellation started with a simple geometric concept in the manner of Art Deco which gradually developed to a complete typeface, both upright and italic, total of seven weights. The concept allowed the font to be designed from Ultra Light in both very light and quite black styles. This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features .

Boughy – Font Family is a versatile display serif font family with 9 weights from ultra condensed to extra expanded. perfect for headings, titles, branding and much more. Boughy – Font Family contains everything you need to create stunning typography – from headline fonts to body text fonts – all in one place. Whether you’re starting out or you’ve been designing for years, Boughy has everything you need.

Both Hermes DTC and Imperial DTC font families are strongly influenced by Schnebel’s work on Latin characters to fit Japanese Kanjis. DTC Hermes is well-suited for office documents, looking good on screens as well as printed.

The Quandor Family began as a digitization of a film typeface from LetterGraphics known simply as "Impacta". The original specimen included standard Capitals and Lowercase, as well as a Biform character set. We've fleshed out the original style and added an Oblique to the family, but we just couldn't leave it alone at that, and beefed it up to include an Ultra Black and Ultra Black Oblique style as well, because uber heavyweight font styles are the bees knees. Chocked full of features, including Biform alternates, SmallCaps, and SmallCaps Biform alternates, this family is built to perform. See the 5th graphic for a comprehensive character map preview. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - SmallCaps feature. - Tabular and Proportional figure sets. - A small collection of Standard Ligatures. - Stylistic Alternates for Biform alternates and SmallCaps Biform alternates. Approx. 818 Character Glyph Set: Each style of Quandor comes with a glyphset that includes standard & punctuation, international language support, and additional features.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

A vintage look layered label font named "Smokers".Typeface includes six styles (including effect styles), for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers: - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Shadow or Texture. - Alternates in first letters - just type letter in caps. For alternates in last letters - just use alternates for small letters. Thank you!

Pata Slab: the ultra-heavy optimism we all need in 2020 Pata Slab is the type equivalent of a catwalk stomp down a city sidewalk, a font that’s assertive, funky and more than a little sexy. Named after a colloquialism for ‘feet’, Pata features ultra-heavy slabs and contrasting hairline centers that rise from its chunky footprint. The resulting, retro-inspired vertiginous curves add instant attitude to any design. Developed in 2020, Pata is a type of its time.Pata is all upside, as it is a typeface with no descenders — one that elevates all characters to grow upward from the baseline (because, c’mon, we could all use something uplifting right now!) All uppercase characters were built to fit precisely inside a square, so they’re all the same width and height. The lowercase alphabet, eñes, cedillas, punctuation, numbers and symbols all follow the same height restrictions. Despite all that confinement, Pata sports standard-height terminals that connect seamlessly so there’s nearly endless options for modular ligatures. The upshot of all this meticulous awesomeness is that laying out, customizing and stacking text super simple. Pata Slab was created by In-House International, designed Alexander Wright in collaboration with Rodrigo Fuenzalida. It's available for Opentype format (.otf) compatible with Mac and PC.

A lovingly handwritten, hand-traced and developed font family that you can use in all sort of design projects - branding, invitations, quotes design etc. The family contains 33 fonts in total. Script fonts all have initial and end swashes as well as ligatures and contextual alternates. Serif and Sans serif fonts are all capitals fonts and all of them have stylistic alternates and catchwords ligatures. The fonts are fully unicode mapped so you can use them basically in any software. If the software you are working in is not OpenType-aware one, you'll need an additional software to help you to find the glyphs you want - PopChar (MAC & Windows) or Ultra Character Map (MAC) will do the job. Take a look at the How-to PDF in the Gallery Section showing how to use OpenType features within the font.

Aerogate is a bold rounded script font inspired by our best selling font called aerokids. Aerogate is a bold rounded script font with a bold vintage style inspired by beautiful classic handwriting. made with care and fun without eliminate characteristics of our font. Aerogate created with a tons of opentype features, contextual alternates, ligatures, and stylistic sets. Make forms at the beginning / end of a word are set automatically. It is smart an it is working in adobe software. This font is perfect for your creative projects such as Logotype, printed quotes, invitations, business cards, product packaging, headers, Letterhead, Apparel , Web design, Magazine, Book, Stickers, Labels etc. Thanks

Keneisha is a calligraphic script font with varying baseline, which is designed to convey elegance and style. It is smoothline, clean and feminine. Works perfectly for logos, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, t-shirt etc. Including initial and terminal letters, alternates, ligatures and multiple language support.

Omarbig is a beautiful hand-painted font that looks more natural, fun and combines a mixture of small and large letters, making it look attractive and unique. This fonts can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges etc.

Autelan Script is a contemporary calligraphy typeface. It's a mix of retro and modern sans serif script. With Autelan, your designs will get a classic and elegant touch. Autelan can be used for various purposes such as logos, wedding invitations, T-shirts, letterheads, signage, labels, news, posters, badges etc. Thank You

The Great Mammoth is a bold and vintage type with high contrast character. They have a rough character with handdrawn touch. The Great Mammoth have 2 style : regular and oblique. It's very suitable for vintage, retro and adventure theme design such as logo, branding, badge, label, t-shirt, merchandise etc.

Really excited to introducing First Class is a new luxury serif family. It's clean and smooth with 9 variable weight much ligature and alternative inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature - Uppercase & Lowercase - Number & Symbol - International Glyphs - Multilingual support - Alternative - Ligature

Saylon is a super casual hand brushed script with detailed brush stroke texture, and a quirky, Can be used for various purposes. such as the title, signature, letterhead, signage, labels, newsletters, posters, logos, correspondence, wedding invitations, badges, etc. Saylon Font international Support for a review of most Western languages ​​included.

Introducing, Southville! a bold and fun display font. it's bold characteristic and round at the edges makes this font bold and brave but have soft and fun charm. this font is perfect for books, packaging, branding, make up, novel, label, etc. Features : uppercase & lowercase numbers and punctuation multilingual PUA encoded

Introducing original font named Healthy Freak. All available characters you can see at the screenshots. This font has two styles: Regular and Rough. Main feature is a lot of ligatures for both styles! This font will look good on any street styled designs like a poster, T-shirt, label, logo, etc.

Biliner Meclan is a Minimalist Sans, use this font for any branding, product packaging, invitation, fashion, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

An ad for the annual Variety Club Convention appeared in the March 18, 1940 issue of "The Film Daily. The main headline was hand lettered in a classic Art Deco "solid" style of sans serif - ultra bold and with no counters - but had one additional feature: 'engraved' lines to the left of each character. This has now been expanded into the digital typeface Trade Convention JNL, which is available in both regular and oblique versions. Variety Clubs (now know as Variety - The Children's Charity) was founded in Pittsburgh, Pennsylvania in 1928 by entertainers specifically to aid children. Their history can be found at https://variety.org/who-we-are/history

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Georgian embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.