Quirked is a quirky bold font with unique letterform. You can playaround to fit the form using standard character with alternate character to create new looks. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded

The Bilany is a font duo package contain a classic script and slab serif which looks great to be paired especially for vintage and adventure theme! This font duo is purposely made for headline, display or logotype, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Golden Way Family attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels Golden Way Family also features a strong neoclassical serif typeface with high contrast, cool, stylish and unique look with alternative fonts, Ligatures, and multilingual support Thank you for your visit.

Sol de Jalisco inspired by view of blue agave valley in Jalisco, Mexico. With Sol de Jalisco font you can give your project it's own unique and stylish feel. Sol de Jalisco typeface is perfect for your tequila and mezcal label and packaging design, social media quotes, logo and branding design, t-shirt design, whiskey, beer label and packaging design, heading, scrapbooking, calendars, book covers. Enjoy using the logos and little marks in your design projects.

Edberd is a beautiful font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

Introducing Morydane a script font perfect for designers looking for a modern and casual style. With its clean lines and flowing curves, this font is ideal for adding an interesting touch to your designs,especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Drawlers is a organic sans with stencil versionthat effortlessly infuses your designs with a touch casual and a dash of classic. Its unique type- maekt it perfect choice for any projects especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Stencil Version Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Shaliya is a beautiful font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

Introducing, Syarilla Handwritten Font. This font is suitable for you who needs a typeface for headline, logotype, quotes, apparel, invitation, branding, packaging, advertising, etc. to access the underline just type _ + (number 1-6) for example _1 _2 _3 etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded

Price Tag is a bold, graphic alphabet inspired by labels and vintage price tags. A touch of grunginess makes this alphabet look extra cool in larger sizes.

Kal08 is a Sans Serif Font, this font consists of Uppercase, Lowercase Letters & multilingual support. Kal08 is perfect for Logotype, Print Design, labels, Products, Text, and more.

Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times.

Amonus is a modern and simple display font. This font is ideal for logo design, labels, posters, or pretty much anything else that requires a unique touch.

Mustang is a vintage handmade all caps font. It is perfect for: logos, posters, labels, headlines, apparel & more. It comes with characters, numbers, marks and punctuation. Enjoy!

Highly legible single stroked font family in 3 weights. Use for titles, signage, captions etc.

A grunged-up variant of a classic font – with ultra-tight spacing (uppercase letters are mostly overlapping). Perfect for that worn but stylish look, now with hugely extended language support. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

With Antipol Variable, the reversed stress font was supplemented with Wide and Extended cuts in the Hairline weight. The ability to stretch single letters extremely wide is an exclusive goodie of the Variable version. Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners. This particular weight is meant for display settings, think full-page magazine titles or posters. Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity. Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Julia Child once said: the secret to great french cooking is butter, butter, butter. Thus, we present to you Manteiga - butter in Portuguese! - a typeface for heart-melting, word-spreading goodness. The idea we had was to play with brush lettering - a style we love - and go as far as we can with the shapes of the letters while finding balance between positive and negative space. We wanted biiiig personality. And small inconsistencies - the ones that add texture and life to lettering. We left extensive OpenType features and technical stuff aside for a moment, adding later only what we thought was necessary, like different shapes for the Q, a and g - for example. All caps setting was something we wanted from the beginning. In text case, the x-height is rather short for a brush script, and this lends a quirky voice. Spacing is ultra tiiiiight so don’t go too small, but make it as big as you want! Ah! And there are some fun dingbats thrown in for good measure.

Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides a framework for playing with the style of the terminals —serif, sans-serif, slab-serif, flared, Tuscan— without significantly modifying the deep anatomy of the letters. Orgánica Pro, by contrast, proposes a different structure: curvilinear, subtle and sophisticated, beyond the typical «sticks and balls» model. Organic anatomy, in one word; deliberately dynamic and asymmetrical. Over this radically distinct structure, terminals play a characteristic, expressive role that challenges easy classifications: Is this a serif or a sans font? A semi-serif? A semi-sans? For text or display? Modern or ultra-modern? Joke or serious? All answers are valid. Anyway, its six stylistic variants allow for multiple, diverse uses in text setting, headings and logotypes. In spite of —or perhaps thanks to— its innovative, uncommon structure, Orgánica’s personality is sweet to the eyes, wittily elegant and surprisingly legible.

The BATTISTA typeface stands in the long tradition of the designs developed by Giambattista Bodoni, who made his famous typefaces in the end of the eighteenth century. Similar designs can be found on various specimen books e.g. Alexander Wilson, John Bell, Edmund Fry and Alexander Thibaudeau. One of the best italics was available by Stephenson Blake & Co. foundry form Sheffield, England. In the end of the nineteenth century an unknown punch cutter at the German type foundry Schelter & Giesecke made an very bold cut of this Bodoni design. He brought both designs, the regular and the italic to an new level of harmony. Compared to the original Bodoni designs the new typeface was a lot bolder, which was well taken by the audience in this time. The BATTISTA typeface is an remarkable design, assembled of ultra bold and very fine shapes, but in all, the spirit of Bodonis design was well preserved. BATTISTA is a classic display design. The fine details are best shown on larger text sizes.

Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium, Semi Bold, Bold, Black— and has 4 styles. This super family combines a humanist mind with its contrasted shapes and a modern look with its open counters. With its four versatile styles (Condensed, Narrow, Roman and Wide) Interval Next has a creative palette able to meet the modern typographic demands. Its OpenType features will provide you almost unlimited multilingual support as well as small caps, case sensitive forms, proportional and tabular figures, slashed zero, numerators, superscripts, denominators, scientific inferiors, circled figures, subscript, ordinals, fractions, arrows and f-ligatures. Also extremely functional for professional editorial design, Interval Next has a pro kerning and would be extremely suitable for mobile applications, e-books, web sites, headlines, posters, signage and many more. Interval Next covers a large spectrum of languages such as West European, East European and the Cyrillic.

Arise is a humanist typeface designed for both text and display purposes. Its an understated type family with enough subtle nuances and personality to add distinction to your own typographic compositions. As can be seen in the /a/c/f/g/r/y/ glyphs, hooked terminals are a key feature of this typeface. These terminals are blade-like in appearance, defining a distinctive character that is unusual, yet balanced and refined. Practical features include 38 capital swash alternates for intial and final forms that can be particularly effective when used in titling and branding situations. Small caps are also included (along with matching diacritics) – these are designed to harmonise with regular lowercase forms so that you may easily achieve unicase-style typography. There are 18 fonts altogether, with 9 weights from ExtraLight to Ultra in both roman and italic. Arise has an extensive character set that covers all Latin European languages. Key features: 9 Weights Roman & Italic Small Caps 38 Alternates Old Style Figures European Language Support (Latin) 700+ Glyphs per font.

DT Augustina Slab is an original Clarendon's style slab serif font family of 98 styles including 7 weights, 7 widths plus Italics. There is no such a big choice of Clarendons with a wide range of styles on a market. Super wide range family will satisfy almost any request. Ultra Lights and Light styles will add elegance and lightness to your headlines, especially with using Italic swashes. Regulars, Mediums and Semi Bold will make your text blocks readable and stylish. Combine with Italics and Small Caps for sub-headers and highlights to get an incredible result. And finally Bold and Extra Bold for massive and heavy text headers. Strong, stable and reliable. The whole family has been working well in almost any type of a project: Websites, Apps, E-Books, Books, Magazines, TV broadcasting, Packaging. The family has an Open Type Features like a Ligatures, Italic Swashes, Small Capitals, Case Sensitive Forms, Tabular Figures, Old Style Figures, Tabular Old Style Figures, Circled Figures, Black Circled Figures, Fractions, Superscripts, Subscripts, Stylistic Sets, Localisation forms for Moldavian / Romanian, Catalonian and Turkish.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

Philomena is a signature script that brings the classy and luxury look. The natural feel of the signature works perfect for those who needs a typeface for headline, logotype, apparel, invitations, branding, packaging, advertising etc. This font is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, etc., as well as multilingual support.

Anachak font, Is a square structure. It emphasizes the sharpness of the serif, giving it a strong and formidable feeling. Suitable for headlines for various publications such as Packaging, Print Ad, Etc. Available in 18 styles. - ฟอนต์ อาณาจักร โครงสร้างเหลียมมีเชิง ขับเน้นความคมแหลมคมตรงช่วงจบเส้น และฐานเชิง ให้ความรู้สึกหนักแน่น น่าเกรงขาม ยิ่งใหญ่ และดุร้าย เหมาะสำหรับการพาดหัวสำหรับสิ่งพิมพ์ต่างๆ เช่น Packaging, Print Ad, Etc มีให้ถึง 18 สไตล์ เลือกใช้ได้ตามความเหมาะสม

The new release is called Noki. A font family Ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and certainly in advertising. Check it out !

The Graf Call is a beautiful, stylish script font. It has a modern and elegant style which makes it perfect for; labels, posters, letterheads, badges, and much more!

Jelantik is a beauty script typeface with adorable cursive alternative glyphs. Jelantik is suitable for wedding invitation, product packaging, product designs, label, photography, watermark, invitation, stationery and more.

An excellent choice for Logo design, Headlines, Titles, All caps text, etc. Feedback: https://forms.gle/iY8Zswmsg689m95M8

High readability with an historic flavor, this elegant font family is great for signage, headline etc.

Introducing, Evening River an elegant display typeface. this font is perfect for headline, packaging, branding, etc.

Highly legible single stroked stencil font family in 3 weights. Use for titles, signage, captions etc.

Nagietha is a type of handwritten font with a dynamic & natural flow. This font is designed with original handwriting and gives it a personal touch. Carefully digitized by keeping the rough line still looks natural, romantic and personal. You can combine this font with many font styles such as serif, san-serif, oblique, italic, slab and etc. This font is specially made for personal branding but also works well for many applications. Perfect for logotype, labels, cosmetics, packaging, watermarks, quotes, apparel design, signature template, wedding invitation, food menu, doodle or any advertising needs. Nagietha is PUA Encoded, that allows you to access all of the alternates characters without any special software. You can simply access them by using Font Book (Mac) and Character Map (Win). TTF & OTF Format in a zip file featured : Uppercase Lowercase Numbers & symbols Accents Stylistic alternates Ligatures Swashes. Thank you for watching and stay safe everyone!