Flavery is a vintage slab serif font that is perfect for creating a rustic and rugged aesthetic with its hand-drawn slab serif style. This font is ideal for evoking the old-fashioned cowboy era or the classic vintage vibes era and is great for display purposes. Flavery features alternate glyphs and supports multilingual Latin characters to enhance your designs with a touch of old-world charm. Its bold and distinctive style will make your designs stand out and give them a unique character. Whether you're working on a poster, packaging, or branding project, Flavery will add a touch of vintage authenticity to your work.

The 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers featured the song "Change Partners" by Irving Berlin. A copy of the sheet music for this song had the title hand lettered in a wonderful tri-line design that has been recreated in the digital typeface Fancy Dancing JNL.

The cover of vintage sheet music for "With Plenty of Money and You (The Gold Diggers' Lullaby)" from the Warner Brothers musical "Gold Diggers of 1937" had the movie title hand-lettered in a classic Art Deco style. Bold, brash and totally fun, this became the model for Golden Opportunity JNL.

Calmsie A Handwritten Script Font Calmsie is perfect for product packaging, branding project, magazine, social media, weddings, or just used to express words above the background. This Calmsie font includes: Calmsie multilingual support. Embellish your designs with our original fonts. Enjoy the font, Thank you!

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

Uertas font brings a modern calligraphy feel. It's perfect for freestyle urban typography, modern logotypes, product branding, or just a quote that you want to stand out.

Almondlatte Is a Cute Display Font Almondlatte is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

LD Platform Soul is a fun, retro font. It has great impact as a title and just adds a bit of unconventional 'hip' to any creative project.

Bolha is a fun geometrical font which comes in two variants: Filled and Outline. Combine them or use them alone, just remember to have fun with it.

Introducing a new bold CONSTRUCTOR font family. Perfect combination of 2 fonts (Light and Shadow) to create your own layered 3D headlines, eye-catching texts, logotypes, design, posters for sports, music, street culture, modern arts, industries and many more other themes. 2 more fonts (Emboss and Regular) have bold 3D effects thanks to their design and shapes. Fonts have extensive Latin multilingual support, uppercase, small-caps, numbers and basic punctuations.

Brush of Zeuxis is a font inspired by the ancient painter Zeuxis, this really cool-looking brush stroke font is here to make your designs look way better and cooler. This font can be used for as many things as you want, it can be used on a thriller poster or a music album, this font will look very cool in a rock album, and many, many more!

The KEXINU font is a psychedelic-inspired typeface. It has a stylish, bold, and fun character that is ideal if you need fun in your projects. Kexinu font also has an elegant and modern shape with a retro feel. This retro font has a bold and playful character, ideal for any design project. This font is ideal for designs such as posters, banners, music, branding, logos, and more.

Deaffont is an experimental font specially designed for a music video and album concept by the metal band Deafcon. The font is entirely hand-drawn and digitized. It means that Deaffont is a very user-friendly, complete and modern font, which you can use for all your graphic applications. Deaffont is a subculture font that blows you away, ideal for an eye-catching design. Trust me, Deaffont rocks!

Slovakian type designer Peter Bil'ak created this display FontFont in 1996. The font is ideally suited for film and tv, music and nightlife as well as software and gaming. FF Orbital provides advanced typographical support with features such as ligatures. It comes with tabular lining figures.

BD Unicorse is a retro futuristic mixed case display font with the main characters set on the small keys and alternatives on the capital characters. It features 12 ligatures and is great for the use as headlines in magazines, logotypes on posters, games, movies or music packaging.

Introducing of our new product the name is Urban Rebel Graffiti Font. Urban Rebel inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Dutch type designer Max Kisman created this display FontFont in 1991. The font is ideally suited for logo, branding and creative industries and music and nightlife. FF Network provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Sheet music published in the 1860s for "The Soldier’s Chorus" [from the Gounod opera "Faust"] had the title and the arranger’s name hand lettered in a bold, condensed chamfer font. This was the basis for Condensed Chamfer JNL, which is available in both regular and oblique versions.

German type designer Fabian Rottke created this display FontFont in 1996. The font is ideally suited for music and nightlife, poster and billboards as well as software and gaming. FF Franklinstein provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Drafty Windows is a cute, quirky and whimsical script font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Bandes is a bold, thick lettered, retro styled display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Introducing Autumn Stories by Tlatous Type. Autumn Stories is a Modern Script Handwritten Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Factory Heroes is a cool, playful and friendly display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

This font is not a historical one. Although to make it was quite time-consuming (each glyph was hand-drawn separately, except for the ligatures), this cartoon or comics style font is just made for fun.

Amazingly Beautiful is a cute, quirky and whimsical display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Shifty Notes is a cute and simple lettered handwritten font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Wet Dog is the ultimate fur font reflecting the global movement of street pop art, Playful, yet with attitude. A versatile display font for making strong, loud statements, just about as shy as a wet dog!

Snowy Owl is a cute, joyful and fun display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Every character in this font is meticulously crafted from eerie, yet beautifully haunting music notes. Here are some ways you can use this font to your benefit: Party Invitations: Create spine-chilling invitations for your Halloween party that resonates with the theme, setting the mood for a night of hauntingly good fun. Posters and Flyers: Craft attention-grabbing posters and flyers for haunted houses, Halloween events, or horror movie screenings that evoke the perfect blend of fear and fascination. Merchandise: Design eerie merchandise like t-shirts, mugs, or stickers that cater to Halloween enthusiasts and music lovers alike. Digital Media: Elevate your digital content, including social media graphics, banners, and web elements, to capture the essence of Halloween in a truly unique way. (This font only includes the 26 characters based on the English alphabet)

What has become a rite of passage at baseball games got its start in 1908 when lyricist Jack Norworth and music composer Albert Von Tilzer wrote "Take Me Out to the Ball-Game" (which was published by Von Tilzer's York Music Company). The Art Nouveau hand lettered title on the cover of the sheet music was eccentric and attractive enough to warrant being turned into a digital type face, and in honor of its namesake song is called Ball Game JNL; available in both regular and oblique versions.

Eqlaser is a histogram-styled typeface. Excellent for party posters and music-related prints.

Consent is an editorial serif font with unique lowercase. With special features, Consent will make your project more stand out and elegant. This font suitable for brand or title of the magazine. You also can use this font for logo, branding, and also versatile for any project! No need a complicated step for using the features. Just type in lowercase, uppercase, or both! You can also access the additional features from opentype ligatures. Just type equal + number (1-4) for the magic. Example =3. Try it in the type sample below!

AM Siola is designed as a pure display font. The starting point for this type design was a customized logotype. Logotypes usually just need the design of some characters to form a harmonious, individual lettering. Obviously, it is much more difficult to create a complete font on the basis of just a few characters. The semi-serifs partly running in the opposite direction form the basic idea for this font. AM Siola can well be used for packaging design, logo design and individual headlines for anything from advertising to posters.

The type design for Impecunious JNL comes from the 1939 sheet music for "You Don't Know How Much You Can Suffer (Until You Fall in Love)". The name comes from another piece of sheet music, 1899's "Impecunious Davis" [a piece of late 19th century tripe demeaning Black Americans]. However, the word "impecunious" was intriguing. According to the website Merriam-Webster.com, the simple definition of impecunious means "having little or no money". Since we've all been in that spot at one time or another, it became a perfect font name. Impecunious JNL is available in both regular and oblique versions.

Risoluto is an italic font made to mimic the beautiful italic typefaces used in the 19th and 20th century by music publishers. It was based on an italic typeface found in a publication by Max Eschig from the 1950s. Hundreds of specimen for each glyph were studied and carefully drawn in a way to have a sharp rendering without losing any of the old charm. The oblique "g" is one of the characteristics of such old typefaces. Risoluto covers a large range of languages and symbols and offers stylistic alternates for numerals, contextual ligatures and music accidentals.

Hello Everyone, introduce our new product font Haberdiness, inspired from Punk Music and street culture, recreated for modern branding. You can use and enjoy this Font for anything from promotional material and poster quotes, to product packaging, merchandise and branding projects And this font perfect for logo, packaging, magazine, sport, poster, apparel, title, social media post, ad banner, book cover, poster quotes, greeting cards and advertising.