Hello Everyone, Introduce our new collection Travelista - All Caps Ligature Font and display for posters,t-shirt, packaging, branding, logotype and more. Travelista font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Roquero is an amazing, sport styled, display font and will make your design more beautiful and powerful. This font is suitable for any design like branding, quotes and more

Alma Mono is a monospace typeface with a friendly personality. It comes in five weights and its rounded ends convey a more friendly atmosphere then a more mechanical monospace.

TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.

Milkyway, a bubbly-bold font that is perfect for making your project looks even more fun! It’s rounded and curvy shape makes it more unique. Milkyway is very ideal for variety design projects, such as posters, Invitations, greeting cards, logo, and many more. Milkyway will jolly up you and your audiences! Get this font now to magnify your design!

Mmm-hmmm! Dig that crazy beat! Following the success of Lilou's GIRLS!GIRLS!GIRLS! font, we couldn't wait to give you More!More!More! Yeah, Baby! It's a font and it's clip art and it's bound to make heads turn and temperatures rise. Get up on the dance floor, girl, and dance the way you've never danced before!

Bonega is a display font inspired by classic typography on ancient stone inscriptions. Consist of 4 weight (light, regular, bold, black) with each matching italics. With sharp and manly characteristics, Bonega family is suitable for powerful headlines, logotypes, beautiful signs, posters and more. Contains more than 400 glyphs including stylistic sets that make your typographic design more attractive.

It’s surprising - it can take more time and effort to make something deliberately and artfully imperfect than it does to make a more conventional design. We certainly found this to be the case when designing ‘SpeedSketch’. Perhaps a more accurate name would have been ‘SlowDraw’ but that wouldn’t really capture the essence of the finished design.

Hello Everyone, Introduce our new collection Thintoys - Fun All Caps Font and display for posters,t-shirt, packaging, branding, logotype and more. Thintoys font with strong and challenging nuances. very suitable for the title, branding projects,typography,Logo, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Introducing Night Rumble is a Strong Textured Typeface that is written casually and quickly. That is why Night Rumble has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. design more interesting. Night Rumble is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Introducing Xbka, the new must-have font for anyone looking for a vintage-modern, futuristic, cool, and sporty font. This display font is perfect for those looking to make a statement with their headlines or branding. With its unique blend of modern and vintage styles, Xbka is the perfect choice for anyone looking to give their designs a fresh and youthful feel. Its italic style adds an extra touch of elegance and creativity to any project. Whether you're designing a logo for a new sports brand, creating eye-catching headlines for a magazine or website, or adding a touch of urban style to your marketing materials, Xbka is the perfect choice. This font is great for use in a wide range of applications, including advertising, branding, web design, and print design. It's a versatile font that can be used in a variety of contexts, from sports and fitness to streetwear and fashion. Overall, Xbka is a unique and eye-catching font that is sure to make your designs stand out. So why not add it to your collection today and start creating something truly special?

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

The powerful Eknaton comes with slanted slabserifs, a new way to add some spring to the old Egyptian slabs. Eknaton echoes the tradition that started with Napoleon's Egyptian campaign 1798, and the simultaneous looting of Egyptian art. The imports led to new ladies fashion in Europe, new architecture and new typefaces like Antique (Figgins, 1815) and Egyptian (Caslon, 1816). The Egyptian faces were also the origin of the famous Clarendon (1845) and Ionic No.5 (1925) as well as the rest of "the legibility types". In the 20th century the slabserifs became popular again with Bauhaus incarnations like Memphis (Wolf, 1929) and Beton (Jost, 1931). The Bauhaus movement, otherwise anti-serif, liked the architectural influence in Egyptian slabserifs. The Bo Berndal design of Eknaton puts some speed into the old Sphinx - the cat is back, in better form than ever! Bo Berndal, born 1924, has been designing typefaces for 56 years, for Monotype, Linotype and other foundries. Eknaton comes in five different widths, from Tight to Expanded, and is an OpenType typeface for both PC and Mac. Swedish type foundry T4 premiere new fonts every month. Eknaton is our eleventh introduction.

Fragile Bombers is a military-themed display typeface. Its crisp letterforms will instill a sense of technological precision in your message. It comes in Regular and two rusted metal finishes. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Upon numerous demands of highly esteemed users of our fonts I decided to supplement the Walbaum type family by display and poster cuts. Because I obviously cannot compete with world’s renowned type foundries which already offer a number of renderings of forenamed typeface, I thought proper to decline a bit from the original Walbaum’s design, strictly speaking, from the apprehension we commonly keep about this typeface. Therefore I didn’t set forth the way of modernizing (shame!), but rather the opposite direction: towards an analysis of the original neo-classical intention. I took the 10-point character, magnified it enormously and cut off progressively all the optically thickened bobbles which raised by small-size correction. I ended up at the size of about 120 points, where it became obvious that any further thinning would lead to an undesired manneristic fragility. Resulting 8-member family Walbaum 120 is naturally usable in variety of sizes, as well as cuts marked “10” you can use, say, from 6 to 30 points. I only hope that mister Justus Erich won’t pull me by the ear when we’ll meet on the other side...

Lionheart is the digitization and expansion of Saladin, a neo-gothic typeface designed by Friedrich Poppl, long after he established himself as one of the greatest German designers of all time with some of the most “ausgezeichnet” scripts and text faces to ever come out of Europe. This typeface, though lesser-known among Poppl’s other masterpieces, was one of the first in its genre to abandon blackletter influence and attempt letter variations based strictly on Roman alphabet shapes. Poppl’s idea spawned a whole generation of neo-gothics that can now be found on many a movie poster or book cover where the design must hint at secrets and dark sides. Lionheart succeeds with the idea of gradual curves leading to sharp concave or plano-concave terminals, to effectively build serious letter forms that speak of historical mystique and mystery. This font was was named after Richard I, King of England for a decade in the late 11th century. He reportedly exchanged many gifts of respect with Saladin, even though the two kings were on different sides of the Crusades. Lionheart comes in all popular font formats, with some alternates placed in accessible cells of the character set.

Linotype Maral is based on an historic Armenian typeface which was originally designed by Henrik Mnatsakanyan. Hrant Papazian has revieved and digitized this four weight type family . Armenian keyboard drivers for Mac OS 9 (and under) as well as for Windows are included when any of the Linotype Maral fonts are purchased. These drivers must be installed before the fonts may be used properly. Linotype Maral will not function properly under Mac OS X, unless you are using the OpenType-format version, which does not work under OS 9! The Linotype Maral family includes four fonts: Linotype Maral Regular, Linotype Maral Oblique, Linotype Maral Bold, Linotype Maral Bold Oblique. The Armenian language is written with its own script. This script and its language are written and spoken in the Republic of Armenia and by the Armenian Diaspora. The Armenian alphabet first appeared around 406 A.D. Its creation is attributed to St. Miesrop Mashtots (died 441), but it is most likely an independent modification and extension of the Greek alphabet created by Gregorian denomination.* * (Source: The book Schrift- und Buchkunst, by Albert Kapr [Leipzig: 1982], references Quadra della storia letteraria della Armenia by Ph. Lukias Somal for this information)

Elevate your design game with the Bueno Font Family, a stunning creation by the talented team at FolkCraft Studio. From extra light to extra bold, each style boasts a unique, detailed, and handmade look that sets it apart. Dive into the world of possibilities with Bueno Font. Experience its captivating allure in all caps with wide spacing for a classy aesthetic, or let it shine in a mix of capital and lowercase letters for a timeless appeal that transcends trends. Envision the Bueno Font Family as the centerpiece of your creative projects. Its versatility makes it perfect for gorgeous logos, captivating displays, elegant headers, enchanting invitations, memorable save-the-dates, and timeless wedding designs. Imagine the impact it can have on titles, web layouts, and comprehensive branding strategies. Don't miss out on the opportunity to enhance your designs with the Bueno Font Family! Ideal for online uses and printing, this font collection is your ticket to creating sophisticated and stylish visuals that leave a lasting impression. Perfect for a wide range of applications, from logos to web layouts, this font family is a must-have for designers seeking to make a statement.

VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support. Originally commissioned by Volkswagen, VAG Rounded remained in use by the company until the early 90s and has also been used by Apple, Skype and Myspace. Its enduring appeal lies in its appealingly rounded terminals, and its immediate, informal tone of voice. “When you look at the Volkswagen Beetle it has these curves that are timeless and legendary,” says Steve Matteson, who led the creation of VAG Rounded Next. “I think that's what stands out in this design – that friendly aesthetic, and the simple line and circle.” This new version offers 700 glyphs with pan European language support (including Greek and Cyrllic), as well as 10 weights of upright and italic styles. New display weights Shine and Rough – which create “chocolate popsicle” and “rust” effects – are begging to be used in branding, packaging and editorial projects, while the lighter weights are well suited for text. VAG Rounded Next Variables are font files which are featuring one axis and have a preset instance from Thin to Black.

Introducing Hikran, a stylish retro condensed font perfect for various design projects. With its tall and unique letter shapes, Hikran is a great choice for both headlines and body text. The font comes with stylistic alternates and ligatures, giving you plenty of options to create a personalized look. Hikran’s retro theme adds a touch of nostalgia to your designs, making it perfect for vintage-inspired projects or any design that needs a bold and classic feel. Whether you’re designing a poster, logo, or branding materials, Hikran is sure to make an impact. Its sleek and elegant style pairs well with any design, and its multi-language support makes it accessible to a wider audience. With Hikran, you’ll have a versatile and reliable font that will elevate your design game. Don’t miss out on this must-have font for your collection! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

A Monogram is a lettering character made up of the main letters of a name and sometimes all of them. It is a kind of design which dates from the earliest times of our history. It is a distinctive mark that everyone could have themselves, to apply to documents and many purposes. The signatures of ancient Kings were Monograms. Today this brand, for the people of taste, must have the cachet of this era or the evocative feelings of ancient times. Our predecessors knew how to create it by using the capital that preceded Gothic and the other characters. The Vintage Monograms collection contain hundreds of ready to use in alarge of shape of the letters, with styles from Victorian, to Art Nouveau and to mediaeval like in the old manuscripts. Ready to use fonts, Vintage Monograms collection is a classic that features elegant and intricate monograms perfect for branding and personalization. Its ornate designs evoke the timeless style of vintage logos and can be used to add a touch of sophistication to invitations, stationery, and packaging. Monogram brings an air of refinement and exclusivity to any project.

Introducing Moderately, a chunky and friendly typeface that makes a bold statement. This high-impact font is specifically crafted for designers seeking a display typeface with presence, perfect for applications where large, expressive type is a must. The defining features of Moderately include a generous x-height, soft curves, and tight spacing, ensuring a punchy and fresh aesthetic. Moderately is a deliberate departure from your contemporary sans with nary a straight line to see, embracing the organic and dynamic qualities reminiscent of blocky Art Nouveau typefaces, notably inspired by the works of Alfred Roller. While drawing influence from psychedelic / Art Nouveau revival typefaces of the 1960s, Moderately strikes a contemporary balance, delivering a design that is both impactful and approachable. Each glyph in Moderately attempts to maximize its space within the em square, incorporating slim carve outs for counters and apertures. The name "Moderately" adds a touch of irony, as this typeface is anything but plain – it exudes affable confidence and subtle flair. Created with versatility in mind, Moderately offers broad support for Latin-based languages, ensuring its adaptability for a wide range of creative projects.

There is nothing wrong with your computer screen. Do not attempt to adjust the picture. We will control the horizontal. We will control the vertical. You are about the experience the awe and mystery which is Super Chill. Super Chill Mind Control (MC) mixes super narrow letterforms with gothic inspiration, lulling you to sleep and also given you a freak out! The font includes: - A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics - Stylistic Opentype Alternates to avoid letter crashing - Fun dingbats all sorts of nefarious purposes - Western Europe language support Need an extended license? Simply email us at hello@sajatypeworks.com and we’ll be happy to help! A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks. Get in touch: We’re here to help! If you have any questions or need assistance, please DM or contact us via hello@sajatypeworks.com Languages supported: Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

Flixuble is a mess! It was made involving an inky pen and sandpaper! Comes with more than 60 ligatures in order to make the font look more like handmade letters!

York Game - Retro Playful Display, very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Introducing Mufferaw—a font that embodies the simple and endearing nature of the Ottawa Valley design. With its woodsy style, Mufferaw is a font that’s sure to charm and delight you. Its well-defined but expressive contours give it a unique personality that’s hard to resist. Mufferaw comes in two different weights and three widths, along with italics for added versatility. And if you’re looking to add a little extra depth to your design, be sure to check out the outline and 3D variations. Whether you’re designing a poster for a local event, a comic book, or anything in between, Mufferaw is the perfect font to add a touch of warmth and character to your work. So why not give it a try and see for yourself just how charming and uncomplicated this font can be? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Ultra System; A modern exploration of 8 fonts, each carefully designed to naturally compliment one another. With 6 clean sans fonts and 2 textured script fonts, Ultra System gives you a variety of ways to combine and arrange each font, allowing you to create striking & modern typographic designs. This typeface collection consists of 8 fonts; Ultra System Script • A textured, bouncy & flowing marker script font containing upper & lowercase characters, numerals, and a large range of punctuation. Ultra System Script Alt • This is a second version of Ultra System Script, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Ultra System Sans • A wide, bold sans font containing uppercase only characters, numerals, and a large range of punctuation. Ultra System Sans Line One • A thick outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Line Two • A thin outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Italic • Italic variations are included for all 3 Ultra System Sans fonts. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you, but if you need any help accessing then please feel free to drop me a message. Language Support • All Ultra System fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Are you tired of stiff, uptight typefaces cramping your creative style? Introducing Rinse—the vintage t-shirt typeface that’s all about taking it easy. With its rough and ready look, Rinse is based on the classic Goudy Heavyface Italic, but with a far-out twist that’s perfect for all your laid-back messaging needs. The letter pair ligatures add some extra funk to break up the monotony of repeating letters, giving your text a natural and mellow feel. So why settle for boring, uptight fonts when you can let Rinse infuse your message with some classic retro style and fun-loving personality? Whether you’re designing a t-shirt, a poster, or just want to add a little vintage flair to your next project, Rinse is the typeface that will keep it cool. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The "Ma" in "Ma Braille" is used as a minimalist way to say "Negative Space". "Ma" in japanese arts is an "esthetical usage of emptiness". Thus this font explicits the negative space around visible braille dots in each glyph. A. Font user guide a.1. Lowercase glyphs { A..Z } In these glyphs, dots are represented as "black squares" while the negative space is displayed as 1 or 2 white filled polygons. a.2. Uppercase glyphs { a..z } In these glyphs, dots are represented as "white squares" while the negative space is displayed as 1 or 2 black filled polygons. a.3. Digits: they are just the same than a..j, but the "North US version" is also provided in ascii codes 0xE0..0xE4 (1..5) and 0xE7..0xEB (6..0). a.5. "Dashed Border": a.5.1. "Black dashed" border glyphs; { £, ¥, µ, Â, Ä, Ê, Ë, Î, Ï, Ô } a.5.2. "White dashed" border glyphs; { Ö, Õ, °, ô, ö, î, ï, û, u, õ } B. Posters Poster 1: "Font Logo" version 1, it displays "Ma Braille" text surrounded by the "black dashed border" glyphs. Poster 2: "Font Logo" version 2, it displays "MA" glyphs in big size and smaller "Braille" glyphs within "M" and within "A" as well. Poster 3: the classical pangram to test a font "The Quick Brown Fox jumps over the Lazy dog". Poster 4: Article 1 of the Human Rights: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. Poster 5: the "Glyph set" (Border glyphs not included) with A..Z, a..z, digits and special characters.