Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.

The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the a" and the "k." The ATF version did not include an accompanying Italic. In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the forms of Clearface. The result was ITC Clearface, a serif typeface with marked stroke contrast and italic weights. The teardrop-formed endings of the lowercase a, c and f (also found in Caslon) define the character of the face. The type's design is also distinguished by its small -- almost slab -- serifs, a large x-height, and little stroke contrast. ITC Clearface, with its historical touch, is good for both texts and headlines, but its slightly condensed nature performs at its best when it is allowed its space.

The Bix Bats symbol family was developed in 2003 by Argentinean designer Victor Garcia to complement his display text font Bix Plain. Bix Bats contains four different symbol fonts. Most of the characters in these fonts have their lower halves reversed out. Typing a line of text in these symbol fonts, or mixing these symbol fonts with Bix Plain, will create a very interesting text effect: the bottom half of your lines of text will be reversed out, on top of a colored bar. Bix Bats Arrows contains numerous possible arrow combinations, from archery references to the American recycling symbol. Bix Bats Funny includes all of the symbols needed for a party, from beer steins to bunny rabbits! Bix Bats Shiny has enough starbursts to light up a night sky, and in Bix Bats Wired you will find all of the technological accessories needed to be in the now. All four fonts are included in the Take Type 5 collection from Linotype GmbH."

Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Japanese Pro family has 6 fonts in total. It spans four weights from ultra light to bold, and has two condensed weights to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability, combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects — pose no stumbling blocks to the family’s typographic dexterity.

There are many script typefaces but there is only one Scripticus. Scripticus is like a chameleon: In whatever surroundings you put it, it adapts itself and looks like it couldn't be anywhere else. Be it a sales advertisement, a music Website, a comic strip or a journal with complex chemical formula – Scripticus always solves the problem in a natural and leisurely way. And it never makes compromises concerning clarity. But where does Scripticus come from? … From the good old high school blackboard! Blackboards have become almost obsolete in teaching, but be it a black or white background – clear, strong characters placed on the board while the facts are explained are still one of the best ways to make and keep things understandable. Scripticus is dedicated to my high school chemistry teacher who was an expert in just this. While the letterforms come from different inspirations, its aim is the same as the pedagogical aim of my teacher: Combining clarity with a strong personality. Scripticus has a special trick to give it its natural look: Four alternates for each letter and each number plus rotation coding make the glyphs appear in lively melodic flow. In this way even mathematic equations look nice! Scripticus has a lot of OT-features that help it do its job. They are: capital spacing, localized forms, subscript, scientific inferiors, superscript, numerators, denominators, fractions, ordinals, tabular figures, historical forms, ligatures, stylistic alternates, stylistic set and ornaments. Finally, as is my general goal in type design – Scripticus supports close to one hundred languages from Latin extended to Cyrillic extended.

Grafical is a contemporary take on 19th-century sans serifs. In this family, the amount of geometry inherent within the letterforms has been amped up. Many shapes have received further streamlining, too. All the geometric forms you see have been optically corrected, ensuring their delivery of better legibility. Grafical ships in two different formats: depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. The static fonts offer eight weights, running from Extralight through Black. Each weight has an upright and an italic font available. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over their text’s stroke width. The Grafical Variable and Grafical Variable Italic font’s weight axes allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Grafical is the perfect tool for a range of design uses, including text on the web, text in print, and text in motion graphics. Its fonts are typographic workhorses – not just from their legibility perspective but also because of the amount of OpenType features they include. There are ligatures, for instance, as well as proportional and tabular lining and oldstyle figures, fractions, numbers placed inside circles, and even Roman numerals. Users can also substitute alternate versions of the “a”, “g”, “i”, “j”, “y”, “G”, and “Q” into their work.

Introducing, Fire Boys Font, this is a display and decorative with Burning fire looks!! very suitable for logos, clothing, branding and others. very easy to use without the hassle of drawing, Get inspired by its unique feel, and turn to add a lovely charm to any crafts project just by purchasing this font you can immediately use it for all your needs.

Introducing by Timur type Proudly Present, Simplesky Simplesky A Handwritten Script Font, which was created with great care and specially created for you ✨ Simplesky is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Simplesky also multilingual support. Embelish your designs with our original fonts. Enjoy the font 😉 Thank you!

Introducing by Timur type Proudly Present, Requista Requista A Handwritten Script Font Requista is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This Claritty font includes: -Full Set of standard alphabet and punctuation & symbol -Extra set Ligature -multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!

3D Blocky is a hand-drawn 3-D font. Composed of friendly & fun letters, this font is sure to become a favorite for you. There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Blocky is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Proudly Presenting, Xwisth a Gothic Handwritten Font that will bring an a classical type. Xwisth is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Xwisth also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Frozen Tree is a thick lettered yet friendly display font. Whether you are using it for cartoon-related designs, children's games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of joy, this font is a great choice. So what's included : Basic Latin A-Z & a-z Numbers, symbols, and punctuations Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Proudly Presenting, The Goblick a Handdrawn Signature Font. The Goblick is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. The Goblick also come with initial swash and Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Quarts Pachino a Bold Marker Font. Quarts Pachino is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Quarts Pachino come with many ligatures, ending swash and come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Martin Kamila is a lovely script hand drawn font. Martin Kamila is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Martin Kamila has also multilingual support. Lowercase font Stylistic Alternates Ligatures Symbols & Punctuation OpenType Features. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Selyna Avelyn is a Lovely Handwritten Font. Selyna Avelyn is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Selyna Avelyn also multilingual support. Uppercase & Lowercase font Stylistic Alternates Ligatures Symbols & Punctuation OpenType Features. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Proudly Presenting, Jimmy Collins a Monoline Tagging Font. Jimmy Collins is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Jimmy Collins come with lowercase ending swash and Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Introducing Roundwell by Javanice Studio Roundwell is A Moniline Handwritten Font Roundwell is perfect for branding project, apparel, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, and any type of advertising purpose or just used to express words above the background. This font includes multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Proudly Presenting, Cayed a Uncial Handwritten Font that will bring an classic feel for your need. Cayed is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Cayed also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Blackmindlify A Calligraphy Font. Blackmindlify is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Blackmindlify come with beginning swash for uppercase, beginning and ending swash for lowercase, also Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Introducing Baby Boho Baby Boho with a smooth handwriting style and very pretty and lovely. Baby Boho is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Just like a stylish text overlay to a wallpaper or anything that needs a touch of love. Thanks for checking! I really hope you enjoy it.

A dapper, rustic, handwritten font with a personal charm. With quick-drying strokes and distinctive styles, Busstan is perfect for branding projects, household appliance designs, product packaging - or just as a style text overlay for any background image. That's it! I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated.

I'd like to introduce you Little Moment. This font has the same thickness every stroke. The spacing of each letter is slightly wide, making this font look clean. Little Moment has a friendly taste with a warm and charming impression. This font is perfect for making quotes, T-shirts, mugs, or just annotating photos, and many other things. Enjoy The Font, Thanks.

Once I ate a knuckle sandwich after saying some things about some guy's pregnant girlfriend. It turns out she wasn't pregnant at all. I felt like a real knucklehead. So I made this font. Use the font where ever you like. Just be sure you know what you are talking about, or you too could end up with knuckles flying at your head.

Standard Jeglek a Script Typeface Font. Standard Jeglek come along with Ligatures, Swash, and Multi-Lingual Support to fulfill your need. Standard Jeglek is perfect for any tittle, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

This is Rainbow Marbles by Aestherica Studio. Rainbow Marbles is a minimalist and elegant with unique curves and flowing modern script font. Rainbow Marbles is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Rainbow Marbles also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Kempoka is a Japanese word describing someone who practices Kempo. Kempo, or Chuan Fa in Chinese, is a martial art with roots in China and Japan. I thought of this brush font just before my weekly kempo-training and I figured the name suited the font style. Kempoka comes with alternates and ligatures, and has a black belt in diacritics!

Introducing Hey Magdison Hey Magdison with a smooth handwriting style and very pretty and lovely. Hey Magdison is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Just like a stylish text overlay to a wallpaper or anything that needs a touch of love. Thanks for checking! I really hope you enjoy it.

Bolshy is a stroppy font whose x-height has got ideas above its station, it’s ended up being equal to the cap height. Bolshy doesn’t go completely Bauhaus, and although the boundaries are somewhat blurred, the distinction between upper and lower case just about remains intact. There is something slightly Cyrillic about Bolshy’s bulbous terminals, exotic shapes and condensed curvature.

NorB Scribe is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 6 weights featuring Light, Normal, Bold with their Italic version.

Nordika is an understated, elegant, sans serif face with that clean legible corporate look. Its simple, trendy design makes it distinctive enough for display work. It makes a bold statement and is highly readable. Nordika is both condensed and quite bold and is therefore suitable for body text where some emphasis is required. Great for text and headlines - for just about any application.

Proudly Presenting, Children Memories A Bold Handwritten Font In Two Style. Children Memories is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Children Memories also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Hello Hungry A Inline Handwritten Font With Two Styles. Hello Hungry is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Hello Hungry also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Mr. Mixter designed to blend everything with everything. Mix Latin letters with Cyrillic letters, add numbers as letters — just have fun with the mixing process. As a result, you might get a funny and cute Christmas card. Attention! Work only by hand, using the Glyphs menu in Illustrator or InDesign. Look carefully and you will find a lot of fun.

NorPen Script is a handwritten Text Font made with an arabic calligraphy pen (my favorite pens) witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun! It comes with 2 weights: Regular and Italic.

Introducing by Timur type Baileyone, a handwritten script font Baileyone is perfect for product packaging, branding project, magazines, social media, wedding, or just used to express words above the background. This Baileyone font includes: -Full Set of standard alphabet and punctuation & symbol -Extra set Alternate ending lowercase -multilingual support. Embelish your designs with our original fonts. Enjoy the font, thank you!

Belhampton is a lively display family, full of the spirit of the Edwardian era. Six typefaces are offered: regular, bold, light, oblique, embossed and outline. All include an extensive range of stylistic alternates and discretionary ligatures, as well as lining and old-style numerals. Belhampton is ideal for poster and display work, or just the thing for any piece of Belle Epoque design.

Proudly Presenting, Deardorf a Handdrawn Graffitti Font with 3 styles to fulfill your need. Deardorf is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Each style also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Yel Yeah a Quirky Handwritten Font tha will bring an fun and playful impression. Yel Yeah is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Yel Yeah also come with Multi-Lingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!