Kemanala – An Enchanting Script Typeface Kemanala, an enchanting script typeface, dances gracefully across the page, intertwining elegance with whimsy. Its flowing and organic strokes exude a wonderful sense of fluidity, capturing the essence of handwritten beauty. Each letter in Kemanala is meticulously crafted, featuring delicate curves and stylish flourishes that add a touch of sophistication to any design. Whether adorning invitations, branding materials, or artistic projects, Kemanala effortlessly bridges the gap between timeless charm and contemporary style. With its versatility and charm, this script typeface invites users to weave a narrative of their own, making every written expression a journey into the realms of enchantment and creativity. Kemanala stands as a testament to the artistry of script typography, offering a harmonious balance between classic appeal and a touch of delightful modernity. Kemanala is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Introducing Atoverz, the perfect retro condensed font for your next project. This font features a classic retro design that is both stylish and functional. With 49 curved alternate characters and 32 beautiful ligatures, Atoverz allows you to easily create unique and stunning designs. Its multilingual support also ensures you can use it for projects in any language. The sleek and elegant design of Atoverz makes it perfect for a wide range of projects, from logos and branding to posters and advertisements. Its retro classic style is sure to catch the eye of your audience and leave a lasting impression. So why wait? Add Atoverz to your font collection today and take your designs to the next level. Browse our collection now to discover the versatility and charm of Atoverz retro condensed font. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Slab serif, meet the curves of Solitas. The new slab sister of insigne’s successful Solitas family will turn your head with its soft, but distinct look. Solitas Slab defies the typical feel of the robust slab category with her more compact structure and rounded corners to create a confident charm that complements everything sweet from cookies and puppies to whiskers on kittens. Solitas Slab offers you a full suite of 42 well-rounded fonts that read well both in print and online. Its round, open letter types make it quick to read, and the intermediate weights execute impeccably for copy, while bolder versions make expressive headlines and subheadings. Using its subtle geometry, its seven weights and three widths along with its optically adjusted italics tackle even the most complicated, ambitious typography with heart-warming grace and poise. Solitas Slab OpenType options include titling caps, small capitals, ligatures, ordinal characters, fractions, numerator and denominator as well as superscript and subscript. Solitas Slab also supports Western European, Central and Eastern European languages. Enjoy the softer side of Solitas Slab today for your packaging, web, or print. You’ll soon find this friendly font to be one of your favorite things.

Diamond Lady is so gorgeous, she’ll steal your heart with her hand-lettering and handwritten font shapes, The idea of this font was to create as realistic as the possible texture of hand lettering and keep the style of Signature. Diamond Lady is a handwriting font with delicate curves and a unique blend of thick and thin lines. This font offers all the sophistication and beauty you could ask for in one package. It will help you to create an authentic modern signature or a stylish handwritten effect for your logotype and headlines. The font contains 94 ligatures, so it would be perfect for logos and branding with handwriting/sig logos look. She’s got all the real hand-lettered shine, loveliness, and romance attached to the art of hand lettering. Don’t hesitate, just get it! Diamond Lady features: A full set of upper & lowercase characters Numbers & punctuation 94 Gorgeous ligatures Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

English HU Life Style is a headline font designed by using curves and straight lines in harmony. The end of the stroke is designed with a rounded diagonal line, and the horizontal stroke is relatively thin, giving a sense of rhythm. It is a font that is thick and large, so it is a good font to be recognized at a glance. There are 1 weights of HU Basic Round : ExtraBold & Italic Cyrillic HU Life Style - это шрифт заголовка, в котором гармонично сочетаются кривые и прямые линии. Конец мазка представляет собой закругленную диагональную линию, а горизонтальный штрих относительно тонкий, что дает ощущение ритма. Это толстый и большой шрифт, поэтому его легко узнать с первого взгляда. HU Life Style имеет 1 толщины: Экстра жирный и курсив Greek Το HU Life Style είναι μια επικεφαλίδα γραμματοσειρά σχεδιασμένη χρησιμοποιώντας αρμονικές καμπύλες και ευθείες γραμμές. Το τέλος της διαδρομής έχει σχεδιαστεί με στρογγυλεμένη διαγώνια γραμμή και η οριζόντια διαδρομή είναι σχετικά λεπτή, δίνοντας μια αίσθηση ρυθμού. Είναι μια γραμματοσειρά που είναι παχιά και μεγάλη, οπότε είναι μια καλή γραμματοσειρά που αναγνωρίζεται με μια ματιά. Υπάρχουν 1 βάρη του HU Life Style : ExtraBold & πλάγια

Introducing, Gibson Serif is a serif typeface crafted with elegance and luxury, exuding femininity and glamor but also a side of beauty with plenty of alternatives and ties to help you create endless variations for your creative needs. Its striking contrasts and subtle details, along with luxurious strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with contemporary aesthetics. Gibson Serif elegant serifs really help you create unlimited variations for your creative needs in creating your project titles: such as fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books , websites, etc. Feature • Full set of uppercase, lowercase • 51 Ligatures • 165 Alternatives • Numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED • Gibson Serif – Regular • Gibson Serif – Italic This type of family has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with the Gibson Serif! Feel free to use the #Black Studio tag and the #Gibson Serif font to show what you've been up to, I really hope you enjoy it! Thank you!

Introducing, The Lastone is a serif typeface crafted with elegance and luxury, exuding femininity and glamor but also a side of beauty with plenty of alternatives and ties to help you create endless variations for your creative needs. Its striking contrasts and subtle details, along with luxurious strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with contemporary aesthetics. The Lastone elegant serifs really help you create unlimited variations for your creative needs in creating your project titles: such as fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. Feature • Full set of uppercase, lowercase • 111 Ligatures • 28 Alternatives • Numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded WHAT IS INCLUDED • The Lastone – Regular • The Lastone – Italic This type of family has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with The Lastone! Feel free to use the #Black Studio tag and the #The Lastone font to show what you've been up to, I really hope you enjoy it! Thank you!

Is your branding missing something wonderful that makes people going crazy impressed? Have you thought about how you can add that touch of something to your branding and projects? Want to transport your audience to a world of gorgeous, elegant, wonderful, versatile, yet modern? Then, we have the solution for you. Introducing Metrovia, An Elegant Font duo Giving you a simple, yet wonderful solution to your branding. This font is more than just another font duo. It encapsulates the essence of modernity and elegance. With elegance and passion edged into every curve and twist of this font – you’ll be sure to boost your sales and make the best impressions. Features: Beautiful Ligatures Stylistic Sets Multilingual Supports (69 languages) PUA Encoded Numerals and Punctuation Metrovia fits best for any design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys? - Copperplate Gothic - When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s. Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation. Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture. Specimen: http://carontwice.com/files/specimen_Copperplate_New.pdf

In Adrian Frutiger, the discipline of a mathematically exact mind is joined with an unmistakable artistic sense. His independent work possesses the controllable language of letterforms. Personal and intensive, this work is the manifestation of his expressive will. Frutiger's precise sense of outline reveals itself two- or three-dimensionally in wood, stone, or bronze, on printing plates and in the form of reliefs. However, even his independent work can be understood as objectivized signs; in their symbolism, they are embedded in the fundamental questions of human existance. They might have developed in the spirit of playfulness, but their nature is always conceptual, directed towards a complex, yet harmonic, whole. Following function, form also necessarily follows the content of the language. The entire spiritual world becomes readable through letters. Essentially, Adrian Frutiger attempts to fathom the basic, central truth which defines our lives: change, growth, division - beginning and end. In a virtual synthesis, he seems to close the circle in which the world reflects itself in symbolic forms. Frutiger Stones is for Adrian Frutiger the example of his formal artistic sensibility par excellence. Searching for the fundamental elements in nature, he has discovered the pebble, rounded and polished over innumerable years by gently flowing water. And out of this, he has created his complete system, a ruralistic typeface of letters and symbols. It depicts animals and plants, as well as astrological and mythical signs. Because of its unique aura, Frutiger Stones is particularly well-suited to different purposes - in headlines and prominent pictograms, as symbol faces, illustrations, and more. Frutiger Symbols is a symbol font of plants, animals and stars as well as religious and mythological symbols. Together with Frutiger Stones this typeface builds a complete design system, which offers endless possibilities. It can be used for illustrations or a symbol type with its distinctive pictograms. Frutiger Symbols is available in the weights regular, positive and negative.

The impetus behind Felbridge was both ambitious and highly practical: to develop an ideal online" typeface for use in web pages and electronic media. Robin Nicholas, the family's designer, explains, "I wanted a straightforward sans serif with strong, clear letterforms which would not degrade when viewed in low resolution environments." Not surprisingly, the design also performs exceptionally well in traditional print applications. In 2001, to achieve his goal, Nicholas adjusted the interior strokes of complex characters like the M and W to prevent on-screen pixel build-up and improve legibility. Characters with round strokes were drawn with squared proportions to take full advantage of screen real estate. In addition, small serifs were added to characters like the I, j and l to improve both legibility and readability. "The result," according to Nicholas, "is a typeface with a slightly humanist feel, economical in use and outstanding legibility - even at relatively small point sizes. Most sans serif typefaces have italics based on the simple "sloped Roman" principle, but italic forms for Felbridge have been drawn in the tradition of being visually lighter than their related Roman fonts, providing a strong contrast when the italic is used for emphasis in Roman text. The italic letter shapes also have a slightly calligraphic flavor and distinctive "hooked" strokes that improve fluency. Felbridge is available in four weights of Roman - Light, Regular, Bold and Extra Bold - with complementary italics for the Regular and Bold designs. The result is a remarkably versatile typeface family, equally comfortable in magazine text copy or in display work for advertising and product branding. As a branding typeface, Felbridge works in all environments from traditional hardcopy materials to web design, and is even suitable for general office use. As part of a corporate identity, this no-nonsense typeface family will be a distinctive and effective communications tool." Felbridge™ font field guide including best practices, font pairings and alternatives.

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.

Dough is inspired from making dough, and you can feel the freedom of making letters in a unique and outlaw style. This font can be used in colored illustrations, kids activities and more.

Neona is a font in the spirit of the standard 'no frills' sans-serif 4-inch-high neon sign text used in cheap bars, coffee shops, bakeries and tattoo parlors around the world.

Brighton was designed by Alan Bright with a feeling of warmth in the design. Its charm lies in the simple construction of its letterforms which makes it suitable for nearly any typographic requirement.

An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.

Dungarees is a font on caffeine... It's a normal sans-serif typeface gone wild: jagged in some places, smooth in others. It makes documents not only fun to read but really interesting too!

Animosa is a font family high in spirit and even in temperament. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.

Big Display Sans JNL is an all-caps version of Ludlow’s metal type “Samson”, originally designed by Robert Hunter Middleton in 1940. This digital version is available in both regular and oblique versions.

ITC Obelisk is the work of British designer Phill Grimshaw. He classified his typeface as glyphic" in style, meaning chiseled rather than calligraphic in form. ITC Obelisk is a legible, elegant text typeface."

Designed by Francesco Simoncini and W. Bilz, this design follows Times New Roman in structure, but differs in some details. Unlike Times New Roman, the boldface is a weighted version of the roman.

Show Card Sans JNL (available in both regular and oblique versions) is based on a chart showing the basic construction of sans serif lettering in the 1922 instruction book “Modern Show Card Writing”.

Keishue is a modern handwritten typeface, beautiful and luxurious. This elegant and beautiful font is stylish and versatile so you can use in a plethora of designs in both digital and print applications.

Stencil Work JNL was re-drawn from a vintage paper stencil with one inch high Roman letters and numbers, often found in stationery, drug and variety stores in the 1950s through the 1980s.

Rockabilly is a modern, minimalist serif that works beautifully in modern design pieces, clean lines; serifs are modern, and a little vintage. Looks great in logo work, magazine titles, books and printed materials.

Advertisements in the September, 1936 French movie publication “La Cinématographie Française” featured a hand lettered slab serif type design that is now available as Cinema Serif JNL in both regular and oblique versions.

In 1928, the application of pure geometric form to sanserifs and slabserifs was in full swing. Morris Fuller Benton applied geometry to the Modern letterform to arrive at Parisian and Broadway for ATF.

The hand lettered words "favorite songs" in the masthead of the 1940s British music collection "Albert's Favourite Song Album No. 4" inspired Song Vendor JNL, which is available in regular and oblique versions.

Triunfo is a modern slab serif font family with sports flavor. It comes in 21 variants of weight and wide that allows you to choose the best option to use in your work.

This is an idea to reproduce the masks of the Mexican wrestlers of the late 60s and 70s. The typography is based in keeping the shape of the face in the wrestler's masks.

Ad Lib was created by Freeman Craw for ATF in 1961. Sporting irregular character shapes, this informal typeface makes a good impression when a 1960s look is desired in advertising and display work.

Hello Beauty is a script in a hand-lettered, modern, calligraphy style. It is suitable for a variety of uses such as in design, weddings, events, t-shirt, logos, badges, sticker, and more.

Here's a Morris line; a traditional and legible font in small sizes, but almost abstract in big sizes. Named after my son Morris and it's got nothing to do with a certain musical...

Nana is a classic joining script with long ascenders and descenders, that is based on a set of unique but forgotten initials that were designed in the roaring 20s and 30s in Paris.

A Geometrical font. This idea flashed to me in one of the boring classes we had in college. Since its my special masterpiece we come really cheap at its price of just $8.

A vintage newspaper front page from June 6, 1944 proclaimed “France Invaded” in a bold, condensed wood type that has been revived as News Event JNL – available in both regular and oblique versions.

inspired in lapidary roman writings

inspired in Orthodox Cyrillic scripts

Slab serif in 3 weights