ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.

Dime Store is a font inspired by childhood memories of dime stores in downtowns and shopping malls in the 1970s. The font was tweaked and digitized by Bob Alonso, who also digitized Breauhare’s Cooper Goodtime font. Dime Store is a cool, hip, nostalgic way of creating a decorative display, and at times it seems to have a slightly futuristic look, too.

Okay Cotton is soft & gentle -- specially made for situations where a pointy hard-edged font just isn't up to the job. This font is extra-soft but stays true to form -- delivering your message with clarity. The small details make Okay Cotton friendly & inviting. Okay Cotton is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.

Gellatick is a charming and whimsical script font that brings a delightful handwritten feel to any design. With its playful curves and bouncy letterforms, this font is perfect for adding a touch of joy and friendliness to your projects. Whether you're designing greeting cards, invitations, or social media graphics, Gellatick will infuse your creations with a sense of warmth and personality.

Murisa Betzmann is a very special font. We make it with enthusiasm and joy. Betzmann is an innovation and style in typography. We provide 4 alternates for each uppercase, and 4 swashes for each lowercase. You are also given various ligatures for variations of your writing. Multiple alternates, multiple swashes, multiple ligatures, a brilliant work of art. Get it right now.

Introducing our newest font called Gasego, this font will bring a unique touch to your design, Gasego Groovy font is one of the right choices. With precise curves and soft lines, this fun font is sure to add something special to your designs. It’s never too late to start incorporating this cool font into your work, so don’t wait and use it now!

Bring joy to your designs with Feeling Grateful! This cheerful font offers a combination of adorable style and fun. Its bouncy and bold letters are the perfect addition to your logos, headlines, and other projects. Feeling Grateful is sure to make any design stand out with its positive vibes, so grab this font today and start adding some fun to your designs!

Composed, clean and slightly angular, as its name says. It's organic, warm and round in the right places too. A sanserif typeface family Vinkel is a handsome androgyne with an excellent balance of Neo-grotesque and Humanist DNA. Vinkel comes in eight weights from Thin to Extra Black, all with italics, small caps, several sets of numerals, arrows, alternate characters, and more.

32 borders and frames, round ones, square ones, rectangles and an oval. Curly Qs, vines, flowers, dots and swirls in outline and reverse. Plz note that this is not a dingbat font and needs to be used in large sizes of 72 point or more. Don't miss Rae's other frame fonts. Frames & Borders Too and the new Frames and Banners.

Warm Thanksgiving is a warm and fun font for your thanksgiving day, you can use it for everyday use too for its versatility. Create something with it from regular typing notes, to t-shirts, kids’ book designs, greeting cards, stickers, posters, or anything that needs a casual touch. Fall in love with its incredible style and use it to create lovely designs!

The name "Smart Casual" says it all. This is the font to use when you want to create that smart impression without being too formal. It is based on the font "Black Tie" but it is less formal than "Black Tie". It conveys an impression of relaxed elegance without being either sloppy or too intimate. Smart Casual is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create that special ambience, for posters and for announcements. Smart Casual has a full character set and has been carefully letter-spaced and kerned. It comes in two styles: Baseline and Staggered. In "Baseline" all characters refer to the same baseline (the lower part of the characters are in line), while in "Staggered" the capitals are placed lower than the lower case characters, creating a slightly more dramatic, yet formal and retro look.

In 2006 the art director of Emotion, a women’s psychology magazine, asked me to design a copy typeface for them. Before I actually got the job I started to work on a serif. I wanted it to be feminine but still clear and modern. On one hand there are the floral round elements and on the other hand the angular serifs. In the composition I wanted the two extremes to work together. All the other elements had to be harmonized. The proportions needed to match the magazine’s requirements. The ascenders and descenders are short enough to work in narrow columns but long enough to work in small sizes. As you can imagine, the emotion-job never happened. Verse is now a serif and a san-serif with 7 weights with italics and smallcaps. In copy you should not get heavier than Heavy. Extrabold and Ultrabold work best in display.

Geonica is minimalistic geometric sans serif font with different line width. Geonica is suitable for the design on the theme of architecture, game industry, minimalism ect. Geonica includes stylistic alternates for symbols: A, E, K, M, O, Q, T, V, W, g. There are also ligatures: AA, AJ, AM, LA, LM, MA, MM, OO, VV, fi, gg, gi, gj, oo, ri, rr, ti, vv, yy.

When Patricia Lillie was growing up, she thought the coolest thing in the world would be finding her own name listed in a library catalog. The fantasy came true in 1986 when her first children's book was published. Five more followed. The thrill of seeing her work on library shelves hasn't abated, but today, Lillie is just as likely to see one of her typefaces on the cover of a book. She has created several display faces and image fonts. My first typeface designs were based on lettering I'd done while working for a library, doing graphics work for the children's section," she explains. "I currently do a lot of web design, but type is my favorite thing." The Tickles (ITC Tickle and ITC Tickle Too) are Lillie's first ITC typeface releases. "I was playing around with a Sharpie marker one day and liked the way the letters looked," she recalls. "I started redoing the letters from scratch in Fontographer to see what developed, and liked those letters too." ITC Tickle is a bi-form font (with both cap and lowercase letters of the same size) that clearly breaks a typographic rule or two. ITC Tickle Too has the same basic lettershapes, but they've grown clusters of stipples that give a three-dimensional quality to the design. The result is a friendly, offbeat display family that's guaranteed to add a giggle to your work."

Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give exceptionally good quality at low screen resolutions. The fonts are therefore suitable for sustained use in browsers and other applications where users read for long periods from the screen. Of course, Prima looks great printed out too.

Viktorie might easily be mistaken for the handwriting of a note-taker in a hurry: it looks swiftly jotted down. These energetic characters pay little heed to such arbitrary contraints as baseline or x-height -- taken together, they give the effect of casual penmanship that's both curiously legible and inspiringly unleashed. Viktorie has a single, medium-light weight and comes, of course, with a full character set.

Rumo Script is a bright, breezy, free-flowing contemporary script to lighten the load when a change of pace is required to communicate freshness, fun, lifestyle and a general 'good feeling'. Designed so that some letters connect while others don't giving a spontaneous feel at the same time keeping it a 'considered' style. Rumo (pronounced Roo-mo) will enhance your graphics and give them that 'wow' look!

Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give exceptionally good quality at low screen resolutions. The fonts are therefore suitable for sustained use in browsers and other applications where users read for long periods from the screen. Of course, Prima looks great printed out too.

Aegypti 7 is a digital revival of Font No.7 or Egyptian Narrow - a Soviet display face cast for hand composition. I settled on the 12pt version as a basis for my digital version, as larger sizes added too much contrast to an otherwise quite orderly slab serif. The Soviet Font No.7 itself was based on an older Semi-Egyptian narrow cut before the revolution.

Dogfight is a hand-crafted brush font which created from scratch by using a brush pen on a paper. It is not too sharp with sharp edges, but rather with a softer rounded shape. It is suitable as a display font for printed or digital products. Mainly as an advertisement or video production. It comes with Regular and Italic Multilingual characters AllCaps Ligatures Alternate characters

Rekord Antiqua, regular and semibold, released 1911 by Wagner & Schmidt, is a perfect body text partner for Art Nouveau display fonts. Both styles come with a long s, which can be reached by the OT feature of historical forms or by typing [alt] + b. In addition, you find two framing elements on [alt] + P and [alt] + p, and an oblique style was added too.

Original released in 2006 Depot has now been updated to Depot New. While staying true to its original robust charm Depot New has been reexamined from the ground up with improved outlines, spacing, kerning and opentype features. Depot New also boasts two new weights with Thin and Thin Italic added to its arsenal, making it the perfect choice for the most demanding of jobs.

A loose, casual felt-pen script, Chantal comes in three weights plus italics, and a Cyrillic version too. Alternate versions are available in the upper and lower case keys, so settings can be customised according to taste. Chantal communicates a hand-drawn light touch with character. Originally designed to letter the RoboHunter series that Peter Hogan and Rian Hughes produced for the comic 2000AD.

Snow Atisen is a festive and fun handwritten font. Perfect for adding a touch of holiday magic to Christmas cards, New Year's decorations, winter designs and other fun projects. Comes with 3 styles that you can mix and match. This font has the potential to become your favorite font of choice, whatever the occasion, spread the joy of the season with this unique font.

This is not a brush font! This is an imitation of brushstrokes, done by pen. But I guess you've already noticed that - the brushstrokes are way too obvious, to have been made by brush. Although being a "fake", the letters leaves you with quite a good impression. Letters were inspired by an old horror movie poster, but is very useful for something less terrifying!

Although less prevalent today, a cover charge was added to better class night clubs of the 1930s and 1940s to discourage patronage by people of questionable social graces. The general idea was that the lower strata of society (meaning the "average Joe" or "hoi polloi") would balk at paying an extra fee just for entrance to a place of good entertainment and fine dining.

BearerFond has been in my pen for years and I've used this way of writing a lot on cassette cases. Anyone still using cassettes? Me neither, so in order to keep it alive I have made a font out of it and named it bearerFond; as in bearer bond, since it looks like it could be used on official documents. Nothing too official though.

Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too. Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance. Glyph count: 440. Supports most western languages.

Willy is a typeface with a wink. This display font is based on existing piquant form from the immediate vicinity. It is sexy, if you have an eye for. But it also should not be taken too seriously, especially because it has a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Ironwood is an Adobe Originals typeface designed by Joy Redick in 1990. Ironwood font is a homage to the old woodtypes made popular by the wanted posters in Western films. Adrian Frutiger designed his typeface Westside with the same idea in mind. Ironwood font is reminiscent of the Wild West and its shoot-out heroes, and its robust figures are particularly good for headlines.

My second font for 2009, Bling is a hoot. This vaguely Deco, sparkly sans is for those heads that need bling. This is the first font released in a long time without my complete feature set. It has lining and oldstyle figures, many wild ligatures, the x-height is too high to make a small caps set worth the effort. It's just for fun. Enjoy!

Breakdance is inspired by dance moves, the first font created with this concept is sans serif with a curved shape in one direction. Curves are made not too extreme, so that they maintain the shape balance. And now Breakdance comes in several styles and is divided into three typesface, namely script, sans and serif. Each typeface has several different styles and the total is 18 fonts.

The Zheldor typeface was designed specially for the Railroad movie credits, but wasn’t used there. As a result, here comes an original type product that fits nicely into the urban environment. This vigorous, twitching and deconstructive font works well for emotional large-letter designs and non-too-serious teenage style headings. But however extreme it may seem, Zheldor also has a simple and friendly feel to it.

Dorchester Script font, released in 1939 by Monotype, was widely accepted by high society for calling cards, announcements, and invitations. Dorchester Script is nearly upright with lowercase letters that have loops and generous ascenders and descenders and capitals with delicate, curly flourishes. Besides the usual job work, such as letterhead and business cards, Dorchester Script font can be used sparingly for serious display work.

Reverie is a cheerful band of letters that bounce across the page and get together to create words in three weights. Generous spacing and a modest x-height project an airy typeface that's open but not frail. Quirky without being too whimsical. Use the regular weight for surprisingly readable text or put the light and bold weights to use for decorative headlines and titles.

Owly Barn is a Friendly and Playful font. The rounded corners of Owly Barn give it a sense of joy and positivity. Also friendly and approachable vibe. Owly Barn is incredibly versatile. It can be used across various mediums, including digital and print, and it adapts seamlessly to different sizes and resolutions. This versatility makes it a go-to choice for graphic designers, marketers, and creatives alike.

A great fun typeface with a straightforward childlike simplicity. It really hits home with kids, but if you want to add this extra playful personality to your designs this is the one to use. It has a strong, easy to read structure, which makes it ideal for children’s books, toys and other fun applications. Designer Alexandros Papalexis has discover the kid within. You can too!

Fiesta De Los Muertos is a fun and festive display font! Not only can be used for Halloween theme needs, you can use it too for other things for daily needs. Use it on t-shirts and clothing, book designs, greeting cards, stickers, posters, banners, or anything that needs a fun touch. Try it to create fabulous designs and feel the fun and cool vibes with it!

Star Whisper a Fun Handwritten Easter Font that will bring joy to your Easter Season. Star Whisper is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Star Whisper also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!