Ruina One is a Rough and distressed font, but at the same time very gestural. It is especially great for youth and child graphics, but can be applied in many other domains too. Ruina One contains various ligatures.

The Dada* is a dumb idea that got way too far, but nonetheless, can still be quite useful for designers, illustrators and typesetters in need of manicules. * as with the foundry’s name, bonus pun for portuguese speakers only

TOTEM is simple and geometric, strong and modern. Previously it was designed for our logo and next we made the rest of the alphabet, including multi-language coverage and numbers. Totem has a nice set of ornaments too.

Say hello to Run Child font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun and colorful. Features: Character Set Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encode

This is one of the Victorian standards for job printing issued by the Barnhart Brothers and Spindler Foundry about 1891. It looks old without being decorative, a good counterpoint to fancier types in today¹s old fashioned typography.

Evocativa has a perfect combination of roman bodonian inspired ornamented caps with a well crafted blackletter set, in a balanced typeface suit to use in your headings text projects and in jobs with a classit and yet antique feeling.

Betabet was drawn using traditional serif fonts as a guideline. The scribbled style and serifs combine to make an unusual font. Betabet does not look like handwriting, but works well where handwriting or script fonts might seem too insubstantial.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

Jacaranda JNL is a casual and fun font—resembling lettering made with the broad side of a chisel-tipped marker. Perfect for anything that is relaxed and not-too-serious, it is flexible and versatile for many ad projects.

The letters of NoPain went to a party and had a bit too much to drink. The four NoPain typefaces, regular and bold of NoPainRight and NoPainLeft, were formed by distorting the letters of the wide-serifed font Valgal.

Neon Bar is very useful for any project related to Bar, Music, Panels, Signs and more. It has a unique style and inspired from Las Vegas Panels but the design is too modern and very fit with neon print.

This font is a somewhat modified version of the original issued by the Manhattan Type Foundry in the 1880s. This New York foundry was in business for less than five years, so its fonts are not too well known.

Jelly Billy is a fun handwritten font featuring a quirky, bold, and modern style! It will work perfectly with packaging products, merchandise or pretty much any design of spring or summer season that requires a touch of happiness and joy.

The "Galpon Next" typeface is a gestural and dynamic font specially designed for informal or children's texts. The idea behind this typeface is to capture the energy and spontaneity of handwriting, creating a sense of joy and fun in the designs.

Rutter is a handwritten brush font bursting with energy. It features extra attention to quick strokes and sharp details. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Introducing Bluesy Rain –a cute and fun typeface suitable for creating eye-catching posters, logos, and crafting projects. From its bouncy letterforms to its playful style, hopefully, Bluesy Rain can bring a touch of joy to your design. Thank You

The look of hand lettering often breaks up the monotony of the printed page. Rockaway JNL from Jeff Levine is a big, friendly sans serif that can give more of a human touch to your upcoming project without looking too informal.

It is not simple sennit. You know that such Russian lapti? It is footwear plaited of stripes a bark of a linden. My font too all is made from stripes. From the first up to last letter. Funny isn't it?

RONiQ is a display font. A type which should not be taken too seriously, a mixture in styles as per usual. this one is also quite juicy. Ready to be used in fun projects. Supports some languages, a lil bit multingual.

Based on some beautifully blobby lettering, handwritten by printer and mailartist, Alan Brignull. Alan creates amazingly credible artistamps for the virtual countries of Adanaland and the Perfect State of Flatby, lands frozen in boyhood Englishness forever. He writes nicely too.

Lango is a hand drawn face, long and lean with an extended character support and good legibility. It has a casual look without being too informal, and is good for scrapbooking, greeting cards, or wherever a handmade touch is needed.

This was a favorite of the old time job printers;­ decorative but readable. The MacKellar foundry was the largest and most creative of the old foundries, and decorative fonts like this one came out at the rate of several every year.

We have been in lockdown for a long time now. The schools were also closed, meaning my kids had to stay at home. This week the schools reopened (not a day too soon!), which means my kids can play with their friends again and learn something too! My wife and I pack their lunchboxes every day and always add some fruit for snack time. That fruity snack inspired me to create this rather messy font! Fruity Snack is a handmade display font. It looks wobbly, comes with awkward angles and rough bits. It also comes with extensive language support (including Vietnamese) and 2 sets of alternates for the lower case letters.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

Waddle is inspired by the playfulness of mid-century jazz albums, opening title sequences and movie posters. Friendly, rounded, slightly roughed, with a bouncy baseline, this unique typestyle boasts a generous number of glyphs and ligatures across all three weights. Waddle Thin is perfect for body copy and is both fun and elegant. Waddle Plump has been designed for bold headlines and titles. Waddle Regular is an ideal all-rounder. Combine the Waddle Family for maximum affect the next time you need to get a playful and positive message across to an audience of any age. Not too kiddy, not too serious ... just right.

There's a little restaurant in an old house on a sidestreet in town (Rockland, Maine, USA) called Cafe Miranda. The staff is friendly, the setting intimate, and the appetizer a basket of hot bread fresh from a brick oven. Its ample menu features such entries as "Quasi-Cassoulet" and "Gentle Sole." It's among my favorite local places to dine out. But the menu got photocopied once too often, and Cindy's personable handlettering got faded and broken. So I took matters into my own hands. And here's what I delivered to the newly computerized folks at the little restaurant on Oak Street. You, too, can travel in rather heavy felt-tip style.

The Stempel family consists of two fonts; each made to look like a set of block stamps. Each letter appears inside its own roughly drawn square. Stempel One's letters are very simple form/counterform objects. Stempel Two's forms are more ornate: each square stamp has a thin border inside of it, and then the individual letterforms have been knocked-out, so that the colored area depicts the counters around the letters rather than the letters themselves. As a line of text is typed, a box appears for each letter entered, and all of the boxes slightly nudge against each other to form the line. The Stempel fonts have the appearance of a hand-made quality to them. Their forms appear too random, too delicate, and too thought out to have been made on a machine. Using these fonts will add a nice warm, linoleum-cut touch to your work. Both Stempel One and Stempel Two were designed by German designer Martina Balke in 2002, and are part of the Take Type 5 collection from Linotype GmbH."

Torjus is so rigid and stiff typeface. While designing a more dry and stiff handwriting typeface, I tried to remove the Bezier curves. Rhythms were also created by dramatically simplifying the paths used in the Glyphs and emphasizing individual contrasts. 60 predefined Ligatures to bring your passion and inspire you to wonder. Ligatures : Ba, Be, Bo, Ca, Ce, Co, Da, De, Do, Ea, Fa, Fe, Fo, Ga, Ge, Go, Ha, He, Ho, Ja, Je, Jo, Ka, Ke, Ko, La, Le, Lo, Ma, Me, Mo, Na, Ne, No, Oa, Pa, Pe, Po, Ra, Re, Ro, Sa, Se, So, Ta, Te, To, Va, Ve, Vo, Wa, We, Wo, Ye, Yo, ee, ff, ll, oo, rr.

We've always liked Art Gothic (you've seen it on the titles and credits for TV's Murder She Wrote) but felt it was far too animated for most uses. Here is our super-simplified version, a calmer font that will fit many display uses.

Alright is a cursive font is based on the handwriting alphabets used in education, but with modern short ascenders and descenders. Most of the lowercase letters and half of the capitals join up smartly. A useful teaching alphabet and surprisingly stylish too.

Hello Sintha is a fun and friendly handwritten font. Whether you are using it for cartoon-related designs, children’s games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of joy, this font is a great choice.

TOMO Nara adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font – thus, Nara might be the perfect choice for toys, books, packaging, posters or even webapps! Let’s have some fun!

A fun font that is truly extraordinary, handwritten as it is, a combination of lowercase and uppercase letters, really cool, has a playful impression but is very amazing, very suitable for all jobs because this font has its own free style and courage.

Blast into the past with Atomic DooDads, a set of 1950’s and 60’s-era dingbats. Baby boomers to late bloomers will enjoy this set of playful glyphs. Go get yourself a cup-a-joe and design the heck out of something.