Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The original typeface on which this one is based is JetJaneMono.

LeopardSkin is an exciting, contemporary display font, incorporating the distinctive markings of one of Africa’s most famous “big cats”. Two versions are available: LeopardSkin Aarde, based on the Aarde Black font, is best used in conjunction with Aarde Black or Aarde Outline. LeopardSkin Umkhonto is based on the best-selling Umkhonto font, and may be used in conjunction with the Umkhonto font collection. The popularity of the “animal skin” look in contmporary clothing and soft furnishing design make LeopardSkin a must for artists on the creative edge of contemporary design.

Tinkerer, TapedUp, and Rumpled are based on the template I used for several letterbat fonts—fonts made of wrenches and bolts, hammers, or paper clips. TapedUp can be thought of as a font made from masking tape, and Rumpled is the same design but the tape pieces are wavy. Tinkerer is the same design but with elements that resemble what might happen if one constructed letters from Tinker Toys. All are caps only, but some of the shapes on the lower-case keys differ from the corresponding shapes on the upper-case keys.

Crop is the guy who works till 3am, striving for greatness. Crop is the one in the gym at six in the morning, pushing harder every time. Taking no for an answer, just isn't part of the deal. Crop is the one with fire in his heart and eye intense enough to achieve the unthinkable. If you've never stopped pushing boundaries, if you think second place isn't worth getting out of bed for, if you can stand on the top of the world and ask, 'What's next?' - Crop might just be the one for you!

Introducing Bogani Gottan This Font can be used for any variety of purposes, such as: Photography, Wedding Invitation, Packaging Product, Logo Type, Brand, and also can be used for personal purpose. This Font Template contains Modern, Elegant, creative, Professional and Unique Concept. FEATURES - Uppercase & Lowercase letters - Numbering and Punctuations - Ligatures - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. All images on the demo is just for preview purpose only and not actually included on the files Hope you Like it. Thanks.

Wood Type Calendar JNL is a set of components for making monthly calendar pages. Based on a set of vintage wood type numbers, the dates 1 through 31 are found on the "A-Z" and "a-e" keys; the 23/30 and 24/31 ligatures are on the "f" and "g" keys. On the "h" and "i" keys are blank outline and solid blocks for balancing the calendar layout. The "j" through "u" keys have the names of the months, and the "1" through "7" keys contain the days of the week.

The rustic lettering which also served as the model for Grist Mill JNL is the basis for Gristwood JNL. Another set of vintage wood type has the letters reversed out of blocks, making for a specialty titling font. Decorative end caps are located on the greater and less than keys and also on the plus and equal keys. A blank block for regular word spacing is on the underscore key, along with a wider blank box on the backslash key. This typeface has a somewhat limited character set.

Introducing Amantta Script Font This Font can be used for any variety of purposes, such as: Photography, Wedding Invitation, Packaging Product, Logo Type, Brand, and also can be used for personal purpose. This Font Template contains Modern, Elegant, creative, Professional and Unique Concept. FEATURES - Uppercase & Lowercase letters - Numbering and Punctuations - Ligatures - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. All images on the demo is just for preview purpose only and not actually included on the files Hope you Like it. Thanks.

Bayoneta is not your usual handcut alphabet, though it can seem so. It can also seem like carefully constructed lettering inspired by Polynesian cultures. By bridging that gap between knife-wielding kitsch and studied display lettering, Bayoneta offers quite a various range of theme possibilities. Its clear and attractive shapes can provide the eye-catching spontaneity on a book cover, the expressive shout on a skateboard or a muscle shirt, the mouth-watering brand on a protein bar package, or the main notice on a theme park ride sign.

Inspired by the 70's design, specially on Herb Lubalin's work, the typeface Garoa is a rounded mechanical display font without optical compensations, ideal for large bodies. The medium weight has lower case for short texts, and the Bold versions have singular upper case glyphs, with some alternates (at least one alternate per letter – some with OpenType features some using caps on the keyboard). The Garoa Hacker Clube Bold version is free and contains no OpenType features, but the glyphs have the same design as on Garoa Bold.

Straight Ahead is a dazzling handwritten font. With a modern style, this versatile script font has a wide spectrum of applications such as for branding, logotype, and more. Straight Ahead is PUA coded which means you can access all the glyphs and sweeps easily! It is suitable for branding, Poster Design, Event, logotype, product packaging, decoration, t-shirts, poster labels, etc. 2 Style Font : Regular Italic Straight Ahead Features : Uppercase Lowercase Numbers & Punctuation Ligature Alternative Wash Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Abella Script, is a calligraphy manuscript, handwritten modern and classic, so soft, perfect for your next design, such as logos, printed quotes, invitations, cards, product packaging, headers and anything else about your imagination. Abella Script allows you to create custom dynamic text. you can access by turning on; Stylistic Alternates, Swash, as well as ligatures in Photoshop, Adobe Illustrator, Adobe InDesign or through a panel of glyphs such as Adobe Illustrator, Photoshop CC, Let's switch from the regular character into character alternative to get the text with the layout of your dreams. Abella Script features 1000 glyphs and has given PUA encoded (specially coded fonts), with tons of alternate characters. The pack can be accessed in full by any crafter or designer, without the requirement for extra design software. Language Support Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, German, Icelandic, Italian, Malagasy, Norwegian, Portuguese, Spanish, Swedish.

Introducing Hero Beam Typeface Hero Beam typeface is inspired by the form of writing in the era of the European empire. Carrying a Victorian theme that has an elegant and of course cool swash. Hero Beam typeface is perfect for classic Victorian themed designs, packaging beer, whiskey, barbershop, pomade, tattoo studio logo and so on. Hero Beam also has 2 types of letter shapes, namely the regular type and the hold type which is like bone which makes it more character. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

FranklinGothicHandLight is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

In the late 1990s Gerard Unger won the assignment to design the signage system for the Holy Year celebrations to be held in Rome in 2000. The system he developed in cooperation with the design agency n|p|k used a classically inspired serif typeface, but the earlier proposals included a sans-serif, which became Vesta (2001). Vesta is a versatile family that can be used as a display face alongside Unger's serif faces Gulliver, Capitolium or Coranto; it can also be used on its own, even in longer texts. Vesta is narrower and therefore more economical than some commonly used sans serifs such as Arial and Helvetica; there is also a noticeable contrast between thick and thin parts, which makes it more lively. Vesta is to be extended with narrow versions, small capitals and old style numerals, along with some special versions for headlines.

FranklinGothicHandDemi is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

Eskorte is a diligently designed Latin type family with an uncomplicated, engaging poise that conveys a crisp, businesslike tone. Its precise range of styles looks to no-nonsense efficiency and ease of use by non-designers in the office and text-intensive professional environments. Eskorte supports over ninety languages in a full range of weights, with both upright and matching italics. The italics are lively, fluid forms that infuse their charms into text settings or take on their own personality in large, dominant headlines. In concert with the hardworking upright styles, the two fit smartly into a range of publications, from corporate to casual. All of the weights and styles offer an adept set of features like small caps, case-sensitive punctuation, and both tabular and proportional figures to make short work of any typographic task. Whether employed in enterprise reports, lifestyle publications, or identity work, Eskorte is ready for business.

Super School - Funny Kids 10 Various Font is a delightful and quirky display font with a school and kids' theme. This font embodies a playful and fun spirit with its rounded and bold letterforms, making it perfect for designs aimed at children and school-related projects. It features 10 alternative font versions, each inspired by various school-related motifs, including dots, stitches, rulers, math symbols, balls, books, graduation caps, paper planes, apples, and pencils. Crafted with a specific focus on the school theme, Super School is the go-to choice for designs revolving around education, kids, and toddlers. Whether you're creating educational materials, posters for school events, or any project targeting young audiences, this font adds a whimsical and child-friendly touch to your work. With its crafty and playful style, Super School helps you infuse a sense of joy and learning into your creative endeavors, making them engaging and delightful.

Ico Weather is a set of 115 symbols depicting weather, temperature, weather forecast and astronomy. To name a few, there are sun, clouds, rain, snow, thermometers, wind socks, tornados, volcanoes, weather warnings as well as symbol for raining fish. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Weather is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

We want to create a different feel for the stencil font style. Usually stencil fonts are synonymous with military, retro and bold characters, but here we created the MANDAY font with an elegant and attractive stencil style for a modern design, combined with a subtle swash. In addition to swash in the MANDAY font, there are also many alternative character shapes and unique Discreationary ligatures. So the MANDAY font is very worthy of being a font collection on your computer for projects with a unique and charming elegant concept. Sans serif typefaces such as "MANDAY" are very easy to apply to any design, especially those with an elegant, modern and classic, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "MANDAY"contains 800 glyphs with many unique and interesting alternative options.

Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect solution for LCD style typography. Ico Time is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Shoika is a celebration of geometry. It’s a typographic quest for purity with a touch of hidden gems in the form of unique details and characters. Shoika is perfect for the modern designer who needs a solid, refined and versatile font family for branding, UX, web, packaging and editorial jobs. Shoika presents a wide range of weights (18 fonts), supports an extensive variety of Latin alphabet-based languages (over 200), and it has been manually kerned and auto-hinted for enhanced performance on screen. It includes several OpenType features like case diacritics, tabular figures, arrows, ordinals, inferior and superior figures, numerator and denominator figures, fractions, circled figures, black circled figures, outline dingbats and solid dingbats. All typefaces from Tropical Type Foundry include free updates and free technical support. For custom enquiries don’t hesitate to get in touch: tropicaltypefoundry@gmail.com Imagery credits: Unsplash (Photo), DrawKit and RawPixel (Illustrations).

The Sabon® Georgian design translates the original Sabon typeface into Georgian language. Its old style Latin-based design traits and proportions have been carefully and beautifully interpreted as Georgian script characters. In the early 1960s, a group of German master printers wanted a typeface family which would provide them with consistent and predictable results, whether it was used as machine or hand-set composition. They approached one of Germany’s most distinguished type designers, Jan Tschichold, to undertake the design task. The end result of the design commission is a typographic tour de force, and the face that establishes Tschichold’s reputation as a type designer. The completed design, released in 1966, not only solved the imposed design problem of the early 1960s, it is also an exceptionally beautiful and useful digital design. The Sabon® Georgian design further extends the range of this remarkable typeface

IT’S MAILBAG TIME! Dear Jolly JG Roshell and Rascally Richard Starkings, Comicraft Fonts are a thing of Beauty and a Joy Forever! You guys must be a Wild Bunch, and I roar with delight whenever a new comicbookfonts release appears in my emailbox. But I have to level with you daredevils...what about us Letterhacks? We need representation too! We haven’t spent years hammering away on our typewriters to be ignored! BRING BACK THE LETTER HACK! In fearless font form. You know it makes sense! Truly Yours, Forbush, Irving, senior. We give up! We can’t resist your appeals, threats and commands ANY LONGER!!! We may crack under the strain, but this month’s release IS two (count 'em) Letterhacks! That’s right, a pair of fantastic fonts that recreate the look and feel of your Marvelous Letters of the Sixties! It’s a Bullpen Bulletin! It’s an Iconoclastic Item!

Every time I bring my youngest son to his swimming lessons, I need to show my Covid Vaccination Pass; a QR code on my phone. I thought that I would be off the hook after I showed it the first time, but no, not at the swimming pool! It feels a bit like a bad comic book, so I decided to name this comic book style font Identity Check. Of course, I should have called it Covid Vaccination Check, but that is just too much and it probably won’t sell. Who wants a font called Covid?? ;-) Identity Check is a comic book style font. The glyphs are wider than I am used to (it seems I AM capable of learning new tricks), but the effect is rather nice. Identity Check comes with extensive language support, including Cyrillic and Vietnamese. Plus two sets of alternate glyphs, that cycle as you type.

In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was the one which inspired this font. It is a very elegant one, including the “long s”, a few abbreviation forms and ligatures. As it was a Latin text, there were no accented characters and a few capitals were absent. I had to reconstruct them. A render sheet, in the font file, makes all characters easy to identify on the keyboard. This font may be used as a “modern” one for web-site titles, posters and flier designs, publishing ancient texts... and anything else you want! One of the most elegant types ever cut, it stands up very well to enlargement, remaining as readable as in its original small size.

Introducing Mistress Benedict Font Duo - a pair of hand brushed fonts attentively designed to work together, helping to produce beautiful typography! This pack of two fonts works so well together and can be used for so many projects, from food packaging to a simple quote that you upload to Instagram. Use them on your t-shirts, mugs, cushions, handmade card designs, anything you like! What do you get? Benedict Font has a neat, handwritten style to it and it's tall ascenders gives that added elegance. With it also being hand brushed Benedict is perfect for all hand lettering typographic designs and works well for short advertising headlines and sub-headers. Benedict has a full set of uppercase and lowercase alternates giving you a different style - it's like two fonts in one! Mistress Benedict Brush includes ligatures, discretionary ligatures and a full set of alternate characters. It also has international character support. Mistress Benedict Caps was hand brushed with the same brush pen and is the perfect companion for Benedict. It's an all caps font where the alternates are actually the lowercase letters. It looks gorgeous on it's own too! Like the brush version, Mistress Benedict also supports international languages. Well, there it is! I really hope that you enjoy using this font duo and please ask if you have any questions. Jo

ThinPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Roz is clean geometric sans round by one side and sharp on the other side. It has three weights and corresponding italics. Roz is ideal for package design, headlines and other typographic mediums.

NormPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Modjola is an elegant brushed handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on.

A font that's a sans on the outside and a serif on the inside. Inspired by fonts like Rotis, Clarendon and a little Avant Garde, Interna has a slightly vintage feel to it.

TOMO Ziguret! A handmade font that would love to play with your designs! Ideal for kids toys or when packaging is involved — We would love to see this one on beautifully crafted book.

Market JNL is based on lettering found on a circa 1940s office supply product. There is a distinct Art Deco feel to this font, and it lends itself perfectly to all retro projects.

One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of P.T. Barnum are bracketed.

BoldPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.