The great French sculptor August Rodin was strongly inspired by the Italian sculptor, painter and poet Michelangelo. Created in association with the Philadelphia Museum of Art, this font set is a tribute to the achievements of both extraordinary artists.

The letters of NoPain went to a party and had a bit too much to drink. The four NoPain typefaces, regular and bold of NoPainRight and NoPainLeft, were formed by distorting the letters of the wide-serifed font Valgal.

The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The JT Marnie font family is well suited for headlines and small blocks of text, particularly in advertising and packaging.

There is almost no other font that conveys a sense of speed better than the bold but dynamic letters of Titanium Motors™ by Steve Matteson. Use this headline font to create exciting software titles, logos and user interfaces.

Longstride was inspired by Romans letterforms. A low contrast charismatic typeface with uppercase, lowercase, small caps, numeral, and multilanguage support. I also add ligature and alternate options to make it more versatile when you use it in your project.

I saw an old logo for Giro d'Italia on telly, and was just smitten by the truly ugly type: just ruler and compass work, no intakes or optical corrections whatsoever. I just had to turn that into a font.

Creates monograms with a crisp, stylish contemporary feel, for personal or business stationery. Each of the 36 borders is selected with a single keystroke. The border aligns and centers the letterforms by the use of a special spacer key.

Chilling Atmosphere is inspired by classic horror movies and is super useful to for your creepy postcards, flyers, clothing or perhaps packaging. I've added 6 different versions of each letter, to make your creepy text stand even more out!

Originally issued as Apollo by the Central Type Foundry of Saint Louis, this face evokes the glamor of late Victorian era. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Inspired (in part) by a vintage photo of a storefront neon sign for Cushman’s Furs, Wireline JNL is a thin monoline font with the appearance of bent wire characters. The font is available in both regular and oblique versions.

Sunstar is a multi-purpose font designed by Daily Studio. This font has its unique style in every letter. Making your works look spectacular. Perfect for headlines, logos, posters, and branding. Contain full uppercase, lowercase, punctuation, and multilingual lettes.

Mariner is based on hand lettering originally done by Willy Pogany for his illustrated edition of Coleridge's Rime of the Ancient Mariner. It's a variation of classic medieval lettering with decorative elements and alternative versions of almost every character.

Introducing by Essentials Studio Proudly Present, Monstra Guthen Monstra Guthen Is a A Modern Groovy Display Font Monstra Guthen is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Hair is another beautiful URW++ FontForum contribution by Wojtek Ruhnau. It is a technically ambitious multi-line script-like type design that should be used carefully and in large sizes only. However, set properly, Hair renders beautifully and charmingly.

Introducing of our new product the name is Hello Almeida a Bold Handwritten Font. Hello Almeida inspired by modern calligraphy style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc

Inspired by field research of marker graffiti in the Pearl District of Portland, Oregon, Hip Slop is an urban all-caps typeface with a serendipitous edge. Includes over 60 unique characters to accomodate any message worth defacing property for.

EPICALLY is a futuristic style font with a unique style and touch, inspired by the Modern theme while maintaining simplicity and unique shapes. Great to use in your projects related to games, future technology, space travel, virtual reality & more!

This is a headline typeface created by imagining the appearance of waves in a square glass tube. It is a typeface that adds a wave shape to the gothic style in a full square module. HU BlueoceanKR includes Korean.

This updating of Berthold’s Ideal Grotesque was supervised at Monotype in 1926 by F.H. Pierpont. With some of the eccentricities in the borrowed original reduced, this series retains enough character to have become one of the world’s great sanserifs.

Raveny is a high contrast modern display font by moonbandit, This typeface is a unicase font, meaning that the uppercase and lowercase has the same height. Raveny also comes with multilingual support and several alternates for you to explore.

A set of symbols was designed for ParaType in 2002 by Dmitry Kirsanov as a part of PT Mas d`Azil™ family. Based on the images on stones discovered in a prehistoric cave of Mas-d`Azil, France.

Hail to the king baby! Inspired by the greatest comics artist of all time, these fonts will have you lettering pages like a New God! Both feature a seamless center squiggle and the deluxe font feature awesome Kirby crackle!

Introducing of our new product the name is Star Blast a Playful Cartoon Font, Star Blast inspired by playful style with a fun theme very good for kids theme design. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Second Impression JNL is the solid version of Lasting Impression JNL by Jeff Levine. It emulates the look of ink-stamped letters and numerals. Based on a 1930s-era set of rubber stamps, there is a limited character set.

This font is a somewhat modified version of the original issued by the Manhattan Type Foundry in the 1880s. This New York foundry was in business for less than five years, so its fonts are not too well known.

Occidental Tourist JNL is based on a set of die-cut cardboard letters used by teachers. They were primarily found on classroom bulletin boards or felt boards. The font's name is a pun on the movie The Accidental Tourist.

Presswood JNL was modeled from the title font used on the cover of a specimen book issued by the Delittle Wood Type Company of York, England. This bold, friendly sans serif is available in both regular and oblique versions.

Introducing, Moving Forward a Slab Serif Font. inspired by vintage and modern letterforms with alternate characters and full symbol sets. Moving Forward can be used for posters, web headers, and display text of all kinds. good kerning and readable.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.