Braxia is a pure and joyful piece of Art Deco Fun. It is a new face that is overflowing with the character of 1930s advertising, lively and yet with impact all at once, its idea for theater handbills and posters, parties or anything else where you want to encourage people to enjoy themselves. Braxia is offered in two faces, regular and embossed, and is a face to really have fun with!

Inspired by the magic in the clouds, this part paintbrush, part san serif, Nimba is a hybrid display typeface that brings swiftness and joy to any project. Ideal for projects that require a sans type without sacrificing personality. This family contains true italic members, providing a stronger sense of motion and speed. Elegant, yet Vivid, this typeface will make your project stand out from the sans dominated design world.

Bubblegum Sans Pro is upbeat, flavor-loaded, brushalicious letters for the sunny side of the street. It bounces with joy and tells a great story. Designed by Angel Koziupa and produced by Ale Paul, this typeface is a loud 21st century shoutout to the kind of the 1930s lettering that sold everything to everyone through every medium. Bubblegum Sans Pro version covers all Latin-based languages and includes some alternates.

Soursop a cute handwritten font, Girly, fun and joyful character but strong and dynamic. Come with Swash for Complete your Typography. Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - PUA encoded - Soursop Reguler - Soursop Swash inumocca type

One of the text fonts showcased within the pages of the John Ryan Foundry (Baltimore, MD) specimen book from 1894 is a squared type face with rounded corners called “Geometric”. The original design has been updated slightly by substituting straight lines for the inner corner curves to add a small contemporary touch to a classic alphabet from the 19th century. Business Letter JNL is available in both regular and oblique versions.

When the Adventures of Max Faraday began in the pages of Wildstorm Comics' DIVINE RIGHT in the mid-'90s, this chapter title font materialized, eventually reappearing on the covers of WOLVERINE. Delicately crafted by Mister Fontastic himself, John Roshell claims this font was the product of Divine Inspiration. When told he'd been looking at the work of too many French Poster Artists, he dismissed such allegations as Mucha do about nothing.

I am here to deliver! I used a semi dry brush for this font, and when views at large sizes you can really enjoy the brush traces. The font keeps the authentic feeling of something hastily written with a brush. Along with he very tight spacing and kerning, it does it job! Quite good for headlines that needs that extra punk, or T-shirts design, posters, Instagram photos or interactive designs!

Klassisk is the Danish name for “classic” [’klasisg]. Taking its inspiration from a wide range of classic serif traditions, Klassisk can be your partner in crime for almost every kind of design job! It has the four classic weights PLUS two lighter display weights for headers and big letter sizes in general. Klassisk also comes with … a large variety in numerals (three styles) swashes and special ligatures a vibrant italic style.

Cirth was invented by John Ronald Reuel Tolkien for use in his novels. It is modelled on the Anglo-Saxon Runic alphabet, and is used to write the language of the Dwarves (Khuzdul) in The Hobbit and The Lord of the Rings in inscriptions in wood and stone. It is also used as a alternative alphabet for English. The fonts here are both the hobbit version and the version for English.

Sagebrush John, your bank robbin' days are over. I'm throwin' you in the hoosegow! Hoosegow JNL isn't a small town jailhouse, but it is Jeff Levine's take on a classic wood type that brings out the Old West in any design layout. The beauty of many of these vintage wood type alphabets is their "imperfect" letter forms - giving your work a touch of the old days of letterpress printing.

I have always wanted to create the world's biggest and heaviest font. I admit that I was visually inspired by contenders like Akimoto, Champ Ultra, Blackoak and Bloque. However, I not only wanted a real heavyweight, but a really good looking and readable font as well. Look out—Big Boy is here. This powerhouse can get the job done. Try it out and get the attention you deserve.

Curro is a handwritten font that radiates joy and happiness. With playful and charming curves, this typeface adds a lighthearted touch to any design. Whether it's crafting greeting cards, designing invitations, or adding a touch of whimsy to your branding. Curro will uplift and captivate your audience. Unlock a world of positivity and vibrant creativity with this font, and let your designs come alive with the infectious spirit of happiness.

Chank worked with Josh Eshbach, an intern from Minneapolis College of Art and Design, to create Cocaine as the Chank Font of the Month for November 2000. Inspired by Speedball type designs of the ’20s and ’30s, Cocaine has been redrawn and streamlined for use in the digital age. Curvy and round and relishing in its idiosyncrasies, Cocaine recalls vintage French wine posters and antique sheet music covers.

Art Valentine is a very pretty and unique font, with curves in the subtle letters and swashes and ligatures that are very pretty and elegant. The use of tails on letters is very simple and easy so that consumers can easily use decorations on letters. This font is perfect for your Valentine's Day and various other jobs such as weddings, invitations, logos, branding, banners, posters, social media, and more.

Kustomtype’s “Integra Chic” font is a sans serif font family with a regular & oblique version. It contains all upper & lower cases. The “Integra Chic” family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, advertising, text, design, artwork, headtext, editoral design, magazines, etc... “To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.” John Ruskin

PiPi is named after a happy Italian cat with a remarkable pattern, color and attitude. Designed by Andre Toet in 2011. Every letter is a different expression in itself although it has an identical base. It gives a joyful feeling to use this font in all your designs whether they be graphic or digital. M E O O O W ! Concept/Art Direction/Design: André Toet © 2017

Gleeeful Bubble, a delightful font that bubbles with joy, featuring a hint of sparkling bubbles in each character. This playful typeface adds a touch of whimsy to your designs, infusing them with a sense of light-hearted cheer. Let Gleeeful Bubble be the choice that brings a burst of happiness and a sprinkle of effervescent charm to your creative projects. If you have any question, please contact us

Lovelope is a cute handwriten font sans serif style. This font is inspired by the expression of happiness from the activities carried out by a little girl in the expression of joy. So we created these fonts to get and feel what they feel. This font is perfect for stickers, printing, logos and other purposes. Thanks for your support of our product, and using it in your project.

Comicoon is a vibrant and playful comic-style font that bursts with fun and liveliness. Inspired by the bold and dynamic lettering found in classic comic books, Comicoon captures the essence of joyful storytelling. Each letter is adorned with expressive details, reminiscent of hand-drawn illustrations. It brings a sense of energy and excitement to any design, making it a perfect choice for comic books, graphic novels, and playful branding.

Fun Play Arabic is sibling of Fun Play comes with Arabic version ; Arabic, Urdu, Persian, Kurdish and Jawi. Fun Play is a Fun and Playful display typeface family with 5 wights variant; from Light to Bold. Comes with many features; Multilingual Support, Ligatures, Stylistic Alternate and more. Each character represents a child's joy. ‘Fun Play’ can be used for branding, packaging, headline and all styles of children-related design.

Handwritten script font comes with a modern style that is perfect for any job and craft that requires a thick font to get perfect cuts or letters good for use on T-shirts or also stickers, magazines or titles that require a thick script font and lots of it other uses in your work The font includes uppercase and lowercase letters, numbers, punctuation, Swashes language support, alternatives and also some ligatures

Someday, a long time from now, in a galaxy not so very far away, you'll find yourself Suddenly transported to the nether-realms of Elsewhere, bathed in the light of the mystic moons of Meanwhile... While you're waiting for that day, check out this font by John "JG" Roshell. It may not provide you with the same transcendental experience, but JG assures us that it really is the next best thing.

This swoopy, loopy script was inspired by an “American roundhand” presented by John M. Bergling in his Art Alphabets and Lettering, first published in 1914. Bergling’s unique talent crafted uppercase letters which manage, at the same time, to be both elegant and ostentatious. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Released in 2006 under the name Flatrock this new 2020 version takes back the original name of Big Cat. Also new for 2020 are two solid black weights and Big Cat now has additional accented glyphs for eastern European countries. If you're looking to make an authentic 1800's broadside poster then Big Cat is perfect for the job, combine it with other woodtype fonts from our collection.

The inspiration source for MFC Enschede Borders is a collection of floral border treatments from the 1904 “Ornamenten Hoofdlijsten en Sluitstukken” by Joh. Enschedé & Zonen, Haarlem. For the first time, this decorative border collection is available digitally. You can start with a new document or work on a new layer within an existing document. Select MFC Enschede Borders from the font menu. (Some users may have font previewing enabled in the font menu which will cause the font name to appear as border elements, disable this option in order to choose the name) Make certain that the point size of the font is the same as the leading being applied to the font so the borders will meet up properly. While we’ve adjusted this within the font, your program may override these settings. For instance a 12 point font should have 12 points of leading. Download and view the MFC Enschede Borders Guidebook if you would like to learn a little more.

HELLO CRIMSONS was inspired by a recent trip to London, England where I happened upon a bustling pub with beautiful typographic signage. HELLO CRIMSONS delivers a multitude of Opentype features, For a number of capital and lowercase letters, large swashes expand above and below the characters. Contextual swashes are also applied to some characters when placed at the beginning or end of a word. This font is made in a modern style with a very beautiful beginning and ending.elegantly,very casual and suitable for your various design needs I'ts.Perfect for logo,branding, tittle, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event,magazine,web design. Included: multilingual support beginning and ending swash Check my other Font here https://gilarstudio.com/

In 1932, the great American type designer, Morris Fuller Benton was busy directing the creative departments of ATF and designing type. Big on his plate during that period was the development of the Bank Gothic® family among other typefaces like Raleigh Gothic. Bank Gothic and Raleigh Gothic share some very similar design traits. The most obvious difference being the ultra condensed style of Raleigh Gothic. Although the Bank Gothic family was released with a condensed, Raleigh Gothic could have originally been planned as an ultra condensed Bank Gothic but for reasons we can only speculate, the Ultra Condensed Bank became its own design. So, If you like Bank Gothic, you may also like Raleigh Gothic. Separated at birth? Fun to speculate.

Alternate Gothic Pro is one of the fonts of the SoftMaker font library. Designed by Morris Fuller Benton in 1903 as a complement to his Franklin Gothic type, Alternate Gothic was created to solve a common problem: fitting headlines in narrow columns. For that purpose, it comes with three similar styles of varying widths. SoftMaker’s Alternate Gothic Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Canterbury Old Style Pro is a two-weight serif font family with a small x-height. In 1920, Morris F. Benton designed the original weight for American Type Founders (ATF). Raymond Vatter and Steve Jackaman produced the digital version in 1992 and added a new “Bold” weight, and a full set of swash capitals were designed and released in 2003. Jackaman redrew and remastered the family in 2017, engineering the complete family into OpenType Pro format. Our OpenType fonts have extended character sets that support Western, Central, and Eastern European languages. Canterbury OS Pro has a whimsical, old-time feel, and handsomely distinguishes itself at all sizes. Canterbury Sans, its sans serif sister font, complements the family with its flowing forms.

The first version of Libris I designed in London in 1997 when I worked for Frank Magazine. Later Libris was used in the magazine for text and display. In 1999 Libris was chosen as the corporate typeface of Bally Switzerland. I also was involved in the design of the entire branding. NewLibris is the version that was published in my own shop. - What was the inspiration for designing the font? NewLibris is an elegant contemporary easy to read sans serif. It has a wide variety of weights and proportions that are easy to use in corporate branding and magazines. - What are its main characteristics and features? contemporary humanist legible sans serif - Usage recommendations: corporate branding and magazines and other publications

Inspired by the elegance of Herman Zapf’s designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice. The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing. A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out. It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

This “very elegant and British alphabet” was originally released in the 1920s as "Richmond Oldstyle" by the Blackfriars Type Foundry of London. Touted as highly artistic and graceful, it is exceptionally “at home” wherever style and charm are called for. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

This family was inspired by the edition De Civitate Dei (by Sanctus Augustinus) printed in 1467 in Sobiano (Italy, Roma) by Konrad Sweynheym and Arnold Pannartz who was the Punchcutter. It is one of the first few “Roman style” fonts, just before the birth of Jenson’s pattern (look at 1470 Jenson Latin). The present font contains all of the specific latin abbreviations and ligatures used in the original (about 54). Added are the accented characters and a few others not in use in this early period of printing. Decorated letters such as 1512 Initials, 1550 Arabesques, 1565 Venetian, or 1584 Rinceau can be used with this family without anachronism. If Italic style is required (not yet existing in early time of printing), we recommend using 1557 Italique.

“Byblos” is the name of a town in Lebanon and the name of a famous hotel in St. Tropez. Some time ago I discovered their original logo in an old french magazine, just 5 by 3 centimeters small without any text, address, telephone number not even a picture. They did not need that, that’s how famous the hotel and its old logo was. Well they abandoned their identity when the place was sold to a big chain – I think. But the logotype, just those five letters inspired me to this new font. It evokes times past and has a little Bauhaus in it – as well as a really modern touch, all depends on the way you use it. Your strange typedesigner Gert Wiescher

Luke is a contemporary adaptation of historic English Blackletter, inspired by the creativity of leading English type-creator: Caslon Foundry. Their highly unique 19th century Blackletter typeface provided the core elements of Luke, with the name paying tribute to the Caslon family tomb in the churchyard of St Luke Old Street in London. This modern and versatile type family offers a wide range of styles — from thin to thick contours, and with half-filling to complete — allowing it to work best for headlines, short text and branding. Details include twelve styles and 641 glyphs. Opentype features include superscript, denominators, numerators, scientific inferiors, ordinals, stylistic alternatives, case-sensitive forms, fractions, contextual alternates and discretionary ligatures. Luke supports 37 languages, covering South, East and Western Europe.

Capital Love just contains capital letters decorated with hearts. By pressing a lowercase button a alternative to the uppercase letter will appear. All shapes are drawn individually and do not oblige a geometrical system. The lighthearted vivid ductus remind me of a quality that can be found in the dynamics of Keith Haring drawings. Capital Love is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.

During a visit to London in 2008 I fell in love with the square font used on the British car number plates. I was immediately inspired to start working on this font and have been developing it intermittently ever since. Several more trips to London and the project evolved before it finally took off and became Shentox. Despite the starting point being inspired by simple, everyday car plates, the font soon evolved into something fine and very rich in detail. Even though the square genre is very restrictive, Shentox is a highly legible contemporary font with a full range of weights, useable not only as a display family for headlines and posters, but as a distinct, clean font family for branding and general editorial use (Especially magazines). It has been carefully drawn paying extra attention to the details, high end finishes that makes Shentox a safe font for use in large scale work. For example, the curves of every individual corner have been adjusted character by character to avoid the common problems encountered with square fonts (Eg. darker corners between weights or a visually inconsistent radius between the Upper and Lowercases as a result of copy/paste). Shentox italic, which has a 12 degree slant, has been corrected to avoid distortion when slanted. The radius of the upper-right and lower-left corners are more pronounced, giving it a more fluid Italic feel. Shentox is available in Open Type format and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors. It supports Central and Eastern European languages. This type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. Shentox PDF

Colore. Colourful and Modular. A happy and colourful New Year from the FSdesign team. In order not to lose the joy of playing, we provide the "Colore" font family: a modular font kit, that encourages to play. By superimposing the different font styles you can create a colourful typographical staging. This New Year's card was realized with the help of "Colore". Too wild? auto-referential? Try Colore and form your own opinion.

Athletic Condensed was designed to be a must have for any kind of projects. Bold and elegant at the same time, both the regular and slanted styles are super versatile and can be used to dictate a strong message, headlines or just setting casual text. Practical and simple, this font is a classic that will not let you down, as it does an excellent job either as the main character or supporting role.

I made this font during the rather hectic start of 2021. Popular Vote is an easygoing, laid-back kinda font. It fits just about anywhere, regardless of your political orientation, your sense of aesthetics or the job you will use it for. Popular Vote will feel at home on a box of crackers, on the cover of a book about keto diets, or on that T-shirt you have always wanted to design. Enjoy!