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  1. Olney by Philatype, $20.00
    A square sans stripped down to basic, neutral shapes. Olney is primarily a display family with lighter weights that will remain legible at text sizes. The letterforms of Olney are designed to appear consistent, sturdy, and technical. Careful attention was given to the pure, almost modular forms, to ensure that the family looks timeless, rather than resorting to a contemporary or futuristic aesthetic. Each weight includes a thorough set of diacritics for Western and Central European languages.
  2. Inerta by Mint Type, $35.00
    Inerta is a neutral, but not flavourless, cross between a geometric sans and a neo-grotesk. It is designed to work perfectly in UI/UX applications, and to remain readable in smallest font sizes. With over 950 glyphs, the font family offers extensive language support and many typesetting options to choose from. The typeface can be customised with several sets of alternate glyphs and OpenType features. The Cyrillic part contains alternates for Bulgarian as well as alternative Ukrainian forms.
  3. Citadina by Graviton, $24.00
    Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearence and a slightly condensed design which makes it particularly effective for space economizing. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines. Citadina consists of 12 styles. Each containing small caps and glyph coverage for several languages.
  4. Kanyon by Hurufatfont, $19.00
    Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels. With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts. Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.
  5. Cern by Wordshape, $20.00
    Cern is a family of20 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility. Cern is designed to be highly readable in print and on-screen. The italic variations are true italics and have been designed for smooth, fluid reading and text-setting. The Cern family works equally well for text typesetting and for display design work.
  6. Config by Adam Ladd, $25.00
    Config was influenced by geometric sans with circular forms but the proportions have been condensed by incorporating straight sides for a design that is sturdy and efficient yet friendly. The neutral design with subtle details makes it functional for type setting in small and large sizes. Its clean nature makes it readable at small sizes but the touch of character—as seen in the notched joints, rounded details, and horizontal/vertical terminals—make it interesting at large sizes.
  7. Gunar by The Northern Block, $39.00
    A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.
  8. Sebino Soft by Nine Font, $25.00
    Sebino Soft family is a rounded version of Sebino. It is a neutral sans-serif type family with 9 weights, from thin to black, with corresponding italics. Sebino Soft has a large x-height with open apertures which make texts more legible at small sizes. Each font includes OpenType Features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions. Sebino Soft will make your artworks better with its clean & clear shapes.
  9. Gentona by René Bieder, $25.00
    Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque family ranging from sharp and fine thin cuts to muscle-bound and strong heavy weights. Gentona’s confident and open shapes support legibility especially in small sizes while its alternative shapes and letterforms create flexibility. A wide range of typographic features round up the whole family.
  10. ALS Ekibastuz by Art. Lebedev Studio, $63.00
    ALS Ekibastuz is a contemporary urban-style typeface extremely suitable for periodicals and advertising. It has defined, open, clear-cut letterforms and modern proportions. Originally designed to work well for headings, Ekibastuz was developed further to give a distinct energetic feel when used at large sizes and be highly readable and neutral at small sizes. It consists of six font styles and offers a wide choice of weights, which is useful for creating contrast between boxes of text on a page.
  11. Modny by Tour De Force, $25.00
    Modny is a simple and elegant sans serif family with high contrast strokes. By its characteristics, Modny is gentle, smooth and geometric at the same time, neutral to blend into every project. Comes in five weights with tall x-height, file stylistic sets, bunch of ligatures, initials and terminal forms, containing more than 600 glyphs for all Latin languages support. Special addition is an Inline version made out from Bold weight, to increase the effect of decorative elements in each letter.
  12. Trivia Sans by Storm Type Foundry, $39.00
    When looking for a neutral typeface with no historic reminders, we always end up with notorious designs made about 60 years ago. It’s a part of the whole Trivia type system. To our surprise, there are still people who can’t distinguish three basic latin type categories. The present font family has been created for them. A simple typographic Trivia: three ways to look at printed word, three fonts to design anything from business card to a billboard, three tunes for endless variations.
  13. Mihaly Display by Alfab, $55.00
    Mihaly is a geometric sans serif with a low contrast. It was designed with care to conserve the feeling of geometric rigor, referring to the constructivist ideal of the 20s. But the homogeneity of its proportions gives it a very modern neutrality, making Mihaly an interesting alternative to classic low-contrasted sans-serif like Din or Interstate. Designed for display setting, Mihaly Display is the first in a family of fonts, with the rest to be completed in the coming future.
  14. Bruta Pro by Ndiscover, $39.00
    Bruta is a contemporary sans-serif grotesque typeface, conceived to become the Swiss army knife of your font library. Inheriting the modernist approach of the grotesque fonts, Bruta aims to be a rational and neutral typeface suitable for a wide range of applications. Whether it’s used for print or screen, in large or small sizes, for magazines or branding, Bruta will stay on your font library for long time. Loaded with Opentype Features, +100 emojis, Bruta can easily become your new default font.
  15. Accord Alternate by Soneri Type, $48.00
    The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. 'a' remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.
  16. Fredericksburg by Nick's Fonts, $10.00
    In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face "Teutonic". This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section and florin positions. Named for a charming town in the Texas Hill Country, founded by German settlers in the mid-1850s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
  17. Biwa by Wordshape, $20.00
    Biwa is a new straight-sided family of formally nuanced grotesk typefaces. Biwa’s lighter weights feel subdued, cool in tone, and neutral, while the heavier weights are more robust and full of personality. Developed over the past few years by Ian Lynam and James Todd, the 14-member Biwa family and the accompanying 14-member Biwa Display family are paeans to the immediate moment when phototype arrived on the global scene — partially smooth and partially machined. Biwa and Biwa Display are neutral in tone, have enlarged x-heights, and look amazing on-screen and in print. Each weight is designed to be highly readable in print and on-screen. The italic variations are true italics, having a single-storied italic a and have been designed for smooth, fluid reading and text-setting. Lovingly spaced and kerned, the Biwa family works equally well for text typesetting and for display design work. Languages supported include Western European, Central, and South European as well as Vietnamese. The entire family is comprised of a range of weights and a matching display family that features rounded terminals for large-scale display work. An agate version of Biwa Black is provided for free.
  18. Fairweather by Dharma Type, $19.99
    Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.
  19. Croog by TipografiaRamis, $29.00
    Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.
  20. Swissra Condensed by Abjad, $-
    Following the great success of Swissra, the condensed cut was designed on the same principles of Swiss graphic design. Originally Swissra was designed to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Now it creates even more possibilities to help designers in applications such as signage and editorial design where the condensed cut is needed. The typeface is one of very few Arabic condensed typefaces. Swissra Condensed comes in eight weights which range from Ultralight to Black.
  21. Abrakadabra by Tolya Doodko, $18.00
    Abakadabra is a headline typeface inspired by sans-serifs of the first half of the twentieth century, as well as by the tricks of fakirs, illusionists and charmers. The gently playful manner of the font can be exaggerated to a more pretentious and grimacing one, or can alternatively be calmed to a neutral appearance. Abrakadabra supports most European languages and has thematic emoji symbols. The text can be customized by using stylistic sets or the Swashes and the Stylistic Alternates buttons in the OpenType panel.
  22. Paradroid by The Northern Block, $25.99
    A pragmatic sans-serif which sits in the centre on the grotesque to geometric style spectrum. Equal measures of both letterforms create a neutral type family that is modern, functional, and easy to read without being too distracting. Details include seven proportionally spaced weights and four monospaced weights, both with matching italics, 750 characters with an alternative lowercase a and g, twelve variations of numerals with stylistic zero’s, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.
  23. Avion by Fenotype, $25.00
    Despite what some might say, you can’t just always go for that most ubiquitous font in the world, can you? Avion font family channels those cool modernist vibes yet brings something new to the table. With a slightly more rectangular approach and some clever detailing, Avion has a distinct look of its own, yet provokes a calming familiarity of neutrality and objectiveness. As goes without saying, it’s also equipped with a sensible amount of features that make it a true, versatile workhorse. Get on board.
  24. Bruta Global by Ndiscover, $59.00
    Bruta is a contemporary sans-serif grotesque typeface, conceived to become the Swiss army knife of your font library. Inheriting the modernist approach of the grotesque fonts, Bruta aims to be a rational and neutral typeface suitable for a wide range of applications. Whether it’s used for print or screen, in large or small sizes, for magazines or branding, Bruta will stay on your font library for long time. Loaded with Opentype Features, +100 emojis, Greek and Cyrillic support, Bruta can easily become your new default font.
  25. Hoppa by Soar Studio, $29.00
    Hoppa is a clean geometric typeface with a fun twist. It was carefully designed to the modern standards like big x-height and short descenders. With its smooth curves and loop-alike shapes, Hoppa will add a fresh and lively feel to your designs. Although it has been created to be used as a display face, it performs well in longer texts. Thanks to alternate glyphs, font gets more legible, neutral look. Hoppa supports most of Latin and Cyrillic languages and includes range of OT features.
  26. Fixga by Formatype Foundry, $24.00
    Behance Fixiga is a Modern rounded geometric sans with experiment forms to make powerful visual, a combining with the rounded and some sharp cutting edges. Fixga family comes with 8 weights, from ExtraLight to Black upright Italic, In addition Fixga also support OpenType alternate characters, Alternate SS.01 is offer with typewriter look and SS.02 is offer with neutral look with single storey "a" and "g" Fixga also support several OpenType features include: ligatures, tabular figures, fractions, and language support for extended Latin Icons and symbols.
  27. Butan by Butan, $30.00
    Butan was originally designed as a typographic project for the Specialization in Typography Design at the University of Buenos Aires, during the years 2013 and 2014. The project was conceived as a “wayfinding” font, that would be functional for bilingual signage systems. The main guideline for its design was to create a font that could be readable from great distances and it could be potentially used in signage systems. Therefore the neutral aesthetics and clean shapes were very relevant in order to create this particular font.
  28. Sans Atwic Modern by Caron twice, $39.00
    Sans Atwic Modern is a clean simple sans serif typeface. It has a universal and neutral look thanks to repeated vertically cut end strokes and thanks to letters that have similar width. Lowercase has higher x-height and its end strokes are open, that a guarantee for better legibility in smaller sizes. Atwic has several alternates which together with left slanted italics freshen the whole font family. It's handy while working on poster, headline, brand identity, website or mobile app. Specimen: http://carontwice.com/files/specimen_Sans_Atwic_Modern.pdf
  29. Aircrew by Vanarchiv, $28.00
    Aircrew is a neutral, humanist sans-serif family optimized for signage applications in display sizes. Its large x-height enhances readability and its letterforms help distinguish characters from each other, increasing legibility. Aircrew has vertical terminals, low contrast, and short ascenders and descenders. The weight variations between uppercase and lowercase characters provide the perfect balance and its slightly condensed proportions allow more words to fit in less space. There are two different versions of Aircrew, positive and negative. This avoids optical effects that cause uneven thickness and unsteady readability in either light or dark backgrounds.
  30. Radar by Type-Ø-Tones, $60.00
    Radar is a revival of the sans serif typeface “Grotesca Radio”, from the Spanish foundry Richard Gans, which existed from 1888 to 1975. His authorship is attributed to the German type designer and master punchcutter Carl Winkow. Although the new version of this font has always tried to keep accurate similarities with the original typeface, Radar is not intended as a strict revival, but as a contemporary interpretation. In this new version the user can find some alternate characters that give the typeface a more art-déco or neutral flair.
  31. Swissra by Abjad, $35.00
    Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apretures and a high x-height. It comes with eight weights, that range from thin to black.
  32. Resolve Sans by Fenotype, $20.00
    One font family to cover it all. Resolve Sans is an extensive super family of 124 fonts: from compressed to extended, thin to black. Resolve Sans perfectly balances a universally neutral appeal with a distinct level of sophistication. Effortless to adapt to any contexts of use, Resolve Sans is both a workhorse and a display font with impact and flair. As expected, all Resolve Sans fonts come with clever Open Type features such as built-in small capitals and multiple numeral styles. Gladly use it for everything, all day, everyday.
  33. Santa by Typo5, $12.95
    Born as a revival of an Egyptian typeface, this hand-drawn typeface is is perfect for headers and even as a body text. It manages to keep the neutrality required for a legible typeface and having slight details that makes it unique. All the details are hand drawn, and it comes in 3 versions: Santa 01 Black, with the original inked look Santa 02 Line, an sketch version of the font, Santa 03 Out, an outline version with subtle different strokes. A Santa Pack is available including all the 3 styles.
  34. Aelita by ParaType, $30.00
    Aelita is a low contrast serif typeface in 6 styles. It's distinguished by lowercase character alternates that noticeably change the text pattern. The main character set is quite strict and is characterized by sharp and clear terminals and stiff junctions between stems and bowls. Alternates are more facile and calligraphic. Neutral design of the main character set makes the typeface suitable for scientific and literary texts. Alternates are ideally suited for science fiction, fantasy and art books. The typeface was designed by Natalia Vasilyeva and released by ParaType in 2014.
  35. Foundry Context by The Foundry, $90.00
    Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure letterforms, crafted without being over refined, and having minimal stroke contrast in the neo-grotesque style. A hint of personality has emerged from the very drawing of the proportions, strokes, and terminals, yet Foundry Context is still neutral enough to compete in the grotesk arena, and at the same time has something new to say.
  36. Flowery Drop Caps by Celebrity Fontz, $15.99
    The Flowery Drop Caps font is a set of highly ornate block letters with rich embedded flowery designs, perfect for Spring and holiday themes and publications or any text where you want to add some texture, pizzazz, and depth to make your message stand out. This one-of-a-kind font has the feel of a homemade embroidered or quilted design and comes with both upper and lower case letters to give you more design flexibility. (Numbers, special characters, and punctuation are a neutral sans serif typeface and are included for convenience only.)
  37. Almoni by AlefAlefAlef, $145.00
    Almoni is a precise, neutral multi-lingual sans typeface and is one of the most popular fonts in Israel. It contains many glyphs and fully supports 230 Latin and Cyrillic languages - which makes it an ideal font for the side-by-side use of Latin and Hebrew characters. Many fonts are characterized by their unique character and language, and yet Almoni sheds almost all elements of uniqueness; as such, it will not overshadow your entire design. Every designer needs this functional font in their arsenal. Cyrillic design by Anna Khorash.
  38. Linotype Charon by Linotype, $29.99
    Linotype Charon is the work of Renate Weise. Linotype Charon is a typeface with two sides to it: both objective and classic, it is neither neutral, nor an everyday typeface. Charon is modern and animated; its curving letters seek to touch the reader. Linotype Charon is named after the ferryman of Greek mythology who brought the souls of the dead across the River Acheron into the Underworld, connecting living and the dead. Linotype Charon, with its light swing and script character, can be used for either short texts or headlines.
  39. Breuer Headline by TypeTrust, $30.00
    Breuer Headline exhibits a modern geometric structure tempered with subtle strokes of friendly humanism. Its neutral forms and sturdy rhythm are convincing without being forceful. The lowercase has a slightly casual feel. Set in all caps for a sterner message. Breuer Headline is the display complement to the Breuer Text family. Differences are found in the inside curvature of the lowercase arms and the simplified Oblique as opposed to the Text Italics. Breuer Headline is equipped with Small Caps, Old Style Figures, Tabular Figures, and a selection of dingbats.
  40. TG Haido Grotesk by Tegami Type, $35.00
    Haido is a new contemporary grotesk typeface influenced by post-modernism style. This typeface is has very neutral look, thus making this new typefaces has versatility for use in all kinds of modern design. Haido comes with 18 Styles including 9 Weight, italic and variables font. The small detail of inktrap in this typeface, making Haido is has high legibility in small size and very useful especially for printing needs. And last but not least, Haido has several alternates characters, ligatures and covered more than 100 languages including 2 script latin and cryllic.
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