Ultra legible forceful sanserif in 32 fonts Parisine was born as official parisian métro signage typeface. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile. Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. More human, but not fancy: No strange “swashy” f, or cursive v, w etc. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. Born as signage typeface family, the various widths and weights permit a wider range of applications. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited. The various Parisine typeface subfamilies Parisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. Many years of adjustments were necessary to refine this complex family. Initially, Parisine was designed by Jean François Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch. Directly related, Parisine Office was initially created for Ratp’s internal and external communication, Parisine Office is available at Typofonderie too. Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine. Parisine: Introducing narrow and compressed families About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

The Joanna® Sans Nova family is the only typeface in the Eric Gill Series that was not initially designed by Gill. Created by Monotype Studio designer Terrance Weinzierl over a three-year period with digital applications at the forefront of the design criteria, Joanna Sans Nova is a humanist sans serif based primarily on Gill’s original Joanna. The design comprises 16 fonts, from thin to black, each with a complementary italic. Joanna Sans Nova has a larger x-height to ensure high levels of legibility – even on small digital screens. Due to its inherent humanist proportions, Joanna Sans Nova is surprisingly comfortable for longer form reading. Its low contrast in character stroke weights also improves imaging in a variety of environments. In addition, the calligraphic and fluid details enable the roman and italic designs to shine in headlines and other display uses. Joanna Sans features a robust range of OpenType features for fine typography, including small caps, old style figures, proportional figures, ligatures, superscript and subscript figures and support for fractions. With over 1000 glyphs per font, Joanna Sans supports more than 50 languages – in Latin, Greek and Cyrillic scripts. “I've always been a fan of Gill’s work, explains Weinzierl, and found the simple, humanist qualities of Joanna really fitting for a sans serif design. I wanted to make something with Gill flavor, but with more harmony in the extreme weights than Gill Sans – and with my twist on it. I went through six or seven different italic designs before landing on the current direction.” “The original Joanna had a very distinct italic, Weinzierl continues. “It’s very condensed, and has a very shallow angle. I wanted to have an italic that stood out, but in a different way. I took a cursive direction for the italic details, which are wider and slanted more, both improving character legibility.” The Joanna Sans Nova typeface family is part of the new Eric Gill series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Whatever the medium, Girard’s love for typography was the common thread that wove his work together. We are honored that the Girard family has entrusted us to celebrate and expand upon the legacy of this design icon with this collection of fonts. The Girard Slab family gracefully synthesizes illustrative sensibilities into a practical typographic framework. Slab’s three widths and four weights ensure versatility in a modern editorial setting while its gentle curves transcend the sterility of traditional typography to add an unprecedented warmth and personality. From boutique chocolate packaging to the titling sequence for an indie vegan superhero cartoon, Girard Script deftly adds a contemporary sophistication to text and display settings. Inspired by a workhorse lettering style that helped Alexander Girard implement thousands of design elements in his overhaul of the Braniff identity system, Girard Sky pulls its weight in any contemporary application. In Girard Sansusie, each character stands alone as an illustrative element while coming together with its counterparts as a whimsical yet functional typeface. FEATURES: The ligatures feature substitutes specially-drawn letter combinations that combine two, three or even four characters to create smoother transitions and simulate lettering sensibilities. Girard Slab’s three widths and four weights ensure versatility in a modern editorial setting while its gentle curves transcend the sterility of traditional typography to add an unprecedented warmth and personality. Copious alternate characters and “smart” OpenType programming allow Sansusie to escape the rigid confines of typography to come alive as if flowing from Girard’s sketchpad. This animation shows a sampling of the swash characters available in the font. GIRARD CREDITS: Typeface Design: Alexander Girard, Ben Kiel, Ken Barber, Laura Meseguer Typeface Production: Ben Kiel Typeface Direction: Christian Schwartz, Andy Cruz, Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Ignazio is a powerfull sans serif font family with modern touches. A balance of hard lines and smooth curve makes them able to stand on their own dynamically Ignazio includes all-caps fonts Features - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) - Support Multi-language Ignazio works great in any branding, logos, magazines, films. The different styles give you a full range to explore a whole host of applications.

Fragille – Modern serif typeface This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brands. Its highly contrasting lines are best used in headlines and projects of a large type. Fragille adds timeless beauty, heavenly curves, and a classic look to any project. It is recommended to use Adobe Illustrator or Adobe Photoshop. Hope you enjoy our fonts and if you have any questions feel free to send a message & I’m happy to help

Kelluhan is a vintage typeface with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Biens dailymo is elegant serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Simple Crush is my down-to-earth-comic-font with no hassle! Well, actually Simple Crush might take you by surprise here and there - because there is no real rules to height, width, curves and thickness…or whatever. When it comes to Simple Crush, you’re in luck - because Simple Crush is legible and stands out as a strong comic font, ready for action…even though the mission is a party invitation, birthday, poster or products for kids and pets!

Chiffon is a serif, display typeface. With high contrast and elegant curves. Chiffon includes three different versions of ‘c’ and ‘e’, which are carefully placed throughout the typeface, paired seamlessly with the following glyph. However, OpenType features and stylistic sets make the alternate forms available for the user to choose from as they see fit. Velour is available in 5 weights, from Extra light to Semi Bold, and supports Western, Central, and South-Eastern European languages.

Burnt anchor is clean serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Merino Equil is classic serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Arniek is beautiful fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Its open counters and large x height give it excellent performance in small sizes. On the other hand, its curved diagonals, generous width and soft shapes give it a friendly but functional personality for a wide range of messages and voices. We recommend the four most extreme weights (Thin, ExtraLight, Black, and Heavy) for large sizes starting at 18 points, and the five intermediate weights (Light, Book, Regular, Medium, and Bold) for small sizes starting at 7 points.

Boniar is vintage font with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Pro dunex is modern typeface with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Sagist is modern display fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Fime bonidh is bold fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

CCS Laxura is a contemporary vintage serif with style based on 18th Century European aesthetics that is both elegant and unique with smooth and sharp curves and beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Laxura is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Henir is antique font styles with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

Abdo Egypt is a geometrical style. This is an OpenType Font supporting Arabic, Persian and Urdu and is compatible with the various operation systems and modern software. The combination of modern Kufi and Geometrical styles and the variation between straight and curved parts made it a beautiful typeface appropriate to titles and text and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Clem Tinkel is fun fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

This is a headline typeface for titles with a retro sensibility. The concave first projection of the vowel and the dot shape further add to the retro feel. It is characterized by the dot shape seen in the initial consonants and the thin ending strokes of 'ㄱ', 'ㅅ', and 'ㅈ' to create a flowing curve. Although it is a full module, the inner space created by the large contrast of strokes gives a cool feeling. This font contains KOREAN

Kafehoc is a modern font with visual elegance, smooth curves, and beautiful ligatures. Its clear design makes your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, posters, labels, signatures, and more. Kafehoc is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Shield is elegant sans serif fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Fifty Fifty is an editorial serif font (regular and italic) with smooth curves and more than 100 ligatures. It’s gorgeous in all caps, but the lowercase letters can really hold their own. Fifty Fifty is perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Fifty Fifty includes approximately 700 glyphs and a whopping 115 standard and discretionary ligatures. Additional OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols).

At first glance, Else may seem to be similar to many of the Century typefaces, with its prominent figures and sturdy alphabet. But when Robert Norton, of Norton Photosetting Ltd., designed Else in 1982, he added a bit of flair to that basic model. Note the bowl of the g, the splayed legs of the M, the sharply curved G and J, as well as the leading strokes of v and w and both of the graceful ampersands.

Gonser is display fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Gadhen is elegant display fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Designed and built in London by TypeUnion, Silo soft is a fluid sans serif typeface embodying energetic curves and a clean, functional structure. The Silo Soft Family is made up of 6 weights, which range from a delicate Extra-Light, all the way through to a punchy, loud Extra-bold and each carry a versatility for multiple applications and uses. Silo soft features open type alternate characters, and extensive language support to provide a flexible, substantial user experience.

Nokeirs is a modern vintage font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Biokes is a vintage font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Level is a spurless sans serif family that takes a more calligraphic approach to the popular square sans. The subtle swelling and shrinking in the strokes of the curves and terminals contrast with the slight squared corners for a sans family that straddles the line between machine-made and human-crafted. Generous spacing and simple, narrow construction make for airy text that still conserves real estate on the page. Three weights include italics and small-caps + old-style numbers.

Thillik is a display font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Epilog is beautiful display fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Niki dorie is modern display fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Adigussto is a signature font that we created with dramatic hand strokes paying attention to the aesthetic appearance in every curve that is so elegant and fun. This font is designed with a natural touch of handwriting refined to create portions and compositions that suit your needs. So this font is perfect for crafts, kids writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headers, book covers, and more.

Bioned is display fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Kole gemols is vintage font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.