HK Blocker™ is a display typeface inspired by the paste-up typography back in the 50s.

Cove is a very modern wide type design sure to jazz up what ever you use it on.

Bold and Benevolent, Earthling is funky and fun to use. Mix it up with caps for extra groove.

Delisia is a high contrast round brush script. It includes several alternative glyphs to spice up your design.

Hyperspit is really the CAPS of my other font Family Cat. They are just messed up pretty good!

Equal parts Sabbath and Blackletter. Its distinctive serifs will make any metalhead want to stand up and shout!

Puppy Love Brush is a new font inspired by a couple who is in love, and it illustrates the power of love that radiates strongly. It is completely perfect for Valentine’s Day designs, and more! What’s included: 1. Works both on Mac & PC 2. Simple installations 3. With Extras 4. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 5. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ 6. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Maithe is an incredibly sweet and delicious handwritten script with a lovely feel. Whether it’s Valentine’s Day or Christmas, this the ultimate font for turning any romantic crafts idea into a stunning piece of art! Maithe works both on Mac & PC and it simple to install. This family contains Swashes , Titling, and Ligatures. Multilingual Support (ä ö ü Ä Ö Ü ß ¿ ¡). Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest releases, follow me and let’s be friends because there will be many promos.

Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like 'Unicorn', where able to utilize these unique fonts. The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998. Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC. 'BottleKaps' is a 'unique', 'playful' and 'decorative' font series. Use it for those bold headlines to stimulate interest and show off your 'unique' individual style.

Proudly Present Peanut Donuts - Retro Bubble Type, created by ikiiko. Peanut Donuts is a font that perfectly encapsulates nostalgia, you can travel back in time to a time of delectable delicacies and mouthwatering delights. This retro bubble font, which was meticulously crafted, is the ideal option for your vintage products. The Peanut Donut blends your packaging, labeling, and advertising with delectably nostalgic appeal to bring the happiness and enjoyment of the past to the present. It instantly conjures up images of vintage cafes, soda fountains, and recognizable food trucks with its rounded corners and bubbly shapes. This typeface is perfect for an vintage stuff, retro poster layout, children book, comic, packaging, food & beverages and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Mystery typewriter is a realistic typewriter font with bonus misprints. What you'll get: Font with up to 3 alternatives for each letter, number and symbol, accessible through contextual alternates An extra set of 26 misprints to turn up the grunge volume in your designs This typewriter font is perfect for adding an authentic feel to your retro and vintage designs.

Evening Wear JNL, drawn from the elegant monoline lettering used as titling on the sheet music for "Smoke Gets In Your Eyes", conjures up images of 1930s New York at its apex. Fine restaurants, elegant night clubs and couples decked out in their best evening apparel were of a time long past when "doing the town" meant really dressing up for the occasion.

If you're looking for a funny, informal font to spice up your projects, Chewy Blossom is your bestest friend!

FE Sector is made up of sectors and sticks. it is intended to create various patterns and decorative titles.

If you're looking for something offbeat and animated with an attitude, well, you've found it! Hot Streak is a retro font inspired by an old pulp paperback called Sin on Wheels, and it gives what started as a simple title a lot of life. Let Hot Streak turn up the heat on your designs! You'll find the Standard Ligatures feature changes up double letter combinations, the Stylistic Alternates feature raises up all of the smallcaps to align at the top of the capitals, and the Contextual Alternates feature turns on an automatic bounce feature that brings eve more life and attitude to an already spunky font.

ZX Spectrum In 1982, a home computer came on the market that would launch the UK IT industry. The ZX Spectrum sold five million units and spawned thousands of software titles. It was the must-have gadget for every teen. FS Sinclair is inspired by the memory of Sir Clive Sinclair’s greatest creation: the experience of entering its clunky command codes and reading its simple, grid-placed type. Smart, switched-on, great in text and display, FS Sinclair is a modern grid-based font, drawn with the Spectrum in mind and brought to life by well thought-out design. Formula Having completed the font for Channel 4’s brand update, the Fontsmith team defined the formula for its next font: the creative essence of the C4 work but with more structural discipline, more rigid form and a little more seriousness. The new font wouldn’t look self-consciously retro but it would reference the past and, it was hoped, influence the future. Readability Like the ZX Spectrum, it took a while for the new font to do exactly what it was meant to do. Many of the early concepts by Phil Garnham and Jason Smith were too jagged – the result of an awareness of getting too close to existing fonts of the same ilk, such as Wim Crouwel’s Gridnik. Eventually, FS Sinclair evolved into a more readable, functional grid-based type design that answered Phil and Jason’s original, self-set brief. Idiosyncratic There’s a technological, systems feel to FS Sinclair but ultimately, humans are in charge. The lowercase “a”, “n”, “m” and “r” have clean-cut “ears”, and the square-ish design is softened by round joins on the inside of the letterforms. The idiosyncratic design of letters such as “g”, “j”, “k”, “v”, “w” and “y” bring the design up to date. This is a modular font with character, and a range of weights that allow varied application.

The classic modernist FS Alvar grew out of a library of pure modular shapes gathered by Fontsmith’s master of the abstract starting point, Mr Phil Garnham. “It was a collection that just had to be explored and brought to life in a typographic voice. “We debated long and hard about this. It was big decision to make a shift away from the typefaces that people knew us for. And we didn’t want to compromise our reputation of well crafted typographic quality”. Modular forms A headline font that’s both graphic and functional, in the modernist tradition, FS Alvar focused Fontsmith’s eyes on the bigger issue of what makes a font show its age. “Looking at those fonts from the 1980s that were supposed to represent the ‘future’,” says Phil, “they looked so dated now. With Alvar, we weren’t concerned with creating future-thinking typography but with exploring form for form’s sake, and how that can evolve to create letterforms. Modular forms with a typographic eye.” Stencilled The concept for Alvar first materialised back in 2001 with some sketches Phil made while still at Middlesex University. Eight years later, something made him dig them out again. “There was something really nice about the proportions of that first design. Working on it again, I thought about it properly, but it still needed something to give it that edge. “Jason stood up in the studio and supplied the missing link: ‘Why don’t we make it stencilled?’ He didn’t mean in an obvious way, but by building a kind of architectural stencil into the form. It worked and the idea of using an architect’s name (Alvar Aalto) to describe the font felt perfect.” Featured in... The three weights of FS Alvar are made for standout headlines in advertising campaigns and magazines. Alvar has had a starring role in campaigns for brands from Nike to Amnesty International, as well as on CD covers, record labels and packaging.

Lighten things up and let your imagination run free with Mrs. Shmelding JNL, a lighthearted novelty font from Jeff Levine.

Originally commissioned by magazine publisher IPC, Rogue has proved to be one of the most popular Device releases. Now extended and updated as Rogue Nova, it sports additional weights, East European language support and reengineered spacing and kerning. It is now a versatile 30-font family, with five weights and three widths, all with italics. Powerful and authoritative, sharp-edged and contemporary.

Hockeynight with its rounded corners is the smoothest sports-font you will find. Hockeynight comes in 7 weights and each one is available in italics. Spice up your designs and mix in some alternate glyphs! Go big and bold on your sports-poster or space it up for that dirty style! Check out the alternate glyphs if you are looking for ideas for your logodesign!

DicSans is a square sans-serif typeface, inspired by Aldo Novarese’s Eurostile, it was meant as a sort of contemporary "open" Eurostile. It is a semi-custom font, designed and expanded according to costumers’ requests, since 2004 up to 2013. For this reason it has many glyph variants (up to three variants per lowercase glyphs and numbers, special smallcaps etc.) and wide language coverage.

Wrap it up by adding a little sweetness to your words. This is an addition to the Be Me font family, to give it a little flair and charm. Doll up announcements, posters and so much more. Letter alternates available so the placement of the bow is perfect for your word/s. Includes: Basic Latin Latin- 1 Supplement Latin extended-A Latin extended-B

Hutsulyandiya 2D family fonts comprise folk ornaments found on Hutsul ceramics of the mid 19th to early 20th centuries. Hutsulshchyna is an ethnic region in the Ukrainian Carpathian Mountains where folk art and indigenous culture preserve up to nowadays. All images are to the maximum approximated folk prototypes. The graphics are characterized with grotesque, stylization simplicity, surprising plot moves. The font cheers up and evokes positive emotions.

Roll up! Roll up! The world’s largest three (letter-)ring circus of Great and Tall Elephantmen fonts is now touring cities and towns in your area! See the amazing exploits of fonts of heretofore unimagined heights and weights! Gasp as x-heightwire artist John Roshell walks great and tall on the typerope up above your headlines! Look in wonder as Elephantmen get greater and taller on stilts, staggering around with their trunks high in the air as well as loose around their waists! Peer cautiously into the sky as the greatest and tallest Elephantmen disappear into the clouds as they swing up on the trapeze... Yes, the Comicraft Big Top is always full of surprises... so hurry, hurry, hurry to download your ticket to the Greatest and Tallest Show on Earth in the comfort of your own home! See the families related to Elephantmen Greater & Taller: Elephantmen, Elephantmen Great & Tall, & Elephantmen Greatest & Tallest.

Roll up! Roll up! The world’s largest three (letter-)ring circus of Great and Tall Elephantmen fonts is now touring cities and towns in your area! See the amazing exploits of fonts of heretofore unimagined heights and weights! Gasp as x-heightwire artist John Roshell walks great and tall on the typerope up above your headlines! Look in wonder as Elephantmen get greater and taller on stilts, staggering around with their trunks high in the air as well as loose around their waists! Peer cautiously into the sky as the greatest and tallest Elephantmen disappear into the clouds as they swing up on the trapeze... Yes, the Comicraft Big Top is always full of surprises... so hurry, hurry, hurry to download your ticket to the Greatest and Tallest Show on Earth in the comfort of your own home! See the families related to Elephantmen Greatest & Tallest: Elephantmen, Elephantmen Great & Tall, & Elephantmen Greater & Taller.

Loop started off as a few glyphs drawn up for a commercial job and evolved into a family with 6 weights.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.

Günter Gerhard Lange designed El Greco for Berthold in 1964. This script dresses up informal documents and adds lightness to formal documents.

Inspired by a grocery store chain logo used up until 1975, this unusual Victorian-style typeface has a unique and interesting charm.

Lydstyrke is Sound volume in danish. Always play your favourite music loud...really loud. Turn up the volume - skru op for lydstyrken! :)

Scratchnessism is a grunge font, perfect for dirtying up anything. For best use of this font I recommend turning anti-aliasing on.

Beautiful Kisses surely is an extraordinary script and perfect to express your love. “Love must always be worthy of happiness”. It has an amazingly beautiful and elegant style. What’s included: 1. Works both on Mac & PC 2. Simple installations 3. With Extras 4. Alternates (A-Z, a-z), Swash (A-Z, a-z), Titling (a-z), and Ligature 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ 7. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest work, follow me and let’s be friends because there will be many promos.

Art deco The inspiration for FS Blake’s elegant, lightly geometric forms can be traced back to design of the 1930s; designer Emanuela Conidi was influenced by the typography of cool, European, art deco posters. FS Blake bears traits of the art deco style, from its thin weights to its heavy weights, giving a set of faces each with their own distinct character, but still with a strong family resemblance. Mechanical type Mechanical and organic shapes combine in FS Blake to create a harmonious whole of generous curves and cursive spikes. A strong, punchy contender in display sizes, it’s also got a gentle touch with small text in lighter weights. Lively, versatile and with plenty of character contrast between weights, the FS Blake family offers impact in whatever task it’s given.faces each with their own distinct character, but still with a strong family resemblance. Sketch book Great fonts still emerge from a combination of hand, paper and pencil. After filling her sketch book with ideas, Emanuela and Jason extracted the elements that both felt could work in a font. The process yielded a whole crop of starting points for future designs as well as a focus for FS Blake as a striking, characterful, almost industrial font.

Developed for screen For not the first time, Fontsmith was commissioned to develop a font for one of the UK’s terrestrial TV channels. The product was a clearly-defined three-weight family. When italics were added, it became FS Matthew, a clean, stylish, structured sans serif with swooping, open curves and a bright, lively personality. Southbank Inspiration for many of the forms of FS Matthew came from details found within the modernist buildings and architecture of London’s Southbank, such as the Royal Festival Hall. During the font’s gestation, Jason had found himself at London Studios, a TV studio on Southbank, and a wander around the neighbouring arts buildings proved thought-provoking. The result was a font with a very British character: solid forms that provide the platform for innovation and distinctiveness. Feelgood efficiency FS Matthew’s trademark is efficiency with a feelgood factor: disciplined enough for corporate identities, websites and signing systems, and colourful enough for logotypes and advertising. Its versatility and excellent legibility are achieved via some unexpected details: the reaching curves of the “g” and “y”; the simple shape of the “u”; an off-kilter “k”; generous counters; and a slightly condensed aspect that makes FS Matthew a space-saver in text or title sizes.