When Sputnik launched in 1957, the world was launched into the Space Age, baby! It was rockets and soda shops, souped-up jalopies and Fairlane convertibles with radios blaring. Rock and Roll. American Bandstand and the Race to Space. Astro aims to call back those exciting days with a look that might have graced the sign of your local drive-in or donut shop. The uppercase characters look like they could fly, suggesting spacecraft, UFOs. Use it for Retro future events or business branding. It also seems to work exceptionally well, strangely, with French, Icelandic, Japanese and African names and anything to do with fish.

Hardbop is a typographic system inspired by jazz, especially the style it's named after "Hardbop". It's also inspired by the prolific graphic work of Reid Miles for the covers of Blue Notes Records in the '50s, Japanese jazz album covers of the '70s and condensed and grotesque hand painted signs. Hardbop also references classic fonts such as Impact, Bebas, Din, Frontage and TT Trailers, the latter in the exaggeration of certain characteristics such as counterforms and endings. Hardbop design works for titles and wide spaces and was specially designed for covers and posters, where its intention is not to go unnoticed. Although it is a small family, it allows game possibilities with a wide set of characters. Enjoy!

SAMURI is our newest font with Japanese style features, developed with an exotic and relaxed shape, this font is extremely attractive to match your extraordinary project, using this font will instantly make your project look exquisite, charming, and everyone will be glad to view the look. Unlike the rest, your project will be one-of-a-kind. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food, but I was toying with the idea of serving something Mediterranean and realised we had run out of olives. So there you have it: the super simple trick of naming a new font! But enough of cooking: Aceituna font was made with a Japanese brush pen. It is a very versatile font: tall and thin, elegant and a little messy. A hint of texture and, like olives, it goes with almost anything.

Ramisa is a Japanese-style font that is designed as uniquely as possible to create a beautiful and easy-to-read combination of sentences. Of course, this font is also very flexible for you to use in your various projects, ensuring that your project has a fantastic and appealing appearance that will be remembered by all audiences. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

I remember a tea ceremony I attended in Fukuoka, Japan. The teahouse was set in a small, but beautiful garden and the whole idea of the ceremony was to appreciate the view from the porch. I thought the tea was quite bitter, but the view was unsurpassed. From time to time these memories pop up and I have to use them - that is why I named this font Teacup. Teacup is a slightly eroded all caps font, made entirely by hand with a Japanese marker pen and some high quality textured paper. It comes in a romantic open style and a more solid closed style. Teacup is filled to the brim with diacritics.

HAMIBA is a display font with a dramatic letterform and a Japanese flair. Imagine having a project with a charismatic, original, and exquisite appearance that many people remember. You may use this Asian font anyplace for any type of project. If you utilize this font in your project, you can easily achieve all of this. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

BEJO is a display font in the Japanese style, with each letter having its own individual personality. This font is appropriate for a wide range of project demands, particularly those involving Asian features. By utilizing this typeface, you will create a project with a gorgeous, original, and elegant appearance that will be remembered by many people. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Auburn is a bold, hand-drawn brush script packed with OpenType features and accompanied by a handy set of extras, including catchwords and flourishes. Auburn was created by hand with Japanese brush pens for an authentic and organic script feel. With plenty of alternates and stylistic sets, Auburn is a full-featured script that can be used in a variety of design applications. A little beefier than a normal script, Auburn is great for packaging and titling, but is useful for a wide variety of occasions including weddings, birthdays, logos and restaurant menus, to name a few. OpenType features include Stylistic Alternates, 2 additional Stylistic Sets, Swashes, Discretionary Ligatures, Standard Ligatures, and Contextual Ligatures.

I am not a very romantic type (pun intended…), but a slightly slanted connected script always looks as if it was made for romance! Summer Romance is a beautiful connected script, made entirely by hand using a Japanse calligraphy brush-pen. It looks good on just anything: romantic book covers, beauty products, travel websites advertising romantic get-aways… Comes with double letter ligatures and a whole bunch of diacritics.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

My name is Teruyoshi Matsui. I am a Brush Artist living in Japan. I artistically write the letters of the alphabet with a Japanese brush. I believe I am the only one in the world as a brush artist. I once declared on my blog that I would be a world artist. This is my ultimate goal once my name is recognized. I have created the font “ BrushType Italic”. It is an artistic product of mine. I consider this my best font. I am sure you can agree that it is “cool and beautiful”. I know you will be very proud if you use my font of BrushType Italic. Everyone will be envious of your works. I truly believe this. Thank you.

Ninja Quest – Japanese Display Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu

QATORA is a display font with a Japanese motif. Each letter in this font is distinct, resulting in harmony and beauty when composed into a word or sentence. When you use this font, your entire project will be beautiful and perfect; your audience will be fascinated; your project will be distinctive; and, of course, you will win the audience’s heart with a unique project appearance thanks to this font. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out

ITC Luna is the work of Japanese designer Akira Kobayashi. He turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. Luna is designed to fill the gap between a pure Art Deco display face and an ordinary text face," says Kobayashi. "It has an Art Deco style but is still fairly easy to read. It can be used in short passages of text. As for individual characters, I especially liked the distinctive O, shaded only on one side. Lowercase a and g are also unusual, but they are somehow legible enough in text matter." And for a finishing touch on his Luna, Kobayashi added the charming moon face as an extra character.

Shibuya Zone - Japanese Font Style is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu

When I started working on this font, I had the radio on. Ed Sheeran was singing his song ‘Castle On The Hill’ and when I looked at this new font of mine, I couldn’t help but notice it had a bit of a medieval look. So I named it Castle On The Hill. COTH is a very lively, messy handpainted serif. It was made with a Japanese brush pen. I actually had a different look in mind, but this is what came out of the pen and I quite liked its looks. It is especially useful for children’s book covers, apps and posters, but be my guest and use it as you like. All it needs is a designers’ touch, a nice tune and a sunset.

Shirataki is a soft pen script with clear round letter shapes and large display capitals. Shirataki has really low contrast -it’s almost monolinear. Shirataki is a clear and friendly display script ideal for logo, signature, packaging, poster or headline purposes. Shirataki uses Contextual Alternates to keep the connections smooth and it has Swash alternates for every standard letter. There’s even more alternates in glyph palette. There’s also a set of swash endings coded in Titling Alternates and set in lowercase letters. In addition there’s a selection of strokes set in uppercase A-H. Shirataki is PUA encoded so you can access extras in most graphic design softwares even without OpenType support. In case you were wondering Shirataki are Japanese yam noodles. Enjoy!

Moho Script introduces a decorative modern geometric of Japanese, sometimes german flavor for an unconventional script. It breaks the mold of the usual fonts to create a new visual impact of absolute contemporaneity with a retro touch. Moho Script, as all typefaces of this extended family, comes in five weights and an inline style, and it's been provided with a complete set of glyphs for languages ​​of the Eastern and Western Europe. With the OpenType feature Swash you can make words with letter "t" that overlap to achieve what no meet in others typefaces. Moho Script is a perfect font for headlines display, menus, deals, logos, labels, outdoor advertising and publishing design, great for architecture, fashion, music, aviation and social affairs.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

Years ago, I developed an interest in the Japanese art of dwarfed potted trees, bonsai. I bought some books on the subject from Brooklyn Botanic Garden. In one -- Handbook on Bonsai: Special Techniques (seventh printing, February 1976) -- the type was bad. Old worn lead type, I suspect, spread wide in the tops of characters and disappearing on the bottoms. Two decades later, I came across my Brooklyn Botanic Garden collection and was struck again by this interesting type. Inspired, I made a typeface. Didn't take me long to decide on a name for it, either: a name with a double-meaning, based both on its look and its inspiration. Bonsai, the typeface, has two styles, a roman and a true italic.

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese.¶

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

Mangsi in Javanese means ink. We want to create a modern display typeface with an inked-like feel by combining clean modern serif strokes, brush strokes and the curved line made by the ink tank. Mangsi is a modern inked display typeface that unites the beauty of the old lines with the clean modern lines. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 170+ stunning and super easy to use alternates and ligatures. To get results like the preview just type M.3A.NGS.3I

With 15 different styles and support for all sorts of languages, Hiruko is the open and easy sort of font that can be used in almost any situation, as long as you want your message to be readable. Smooth, simple and clear, Hiruko takes inspiration from both Swiss and Japanese styles, focusing on minimalism and function within its form, the idea that less is more and the careful, exquisite craftsmanship that makes such minor changes have a big impact. From extra-light to thick, black weights, in italics or in outlines, Hiruko can be used to convey messages in such a variety of styles that you’ll never be disappointed. Alternatively if you're looking for something a little more comprehensive, why not check out the follow up to this family Hiruko Pro.

We’ve created Jinkay, a display typeface with a Japanese style that’s similar to original. Don’t be afraid to use this font in all of your special projects right now; imagine how beautiful and appealing your design will be; your project will instantly captivate all of your audience at first glance; they will easily remember the appearance of your project if you use this font, because it will be unique, different, and stand out from the crowd. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Miju™ is a display font inspired by Japanese culture. Its contrast-filled characters make it both original and highly impactful. Supported languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, Northern Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, West Frisian, Zulu.

Introducing Soka Typeface Soka font is inspired by a sans serif font that is retro style but still modern and unique. With a preview with a Japanese concept, the Soka font looks unique among other retro fonts. Sans Serif typefaces such as “Soka typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Soka typeface contains 522 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from thin to heavy and thin condensed to heavy condensed. In the poster preview all the letters are in the Soka typeface.

Shueitai is a typeface that has been undergoing development for more than a century, starting from the days when Dai Nippon Printing Co., Ltd. (DNP) was still known as Shueisha. As Japan underwent rapid modernization during the early years of the Meiji era, Shueisha, believing that printing was a business befitting a modern civilized society, began operations with a focus on letterpress. Before long the company expanded into developing its own typefaces. In 1912 it completed a full range of Mincho type, in sizes from Sho-go (#0 size, 42pt) through Hachi-go (#8, 4pt), which it called "Shueitai" a new style that came to form one of the two mainstreams of Japanese typefaces and continues to have a significant influence on font design even today. The Shueitai typeface is distinguished by abundant variations matching the size of type and the changing demands of the times. Whether it is the spirited and powerful Sho-go, the delicate and flowing San-go (#3, 16pt), or the bright and solidly reassuring Shuei-Mincho L, all Shueitai typefaces share a vibrant brushwork that adds an expression of eloquence and a burst of brilliance to every printed word. Currently, Shueitai is composed of 17 kinds of fonts useful for various purposes. The world has witnessed vast changes in the environment surrounding the printed world, with the tran-sition first from letterpress to Desktop Publishing, and most recently to e-books. But no matter how this environment might evolve, the written word remains the basis of communication, and the importance of beautiful and readable typefaces stays unchanged. In preparation for the changes that will inevitably come during the future, DNP will continue to evolve the Shueitai designs from now on. Through its continual reinvention, Shueitai, a typeface consistently adopted at the vanguard of the industry, perhaps represents Japanese innovation at its very best.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Ninja District - Japanese Font Style is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z (Only caps)• Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature. Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted.

Shibui is a Japanese word that expresses a certain aesthetic of simple, subtle and inconspicuous beauty. Shibui - Sans serif font, character structure is simple alphabet style. It has an elegant appearance with rounded folds. It offers the best solutions in your digital projects with this font which is highly readable in the smallest dimensions. With its modern minimalist stance, this font can meet your needs in all modern or classic creative projects. Absolutely perfect for titles, websites, magazines, books, invitations, logos, packaging design, branding and more! Character Ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Glyph Count: 463 With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Akira Kobayashi's ITC Seven Treasures is a symbol font for use in patterns and textures. The interlocking patterns, usually circular or oval, are taken primarily from motifs used in Japanese textiles. Most of these designs are known as komon, or tiny patterns," and they are often applied to kimono and other textiles, although their use is not limited to fabrics. They also appear carved in wood in traditional architecture, and painted in pictures as background patterns. Each of the individual designs in ITC Seven Treasures Ornaments is carefully sized and spaced so that it will fit together into a continuous pattern. Most overlap slightly but precisely, so that when you type a row of them you can't tell where one leaves off and the next begins. They may be combined or alternated to vary the texture of a background pattern."

"Hi there, thank you for passing by. Colllab Studio here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Mister Arigato is a modern, unique calligraphy font inspired by traditional Japanese and Korean brush lettering. It gives you that little extra something you always been looking for. We do more than just type, we help you show how much you care in your most precious brand. This font is a great option for any project that involves sending letters as a decorative piece of artwork (attach it to a mug, or place on a greetings card), or for use for branding purposes(headline, logo, etc.). Though it is not double-width, the letters easily tailor to any word-spacing. A Million Thanks www.colllabstudio.com

My name is Teruyoshi Matsui. I am a Brush Art Designer. My foundry ‘Brush Art Design Office’ is situated at the foot of an active volcano ‘ Mt. Aso ’ in the Kumamoto Prefecture, the southern part of Japan. I design the letters of the alphabet with a Japanese brush. I have created the brush font named ‘ Lethal Fake ’ in my unique brush style. At the beginning of making the font I was going to name it ‘BrushType Lethal’ and tell you, “ Be careful using it. That’s because it ’s Lethal ”. But actually I was very disappointed when it was finished. I tried to make it lethal, but it was not. So I changed the font name into ‘ Lethal Fake ’. This time I have to say to you, “ Be careful using it. That’s because it’s not Lethal ”. Thank you.

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.¶