Clumsy handmade font with ligatures for double letters

Narrow, playful, jaggedy letters inspired by a typewriter.

digitization of a vintage lettering from Delamotte's book

Based on “Rough” lettering, by Ross F. George

A brush letter with a nice casual feeling.

Introducing Headlight: the intriguing sans-serif typeface that is anything but ordinary. With its unique blend of oval-nib embellishments and mechanistic squareness, Headlight is a font that demands attention. Designed in a superelliptical style, each letter is crafted with rounded corners and a one-of-a-kind design that sets it apart from other fonts. But Headlight isn’t just about style—it’s also incredibly functional. Available in five weights and italics, this font is perfect for a wide range of applications, from branding and advertising to editorial design and more. And with its numerals available in both lined proportional and old-style proportional styles, Headlight is a font that can truly do it all. If you’re looking for a typeface that combines style and function in a truly unique way, look no further than Headlight. Try it out today and see for yourself why this superelliptical font is turning heads in the design world. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The branding agency's client wanted an ultra modern"" typeface that was ""futuristic without being gimmicky or ephemeral,"" according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. ""I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them,"" says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an ""ultra modern"" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as ""legible without being neutral, nuanced without being fussy, and expressive without being distracting."" Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library.

The branding agency's client wanted an ultra modern"" typeface that was ""futuristic without being gimmicky or ephemeral,"" according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. ""I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them,"" says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an ""ultra modern"" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as ""legible without being neutral, nuanced without being fussy, and expressive without being distracting."" Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library.

Lateman is a casual font built with apps. with freestyle and natural make this font look friendly to the project you are working on. Lateman only consists of uppercase letters, but if it collaborates with other fonts, it will feel more striking like the preview example above. This font was created for superhero movie titles and is perfect for movie titles, superheroes, action, animation, war, and more. You can see the sample preview above for comparison, stay the center of attention and classy!

Haiku is a very modern old-style typeface. Inspired by late Renaissance-era typography, and carefully optimised for both display and text, digital and print. Featuring ligatures, old-style numerals, wide language support, and true italics.

Heywa is a nature styled, handwritten font with a mixture of ornaments that adds classic and vintage styles to it. It is very well suited to be used for book titles, bands, movies, advertising, and more.

Caleuche is a typeface family of 18 styles, from its standard version Light to UltraBold such as Rough and Inline, it is a display typeface that plays with the style of action, mythology, terror and suspense.

Introducing NORMIES It's Sans Display Typeface is a Textured Natural Style and Authentic Classy Style, this font is great for your creative projects such as watermark on photography, You can activate 9 Alternate glyphs OpenType panel.

We present you a vintage type of layered font called "bakeryhouse". This font includes four styles (including effect styles). This font will be clearly visible on any retro design such as poster, packaging label, logo, etc.

Glaster is a beautiful calligraphy typeface with a distinctive style of its own. It is a bold and elegant script font. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Queen Anne Hill is an modern Calligraphy style font with upright strokes and bold flourishes. Revealing the styling of fine artist and calligrapher Alissa Mazzenga, this font communicates refinement with a hint of playful artistic individualism.

TOMO Dora is a new face designed by TOMO FONTS. Dora is a condensed style-driven sans serif typeface made by hand, adding unique and a sweet touch. A family of 4 styles + awesome icons! Enjoy!

Under Weak is an amazing and bold script, suitable for a large number of designs. This font has two styles, clean and rough. With two styles, you can choose according to the project you're working on.

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). The design combines traditional conservative appearance with modern trends of humanistic sans serif and possess enhanced legibility especially in caption styles. These features, besides conventional use in business applications and printed materials, make the fonts usable for direction and guide signs, schemes, screens of information kiosks, and other objects of urban visual communications. The fonts have extended Latin and Cyrillic character sets serving alphabets of all title languages of the national republics of Russian Federation and supporting the most of the languages of neighboring countries. Each font contains about 1400 characters including small caps for all alphabetic characters, 4 sets of figures with lining and old style variations, stressed Cyrillic vowels, indices, fractions and so on. Design -- Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. The fonts released by ParaType in 2010.

Densit is a display mega black typeface, containing 6 styles. It aims for a ultimate density with a maximum weight on a minimum place. Glyphs therefore balances on a slim border of touch. The typeface is designed for expressive and short texts at big sizes and is suitable for photography or other visual materials underlaying. The 3 basic styles parodies ordinary type styles. They only differents from each other lays in the lenght of straight thin lines. The stencil style without these lines is intended especially for spray stencils, the sans style is imitating linear sans types and the serif style having stronger contrast and indicated serifs. The typeface contains a large set of special ligatures for playing with aesthetic qualities of text and obtain maximum space saving. Densit contains 34 special forms for members and frequently used short words in various languages. Very short terminals offer compact setting of multi-lines captions. Densit can be used for music posters, eye-catching headlines of art articles and everything in which is possible graphic impression from legibility prefered. • 6 styles (2 alternatives, 3 kinds) • 12 OT features • 1313 glyphs • sophisticated system of ligatures • support of latin languages

Litho Display is a bold display typeface, it has 8 fonts in the family with four different styles. Litho Display has been created with bold headline and poster typography in mind. It is perfect for use on typography heavy posters, packaging or on screen idents. The four different styles Litho Display comes in is Regular, Rounded, Rough and Press each with an italic pairing. With these styles Litho Display is versatile for various different uses whether it needs to be clean type for a poster or on screen or a more rough and rustic style for some packaging.

Grave is a Intellecta's best seller, a classic font design remastered, distressed and antique, merging the bodonian style with tendrils and victorian ornaments. Ideal to use in in display purposes for a stylized type design. Its family of fonts has too Grave Ornaments , a dingbat/decorative display font featuring many different styles of flourishes and ornaments, great for a vintage antique feel. Completes the collection Grave Plus , where six different fonts has different styles of victorian fleurons and ornaments merging with a bodonian shaded typeface in great style. A beautiful and big family, available single or in pack with an attractive price.

White Wisteria is an elegant versatile serif font family consisting of 9 styles. This font has natural curved proportions and has soft corners. You can use this font in vintage, classic and retro designs. This font gives a beautiful, classy and luxurious impression to your design. This font is perfect for a variety of projects such as logos, branding, fashion, magazines, labels, posters, album covers and many more. White Wisteria fonts are available in 9 styles: Thin, Extra Light, Light, Regular, Medium, Semibold, Bold, Extra Bold, Black. These fonts feature Kerning, Ligature Style, Alternative Style, Numeral, Symbol and Multilingual Supports.

Cargan merges the strength of the slab serif with a gentle line flow. The result is a versatile typeface family with a distinct personality that performs superbly in headlines as well as subheads and shorter text applications. The Cargan family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The roman styles offer alternative versions for the ”a” and ”g” characters.

Introducing Battina - Inspired by typeface on 70s era, Battina has the vintage font & retro font style. with 2 font style, It's super easy to use 3D effect with Battina family font. Two style Font: Regular & Extruded Battina is perfect for children product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Battina Extruded - Battina Ending Swash - Ligatures - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features.

Grave is a Intellecta's best seller, a classic font design remastered, distressed and antique, merging the bodonian style with tendrils and victorian ornaments. Ideal to use in in display purposes for a stylized type design. Its family of fonts has too Grave Ornaments, a dingbat/decorative display font featuring many different styles of flourishes and ornaments, great for a vintage antique feel. Completes the collection Grave Plus, where six different fonts has different styles of victorian fleurons and ornaments merging with a bodonian shaded typeface in great style. A beautiful and big family, available single or in pack with an attractive price.

Pesaro is a new text typeface with a strikingly robust but charming appearance. Inspired by early prints from Venice like Jensen and Manutius, it follows its own formal concept of a contemporary design – a stable typeface with strong text qualities and graphic appeal. The Pesaro family comprised 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and elegant swash captitals for all italic styles.

Hardwired a new handmade script with a style elegant, sweet and simple. Made with great care to provide the natural and modern elements. This font has many advantages although it looks ordinary. The great thing about this font is you can find some style when you use it, examples such as natural handwriting style, unique, simple, elegant and bold. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designer's initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost ‘plotted’ according to a grid-based logic.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

Burger Honren is a beautiful collection of fonts, consisting of scripts, monolines and serifs. In this collection you will see fonts in various styles. With their help, many options open up for you to create your projects, both in vintage and modern styles. The script fonts in this collection provide both charisma and charm, crafted with care and complemented by alternatives and strokes. Serif comes in 10 styles and it is possible to choose the required style for your design. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

Grave is a Intellecta's best seller, a classic font design remastered, distressed and antique, merging the bodonian style with tendrils and victorian ornaments. Ideal to use in in display purposes for a stylized type design. Its family of fonts has too Grave Ornaments, a dingbat/decorative display font featuring many different styles of flourishes and ornaments, great for a vintage antique feel. Completes the collection Grave Plus, where six different fonts has different styles of victorian fleurons and ornaments merging with a bodonian shaded typeface in great style. A beautiful and big family, available single or in pack with an attractive price.

A Lost Art Deco Style Reborn and Multiplied Rhumba began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Barrio Lined". Originally only a single typeface, represented by our Rhumba Lined style, it was fun and offered more diversity to expand out the styles of this gem. Playing off the stylings of fonts like Prisma, Rhumba fills in gaps between the various lines of the original to offer 3 alternate looks. The Rhumba family contains 382 characters per font. A comprehensive character map preview is at the end of the poster graphics collection.

The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally designed for use on signs at the new Charles de Gaulle Airport at Roissy. The straightforward sans serif shapes are suited well for both text and display setting. Six additional styles were added in 1998-2000. Multilingual versions of 6 styles (Light, Demi and Extrabold) include Armenian alphabet designed by Manvel Shmavonyan in 1997. Two condensed Cyrillic styles (Demi Condensed and Bold Condensed) designed by Manvel Shmavonyan in 2005.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

The Neutraliser family is a versatile collection of geometric-based fonts with 24 styles. The 6 Alternate styles are suitable for headlines and are complemented by the Sans and Serif styles suitable for small amounts text. The Caps styles allow for extra typographic variation within the family. Neutraliser is a direct result of the designers' initial exploration of typography and is uncompromising in its geometric nature. As the name suggests, the typeface celebrates the precision of the digital medium as a drawing tool in which the critical points that make up a letterform can be almost 'plotted' according to a grid-based logic.

Tipograf�a caligr�fica inspirada nos t�tulos das canci�ns dun caderno familiar de partituras de 1941. � unha fonte creada da maneira m�is fidel posible a como se debuxar�a cunha pluma estilogr�fica do momento. Axeitada para t�tulos ou letras capitais. Non se recomenda empregar para textos longos, de non ser que se pretenda simular un arquivo antigo dun estilo manuscrito semellante. Tipograf�a caligr�fica inspirada en los t�tulos de las canciones de un cuaderno familiar de partituras de 1941. Es una fuente creada de la manera m�s fiel posible a como se dibujar�a con una pluma estilogr�fica del momento. Adecuada para t�tulos o letras capitales. No se recomienda utilizar pata textos largos, a no ser que se pretenda simular un archivo antiguo de un estilo manuscrito semejante. Calligraphic typography inspired by the titles of the songs of a family notebook of 1941. It is a source created in the most faithful way possible to how it would be drawn with a stylus pen of that moment. Suitable for titles or capital letters. It is not recommended to use for long text, unless you pretend to simulate an old archive with a similar manuscript style.

A grunge font that comes with different upper- and lowercase, alternate letters and ligatures for both double numbers and double letters - and on top of that, unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

I used a technical pen to the trace the letters in an alphabet learning book for this font. Of course, I drew several letters by freehand as if I were practicing, and included all of them together as a Stylistic Set.

The pages of the Speedball® Lettering Textbook have yielded a number of classic typefaces for digital designers. Frontiersman JNL and Frontiersman Black JNL have the wonderful hand-lettered look that adds just the right touch of nostalgia to any layout.