McAnni is single weight display serif font and our 130th release. Heavy, wide and stable, McAnni is fully recognizable font that will bring new values to your design project. Charming design with vintage details ideal for titles, headlines, product names, posters, editorial use and more. Contains standard ligatures.

Yalla was inspired during a trip Mateusz Machalski took to Cairo (Egypt). The vast array of strong Arabic headline type, geometric forms working in interesting ways and contrasting with smooth, calligraphic details fed the design. Due to the same proportions and heights, Yalla works great together with Afronaut.

Joanne Script BH is based on the handwriting of a BluHead friend. This fun design has a sharp, angular feel which lends itself to casual messages, greeting cards, post its, journals, you name it! Plus, a large complement of characters allows you to send your thoughts in multiple languages.

Our new product the name is Street Urban Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, children book, cartoon, comic etc MULTILINGUAL ACCENT : ØÆøæ¢ÐŒœÁĂÂÀÄĄÅÃǼĆČÇĈĊĎÉĔĚÊËĖÈĘĞĜĢĠĤÍĬÎÏİÌĮĨĴĶĹĽĻĿŃŇŅÑÓŎÔÖÒŐǾÕŔŘŖŚŠŞŜȘ ŤŢÚŬÛÜÙŰŲŮŨẂŴẄẀÝŶŸỲŹŽŻáăâäàąåãǽćčçĉċďéĕěêëėèęğĝģġĥíîïìįĩĵķĺľļŀńʼnňņñóŏôöòőǿõŕřŗśšşŝșťţ ŭûüűùųůũẃŵẅẁýŷÿỳźžż FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Slazer is a futurist font designed for a dynamic and powerful effect when it comes to science, technology, games, web, cellphones and electronics. All glyphs are open, straight and smooth, enhancing their connection with images. Slazer’s lines never touch or split: they always go somewhere… and go fast!

Rediscover Classic Beauty font style with a Modern Edge taste in Serif Wonder: My Gristy. Catchy ligature upscaled your name into unique logotype. My Gristy also available with basic Latin multilingual. Bring your business to the brighter future with the soul of the timeless of the past era.

SK 1980 Unicase is a font that emerged with a modern interpretation of the 80's design concept. It was specially designed to create structural forms. Each character is the same size, so you can create structural designs without any difficulty. Includes 7 different versions and 2464 glyphs.

This typeface gets its inspiration from a face designed by Vincent Pacella for PLINC named Bingham, and is evocative of steam locomotives and the Old West. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

Introducing of our new product the name is Hello Valentica a Beauty Script Font. Hello Valentica inspired by modern script this font is a fun theme very good for book cover, wedding invitation, t-shirt, quote, logotype, craft and etc. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Introducing a vintage look simple and minimalistic label font named "Bodybuilder". All available characters you can see at the screenshot. This font have 14 styles (including layered effect styles, rough and color version). This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Introducing a vintage look label font named Brewing Crafters. All available characters you can see at the screenshot. This font have 6 styles - Regular, Full, Shadow, Texture, Shadow FX and Texture FX. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

A 1927 travel poster for visiting what was then Palestine and Near East was hand lettered in an early Art Deco thick-and-thin type face. The lettering was redrawn digitally, and is now available as the aptly-named Travel Poster JNL, in both regular and oblique versions.

Introducing the Big Alphabet Tracing Font – a font designed to help kids learn the alphabet in a fun way. The font looks friendly and playful, making learning feel like a game. It is perfect for teachers, parents, and anyone who wants to make learning the alphabet exciting and interactive.

NAURE is a vintage classy serif typeface, with a little roman soul on it. It comes with regular, condensed, and oblique style. It have a curve that give a unique yet elegant feel at the same time. The strong characteristic makes it suitable for attention grabbing design projects

Cervin Asenoy is a Modern Display font created especially for projects that need vintage and Retro typography! Use it for projects like magazines, banners, stationery, branding, name tags, invitations, and more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Unearthed by our friend Dimitris Karaiskos in an antique shop in Vienna, we digitized it and added more glyphs. Blitzplakat is the name of this pre-Letraset system, where you could make your own little advertising posters by cutting out these letters and sticking them on paper like stamps.

An elegant typeface from the turn of the last century named "Venezia", issued by Karl Brendler and Son of Vienna, provided the inspiration for this little gem, with hints of the exotic. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Introducing a vintage look label font family named "Unfair". All available characters you can see at the screenshot. This font have 3 styles with 3 version of each - Regular, Shadow and Rough. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at the same time preserves its classic character.

Jennerik is a plain, serifed face in which the strokes are uniform or monolinear. It has four weights and each weight has both upright and italics styles. Its name reflects its plain, simple design. It is slightly condensed and the regular style was originally designed for printing rough drafts.

Spring Ride is a cute, friendly yet thick lettered display font. It embodies playfulness and its the right choice for product packaging, logotype, games, children, or school project. So what’s included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

The song "Selfish Jean" by Travis inspired me to name this font, and a runny pen made me draw the letters. Actually, I started making the font while listening to that particular song - and the whole atmosphere about that situation, suited me perfect to make this handmade font! :)

Twist is an experimental, curvy, display typeface designed by Superfried. As its name suggests, it features intricate twists and turns. Twist has a very retro feel and its chunky structure leads to a distinct, high-impact display font. Twist has been featured on the Behance curated typographic gallery TypographyServed.com.

Inspired by the Inland Type Foundry's 1901 design "Hearst," (which was a copy of a design by Frederick Goudy... The story behind this font and its naming can be found in the Hand-Picked Links below), this rustic font makes an excellent companion to P22 Arts and Crafts.

introducing : Alien Spaceship Font ,come with powerful themes. We wanted to create the most unique character. It matches applies in some designs such as the gaming logo, logotype, brand, packaging, quotes, cute poster, kids shirt, cover book, birthday invitation and more custom design. Alien Spaceship Font is 3 style.

Italian type designer Alessio Leonardi created this display FontFont in 1994. The font is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Cavolfiore provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Introducing Jenitha A script font with a smooth calligraphy modern style. Comes with 500 glyphs. Jenitha is perfect for branding projects, homeware designs, product packaging, use in name card, invitation cards, etc. Simply as a stylish text overlay to any background image or anything requiring a sprinkle of elegance.

Attention all design enthusiasts! Are you tired of the same dull typefaces dominating the design world? Look no further than Ohitashi, the daring and unconventional creation by Typodermic principal Raymond Larabie. In a world where twentieth-century sans-serif typefaces reign supreme, Ohitashi breaks the mold and blazes its own trail. Larabie has masterfully infused this typeface with a unique blend of humanistic stroke contrast, spontaneous licks and curls, and incised detail, resulting in a one-of-a-kind design that defies convention. But don’t let the unconventional nature of Ohitashi fool you. This typeface offers a practical range of three weights—standard, semi-bold, and bold—making it an incredibly versatile option for any design project. Whether you’re looking to add a touch of personality to a marketing campaign, or looking to revamp your brand identity with something fresh and new, Ohitashi has got you covered. So why settle for the same boring old typefaces when you can break free from the rut favored by reductive competitors? Embrace the unconventional with Ohitashi and see your designs come to life like never before. Trust us, your audience will thank you. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer