Cooper Black The Cooper Black font should be used in display sizes only. Cooper Blacks serifs are rounded and the counters are small. Cooper Black was designed by Oswald B. Cooper for Barnhart Brothers & Spindler in 1921 for advertising and posters. The capital O and Q of the Cooper Black font are tilted back; in the lowercase, the dot on the I and j become elliptical. The extra bold Cooper Black font has a remarkable personality and reproduces well in sizes over 18 point in titles, subheadings and generally short sentences.

This family was created -- inspired from the engraved typeface (Two styles : Normal & Italic) used in the pack of 52 playing cards who was describing the 52 counties forming a small Atlas of England and Wales and depicting English roads for the first time, published by Sir Robert Morden in 1676. Our OTF and TTF versions are covering Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, containing historical and standard ligatures plus specific Old English abbreviations. The MacTT Classic version is containing the basic standard 256 glyphs including some extra ligatures.

Europa Grotesque is a condensed sans serif font family that was originally designed by Sam Ardell (TP) in the 1950’s for the Techni-Process Collection. Steve Jackaman (ITF) acquired the rights to the TP Collection in 1991 and produced Europa Grotesque in its digital form in 1994. Europa Grotesque has impressive impact at display and subhead sizes, and its geometric forms sustain that distinctiveness in both all-caps and lowercase. The family is flexible and freeform enough to support both a laid-back feel while still feeling tight and controlled.

Klagia is a font inspired by the advertising media back in 1970. The glory of printing and handpainted signs and visuals. Emphasizing the bold, loud, yet poppin' and modern retro vibes that will be stylish in any era. It makes Klagia a font that you need to have in your design arsenal. Contains a bunch of Ligatures and Stylistic Alternates to give a distinctive vibe in every message conveyed using Klagia font. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more.

Magenos Soft is the rounded version of Magenos typeface family. It is a modern geometric sans serif family characterized by its simplicity and extensive functionality. With its open apertures, geometric architecture and low contrast strokes, it expresses a sincere tone with a modernistic, neutral, yet friendly personality. It has been designed to work well for a wide range of applications and is a reliable workhorse. Equally suitable for print and screen usage, it works well for both text and display at a wide range of point sizes. The addition of true italics gives the whole family a dynamic edge and flexibility. Magenos Soft comes with many OpenType features including stylistic alternates, standard ligatures, oldstyle and lining (proportional and tabular) numerals, slashed zero and a variety of symbols, making it a perfect choice for contemporary and professional typography.

Introducing Borex, the ultimate font for all your sport racing needs. With its bold and dynamic letterforms, it captures the excitement and energy of the race track. And with four unique variations, including regular, slant, and taper styles, you can customize your designs to fit the tone and theme of your project. Not to mention, the font also comes equipped with alternate characters and unique ligatures to add an extra touch of creativity. So rev up your designs with Borex and get ready for the finish line! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

One good pun is worth a simple description… Nondescript JNL… 'Non' - not. 'de' - of, in Spanish. script - a cursive (handwritten) letter form. So… while nondescript generally means lacking any defining description, in this case it also means "not of a script"… which is precisely what a typeface such as this one is!

Many fonts have carried this name. Ours goes back to just before 1900 in France. This general style had considerable popularity among job printers all over Europe. We have even seen it used for name imprints on medical school diplomas, which seems a bit grotesk. Surely you can do something better with it.

Some say The Silver Age Will End in Fire; others say The Silver Age Will End in Ice! Know, O Prince, that In Your Darkest Hour, the Masters of Evil Will Live Again! But from The Ashes of the Bitter Taste of Defeat, A New Power will be Unleashed! Lo, There Shall be A Frenzy in a Far Off Land, There Will be a Great Price AND a Great Prize! There Will Be a Bitter Victory in a World Gone Mad -- a World You Never Made... Face it, Tigers, You are Captives of The Coming of The Return of The Mad Mysterious Menace of He Who Would Destroy You...This Man, This Monster... This Final Font in our collection of Silver Age Display Lettering -- BATTLE DAMAGED! See the families related to Battle Damaged: Battle Cry & Battle Scarred .

Just before the end of 2020 all schools in Holland closed for the second time, because of an increase in the number of COVID 19 cases. This means that my wife and I have to educate our three kids at home. The kids are great and take their tasks seriously, but it is difficult, as all three of them require different educational levels. I am sure you parents understand. Trying to get some work done is virtually impossible, so my wife and I made a schedule and we live by ‘on duty’ and ‘off duty’ days. I was thinking of this when I created this font (obviously on an ‘off duty’ day). Home Education is a handwritten scribble font. It was made with a Sharpie pen (possibly used by one of my kids, because I noticed tiny ink stains on my wooden dining table…). It comes with all the diacritics you can hope for and lovely double letter ligatures for you to play with.

The legendary retro-futuristic typeface returns, now in digital format! While there may be copycats of varying quality, none of them have taken the time and care to revive, reproduce, and expand the original Roc Mitchell “Corporate” typeface like Corporatus has. Made directly from scans of the original type specimens and expanded to include the full WGL4, Corporatus is YOUR solution for your retro, futuristic, and corporate design needs. Descended from Microgramma and originally designed to be the American competition to distant cousin Eurostile, Corporate and subsequently Corporatus is best known for being the typeface used by video game developer and publisher Nintendo for many NES-related media in the West, including its controllers, and by Colecovision for its logo. With the original Latin character set as well as Greek and Cyrillic lettering available, now you're playing with TYPOPOWER!

Made up of sixteen individual weights and spread over three different optical sizes, Essonnes is designed to bring utility back to the Didot genre. It’s a common belief among designers that Didones don’t work for text. This wasn’t true in 1819 and it isn’t true today. Like its forbearers, Essonnes is a truly optical family—not just a study in adjusting contrast. The text and display weights have been designed from the ground up for their intended roles. This means that everything from the height of the uppercase & lowercase letters have been specifically tuned for their intended purpose. Like many typefaces, Essonnes started after falling in love with a piece of history. In this case, it was the eccentric forms of Pierre Didot’s Type and the evolution of the High contrast Didone throughout the 19th century. It was out of curiosity and love for these forms that led to the first draft of what would become Essonnes back in 2011. These unique situations—screens, modern printing methods, the previous 200 years of typographic innovation since the original design, my own life experiences—have led to a typeface that, while based on history, is not stuck in it.

Mousse Script is based on Glenmoy, a 1932 Stephenson Blake typeface. Glenmoy a prime example of what display typography was in pre-WWII American ad art. It graced the pages of magazines, sold numerous products and services, then simply died out when the typographic trends shifted towards the more personalized, stylized and handwritten types of calligraphy. The current trend in typography is a revivalism that brings all of the distinctive display typography of the 20th century, without chronological discrimination, back in the name of ‘retro’. Who are we to deny the masses what they want? Mousse Script doesn’t just bring Glenmoy back from the ashes of the 20th century. It expands upon the limited metal character set nearly twice over and takes advantage of the latest type technologies. This makes Mousse Script a striking typeface, both functionally and visually. A simple, attractive display font on the surface, Mousse Script is unique in its bold upright calligraphy, something rarely found these days. The OpenType version of Mousse Script combines both the regular and alternate character sets into a single, cross-platform package that takes advantage of the extended typographic features of the OpenType format.

Are you tired of weak, puny fonts that lack the power and energy to really make a statement? Look no further than Misadventures, the font that’s all brawn and no nonsense. Whether you’re designing a fashion headline or any other type of message that needs to be heard loud and clear, Misadventures is the font for you. It’s action-packed, high-octane, and ready to inject some serious adrenaline into your designs. Don’t settle for weak, feeble fonts that leave your message feeling lackluster and uninspired. With Misadventures, you’ll have the power and energy you need to create designs that are truly unforgettable. Get your hands on Misadventures today and see just how energetic your designs can be! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing, The Marysville. A retro bold script which will bring you back to 60s feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Great Outback is a display typeface that's bold, fun and playful. It's also clean and versatile, making it a perfect addition to any designer's kit. Packed with personality, this typeface screams out loud. Great Outback is suitable for headlines, packaging, logo etc. Use it to give your design that memorable edge. Out of the ordinary and into the great outdoors! So what’s included : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.

Banda Neira Script is a luxury and modern script inspired by hand lettering. It is designed resulting in clean and wavy character, has pretty much alternatives glyphs choice in the pack. It provides beautiful letter essence for any design project including invitations, labels, logo, card, Quote, packaging, headline, poster, magazine and more design concepts. We do really hope you enjoy and get interested towards our offer. We'll be very happy to answer your questions. Alternatively, you can drop me a message and you can get your service started immediately nfajriredy@gmail.com. ~ Redy Studio

Munky, a big bowl full of slab serif goodness. It's got a cheeky, playful look with large, heavy serifs. Its shapes have a few kinks here and there. I would say that adds to its charm—and it does. It's great for headlines and titles but is also very legible in sentence case. It works great for branding and packaging, books, invitations and anything where you want a laid-back vibe—without being too childish. If the font were a celebrity, it would be more John Candy than John Malkovich.

P22 Civilite is a historic font revival. The font is a non-connecting upright handwriting script based on 16th century sources with a lineage going back to Robert Granjon in France and from early Dutch type specimens from the Enschede and Sons Foundry. The P22 Civilite suite of fonts includes the 6 basic Dutch versions of Civilite in both "historical" and "modern" styles in basic OpenType format and Pro versions that combine the historical, modern & sorts into one OpenType font with alternates, expanded language coverage and pro features.

Lovely Wedding is a lovely Wedding script font. This font describes about casual, classy, luxury, elegant, stylish, dynamic, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Alternate Uppercase and Lowercase - Swash - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Bonus Pack - Works on PC or Mac USE Lovely Wedding Font works great in any wedding invitation, product packaging, logotype, quotes and any projects that need all about love script taste. Enjoy using! Thanks. HIRO.std

TWO LAYERED FONT: Be sure to get both the FRONT and the BACK! Maintaining simultaneous shades of whimsy and versatility is no simple feat, but the meticulously constructed Stately Gothic accomplishes just that, elegantly. Stately Gothic is a redrawn version of Grit Gothic. The strong vertical character of this stacking/layered typeface make it an ideal solution for use where legibility matters most: posters, logos, book and album covers, and so on. It is part of Grit History Series B along with Heirloom Artcraft, Worn Gothic, Grit Sans, and Grit Gothic.

Slocals! Check out the action of our radical new font, PLEASURE POINT! It's Bananas, Totally Tubular, Stoked and ready to ride some waves. Back in his grom days, Comicraftsman John JG Roshell could be found down at Pleasure Point, waiting for The Big One, and this is IT! Don't be a criddler, paddle hard and rip this font to your motherboard to keep it real every time you gun, rail or tail. And if you get rag dolled, dude, don't blow out your squeaker. Pleasure Point will hang loose and chillax you to the max.

Snooker is a playful and rounded low contrast type family with sans and script styles. The styles work great together or alone, making Snooker a versatile typographic tool. There are four weights in both sans and script, from the elegant Extra Light to the attention grabbing Bold weight. The exceptionally long ascenders and descenders give Snooker it’s distinct personality which helps your designs to stand out from the crowd.  The script styles are packed with opentype alternates for customising your design. The family is perfect for branding, packaging and advertising purposes.

Specialized for the "speed typeface" and "adrenaline seeker" soul, we got you packed up. A nitro boost for your visual needs. Please welcome, STRAIDER. The racing typeface. Inspired by the mid era of vintage and modern automotive visual branding. We build the bold and strong font with total aim to the speed, cars, vehicles, and automotive vibes. Will be a perfect match for the automotive events, branding, logo, cars and motorcycle posters, advertising, anytime you want some more "speed" in your visual project. FEATURES : Uppercase & Lowercase letters Numbers & Punctuation Ligatures Multilanguage Support Thank you.

Retrouvailles is a French word, which means ‘the feeling one gets after reuniting after a long time’. This script font was based on a couple of handwritten letters and postcards and my own imagination. I used a drawing tablet for the ligatures and the connecting strokes. Retrouvailles comes in 3 distinct styles: the slightly slanted regular style, an Italic style and a back slanted style. Retrouvailles has an abundance of goodies under the hood: it comes with a lot of ligatures and all the diacritics you could poke a stick at.

Introducing, Raksana. A retro bold script which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Cindie Mono is a multi-width display font. Six different widths – A (condensed) through F (super extended) – mathematically correspond with one-another creating a stackable type family. Each face contains all caps full West, Central and East European language support. All diacritics and marks are done in a hairline to add style and contrast. And Cindie Mono is ideal for posters, headlines and display lettering. The inspiration for Cindie Mono came from the lettering styles on optometrists sight-test posters. Then through several stages of development the overall concept for Cindie became of a half-broken Commodore64 and the computer from the 1985 movie 'Weird Science' hooked up to a dot-matrix printer spitting out reams of mechanical but distorted mono-lettering all the while an old modem you can't seem find keeps beeping and beeping and beeping...

Founded on a rigid structure of modernist type, Calypso E has a determined tone without an authoritative tang. It is an updated interpretation of a Neo-grotesque model Egyptian with a hint of Humanist lightness in its forms. Seriously big x-height, square basic form and sturdy serifs create firm text regardless of the weight. This makes Calypso E well suited for various media, from sharp plotter images to low-res television screens. Calypso E includes four suitable body copy styles. Book, Regular, Normal and Medium can be applied according to, for example, the size of text and quality of paper. All styles in the family are equipped with an expanded character set, small caps, case sensitive forms, discretionary ligatures and much more to make even the most elaborate typographic detailing possible.

After release of Wood Bonnet Antique No.7 some of my clients asked for a sans serif version. So I printed my second batch of old wood type. I transferred these wood type into a digital font and tried to preserve the warm vintage look. » pdf specimen « The font offers up to four glyph variations of all the Latin base letters, figures and some additional letters - It has an build in letter randomizer. Please check you have turned on contextual alternates in your application. If you prefer a more common look and need more weights or to use the font in smaller text sizes I have done clean and sharp font family called Bonnet Grotesque Nr. It’s the preferred version for all the usages on websites, apps or ebooks. Have fun!

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Frontpage Four is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Branczyk designed 16 of these himself."

This type family is a revival of the old and famous Frank Rühl from 1924. With less contrast the 2 weights make it more readable and pleasant to the eye too. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme Font files were re-generated to get better online screen display, as well as refined OpenType features as kerning glyph substitution. Please be aware of minor changes that might impact page layouts done with older fonts' versions. So be careful.

Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Burnout Chaos is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Branczyk designed 16 of these himself."

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Stefan Hauser and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Hauser and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Haakonsen is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Hauser designed two of these himself."

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Thomas Nagel and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Nagel and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F EI Dee Cons one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype. Nagel designed nine of these himself."

Few fonts reach cult status. Despite its ubiquity—and perhaps because of its lack of subtlety—for a hundred years Cooper continues to draw the faithful. It’s even come to define an entire typographic genre and recently starred in its own documentary. Cooper Nouveau is Dave West’s imaginative contribution to the Cooper oeuvre. Drawn in 1966, Nouveau refreshes Oswald Cooper’s original italic with an energetic pitch, simplified contours, and a plump friendly figure. Uniform strokes and generous curves push the font’s playful personality and springy silhouette even further. A selection of swashed characters and ligatures offers options for lively logos and strong captions. While Cooper Nouveau looks laid-back and easy-going, it’s more than capable of pulling it’s own typographic weight. Put it to work where relaxed needs to project confident. Set Nouveau large for eye-magnet posters, packaging, and advertisements. Maximize its youthful energy for kids’ themes, craft action, and apparel bounce. Or set it alongside a master like Benguiat Buffalo or Chalet to show how Cooper Nouveau can communicate on paper and screens with an inherent ability to speak the language of style in many tongues. But like any cult icon: beware! Cooper has a way of setting the needle, and Nouveau just may become your go-to design fix. FEATURES ALTERNATES: Cooper Nouveau contains several alternate characters, which add flair to your designs and can help solve spacing issues LIGATURES: Many letter combinations in Cooper Nouveau form a ligature to solve spacing issues and produce more pleasing designs. COOPER NOUVEAU CREDITS Typeface Design: Dave West Digitization: Dave Foster Typeface Direction: Ben Kiel, with Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Blackmon is a retro, bold script font that will bring you back to the 60s – 80s. This typeface has an extruded version, so you can create a retro effect with ease. This typeface is perfect for logos, invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or other advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Albe Sans is a font family that began life when I was struck by a full-color back page ad in a 1935 copy of Better Homes & Gardens. I loved the readability and general cleanliness of the design. This font is drawn from memory after that experience. It is loosely based on Palton for proportion, but heaviily modified (not to mention, Palton is serif): Lower case numbers, Euro, ballot box in the section slot.