Civane Serif maintains the epic grandeur of Civane with a text-friendly typeface. Inspired by the great tales of old, the grandeur of Civane is refined into a serif font with sharp serifs. Civane Serif is a contemporary sans-serif typeface with a robust character set. The Civane Serif family of typefaces supports 48 Latin-based Western, Central, and Eastern European languages, as well as the Baltic States and Turkey. Ligatures, small caps, embellishments, and a wide range of numerals are all accessible in OpenType, including proportional and tabular-width numbers, old style figures, fractions, inferiors, and superiors. Civane Serif is one of the finest choices for serif text setting. The italic or bold weights, as well as the roman set in titling caps, will impart a feeling of serene dignity on posters and webpages. Civane Serif's craftsmanship shines through with its higher contrast modern design, perfect for high-end premium goods and services.

Texicali is a multiple weight type design based on our FontMesa logo. The idea was simple: create a sans serif with a few slab serifs added resulting in a style that could feel at home just about anywhere. The regular/standard set works well for general use while the Alt set is perfect for when you want to add a little country charm. The Alt set has a few additional alternate letters built in which are easily accessed using Adobe Creative Suite products such as Illustrator and In Design. The X version, with its higher x-height lowercase, is ideal for signage where you want the look of a lowercase, however your sign still needs to be readable from the street. Larger x-heights also come in handy for web use helping to make the text more readable on smaller devices. The price of font styles are subject to change without notice.

Blop77 is a geometric sans-serif type family, consisting of 3 weights. It is based on the Blop11, being its expanded version. Blop77 is well-suited to headlines and short text.

Crypto is a narrow, sans serif, geometric, display font with two weights. It works well for modern, contemporary projects, logotypes, films, posters, billboards, press advertisements, websites, packaging. It provides multilingual support.

As its name suggests, TRGrunge is a rough, grungy font that is surprisingly readable. Derived in 1997 from a 1989 sans-serif face, it was expanded with additional characters in 2021.

Dense is a versatile, elegant, geometric and compact sans-serif typeface. Though it is a very flexible typeface, it truly shines at larger sizes when used for headlines and poster design.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Gemma was born in Madrid 37 years ago. After spending many years in the capital, she decided to start over again and moved to Barcelona. A series of misfortunes and wrong decisions left her on the street. Gemma is a calm, emotional person who likes to take her time to do things and, if there’s one thing the street can offer, it’s time. The street lets you listen carefully, watch without being seen. Being in the street isn’t pleasant at all. Seeing people who’ve just showered go past makes you miss even more things that many take for granted. Breakfast, a clean smell, paying for a metro ticket. Being homeless is much more than having nowhere to sleep. Life in the street is hard, says Gemma, but she also sees the positive side. “It’s the best way to get to know human beings.” She likes to see the street as if it were a school. A school she has been in and out of for too long.

Akwe Pro™ is a professional, ultra versatile sans serif typeface characterized by excellent legibility and modern design perfect for all design purposes. It is designed for use in long and short paragraphs of text, headlines and user interfaces. Its distinctive character and carefully crafted proportions make it a great option for brand identification and logo design. Akwe Pro™ mega family consists of 164 fonts - each weight in uprights, italics and small caps versions. It has extended language support and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Berkin – Display Font is a captivating sans-serif typeface that breaks free from monotony with its playful and eye-catching design. Its stems and letterforms carry a dynamic and non-uniform style that instantly grabs attention, making it perfect for display purposes. Berkin’s unique design adds a sense of energy and spontaneity to your projects, ensuring that they stand out in a crowd. Whether you’re creating eye-catching headlines, signage, or branding materials, Berkin injects a distinctive and lively personality. This font is like a burst of creativity in the world of typography, making it an exceptional choice for projects that demand a playful and attention-grabbing aesthetic. Berkin’s playful and non-conformist approach ensures your designs are unforgettable and exude an enthusiastic and dynamic vibe.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Fattty is a chunky fun font with plenty of wobbly bits. It's perfect for bold brands and funky projects. It's friendly curves are a great fit in kids books or on chubby posters. But remember, say it loud I'm fat and I'm proud!

Introducing Amber & Margot the Sanserif Fun Font It's a modern, chic and stylish handwritten font, that gives the catchy designThis font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: OTF Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing Logina, a modern clean typeface, it's a fresh look with a nice perfect rounded shape. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Copadena is a stylish font that is a Modern - Chic, it's an elegant and unique font. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Gianluca is a typeface of glyphic serif, or “flare” inspired by Aldo Novarese’s fonts from the 70s, with a fresh and modern touch. It is a type family that can be elegant in its normal version, or very playful, to compose from extensive texts to flashy headlines in books, magazines, labels, posters, branding and more. It has many discretionary ligatures in capital letters (with its diacritics) to play with the text, 5 stylistic sets: among them medieval style or references to Herb Lubalin, and some special letters. Gianluca consists of 5-weight fonts, from Thin to Extra Bold. All of them with matching italics. It has a nice set of small capitals, modern and old style numbers, and capital-sensitive punctuation, among other striking glyphs. Play with Gianluca!

New Twist Display font, so here for you, Salty Mussy! Salty Mussy - A display typeface that has quirky and twisted style, It brings back the 70s vibes with its modern but still funky rhythm. This font has a beautiful uppercase and lowercase, so it can show more options for your project! Salty Mussy - This font is also included in the psychedelic style which can be very suitable for use in many projects such as street art design, posters, magazines, quotes for Instagram, and many more! What you get : Letters, numbers, punctuation, multilingual support Has 64 beautiful alternates and ligatures Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio

**Simpline** a beautifully crafted handwritten font that exudes simplicity and elegance. With its smooth flow and clean lines, this font is perfect for a wide range of design projects. Its simple and minimalistic style makes it ideal for use in various applications, from logos to social media graphics, invitations, and more. The effortless flow of each character adds a individual touch to your design, making it stand out from the rest. Whether you need a font for individual or commercial use, Simpline is a versatile and timeless choice that you can rely on for any project. Try it out today and see how it can elevate your design! Thank you for let us be your design partner, If you have any questions please don't hesitate to drop me a message

Sneakers was a typeface that I originally drew all the way back in 2005, with a release in 2006. Its most recent iteration, Sneakers Pro was released in 2009. Since then, the idea of reworking the design has lingered in the back of my head, but I wanted to add additional flexibility and value to anything offered beyond the originals. Sneakers Max does just that and I am happy to see it released and available to everyone. Sneakers Max raises the bar in terms of functionality… incorporating all of the options found in Sneakers Pro (e.g. Small Caps and a biform/unicase located now in Titling Alternates), but it expands the character offering, improves on letter designs (everything was redrawn) and explores more flexible settings by providing 5 distinct counter widths to keep more uniform multi-line settings with mixed letter heights. Special thanks to Potch Auacherdkul for his additions to the original character set and for his engineering skills.

Qotho is a clean, geometric sans serif font, available in five weights. Qotho Dark, Qotho Medium, Qotho Light and Qotho Thin also come in two widths, regular and Cond. Clear and versatile, Qotho is designed for magazine pages, newspapers etc. Its large x-height and simple lines make it extremely legible. The font contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Optimisti is Finnish for optimist – and it’s an optimistic, light-hearted feeling that this trio of handwriting fonts transfuses into all kinds messages and identities. Casual, playful and character-strong as they are, the three of them make a perfect team for headlines, slogans, teaser texts and brand naming. Besides the two original fonts – “Optimisti Smooth” and “Optimisti Sparkling” differing in outline structure and texture – “Optimisti Decor” now joined the game. Optimisti Decor is loaded with a multitude of artful elements that can convey a very festive atmosphere – or, on the contrary, ironically make fun of it. Its features are is especially striking when used in all-caps setting. Use the Optimists separately or together to make a humorous – or serious but always cordial impression in print, on the web, on packaging or even on your shopping bag … All Optimisti fonts have a Western European, a Central European and an Extended Cyrillic character set. They support approximately 100 languages.

Vulgary is a script family that includes 4 fonts. They match each other but can be used separately as well. It supports all euro languages based on Latin alphabet. To use swashes you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.

Fleurons Initials is a set of elegantly decorated blocked initials, reminiscent of old Jazz and Circus Posters. I have added one set of flat underlays and one of blocked underlays, so you can easily add a little colorful touch here and there. Easy because those underlays have the the same spacing! Have fun. Your elegant designer, Gert Wiescher

Cagile is a family font that comes with 4 styles like regular, italic, semi-bold, and semi-bold font. Cagile presents a minimalist but classy look, all characters are can represent what a project purpose that you want. The font is also nice and standout working for wedding invitations, logo, pull quotes & monograms, headlines, title, and more.

Say hello to Asmelina Harley, an elegant calligraphy script font. Perfect for making elegant stylish statements - or adding a touch of class to your designs. This script has a multitude of natural looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. Asmelina Harley is perfect for many different project such as logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. Asmelina Harley is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Designed by Daniel Hernández and Paula Nazal. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Trenda is a geometric sans-serif typeface based on the uppercase of Trend —a Latinotype font, released in 2013, that was very well received. This new typeface comes with a wider character set that offers a complete family of uppercase and lowercase in different weights. Trenda is a versatile easy-to-use functional display font with a strong personality, especially its uppercase, which makes the designer’s work easier. Trenda’s lightest and heaviest variants are ideal for display use while its middle weights work well with short and mid-length texts. This typeface has been designed especially for corporate projects, logotypes and publishing. Trenda comes in 8 weights, ranging from Thin to Heavy, and includes matching italics as well as small caps and alternates. The family contains a 634-character set that supports 206 different languages.

Kaybuts consists of three styles: sans-serif, serif, and semi-serif, each of which includes italic typefaces. Thinner and thicker weights look best when handled in relatively large font sizes, such as eye catchers and headlines. The middle weight is best suited for smaller text. Incidentally, this typeface was designed under the influence of, or with Mary Shelley's novel Frankenstein: or The Modern Prometheus in mind.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Retaining all the imperfections and irregularities of wood type, Wormwood Gothic is a gothic sans with all the naive and uneven character shapes typical of the period. The ‘capitals’ feature extended characters, while the ‘lower case ’ features capitals of squarer proportions. Freely mix the two in word settings or colour in red and black for a Dada collage, billposter, urban grit or antique Americana atmosphere.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.