Another 48-cut family from a typeface system which originally arose from the need to simply explain to some publishers what it is “serif, sans-serif, egyptian”, etc. including their style variations. Over time, the Trivia became quite popular, which was her goal. Now is the opportunity to explain what it is “grotesque.” Grotesque in art is generally synonymous with bizarre, repulsive impropriety, but also surreal abomination exciting an empathic pity. These are qualities that undoubtedly attract the viewer’s attention since the days of Gothic gargoyles, stone gorgons and chimeras. Grotesque font is unlike the cold sans-serif much warmer, more appealing for the title, poster or advertisement, and is usually given in a variety of widths and weights. With our Trivia it shares basic proportions and OpenType features.

You request perfection--that ideal equilibrium of compact dimensions and geometric underpinnings that leaves you with pure, clean lines of a highly legible sans. We give you Solitas, a 7-weight sans-serif from Jeremy Dooley. Made of 42 fonts, from the slender thin to the powerful bold and their matching italics, this typeface family features typographic options including ligatures, fractions, alternate unicase, upright italics, and titling caps. Coupled with its pure design and style, this makes Solitas a successful workhorse typeface. The result of simplification and reduction, Solitas is well-suited for the headlines and shorter texts of promotions, packaging, editorials and branding, both in print and on your website. That's it. It's that clean, that simple, and possibly that perfect for your next layout. Get it today.

Buddy is the new companion sans for Contenu, the book font family designed for my book on font design design. Originally, I called it Compagnon, but that seemed to pompous. Then I called it Aide, but that was too formal and dry. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 4-font Buddy family of Regular, Italic, Bold, & Bold Italic. I made a new, more limited feature set for these fonts due to their designed usage, but there are still small caps, small cap figures, oldstyle figures, numerators, and denominators. The bold is closer to a black, and the italics are only slightly slanted obliques. If you need a strong black in caps, use the small caps of the bold.

Norsy, A Display Typefaces with Variable Weight and Width. Norsy is a modern elegant variable font. Basically this is a Sans with a small touch of serif on every letters. A Simplicity yet very legible with various width and weight that you can explore, combine, create and help you designing something. In a Total of 21 Style Font files or even more if you are using the Single Files Variable, you can slide the weight and width on the sweetest spot of Norsy.

Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!

Artographie is a Art Deco sans-serif family. The lettering was designed by Måns Grebäck during 2019 and 2020. It gives any project a moderist appearance, as a reinvention of the hundred-year-old style of design, adapted and adjusted to fit in present-time purposes and technology. The typeface is a family containing five styles: Thin, Light, Medium, Bold and Black. The weights are top quality and created to balance perfectly against each other. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Maat is a modular geometric stencil display font that includes a number of modular pattern characters, and can be used to create designs that echo early Modernism by merely applying letters, patterns and color. Maat is a loose interpretation of a hand lettered alphabet by the late Dutch designer Jurrian Schrofer called Sans Serious which was included in Wim Crouwel's publication Letters of Maat. It is inflected with a bit of influence from British designer Ken Garland's similar lettering form the cover of his textbook, The Graphics Handbook. Maat derives its name from the title of Couwel's booklet.

Bouncy Color is a funny cartoon font with pre-set coloring, outline and shine effects! Drawn and created by Mans Greback in 2021, this comic-style lettering has a happy, quirky personality and optimistic humour. It has a colorful graffiti and street art look, while being a childish and cute sans-serif – a typeface for boys and girls alike. Bouncy Color is provided in five styles: White, Blue, Pink, Highlight and Outlined. Use it in Photoshop, Illustrator, InDesign or any other modern software that supports color fonts, and you'll give any project a fun and happy appearance.

Inspired by the Art Nouveau movement in Belgium we've created a new and bold typeface. Amberes® is a sans serif font, it can be a loud and proud hero or a humble supporting actor, upgrading your lay-outs in no time. 3 weights plus matching Obliques. The font is distributed in OpenType format, including kerning and other features. This font also includes Latin extended glyphs, so it supports languages such as: Dutch, French, Vietnamese, German, English, Afrikaans, Catalan, Croatian, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbian, Slovak, Slovene, Sorbian, Turkish and Welsh.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Liak is a sans serif family. Design with various width and weight that you can explore and combine creating rhythm and texture for comfortable reading. This font supports more than 100 Latin-based languages and has extensive Cyrillic and Greek support for languages like Russian, Bulgarian, Ukrainian, and many more.In variable version, it allows multiple options when designing, adapting to different composition solutions. Feature Uppercase & Lowercase Number & Symbol International Glyphs (Cyrillic & Greek) Multilingual support Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: Suandana_Ipandemade@hotmail.com Hope you enjoy it.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Burma perfectly represents vintage aesthetics sans serif display typefaces. This project is inspired by beautiful lettering on old label. It come with 4 style (regular, soft, rough and outline). Some letters contain beautiful stylistic alternates characters (ss01 - ss04) and feature ligatures. Burma can be applied in designs such as logotypes, posters, packaging, branding, quotes, badge and more custom design. It features uppercase, lowercase, numeral, punctuation & symbol, ligatures, alternates, multilingual support, and is PUA encoded (fully accessible without additional design software). How to get access alternate glyphs with designing software to open type fonts check this link: http://adobe.ly/1m1fn4Y

Ciroke is a distinctive modern blackletter typeface that seamlessly fuses the classic elegance of blackletter with the clean and contemporary aesthetics of sans serif fonts. This unique fusion results in a visually striking and versatile typeface that effortlessly bridges tradition and modernity. Ciroke is an ideal choice for projects that demand a modern yet timeless aesthetic. It works well in branding, editorial design, packaging, and any application where a balance between tradition and contemporary style is desired. The font's versatility ensures that it can be used across various design platforms, from digital screens to print media.

Andove is a narrow sans font with very tight compression. With a slim character and a fairly large x-height, Andove looks great for very large and eye-catching typesettings. The one-sided serif in ascenders makes this font very unique and stands out to show it is sporty and strong enough. What's even more interesting is Andove has a true italic on each weight so it can be an option for really big headlines and poster title. Andove consists of 10 styles in six weights — Thin to Bold — Upright and True Italics and comes with extended language support including Cyrillic.

Centim is contemporary sans with sharp top endings of stems that give a bit technical charm to typeface. With a squarish look, it can be used widely in all modern publications or become a part of an corporate identity. In smaller sizes, Centim offers good readability due to its simple and good balanced lines. Centim is available in Regular and Bold weights, as an ideal high-contrasted combination where all characteristics of the typeface are purely effective. Centim is the archaic Serbian word for Centimeter, a word that was mostly used in tailoring during XIX and XX century.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Madre Rose is a sophisticated sans serif with 3 weight style to choose from, bold, thin and regular. It has many beautiful ligatures which you can play around to match your project, whether for a standout headline, or for a tagline, you name it. The unique letterform makes this font one of a kind! Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 weight style uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded

Linotype Syntax™ Serif is the serif typeface that complements Linotype Syntax™, both created by Swiss type designer Hans Eduard Meier in 2000. With this new design, Meier has at last given shape and structure to the invisible muse that inspired him in the 1950s when he conceived his monoline sans serif based on humanist or Oldstyle letterforms. The calm legibility of this workhorse text family is accented by Meier’s signature of subtle dynamic movement, making it ideal for longer texts in books and magazines. It combines harmoniously with the other Syntax typefaces, Linotype Syntax™ and Linotype Syntax™ Letter.

Arnel Vintage Font is a striking sans-serif typeface that effortlessly embodies the rustic charm of vintage stamps, capturing a raw and hand-drawn aesthetic. This font is tailor-made for all your vintage display needs, exuding an authentic and weathered appearance that harks back to yesteryears. With Arnel, you can effortlessly transport your audience to an era of nostalgia and authenticity. Its rough edges and irregularities in letterforms evoke the tactile feel of aged ink stamps, giving your designs a genuine vintage appeal. Whether you’re creating posters, labels, or any project that calls for a touch of vintage character, Arnel Vintage Font adds a unique and nostalgic flair. It’s like unearthing a hidden treasure in the world of typography, making it the perfect choice for projects that aim to evoke a bygone era’s timeless charm and authenticity.

Mugio is the latest addition to our San Serif font family. Mugio is a one-of-a-kind font that can be used for any project. It includes a lot of qualities that make it particularly powerful and handy for making elaborate designs. This font’s slanted letters and curves make it ideal for logos, flyers, posters, and a wide range of other typographic projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Sheldon family draws inspiration from the beautiful and eloquent posters of Polish graphic artist Marian Stachurski. Generously sprinkled with stylistic oddities, this is the perfect typeface for having some cool typographic unevenness without losing the ever-handy sans-serifness. Sheldon is an all caps font but holds different characters on upper- and lower-case slots for a more consistent handcrafted feel. Its OpenType Contextual Alternates feature manages to instantly alternate these glyphs. The family includes 3 handy weights, so it can accommodate numerous typographic tasks. It also brings a very cool picture font, which charmingly completes this useful and visually striking font family. Have fun!

Quache is a flexible sans-serif, created by Måns Grebäck between 2018 and 2020. It has unique, stylish curvatures and is clear, legible and sharp with open letter forms. This is a variable font. It is only one font file, but this file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the 28 predefined styles, but instead 1000 times 1000 options to customize the type to the exact look your project requires. It supports Latin-based languages, and contains numbers and all symbols you'll ever need. More info about Variable Fonts: https://mansgreback.com/s/About_Variable_Fonts.pdf

Handel Slab, designed by Ralph M. Unger, is a new offering which ideally enhances and extends the existing Handel Gothic family. Even so, Handel Slab can very well be used on its own. Obviously, Handel Slab is closely based on Handel Gothic, which was designed by Don Mandel in the mid 1960s and which has been popular and successful amongst users from day one. Even today, it is a futuristic sans serif, and it is used for a wide range of typographic tasks, for example in computer games. Handel Slab provides a perfect enhancement to Handel Gothic, and the combination of both families offers more flexibility to designers and typographers.

Volka is a modern sans serif font with clean and minimal lines with high contrast looks. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Diversa is a typeface that takes a very different path from the most fonts, both in terms of appearance and usability. Diversa is a single typeface with 9 fonts within, containing 2760 glyphs*, divide in 9 stylistic sets, but the main difference is that all the glyphs are kerned with each other, which means you can swap glyphs between stylistic sets and keep them properly kerned - unbracketed serifs, bracketed serifs, engraved, stencil, sans, slab, baroque, stencil sans, stencil slab and a stylistic set that mixes them all in a rotative feature. Diversa: Because uniformity sucks! *requires applications which have Open Type access/features.

Filosofi 3 Finger Sans Serif Font that we created special for Display, Logo and Branding A new Serif font that is nice to leverage designer or product owner that need solutions to make their design look more gorgeous and vintage. And specially for this font, We prepared any characters to help you create gorgeous for your creative needs specially for headline, and typography needs. Filosofi 3 Finger Sans Serif font ready with: Stylish Shape to get creative Preview as a inspirations that you can do with this font Ready with All Uppercase characters Wish you enjoy our font. :)

Say hi to "The Jakarta" a stylish display sans typeface is the latest collection from @faldykudo "The Jakarta" basic technical and anatomy comes from the genetics of the "Magnify" family (Geometric classification of typefaces) with several stroke modifications and a combination smooth curves for a minimalist, elegant and modern sans serif. The Jakarta is perfect for the logo, product, headline or any of display design. The Jakarta has a complete characters A-Z, a-z (including stylistic Alternates), Numeral, Punctuations, and standard ligature. thanks, hope you would like and accept "The Jakarta" as part of your family. thank you in advance

Bristol and Bristol Adornado (also known as Greco) was first released by Fundición Richard Gans of Madrid, Spain, in 1925. The Richard Gans Foundry is a defunct Spanish foundry which existed from 1888-1975. Throughout its existence, types were designed by a number of people including José Ausejo Matute (d. 1998), Antonio Bilbao (who created Escorial in 1960), the son Ricardo Gans, and Carl Winkow. GroupType's versions of this font pair have been with FontHaus since the mid 1990s. Bristol is a charming and strong period design. Its structure is masculine and vertical. A great poster font and the Adornado style is an excellent choice for an eye-catching large drop cap.

Introducing our sleek and modern condensed sans-serif font - Meuga. Meuga is condensed sans-serif font offers a minimalist design with its narrow width and clean lines, perfect for any branding or design project. This condensed sans-serif font is perfect for anyone looking for a clean and modern look, with its narrow width and elegant lines. Add a contemporary touch to your designs with our condensed sans-serif font, perfect for headlines and titles in digital and print design. This font is perfect for Headlines and titles, digital advertisements, brochures and flyers, infographics and data visualizations, navigation menus and labels, web designs, logotypes, t-shirts, and many more. Meuga features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Condensed Style +235 Total Glyphs

I wanted to do somewhat like Blackletter, but Blackletter is hard to read sometimes, so I tried to solve this problem and to do something unique. This font is able to be used with all European languages including ancient and reconstructed languages like Old Church Slavonic (it can be written by Cyrillic or Glagolitic script), Proto Slavic, Ancient Greek etc. It also includes IPA, so it can be used in education.

Kaytek™ Slab is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design. This blend of sturdiness and quirkiness means it’s just as relevant for information-heavy projects, such as annual reports, as it is in more expressive environments. Although first and foremost designed for text, Kaytek Slab’s details shine through in its heavier weights and larger sizes, meaning it also has display potential. Every style of the typeface takes up exactly the same amount of space, thanks to the way Radek Łukasiewicz created the design. He based the entire typeface on a single, master set of proportions. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style. As well as its roots in the office, Kaytek Slab draws on a little bit more 90s nostalgia. It’s named for the first and only Polish walkman, and embodies the same solid, no-nonsense shapes that made the analogue technology of the era so charming. Kaytek Slab is robust and solid. Kaytek Slab comes in 12 weights, from Thin to Black Italic, and offers multi-language support. Kaytek Sans, Kaytek Headline and Kaytek Rounded, are also available.

Ante Cf serif is an modern and elegant serif font family. This font is still included in the Ante Cf Family, created with a modern and vintage feel A very versatile font in a variety of designs you want. It is also suitable to be paired with Script / Handwritten / Minimalist Sans Serif Fonts for your project. We recommend that you have all types of Ante Cf Family Fonts (Serif / Sans Serif) to make your project even more amazing with a large selection from this Ante Cf Font Family. With Ante Cf Serif which has a large selection of alternative letters and ligatures, combined with Ante Cf Sans Serif which has a lot of weight, makes all your design projects seem complete and perfect, whether it’s for tagline, branding, editorial, magazine titles, poster design, logotypes, wedding invitations and other creative design projects.

Quaro Is Modern Display Sans Inspired By Stylish Round Font. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Roundkey Is the font sans serif family for branding and text. Comes with two basic characters, namely "sharp" and "soft", each character consists of 6 weight with matching oblique. A total of 24 fonts with basic condensed shapes and unique curves. the soft version has a different degree of softness. medium and bold have wider curves because they are suitable for displays, while thin to regular have smaller curves for easier reading. With these sharp and soft version make it can be applied more widely

German type designer Hans Reichel created this sans FontFont in 1996. The family has 6 weights, ranging from Light to Black and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as small text. FF Schmalhans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Introducing, Nora's Blooming is a chic + modern sans serif font. Nora's font is perfect for branding, logos, social media, prints, stickers, shirts, svg files, and more! Nora's Blooming is unique in that it can be used for a variety of design styles. Me Great for free-spirited boho designs as well as for a classier editorial look! There are fun style alternatives available for use with this font. These letters are embedded in font files and easily accessible in programs such as Photoshop and Illustrator. thank you!

Violence Is Vintage Sans Serif Inspired By Retro Font. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Noble Criatura Is A Display Font Combinated with Sans/Serif Typefaces. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

The handprinted Geometrix font family is an alternative to the usual distressed typeface. Rather than drawing on a sans-serif style and tearing it to shreds, Geometrix provides an intresting and compelling set of shapes which ties into a nice worn effect. The Geometrix font family consists of two fonts; Geometrix and Geometrix Nero. Geometrix and Geometrix Nero can be used together to create a fill for Geometrix's letters, by layering Geometrix above a differently coloured Geometrix Nero in your image editor of choice.